{"id":27919,"date":"2025-11-03T21:58:45","date_gmt":"2025-11-03T19:58:45","guid":{"rendered":"https:\/\/revistacultura.ro\/nou\/?p=27919"},"modified":"2025-11-04T18:08:34","modified_gmt":"2025-11-04T16:08:34","slug":"cultura-656","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/cultura-656\/","title":{"rendered":"Cultura 656"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1131\" src=\"http:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/656.webp\" alt=\"\" class=\"wp-image-27920\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/656.webp 800w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/656-212x300.webp 212w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/656-448x633.webp 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/656-768x1086.webp 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-neve-link-hover-color-color has-nv-site-bg-background-color has-text-color has-background has-link-color has-small-font-size wp-elements-554e1b7a12170e24cd669ad251731752\"><strong>| Imagine copert\u0103:<\/strong> Adrian Leonard Mociulschi, grafic\u0103 realizat\u0103 cu ajutorul AI<strong> |<\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>SOCIETATE<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"605\" height=\"342\" src=\"http:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/p-4.jpg\" alt=\"\" class=\"wp-image-27880\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/p-4.jpg 605w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/p-4-300x170.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/p-4-448x253.jpg 448w\" sizes=\"auto, (max-width: 605px) 100vw, 605px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong><a href=\"https:\/\/revistacultura.ro\/cand-digitalizarea-reproduce-birocratia-in-format-electronic\/\">C\u00e2nd digitalizarea reproduce birocra\u021bia \u00een format electronic<\/a><\/strong><\/h3>\n\n\n\n<p>Anun\u021bata implementare a SDFC (Sistemul Digital pentru procesele de Finan\u021bare a Culturii) i-a bucurat pe operatorii culturali din Rom\u00e2nia. Promitea s\u0103 fie un upgrade tehnic care r\u0103spundea la nevoia de eficien\u021b\u0103, la renun\u021barea la dosare cu \u0219in\u0103 \u0219i la sutele \u2013 uneori chiar miile, poate \u2013 de coli printate pe col\u021bul c\u0103rora trebuiau s\u0103 scrie \u201econform cu originalul\u201d \u0219i s\u0103 semneze. Pe scurt, toat\u0103 lumea se a\u0219tepta la o reform\u0103 de sistem, care s\u0103 redefineasc\u0103 rela\u021bia dintre stat \u0219i cet\u0103\u021bean \u00een domeniul finan\u021b\u0103rilor culturale \u0219i care, prin automatizare \u0219i transparen\u021b\u0103, s\u0103 devin\u0103 o facilitate \u00een accesul la resurse publice.<\/p>\n\n\n\n<p>\u00cen programele Creative Europe, unde cel mai mic grant are de cel pu\u021bin 5 ori valoarea celui mai mare grant din programele rom\u00e2ne\u0219ti, exist\u0103 modele forfetare \u00een cadrul c\u0103rora accentul se pune pe realizarea activit\u0103\u021bilor, nu pe contabilitate detaliat\u0103. \u00cen Funding &amp; Tenders Portal, suportul digital a fost \u00eenlocuit \u00een 2017 cu un nou model invoc\u00e2ndu-se \u201e\u00eembun\u0103t\u0103\u021birea accesibilit\u0103\u021bii, eficien\u021bei \u0219i transparen\u021bei\u201d, iar caracteristicile noii platforme au fost prezentate ca av\u00e2nd ca principal\u0103 valen\u021b\u0103 faptul c\u0103 \u201enu numai c\u0103 simplific\u0103 procesul de aplicare, dar ofer\u0103 \u0219i o suit\u0103 complet\u0103 de instrumente \u0219i resurse\u201d. \u00cen Rom\u00e2nia, SDFC a \u00eenlocuit un model vechi \u0219i laborios, cu unul nou, mult mai stufos, cu o complexitate inutil crescut\u0103, redundant \u0219i cu mari probleme de func\u021bionare.