{"id":27964,"date":"2025-12-02T19:50:51","date_gmt":"2025-12-02T17:50:51","guid":{"rendered":"https:\/\/revistacultura.ro\/nou\/?p=27964"},"modified":"2025-12-02T19:56:35","modified_gmt":"2025-12-02T17:56:35","slug":"cultura-657","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/cultura-657\/","title":{"rendered":"Cultura 657"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1131\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/coperta-657.gif\" alt=\"\" class=\"wp-image-27966\"\/><\/figure>\n<\/div>\n\n\n<p class=\"has-neve-link-hover-color-color has-nv-site-bg-background-color has-text-color has-background has-link-color has-small-font-size wp-elements-48a52b3b0b5c24ba3ef719d59b20663a\"><strong>| Imagine copert\u0103:<\/strong> Pexels Photo, Bucure\u0219ti<strong> |<\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>SOCIETATE<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"666\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/IMG-20251125-WA0004.webp\" alt=\"\" class=\"wp-image-27967\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/IMG-20251125-WA0004.webp 1000w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/IMG-20251125-WA0004-300x200.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/IMG-20251125-WA0004-448x298.webp 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/IMG-20251125-WA0004-768x511.webp 768w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/IMG-20251125-WA0004-930x620.webp 930w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong><a href=\"https:\/\/revistacultura.ro\/cautand-arta-in-fotografia-de-nunta\/\">C\u0103ut\u00e2nd arta \u00een fotografiile de nunt\u0103<\/a><\/strong><\/h3>\n\n\n\n<h5 class=\"wp-block-heading\">Interviu cu fotograful Gabriel Rose Lens<\/h5>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u00cemi place diversitatea momentelor, a oamenilor, emo\u021biilor \u0219i tr\u0103irilor din ziua nun\u021bii, dai de o gr\u0103mad\u0103 de persoane cu diferite idei, unele mai ciudate, altele mai pu\u021bin ciudate. Chiar dac\u0103 scenariul unei nun\u021bi este acela\u0219i, e extraordinar s\u0103 po\u021bi s\u0103 vezi c\u00e2t de diferi\u021bi sunt oamenii \u0219i c\u00e2t de diferite sunt nun\u021bile lor.<\/p>\n<\/blockquote>\n\n\n\n<p>Pentru mine, un fotograf complex trebuie s\u0103 le \u0219tie pe toate. S\u0103 poate s\u0103 fac\u0103 \u0219i fotografii creative, s\u0103 poat\u0103 \u0219i s\u0103 documenteze nunta 100%, s\u0103 fac\u0103 \u0219i fotografii de pus \u00een ram\u0103. Important e ca el s\u0103 creeze un cadru unde oamenii s\u0103 se poat\u0103 deta\u0219a de tot stresul nun\u021bii \u0219i s\u0103 se comporte c\u00e2t mai natural, s\u0103 fie ei \u00een\u0219i\u0219i.<\/p>\n\n\n\n<p>| Autor: CORINA TARA\u0218-LUNGU |<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/cautand-arta-in-fotografia-de-nunta\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>TEME \u00ceN DEZBATERE<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1880\" height=\"1253\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/pexels-photo-32861883.jpeg\" alt=\"\" class=\"wp-image-27992\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/pexels-photo-32861883.jpeg 1880w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/pexels-photo-32861883-300x200.jpeg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/pexels-photo-32861883-448x299.jpeg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/pexels-photo-32861883-768x512.jpeg 768w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/pexels-photo-32861883-1536x1024.jpeg 1536w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/pexels-photo-32861883-930x620.jpeg 930w\" sizes=\"auto, (max-width: 1880px) 100vw, 1880px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/primarii-bucurestiului-istoria-profilul-miza-candidatii\/\">Primarii Bucure\u0219tiului: <br>istoria, profilul, miza, candida\u021bii<\/a><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/revistacultura.ro\/primarii-bucurestiului-istoria-profilul-miza-candidatii\/#Perspectiva_A:_Antecamer%C4%83_pentru_Cotroceni_Perspectiva_B:_Motorul_dezvolt%C4%83rii_Rom%C3%A2niei\">Perspectiva A: Antecamer\u0103 pentru Cotroceni. Perspectiva B: Motorul dezvolt\u0103rii Rom\u00e2niei<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/revistacultura.ro\/primarii-bucurestiului-istoria-profilul-miza-candidatii\/#Prim%C4%83ria_Bucure%C8%99tiului_%E2%80%93_a_doua_cea_mai_important%C4%83_func%C8%9Bie_electoral%C4%83\">Prim\u0103ria Bucure\u0219tiului \u2013 a doua cea mai important\u0103 func\u021bie electoral\u0103<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/revistacultura.ro\/primarii-bucurestiului-istoria-profilul-miza-candidatii\/#Bucure%C8%99tiul_%E2%80%93_o_for%C8%9B%C4%83_economic%C4%83_peste_%C3%AEntreaga_Bulgarie_sau_peste_Serbia\">Bucure\u0219tiul \u2013 o for\u021b\u0103 economic\u0103 peste \u00eentreaga Bulgarie sau peste Serbia<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/revistacultura.ro\/primarii-bucurestiului-istoria-profilul-miza-candidatii\/#Istoria_Primarii_care_au_transformat_Bucure%C8%99tiul:_de_la_sat_mare_la_metropol%C4%83\">Istoria. Primarii care au transformat Bucure\u0219tiul: de la sat mare la metropol\u0103<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/revistacultura.ro\/primarii-bucurestiului-istoria-profilul-miza-candidatii\/#Alegerile_din_2025:_dou%C4%83_perspective_divergente_%C8%99i_dou%C4%83_profiluri_de_candida%C8%9Bi\">Alegerile din 2025: Candida\u021bii<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/revistacultura.ro\/primarii-bucurestiului-istoria-profilul-miza-candidatii\/#Semnifica%C8%9Biile_alegerilor_din_7_decembrie\">Semnifica\u021biile alegerilor din 7 decembrie<\/a><\/li>\n<\/ul>\n\n\n\n<p>|<strong> <\/strong>Autor: NICU ILIE |<strong> <\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/primarii-bucurestiului-istoria-profilul-miza-candidatii\/#\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>TEME \u00ceN DEZBATERE<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"135\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/bucuresti-capitala-ceata-foto-nicu-ilie-300x135-1.jpg\" alt=\"\" class=\"wp-image-27968\" style=\"width:674px;height:auto\"\/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/mesaj-pentru-bucuresti\/\">Mesaj pentru Bucure\u0219ti<\/a><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><\/li>\n<\/ul>\n\n\n\n<p>Am atras aten\u021bia \u0219i \u00een 2023 c\u0103 se \u00eent\u00e2mpl\u0103 ceva \u0219i c\u0103 alegerile nu se vor derula \u00een lini\u0219te democratic\u0103 (\u201e<a href=\"https:\/\/revistacultura.ro\/moscova-este-aici\/\">Moscova este aici!<\/a>\u201d). Nu prea am fost ascultat, iar \u00een final\u2026 chiar s-a \u00eent\u00e2mplat. <\/p>\n\n\n\n<p>Poate acum analiz\u0103m cu mai mult\u0103 aten\u021bie riscurile dezbin\u0103rii. Nu B\u0103lu\u021b\u0103, nu Ciucu, nu Drul\u0103 sunt inamicii Bucure\u0219tiului sau ai Rom\u00e2niei. Adev\u0103ratul inamic a\u0219teapt\u0103 ca cei trei s\u0103 se anihileze reciproc, pentru a avea cale liber\u0103 spre fotoliul de Primar General&nbsp;al&nbsp;Capitalei.<\/p>\n\n\n\n<p>Autor: REMUS PRICOPIE<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/mesaj-pentru-bucuresti\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"882\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/ana_ciceala.webp\" alt=\"\" class=\"wp-image-27970\" style=\"object-fit:cover;width:342px;height:auto\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/ana_ciceala.webp 1000w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/ana_ciceala-300x265.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/ana_ciceala-448x395.webp 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/ana_ciceala-768x677.webp 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>TEME \u00ceN DEZBATERE<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/revistacultura.ro\/ana-ciceala-raspunsuri-la-ancheta-revistei-cultura-privind-strategia-culturala-a-candidatilor-la-primaria-bucurestiului\/\">Ana Ciceal\u0103 \u2013 r\u0103spunsurile <br>la ancheta revistei Cultura privind strategia cultural\u0103 <br>a candida\u021bilor la Prim\u0103ria Bucure\u0219tiului<\/a><\/h3>\n<\/div>\n<\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong> <\/strong>\u201eExist\u0103 un&nbsp;gap&nbsp;\u00eentre sectorul cultural independent, inovator, \u0219i sectorul cultural public, lent \u0219i birocratic\u201d<\/p>\n<\/blockquote>\n\n\n\n<p>Cu dou\u0103 s\u0103pt\u0103m\u00e2ni \u00een urm\u0103, colegul nostru Daniel Sur a f\u0103cut un exerci\u021biu: a trimis tuturor candida\u021bilor relevan\u021bi la func\u021bia de primar al Bucure\u0219tiului un set de \u00eentreb\u0103ri despre viziunea lor asupra dezvolt\u0103rii culturale a ora\u0219ului. A vrut s\u0103 afle de c\u00e2t\u0103 aten\u021bie se poate bucura o astfel de tem\u0103 \u00een perioada de campanie \u0219i c\u00e2t pre\u021b pun candida\u021bii pe comunitatea cultural\u0103. La termenul propus, unul singur dintre candida\u021bi a r\u0103spuns chestionarului. Public\u0103m r\u0103spunsurile primite de la Ana Ciceal\u0103, candidatul SENS la Prim\u0103ria General\u0103 a Bucure\u0219tiului. \u00cei mul\u021bumim pentru disponibilitate, o felicit\u0103m \u0219i \u00eei dorim mult succes. (Redac\u021bia)<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><\/p>\n<\/blockquote>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/ana-ciceala-raspunsuri-la-ancheta-revistei-cultura-privind-strategia-culturala-a-candidatilor-la-primaria-bucurestiului\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>C\u00c2MPURI DE EXPERTIZ\u0102<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-large is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Remus_Pricopie-edited.webp\" alt=\"\" class=\"wp-image-27841\" style=\"border-radius:75px;object-fit:cover;width:150px;height:150px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Remus_Pricopie-edited.webp 400w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Remus_Pricopie-edited-300x300.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Remus_Pricopie-edited-150x150.webp 150w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">REMUS PRICOPIE<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/ce-inseamna-de-fapt-un-presedinte-puternic\/\">Ce \u00eenseamn\u0103, de fapt, un pre\u0219edinte puternic?