<\/p>\n\n\n\n<p><strong>| <\/strong>Autor:<strong> <\/strong>CARMEN CORBU<strong> |<\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/cand-digitalizarea-reproduce-birocratia-in-format-electronic\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>TEME \u00ceN DEZBATERE<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"563\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/20251020_123644.webp\" alt=\"\" class=\"wp-image-27938\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/20251020_123644.webp 1000w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/20251020_123644-300x169.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/20251020_123644-448x252.webp 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/20251020_123644-768x432.webp 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/in-dezbatere-obscurantismul-si-instrumentalizarea-sa-in-razboiul-hibrid\/\">Obscurantismul <br>\u0219i instrumentalizarea sa \u00een r\u0103zboiul hibrid<\/a><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Ne\u00eencrederea, incertitudinea \u0219i insecuritatea sunt condi\u021biile care \u00eei fac pe rom\u00e2ni foarte ata\u0219a\u021bi de no\u021biunea de noroc.<\/li>\n\n\n\n<li>Criza educa\u021bional\u0103 din ce \u00een ce mai ad\u00e2nc\u0103 \u0219i polarizarea societ\u0103\u021bii fac posibil\u0103 apari\u021bia unor fenomene sociale de tip \u201esecta turului doi\u201d.<\/li>\n\n\n\n<li>Rom\u00e2nia este \u021bara celor 4.000 de vr\u0103jitoare, Bucure\u0219tiul este polul magiei, iar zona de nord a capitalei g\u0103zduie\u0219te o recent \u00eenfiin\u021bat\u0103 academie de vr\u0103jitorie.<\/li>\n<\/ul>\n\n\n\n<p>Sunt principalele idei din interven\u021biile participan\u021bilor la lansarea rezultatelor studiului \u201eRom\u00e2nia \u00eentre magie \u0219i ezoterie\u201d realizat de Inscop Research \u0219i prezentat luni 20 octombrie la Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n.<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/in-dezbatere-obscurantismul-si-instrumentalizarea-sa-in-razboiul-hibrid\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/TEME-656-21-1.gif\" alt=\"\" class=\"wp-image-27930\" style=\"width:200px\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>TEME \u00ceN DEZBATERE<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/revistacultura.ro\/in-dezbatere-obscurantismul-si-instrumentalizarea-sa-in-razboiul-hibrid\/#Supersti%C8%9Biile_de_rit_vechi_%C8%99i_supersti%C8%9Biile_de_rit_nou\">Supersti\u021biile <br>de rit vechi <br>\u0219i supersti\u021biile <br>de rit nou<\/a><\/h3>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Vlad Petreanu, jurnalist:<\/strong> <\/p>\n\n\n\n<p>\u201eEste un partid politic care puncteaz\u0103 constant la toate segmentele legate de supersti\u021bii \u0219i conspira\u021bii, \u0219i anume AUR (pe-ici-pe-colo \u0219i PSD). \u00centrebarea mea este dac\u0103 asta e o \u00eent\u00e2mplare sau o premeditare. Adic\u0103 dac\u0103 pur \u0219i simplu sunt ni\u0219te oameni care aveau ni\u0219te credin\u021be, s-au reunit \u00eentr-un partid politic \u0219i cumva au un discurs pe care foarte mul\u021bi aleg\u0103tori \u00eel reg\u0103sesc \u00een credin\u021bele lor; sau dac\u0103, dimpotriv\u0103, politicienii ace\u0219tia au identificat exact care sunt fricile unor anumite p\u0103r\u021bi din popula\u021bie \u0219i dup\u0103 aceea au alimentat aceste frici&#8230;\u201d<\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"font-style:normal;font-weight:200\"><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/in-dezbatere-obscurantismul-si-instrumentalizarea-sa-in-razboiul-hibrid\/#Supersti%C8%9Biile_de_rit_vechi_%C8%99i_supersti%C8%9Biile_de_rit_nou\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>TEME \u00ceN DEZBATERE<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/revistacultura.ro\/in-dezbatere-obscurantismul-si-instrumentalizarea-sa-in-razboiul-hibrid\/#Vr%C4%83jitoria_din_marile_ora%C8%99e\">Vr\u0103jitoria <br>din marile ora\u0219e<\/a><\/h3>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/TEME-656-22-1.gif\" alt=\"\" class=\"wp-image-27931\" style=\"width:200px\"\/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Camelia Burghele, antropolog:<\/strong> <\/p>\n\n\n\n<p>\u201eUn sondaj Reuters din 2019 atesta c\u0103 \u00een Rom\u00e2nia sunt 4000 de vr\u0103jitoare. Acesta era titlul: Rom\u00e2nia, \u021bara celor 4000 de vr\u0103jitoare. Eu cred c\u0103 noi tr\u0103im \u00eenc\u0103 \u00eentr-o \u021bar\u0103 a magiei, foarte bine ancorat\u0103 \u00eentr-un univers magic, iar magia \u0219i vr\u0103jitoria tr\u0103iesc al\u0103turi de noi.<\/p>\n\n\n\n<p>\u0218i regret s\u0103 spun acest lucru \u2013 \u00een Bucure\u0219ti se \u00eenregistreaz\u0103 ni\u0219te procente destul de mari. Trebuie s\u0103 recunoa\u0219tem c\u0103 ora\u0219ul este, de altfel, \u0219i campion al g\u00e2ndirii magice.<\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"font-style:normal;font-weight:200\"><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/in-dezbatere-obscurantismul-si-instrumentalizarea-sa-in-razboiul-hibrid\/#Vr%C4%83jitoria_din_marile_ora%C8%99e\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/TEME-656-23-1.gif\" alt=\"\" class=\"wp-image-27932\" style=\"width:200px\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>TEME \u00ceN DEZBATERE<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/revistacultura.ro\/in-dezbatere-obscurantismul-si-instrumentalizarea-sa-in-razboiul-hibrid\/#Secta_Turului_2\">Secta <br>Turului Doi<\/a><\/h3>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Vasile B\u0103nescu, membru CNA<\/strong>: <\/p>\n\n\n\n<p>\u201eObserv\u0103m c\u0103 educa\u021bia primar\u0103, care nu doar c\u0103 rimeaz\u0103 cu cea precar\u0103, e cea care, practic, asigur\u0103 ni\u0219te cifre ridicate atunci c\u00e2nd e vorba de necredin\u021ba \u00een lucruri ra\u021bionale \u0219i credin\u021ba \u00een supersti\u021bii. A\u0219adar, m-a marcat procentul tinerilor care ader\u0103 la supersti\u021bii. Asta indic\u0103, \u00een viziunea mea, o criz\u0103 educa\u021bional\u0103 f\u0103r\u0103 precedent. Criz\u0103 educa\u021bional\u0103 \u00een care Rom\u00e2nia a fost surprins\u0103 la sf\u00e2r\u0219itul anului trecut, c\u00e2nd, a\u0219a cum \u0219tim, a \u00eenceput marea polarizare, marea schism\u0103 social\u0103 \u00een care tr\u0103im \u0219i ast\u0103zi.<\/p>\n\n\n\n<p>Vorbim de o degradare a paradigmei religioas\u0103 \u0219i la noi, la rom\u00e2ni. Vorbim de ortodoxism versus ortodoxie, o opozi\u021bie care e din ce \u00een ce mai pu\u021bin \u00een\u021beleas\u0103. Vorbim de o patinare a omului majoritar (care frecventeaz\u0103 biserica) pe un strat epidermic al credin\u021bei, f\u0103r\u0103 acces la miezul cre\u0219tinismului, la miezul Ortodoxiei. Practic, ne declar\u0103m cre\u0219tini \u0219i tradi\u021bionali\u0219ti, ignor\u00e2nd Cre\u0219tinismul \u0219i Tradi\u021bia cu majuscule, care \u00eenseamn\u0103 enorm pentru Europa \u0219i pentru cultura lumii.