<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-left\">Este momentul ca Rom\u00e2nia s\u0103 dep\u0103\u0219easc\u0103 definitiv mitologia pre\u0219edintelui-salvator, care controleaz\u0103 totul \u0219i decide tot. Acest model este incompatibil cu democra\u021bia constitu\u021bional\u0103. Pre\u0219edintele nu este \u201e\u0219eful statului\u201d \u00een sensul autoritar al termenului, ci liderul simbolic al statului. (<a href=\"https:\/\/revistacultura.ro\/ce-inseamna-de-fapt-un-presedinte-puternic\/\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/consilierul-prezidential-arhitectura-complicata-a-culoarelor-puterii\/\">Consilierul preziden\u021bial \u2013 arhitectura complicat\u0103 a culoarelor puterii<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-left has-neve-link-hover-color-color has-text-color has-link-color wp-elements-34598542573bf9f15b841c965b53389a\">Demiterea \u201eamiabil\u0103\u201d a lui Ludovic Orban de la Cotroceni, dup\u0103 doar o lun\u0103 de mandat, este \u0219tirea politic\u0103 a acestor zile. Nu pentru c\u0103 astfel de rupturi ar fi o raritate \u2013 dimpotriv\u0103, democra\u021biile consolidate sunt pline de asemenea episoade \u2013 ci pentru c\u0103 rela\u021bia dintre Nicu\u0219or Dan \u0219i Ludovic Orban p\u0103rea, cel pu\u021bin \u00een percep\u021bia public\u0103, una dintre cele mai stabile \u0219i mai bine \u00een\u021belese. (<a href=\"https:\/\/revistacultura.ro\/consilierul-prezidential-arhitectura-complicata-a-culoarelor-puterii\/\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center has-neve-link-hover-color-color has-text-color has-link-color wp-elements-c782bf1408fd4c1240cf17d6be217e33\"><a href=\"https:\/\/revistacultura.ro\/cand-un-partid-devine-secta-lectia-morala-a-zilei-de-9-noiembrie\/\">C\u00e2nd un partid devine sect\u0103. Lec\u021bia moral\u0103 a zilei de 9 noiembrie<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-left\">Tot mai des, pretinsele standarde morale sunt folosite ca arm\u0103 de delegitimare, pentru a umili, a exclude \u0219i, \u00een final, a justifica agresiunea simbolic\u0103. Dar istoria ne arat\u0103 c\u0103 violen\u021ba simbolic\u0103 este doar preludiul violen\u021bei reale: de la cuv\u00e2nt la fapt\u0103, drumul este mereu mai scurt dec\u00e2t credem.&nbsp; (<a href=\"https:\/\/revistacultura.ro\/cand-un-partid-devine-secta-lectia-morala-a-zilei-de-9-noiembrie\/\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/internetul-inger-si-diavol-in-acelasi-timp\/\">Internetul \u2013 \u00cenger \u0219i Diavol, \u00een acela\u0219i timp<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-left\">Au trecut treizeci \u0219i cinci de ani de c\u00e2nd Internetul a fost deschis lumii ca o promisiune a libert\u0103\u021bii \u0219i a cunoa\u0219terii. La acea vreme, \u00eentr-o epoc\u0103 \u00eenc\u0103 dominat\u0103 de grani\u021be rigide \u0219i de circula\u021bia lent\u0103 a informa\u021biei, re\u021beaua p\u0103rea un miracol.&nbsp;(<a href=\"https:\/\/revistacultura.ro\/internetul-inger-si-diavol-in-acelasi-timp\/\">articolul integral<\/a>)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-full is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"290\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/remus-stefureac-informat.ro_-edited-1.webp\" alt=\"\" class=\"wp-image-27972\" style=\"border-radius:75px;object-fit:cover;width:150px;height:150px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/remus-stefureac-informat.ro_-edited-1.webp 290w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/remus-stefureac-informat.ro_-edited-1-150x150.webp 150w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">REMUS \u0218TEFUREAC<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/intentia-de-vot-a-romanilor-in-functie-de-varsta-arata-rezultate-spectaculoase\/\">Inten\u021bia de vot a rom\u00e2nilor \u00een func\u021bie de v\u00e2rst\u0103 arat\u0103 rezultate spectaculoase<\/a><\/h5>\n\n\n\n<p>Dac\u0103 seniorii privilegiaz\u0103 stabilitatea \u0219i protec\u021bia social\u0103, tinerii manifest\u0103 o preferin\u021b\u0103 pentru op\u021biuni radicale \u0219i schimbare net\u0103. Aceast\u0103 polarizare reprezint\u0103 o provocare major\u0103 pentru coeziunea democratic\u0103 \u0219i pentru capacitatea sistemului politic de a formula politici incluzive. (<a href=\"https:\/\/revistacultura.ro\/intentia-de-vot-a-romanilor-in-functie-de-varsta-arata-rezultate-spectaculoase\/\">articolul integral<\/a>)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-full is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"720\" src=\"http:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/nicu-ilie.jpg\" alt=\"\" class=\"wp-image-27843\" style=\"border-radius:75px;object-fit:cover;width:150px;height:150px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/nicu-ilie.jpg 720w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/nicu-ilie-300x300.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/nicu-ilie-448x448.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/nicu-ilie-150x150.jpg 150w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">NICU ILIE<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/busola-culturala-a-unei-europe-debusolate\/\">Busola Cultural\u0103 a unei Europe debusolate<\/a><\/h5>\n\n\n\n<p>Din motive de comoditate, p\u00e2n\u0103 acum UE a evitat un angajament decisiv \u00een zona culturii. Prin noile programe, Comisia \u00eencepe s\u0103-\u0219i asume un rol activ. \u00cen sf\u00e2r\u0219it, cultura este scoas\u0103 din marginalul aten\u021biei europene \u0219i \u00eencepe s\u0103 migreze spre centrul preocup\u0103rilor, unde \u00eei este locul.&nbsp;(<a href=\"https:\/\/revistacultura.ro\/busola-culturala-a-unei-europe-debusolate\/\">articolul integral<\/a>)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:0px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-large is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"449\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/adrian-mociulschi-448x449.jpg\" alt=\"\" class=\"wp-image-27844\" style=\"border-radius:75px;object-fit:cover;width:150px;height:150px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/adrian-mociulschi-448x449.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/adrian-mociulschi-300x300.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/adrian-mociulschi-150x150.jpg 150w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/adrian-mociulschi.jpg 472w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">ADRIAN LEONARD MOCIULSCHI<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/revolutia-ai-intre-speranta-si-temeri\/\">Revolu\u021bia AI: \u00eentre speran\u021b\u0103 \u0219i temeri. Conferin\u021ba ISF<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-center\">&nbsp;Inteligen\u021ba artificial\u0103 nu mai este doar un subiect tehnic, ci un fenomen social. \u00cen jurul ei se adun\u0103 speakeri, exper\u021bi, economi\u0219ti, juri\u0219ti, universitari \u2014 to\u021bi \u00eencerc\u00e2nd s\u0103 \u00een\u021beleag\u0103 cum s\u0103 tr\u0103im cu aceast\u0103 nou\u0103 prezen\u021b\u0103. (<a href=\"https:\/\/revistacultura.ro\/revolutia-ai-intre-speranta-si-temeri\/\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/cand-scena-devine-catedra-muzicienii-care-reconfigureaza-campul-sonor-romanesc\/\">C\u00e2nd scena devine catedr\u0103: Muzicienii care reconfigureaz\u0103 c\u00e2mpul sonor rom\u00e2nesc<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-center\">&nbsp;\u00cen peste cinci decenii, Mircea Tiberian a semnat peste dou\u0103zeci de albume \u0219i a sus\u021binut mii de concerte. La fel de decisiv, \u00een 1991 a fondat primul departament universitar de jazz din Rom\u00e2nia, la Universitatea Na\u021bional\u0103 de Muzic\u0103 din Bucure\u0219ti. (<a href=\"https:\/\/revistacultura.ro\/cand-scena-devine-catedra-muzicienii-care-reconfigureaza-campul-sonor-romanesc\/\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/din-anamorphose-la-apoteoza-serban-nichifor-si-nobletea-muzicii-ca-vocatie\/\">Din Anamorphose la Apoteoz\u0103: \u0218erban Nichifor \u0219i noble\u021bea muzicii ca voca\u021bie<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-center\">De la Premiul Gaudeamus la Ordinul regal al Coroanei Belgiene, \u0218erban Nichifor a transformat muzica \u00eentr-un limbaj al demnit\u0103\u021bii.&nbsp;(<a href=\"https:\/\/revistacultura.ro\/din-anamorphose-la-apoteoza-serban-nichifor-si-nobletea-muzicii-ca-vocatie\/\">articolul integral<\/a>)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-large is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"448\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/daniel-sur-448x448.jpg\" alt=\"\" class=\"wp-image-27944\" style=\"border-radius:75px;object-fit:cover;width:150px;height:150px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/daniel-sur-448x448.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/daniel-sur-300x300.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/daniel-sur-150x150.jpg 150w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/daniel-sur-768x768.jpg 768w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/daniel-sur-1536x1536.jpg 1536w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/daniel-sur.jpg 1600w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">DANIEL SUR<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/injuratura-ca-oglinda-a-societatii-si-a-sinelui\/\">\u00cenjur\u0103tura ca oglind\u0103 a societ\u0103\u021bii \u0219i a sinelui<\/a><\/h5>\n\n\n\n<p>\u00cen Rom\u00e2nia, cercetarea limbajului tabu r\u0103m\u00e2ne \u00eenc\u0103 fragmentar\u0103, iar studiile empirice dedicate fenomenului sunt rare. Totu\u0219i, exist\u0103 c\u00e2teva analize \u0219i observa\u021bii care ofer\u0103 perspective valoroase asupra modului \u00een care rom\u00e2nii folosesc \u00eenjur\u0103turile.