\u201d<\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"font-style:normal;font-weight:200\"><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/in-dezbatere-obscurantismul-si-instrumentalizarea-sa-in-razboiul-hibrid\/#Secta_Turului_2\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>TEME \u00ceN DEZBATERE<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/revistacultura.ro\/in-dezbatere-obscurantismul-si-instrumentalizarea-sa-in-razboiul-hibrid\/#Ne%C3%AEncredere_plus_incertitudine\">Ne\u00eencredere <br>plus incertitudine<\/a><\/h3>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/TEME-656-242-1.gif\" alt=\"\" class=\"wp-image-27933\" style=\"width:200px\"\/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Darie Cristea, sociolog:<\/strong> <\/p>\n\n\n\n<p>\u201eDincolo de ce se \u00eent\u00e2mpl\u0103 pe re\u021bele de socializare, dincolo de propagand\u0103, dincolo de instrumentarea acestor dispozi\u021bii de c\u0103tre anumi\u021bi actori, anumite structuri, anumite partide \u0219i a\u0219a mai departe, este vorba despre dou\u0103 fenomene larg \u00eent\u00e2lnite \u00een societatea rom\u00e2neasc\u0103 (\u0219i pe care nu le-am tratat cu aten\u021bie la momentul potrivit). Un grad general ne\u00eencredere: \u00een institu\u021bii, \u00een ceilal\u021bi, \u00een absolut orice. Nu conteaz\u0103 dac\u0103 ne\u00eencrederea aceasta este justificat\u0103 sau nu. Odat\u0103 ce e prezent\u0103, ea nu ajut\u0103. Nu discut\u0103m despre cine e de vin\u0103 aici. \u0218i \u2013 \u00een al doilea r\u00e2nd \u2013 despre incertitudini. Suntem o societate dominat\u0103 de incertitudine sau, cel pu\u021bin, asta e percep\u021bia public\u0103.\u201d<\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"font-style:normal;font-weight:200\"><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/in-dezbatere-obscurantismul-si-instrumentalizarea-sa-in-razboiul-hibrid\/#Ne%C3%AEncredere_plus_incertitudine\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>C\u00c2MPURI DE EXPERTIZ\u0102<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-large is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Remus_Pricopie-edited.webp\" alt=\"\" class=\"wp-image-27841\" style=\"border-radius:75px;object-fit:cover;width:150px;height:150px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Remus_Pricopie-edited.webp 400w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Remus_Pricopie-edited-300x300.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Remus_Pricopie-edited-150x150.webp 150w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">REMUS PRICOPIE<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/diploma-ca-indicator-al-sanatatii-si-securitatii-unei-natiuni\/\">Diploma ca indicator al s\u0103n\u0103t\u0103\u021bii \u0219i securit\u0103\u021bii unei na\u021biuni<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-left\">O diplom\u0103 f\u0103r\u0103 valoare este echivalentul unei monede na\u021bionale care se devalorizeaz\u0103 de la o zi la alta. Ea circul\u0103, dar nu mai are greutate. \u00cen momentul \u00een care diplomele nu mai certific\u0103 competen\u021ba real\u0103, statul devine vulnerabil. (<a href=\"https:\/\/revistacultura.ro\/diploma-ca-indicator-al-sanatatii-si-securitatii-unei-natiuni\/\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/samarkand-intre-stele-si-oameni\/\">Samarkand. \u00centre stele \u0219i oameni<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-left has-neve-link-hover-color-color has-text-color has-link-color wp-elements-8c7e615b18c1aa0ec8688ea6196f85b4\">De la cupolele albastre ale&nbsp;<em>Registanului<\/em>&nbsp;la lini\u0219tea&nbsp;<em>Observatorului lui Ulugh Beg<\/em>, totul \u00een Samarkand pare o invita\u021bie la reflec\u021bie: despre c\u00e2t de fragile sunt grani\u021bele, c\u00e2t de peren\u0103 este cultura \u0219i c\u00e2t de necesar r\u0103m\u00e2ne dialogul. (<a href=\"https:\/\/revistacultura.ro\/samarkand-intre-stele-si-oameni\/\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center