&nbsp;(<a href=\"https:\/\/revistacultura.ro\/injuratura-ca-oglinda-a-societatii-si-a-sinelui\/\">articolul integral<\/a>)<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>CIFRE CU SUBIECT \u0218I PREDICAT<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1414\" height=\"1376\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/m2000-2024_edituri_ro_eu_world.jpg\" alt=\"\" class=\"wp-image-27976\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/m2000-2024_edituri_ro_eu_world.jpg 1414w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/m2000-2024_edituri_ro_eu_world-300x292.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/m2000-2024_edituri_ro_eu_world-448x436.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/m2000-2024_edituri_ro_eu_world-768x747.jpg 768w\" sizes=\"auto, (max-width: 1414px) 100vw, 1414px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/piata-de-carte-ce-s-a-schimbat-in-20-de-ani\/\">Pia\u021ba de carte: ce s-a schimbat \u00een 20 de ani?<\/a><\/h3>\n\n\n\n<p>&nbsp;Pia\u021ba de carte din Rom\u00e2nia r\u0103m\u00e2ne mai mic\u0103 dec\u00e2t \u00een alte state europene, dar evolu\u021bia ultimelor dou\u0103 decenii arat\u0103 un trend clar de consolidare. Dincolo de cifre, se observ\u0103 o schimbare de mentalitate: lectura devine tot mai mult parte din obiceiurile cotidiene, iar industria editorial\u0103 se adapteaz\u0103 la o societate care \u00ee\u0219i redefine\u0219te raportul cu cultura scris\u0103. \u00centr-un peisaj marcat de transform\u0103ri rapide, acest ritm de cre\u0219tere arat\u0103 c\u0103 lectura continu\u0103 s\u0103 aib\u0103 un loc stabil \u2014 nu doar \u00een economie, ci \u0219i \u00een via\u021ba publicului care o sus\u021bine.<\/p>\n\n\n\n<p>Indicatorii economici consolideaz\u0103 imaginea unei industrii stabile. Profitul net al editurilor rom\u00e2ne\u0219ti a crescut de la 95 de milioane de lei \u00een 2018 la 132 de milioane \u00een 2023, men\u021bin\u00e2nd o marj\u0103 de rentabilitate de aproximativ 14\u201315%. Investi\u021biile \u00een infrastructur\u0103, echipamente \u0219i tehnologii editoriale au urcat de la 120 la 145 de milioane de lei, iar num\u0103rul de angaja\u021bi din sector s-a stabilizat la pu\u021bin peste 2.000 de persoane. Aceste cifre sugereaz\u0103 o consolidare structural\u0103 a pie\u021bei, cu accent pe digitalizare \u0219i profesionalizare.<\/p>\n\n\n\n<p><strong>| <\/strong>Autor:<strong> <\/strong>NICU ILIE<strong> |<\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/piata-de-carte-ce-s-a-schimbat-in-20-de-ani\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>CIFRE CU SUBIECT \u0218I PREDICAT<\/p>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/2004-2024-cum-si-de-ce-s-a-schimbat-in-top-10-edituri-romanesti\/\">2004-2024. De ce \u0219i cum s-a schimbat topul 10 al editurilor rom\u00e2ne\u0219ti?<\/a><\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/2024_top_edituri.gif\" alt=\"\" class=\"wp-image-27977\" style=\"width:395px;height:auto\"\/><\/figure>\n<\/div>\n\n\n<p>Provocarea pentru viitor va fi coabitarea dintre dou\u0103 modele aparent incompatibile: cel tradi\u021bional, bazat pe curatoriat, prestigiu \u0219i construc\u021bie cultural\u0103 pe termen lung (reprezentat de Humanitas sau Polirom), \u0219i cel nou, bazat pe agilitate, marketing digital \u0219i r\u0103spuns rapid la cererea pie\u021bei (exemplificat de Bookzone).<\/p>\n\n\n\n<p>Probabil vom asista la o hibridizare: editurile tradi\u021bionale vor fi for\u021bate s\u0103 adopte strategii digitale mai sofisticate pentru a ajunge la tineri, \u00een timp ce noii juc\u0103tori, dup\u0103 consolidarea financiar\u0103, ar putea investi \u00een cataloage de prestigiu pentru a-\u0219i legitima pozi\u021bia cultural\u0103 pe termen lung.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>| <\/strong>Autor:<strong> <\/strong>NICU ILIE<strong> |<\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/2004-2024-cum-si-de-ce-s-a-schimbat-in-top-10-edituri-romanesti\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:0px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>CIFRE CU SUBIECT \u0218I PREDICAT<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/1-pie-fight-12-ghenie.webp\" alt=\"\" class=\"wp-image-27978\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/1-pie-fight-12-ghenie.webp 1000w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/1-pie-fight-12-ghenie-300x200.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/1-pie-fight-12-ghenie-448x299.webp 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/1-pie-fight-12-ghenie-768x512.webp 768w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/1-pie-fight-12-ghenie-930x620.webp 930w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/piata-de-carte-ce-s-a-schimbat-in-20-de-ani\/\">Adrian Ghenie \u2013 recorduri personale (top 10 v\u00e2nz\u0103ri \u00een licita\u021bii)<\/a><\/h3>\n\n\n\n<p>Tablourile semnate de Adrian Ghenie au reu\u0219it performan\u021be remarcabile \u0219i \u00een acest an, cu un total de peste 11 milioane de dolari \u0219i cu v\u00e2nz\u0103ri notabile inclusiv luna trecut\u0103. Adrian Ghenie se men\u021bine printre cei mai aprecia\u021bi pictori contemporani din lume, iar picturile sale, cu o not\u0103 personal\u0103 bine marcat\u0103 \u0219i dimensiuni monumentale, se men\u021bin printre favoritele caselor de licita\u021bii.<\/p>\n\n\n\n<p><strong>| <\/strong>Autor:<strong> <\/strong>NICU ILIE<strong> |<\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/piata-de-carte-ce-s-a-schimbat-in-20-de-ani\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>ARHIVA INI\u021aIATIVELOR CULTURALE INDEPENDENTE<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"419\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/premiile-fictiunea.gif\" alt=\"\" class=\"wp-image-27981\"\/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/premiile-fictiunea-triumful-povestii\/\">Premiile FIC\u021aIUNEA. Triumful pove\u0219tii<\/a><\/h3>\n\n\n\n<p class=\"has-text-align-left\">Publicul din ce \u00een ce mai numeros, num\u0103rul din ce \u00een ce mai mare al creatorilor prezen\u021bi \u0219i notorietatea \u00een cre\u0219tere a evenimentului au premiat la r\u00e2ndul lor curajul ini\u021biatorilor de a dep\u0103\u0219i conven\u021bionalul categoriilor artistice \u0219i de a celebra excelen\u021ba fic\u021biunii contemporane rom\u00e2ne\u0219ti prin raportare la povestea pe care aceasta o ofer\u0103 publicului.<\/p>\n\n\n\n<p class=\"has-text-align-left\">Tipul de abordare a produc\u021biilor artistice propus de Fic\u021biunea construie\u0219te \u0219i o form\u0103 de empatie fa\u021b\u0103 de public. Pentru c\u0103 \u00eei recunoa\u0219te \u0219i gireaz\u0103 pozi\u021bia \u00een raport cu demersurilor artistice, admi\u021b\u00e2nd c\u0103, pentru acest public, mediul de transmitere a emo\u021biilor artistice este cel mai adesea doar vehiculul, nu destina\u021bia. Pentru c\u0103 povestea \u2013 func\u021bion\u00e2nd ca structur\u0103 primar\u0103 a \u00een\u021belegerii umane \u2013 &nbsp;este anterioar\u0103 \u0219i superioar\u0103 mediului particular prin care este transmis\u0103. Categoriile rigide ale formei artistice sunt taxonomii utile pentru critici \u0219i teoreticieni, dar adeseori artificiale din perspectiva experien\u021bei consumatorului. Iar publicul \u2013 din ce \u00een ce mai omnivor, dup\u0103 cum arat\u0103 statisticile \u2013 nu reac\u021bioneaz\u0103 neap\u0103rat la \u201ecinematografie\u201d sau la \u201eproz\u0103\u201d sau la \u201eteatru\u201d, ci la povestea \u00een sine, la tensiunea narativ\u0103, la reverbera\u021bia emo\u021bional\u0103 a experien\u021belor relatate.&nbsp;<\/p>\n\n\n\n<p>Autor: CARMEN CORBU<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/premiile-fictiunea-triumful-povestii\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>ARTE<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/Clasat_poze-regizori-16.webp\" alt=\"\" class=\"wp-image-27983\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/Clasat_poze-regizori-16.webp 1000w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/Clasat_poze-regizori-16-300x200.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/Clasat_poze-regizori-16-448x299.webp 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/Clasat_poze-regizori-16-768x512.webp 768w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/Clasat_poze-regizori-16-930x620.webp 930w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\">\u201eFilmele sunt pentru spectatori, <br>nu pentru muzee\u201d <\/h3>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-left\"><a href=\"https:\/\/revistacultura.ro\/piata-de-carte-ce-s-a-schimbat-in-20-de-ani\/\">Interviu cu Horia Cucut\u0103 \u0219i George G\u00e4n\u00e6aard<\/a>, <a href=\"https:\/\/revistacultura.ro\/piata-de-carte-ce-s-a-schimbat-in-20-de-ani\/\">regizorii filmului \u201eClasat\u201d<\/a><\/h5>\n\n\n\n<p>\u201e<em>Clasat<\/em>&nbsp;mi se pare c\u0103, din lipsa asta a resurselor, a ie\u0219it perfect \u00een felul lui. E un copil care a crescut la \u021bar\u0103, s-a chinuit \u0219i a reu\u0219it s\u0103 ajung\u0103 la ora\u0219, \u0219tii? Asta e el.&nbsp;<em>Clasat<\/em>&nbsp;deschide apetitul la discu\u021bie \u0219i la debate-uri. Nu am \u00eencercat ca el s\u0103 fie un r\u0103spuns la ceva. Nu un r\u0103spuns definitiv, oricum. Asta ne dorim, ca temele din&nbsp;<em>Clasat<\/em>&nbsp;s\u0103 se discute \u00een continuare. <em>Clasat<\/em>&nbsp;e nep\u0103rtinitor, r\u0103m\u00e2ne la latitudinea ta s\u0103 inspectezi lucrurile. Adic\u0103 nu exist\u0103 eroi, nu exist\u0103 mon\u0219tri. O persoan\u0103 poate fi un erou azi, monstru m\u00e2ine, apoi un erou, din nou, poim\u00e2ine.\u201d<\/p>\n\n\n\n<p>(foto: Diana Biclineru)<\/p>\n\n\n\n<p><strong>| <\/strong>Autor:<strong> <\/strong>CORINA TARA\u0218-LUNGU<strong> |<\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/filmele-sunt-pentru-spectatori-nu-pentru-muzee-interviu-cu-regizorii-filmului-clasat\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>ARTE<\/p>\n\n\n\n<blockquote class=\"wp-block-quote has-text-align-left is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-text-align-left\"><em>Orice se vede prin geamuri: <br>anatom\u00edi obositoare, scaune, <br>cutii de chibrituri \u2013 <br>oamenii \u00ee\u0219i construiesc un viitor acolo, <br>un viitor de fosfor, <br>inutil \u0219i str\u0103lucitor, <br>cum inutil\u0103 \u0219i str\u0103lucitoare e moartea.