has-neve-link-hover-color-color has-text-color has-link-color wp-elements-4753c2873ccda6f2d8a00d552184c096\"><a href=\"https:\/\/revistacultura.ro\/luna-de-miere-s-a-incheiat\/\">Luna de miere s-a \u00eencheiat<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-left\">Am uneori sentimentul c\u0103 oamenii politici rom\u00e2ni \u2013 \u00een marea lor majoritate \u2013 nu mai g\u00e2ndesc strategic. Se reac\u021bioneaz\u0103 la zi, nu se planific\u0103 pe termen lung; se improvizeaz\u0103, nu se anticipeaz\u0103. (<a href=\"https:\/\/revistacultura.ro\/luna-de-miere-s-a-incheiat\/\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/catedrala-mantuirii-neamului\/\">Catedrala M\u00e2ntuirii Neamului<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-left\">Istoria universal\u0103 ofer\u0103 numeroase exemple de catedrale ridicate nu doar ca loc de rug\u0103ciune, ci ca<strong>&nbsp;<\/strong>spa\u021biu de unire al unui popor.&nbsp;(<a href=\"https:\/\/revistacultura.ro\/catedrala-mantuirii-neamului\/\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/pamantul-pentru-toti\/\">P\u0103m\u00e2ntul pentru to\u021bi<\/a><\/h5>\n\n\n\n<p>&nbsp;\u00cen ultimele dou\u0103 decenii,&nbsp;tema sustenabilit\u0103\u021bii a devenit, \u00een multe state, un subiect ideologizat, folosit pentru a delimita tabere \u0219i nu pentru a construi solu\u021bii. (<a href=\"https:\/\/revistacultura.ro\/pamantul-pentru-toti\/\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/suspendarea-care-nu-va-avea-loc\/\">Suspendarea care NU va avea loc<\/a>&nbsp;<\/h5>\n\n\n\n<p>Procurorii rom\u00e2ni, \u00een colaborare cu procurori din alte state occidentale, sunt pe cale s\u0103 clarifice cine finan\u021beaz\u0103 \u2013 \u00een mod ilegal \u2013 radicalismul politic din Rom\u00e2nia. (<a href=\"https:\/\/revistacultura.ro\/suspendarea-care-nu-va-avea-loc\/\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/trump-si-premiul-nobel-intre-emotional-si-rational\/\">Trump \u0219i Premiul Nobel: \u00eentre emo\u021bional \u0219i ra\u021bional<\/a><\/h5>\n\n\n\n<p>Istoria Premiului Nobel pentru Pace confirm\u0103 c\u0103 el nu a fost niciodat\u0103 o recompens\u0103 pentru perfec\u021biune moral\u0103, ci un&nbsp;instrument de orientare global\u0103. (<a href=\"https:\/\/revistacultura.ro\/trump-si-premiul-nobel-intre-emotional-si-rational\/\">articolul integral<\/a>)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:0px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-large is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"449\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/adrian-mociulschi-448x449.jpg\" alt=\"\" class=\"wp-image-27844\" style=\"border-radius:75px;object-fit:cover;width:150px;height:150px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/adrian-mociulschi-448x449.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/adrian-mociulschi-300x300.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/adrian-mociulschi-150x150.jpg 150w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/adrian-mociulschi.jpg 472w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">ADRIAN LEONARD MOCIULSCHI<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/maciej-zielinski-muzica-filmului-intre-rigorile-academice-si-claritatea-industriei-filmului-american\/\">Maciej Zieli\u0144ski: \u00centre rigorile academice \u0219i claritatea industriei filmului american<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-center\">&nbsp;\u00cen universul muzicii de film, a urca pe firmament nu \u00eenseamn\u0103 a deveni \u201estar\u201d, ci a ocupa o pozi\u021bie celest\u0103 \u2013 acolo unde aura nu e