<\/em><\/p>\n<\/blockquote>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong><a href=\"https:\/\/revistacultura.ro\/oameni-din-berceni-si-sindromul-joubert\/\">Oameni din Berceni \u0219i Sindromul Joubert <\/a><\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-left\"><strong>Epopeea \u00een trening a unui cartier care nu vrea s\u0103 moar\u0103<\/strong><\/h4>\n\n\n\n<p><em>Oameni din Berceni<\/em>&nbsp;e genul de carte care te face s\u0103 r\u00e2zi, dar la sf\u00e2r\u0219it \u00ee\u021bi dai seama c\u0103, de fapt, te-a \u00eentristat. E o comedie poetic\u0103 \u00een care personajele nu mor, ci se resemneaz\u0103. E un manual de supravie\u021buire urban\u0103 \u00een care poezia joac\u0103 rolul curentului electric: dispare uneori, dar f\u0103r\u0103 ea totul s-ar stinge.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Corp, memorie \u0219i absurd<\/strong><\/h4>\n\n\n\n<p>Dac\u0103 p\u00e2n\u0103 acum credeai c\u0103 via\u021ba urban\u0103 e plictisitoare, Neac\u0219u te love\u0219te cu realismul grotesc: traficul, ma\u0219inile, c\u00e2inii, conversa\u021biile \u0219i chiar mirosul de noxe devin un spectacol hipersenzorial, \u00een care corpul t\u0103u simte totul cu o intensitate pe care nu ai cerut-o, dar nici nu o vei uita.<\/p>\n\n\n\n<p><strong>| <\/strong>Autor:<strong> <\/strong>DANIEL SUR<strong> |<\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/oameni-din-berceni-si-sindromul-joubert\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>ARTE<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"438\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/exil-tnb_Foto_Adi_Bulboaca_3.webp\" alt=\"\" class=\"wp-image-27987\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/exil-tnb_Foto_Adi_Bulboaca_3.webp 800w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/exil-tnb_Foto_Adi_Bulboaca_3-300x164.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/exil-tnb_Foto_Adi_Bulboaca_3-448x245.webp 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/exil-tnb_Foto_Adi_Bulboaca_3-768x420.webp 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/doua-autoare-trei-generatii-feminine-si-aceeasi-dacie-1300\/\">Dou\u0103 autoare, <br>trei genera\u021bii feminine <br>\u0219i aceea\u0219i Dacie 1300<\/a><\/h3>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-left\"><\/h5>\n\n\n\n<p><em>Exilul<\/em>&nbsp;e lucid, aspru, frontal.&nbsp;<em>Alaska<\/em>&nbsp;e cald\u0103, intim\u0103, dar aproape identic\u0103 structural. Asem\u0103narea nu e un delict, ci semnul unui curent. Un mod comun de a scrie istoria recent\u0103, de a \u00eenlocui conflictul cu introspec\u021bia, prezentul care ne d\u0103 dureri de cap cu fantome ale unui trecut, privit at\u00e2t cu ironie, c\u00e2t \u0219i cu dor.<\/p>\n\n\n\n<p><strong>| <\/strong>Autor:<strong> <\/strong>ALEXANDRA ARES<strong> |<\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/doua-autoare-trei-generatii-feminine-si-aceeasi-dacie-1300\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>ARTE<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/DSC_0293.webp\" alt=\"\" class=\"wp-image-27989\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/DSC_0293.webp 1000w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/DSC_0293-300x200.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/DSC_0293-448x299.webp 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/DSC_0293-768x512.webp 768w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/12\/DSC_0293-930x620.webp 930w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/pictura-ca-organism-viu-andreias-welther-la-dont-f-with-a-dream\/\">Pictura ca organism viu<\/a><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Andreias Welther la Don\u2019t F With a Dream<\/h4>\n\n\n\n<p>\u00cenc\u0103 de la \u00eenceput, am constatat c\u0103 expozi\u021bia de la Don\u2019t F With a Dream \u2013 Gallery, curatoriat\u0103 de Ana Arsinc\u0103, nu a respectat re\u021betarul tradi\u021bional al vernisajelor din Bucure\u0219ti. Lucr\u0103rile nu au fost at\u00e2rnate pe simeze, iar curatorul nu a invitat publicul s\u0103 \u201eciteasc\u0103\u201d expozi\u021bia \u00eentr-o anumit\u0103 cheie. Cu c\u00e2t prezentarea este mai abstract\u0103 \u0219i mai elaborat\u0103, cu at\u00e2t spectatorii par mai intimida\u021bi de competen\u021ba vorbitorului, iar senza\u021bia c\u0103 se afl\u0103 \u00eentr-un loc nepotrivit devine tot mai accentuat\u0103. Astfel, publicul a trebuit s\u0103 descopere valoarea lucr\u0103rilor prin socializarea cu artistul, curatorul sau al\u021bi participan\u021bi.<\/p>\n\n\n\n<p><strong>| <\/strong>Autor:<strong> <\/strong>DANIEL SUR<strong> |<\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/pictura-ca-organism-viu-andreias-welther-la-dont-f-with-a-dream\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>CAMERA DE ECOU<\/p>\n\n\n\n<h6 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/blog.revistacultura.ro\/2025\/11\/18\/ce-spune-grafica-afiselor-electorale-despre-angajamentul-politic-al-candidatilor\/\">Alex Icodin despre design-ul  afi\u0219elor electorale<\/a><\/h6>\n\n\n\n<p>De ce toate afisele din comunicarea candidatilor la Primaria generala a Bucurestiului folosesc un font fara serife, asa numitul sans? De ce seamana intre ele, de parca ar folosi un sablon? Cine a fost primul care a utilizat primul acest tip de layout? Este rau sa iti mentii identitatea vizuala in ce priveste typography atunci cand esti imitat? Stiu designerii sau clientii lor politici care sunt dezavantajele, pentru ca la plusuri vad ca s-au gandit&#8230;<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/blog.revistacultura.ro\/2025\/11\/09\/bogdan-naumovici-despre-umor-media-publicitate-si-cinema\/\">Bogdan Naumovici despre umor, media, publicitate \u0219i cinema<\/a><\/h5>\n\n\n\n<p>Calitatea umorului politic \u0219i a satirei a sc\u0103zut drastic, reflect\u00e2nd \u201eanalfabetismul func\u021bional\u201d larg r\u0103sp\u00e2ndit, evolu\u00e2nd de la pamfletul bazat pe trimiteri culturale (cum obi\u0219nuia s\u0103 fie cel al publica\u021biei \u201eAcademia Ca\u021bavencu\u201d) la \u00eenjur\u0103turi grosiere, care domin\u0103 expresia de pe re\u021belele sociale&#8230; \u00cen publicitate, \u201ecreativitatea a murit\u201d. Aceasta este blocat\u0103 de frica de a pierde locul de munc\u0103 \u0219i de \u201edependen\u021ba excesiv\u0103 de focus grupuri\u201d. Rezultatul sunt reclame care nu mai ofer\u0103 entertainment.<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/blog.revistacultura.ro\/2025\/10\/30\/dosarul-revistei-urbanitas-migratia-si-diversitatea-culturala-in-perioadele-vechi\/\">Radu Pirc\u0103 despre \u201ep\u0103catul acronimelor\u201d<\/a><\/h5>\n\n\n\n<p>Ieri (dar probabil ceva mai demult atunci c\u00e2nd ve\u021bi citi acest articol) am descoperit cel mai ur\u00e2t acronim din Rom\u00e2nia.&nbsp;<strong>PLMSTF<\/strong>, a\u0219a cum sunt sigur c\u0103 a\u021bi ghicit, vine de la&nbsp;<em>Direc\u021bia General\u0103 Proiecte \u0219i Lucr\u0103ri Municipale pentru Sport \u0219i Transport Feroviar din Prim\u0103ria Timi\u0219oara<\/em>. PLMSTF l-a detronat, pentru mine, pe mai cunoscutul, dar \u0219i mai pu\u021bin eroticul&nbsp;<strong>OAMGMAMR<\/strong><em>&nbsp;(Ordinul Asisten\u0163ilor Medicali Generali\u015fti, Moa\u015felor \u015fi Asisten\u0163ilor Medicali din Rom\u00e2nia<\/em>).&nbsp;<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/blog.revistacultura.ro\/2025\/11\/10\/oltita-cintec-numai-19-dintre-lucratorii-culturali-castiga-suficient\/\">Olti\u021ba C\u00eentec despre raportul \u201eMunca \u00een Cultur\u0103 2025\u201d<\/a><\/h5>\n\n\n\n<p>Situa\u021bia socio-economic\u0103 \u0219i de s\u0103n\u0103tate a arti\u0219tilor \u0219i lucr\u0103torilor culturali din Rom\u00e2nia e departe de-a fi a\u0219a cum trebuie \u00eentr-un stat european ce suntem. Iat\u0103 c\u00e2teva dintre realit\u0103\u021bi: <br>&#8211; 72% lucreaz\u0103 cu contract individual de munc\u0103, dar aproape jum\u0103tate din ei au \u0219i alte colabor\u0103ri, <br>&#8211; 44,5% dintre to\u021bi responden\u021bii sunt angaja\u021bi \u00een sectorul cultural public, 10,2 % \u00een sectorul cultural privat \u0219i 28% nu au un contract de munc\u0103, iar 17,3% au angajatorul principal \u00eentr-un alt sector dec\u00e2t cel cultural<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-3543ed5c wp-block-group-is-layout-constrained\"><div class=\"wp-block-image wp-duotone-000000-rgb233233233-1\">\n<figure class=\"aligncenter size-full has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1131\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2024\/06\/caseta-638.jpg\" alt=\"\" class=\"wp-image-27279\" style=\"border-style:none;border-width:0px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2024\/06\/caseta-638.jpg 800w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2024\/06\/caseta-638-212x300.jpg 212w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2024\/06\/caseta-638-448x633.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2024\/06\/caseta-638-768x1086.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>| Imagine copert\u0103: Pexels Photo, Bucure\u0219ti | SOCIETATE C\u0103ut\u00e2nd arta \u00een fotografiile de nunt\u0103 Interviu cu fotograful Gabriel Rose Lens \u00cemi place diversitatea momentelor, a oamenilor, emo\u021biilor \u0219i tr\u0103irilor din ziua nun\u021bii, dai de o gr\u0103mad\u0103 de persoane cu diferite idei, unele mai ciudate, altele mai pu\u021bin ciudate. Chiar dac\u0103 scenariul unei nun\u021bi este acela\u0219i,&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/cultura-657\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Cultura 657<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15496],"tags":[],"class_list":["post-27964","post","type-post","status-publish","format-standard","hentry","category-sumar"],"views":177,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=27964"}],"version-history":[{"count":15,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27964\/revisions"}],"predecessor-version":[{"id":27994,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27964\/revisions\/27994"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=27964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=27964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=27964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}