capriciu, ci destin. (<a href=\"https:\/\/revistacultura.ro\/maciej-zielinski-muzica-filmului-intre-rigorile-academice-si-claritatea-industriei-filmului-american\/\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/sonologia-vindecarii-muzica-si-medicina-in-era-convergentei\/\">Sonologia Vindec\u0103rii: Muzic\u0103 \u0219i medicin\u0103 \u00een Era Convergen\u021bei<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-center\">&nbsp;De la Pitagora la inteligen\u021ba artificial\u0103, firul ro\u0219u r\u0103m\u00e2ne acela\u0219i: s\u0103n\u0103tatea este armonie. (<a href=\"https:\/\/revistacultura.ro\/sonologia-vindecarii-muzica-si-medicina-in-era-convergentei\/\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/lectura-critica-si-simbolica-a-iubirii-in-era-digitala\/\">Lectur\u0103 critic\u0103 \u0219i simbolic\u0103 a iubirii \u00een era digital\u0103<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-center\">\u00centr-o societate democratic\u0103 autentic\u0103, tehnicul nu este un corp str\u0103in, ci parte organic\u0103 din progresul omenirii (<a href=\"https:\/\/revistacultura.ro\/lectura-critica-si-simbolica-a-iubirii-in-era-digitala\/\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/piotr-borkowski-arta-dirijorala-intre-traditie-si-orizonturi-globale\/\">Piotr Borkowski: Arta dirijoral\u0103 \u00eentre tradi\u021bie \u0219i orizonturi globale<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-center\">\u00centr-o lume \u00een care tendin\u021bele nepotiste au l\u0103sat umbre ad\u00e2nci asupra artei, blazonul familiei Borkowski str\u0103luce\u0219te prin onoare, demnitate \u0219i afirmare prin munc\u0103 asidu\u0103. (<a href=\"https:\/\/revistacultura.ro\/piotr-borkowski-arta-dirijorala-intre-traditie-si-orizonturi-globale\/\">articolul integral<\/a>)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-full is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/adriana-moca-1-1.gif\" alt=\"\" class=\"wp-image-27943\" style=\"border-radius:75px;object-fit:cover;width:150px;height:150px\"\/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">ADRIANA MOCA<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/totul-e-scris-intr-o-carte\/\">Totul e scris \u00eentr-o carte<\/a><\/h5>\n\n\n\n<p>Cred, totu\u0219i, c\u0103 impactul a ceea ce facem e mai important dec\u00e2t suma tuturor mediocrit\u0103\u021bilor care inventeaz\u0103 ro\u021bi p\u0103trate. \u0218i aleg s\u0103 nu cedez. (<a href=\"https:\/\/revistacultura.ro\/totul-e-scris-intr-o-carte\/\">articolul integral<\/a>)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-full is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/VALI-ALBINETZ.gif\" alt=\"\" class=\"wp-image-27947\" style=\"border-radius:75px;object-fit:cover;width:150px;height:150px\"\/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">VALI ALBINETZ<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/amintirile-unui-cascador-filmul-istoric-de-la-buftea-inainte-si-dupa-1990\/\">Filmul istoric de la Buftea, \u00eenainte \u0219i dup\u0103 1990<\/a><\/h5>\n\n\n\n<p>Arti\u0219ti vizuali contemporani folosesc mirosul ca mediu expresiv, contest\u00e2nd domina\u021bia v\u0103zului \u0219i provoc\u00e2nd spectatorul s\u0103-\u0219i reg\u00e2ndeasc\u0103 corpul \u0219i percep\u021bia.&nbsp;(<a href=\"https:\/\/revistacultura.ro\/amintirile-unui-cascador-filmul-istoric-de-la-buftea-inainte-si-dupa-1990\/\">articolul integral<\/a>)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-large is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"448\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/daniel-sur-448x448.jpg\" alt=\"\" class=\"wp-image-27944\" style=\"border-radius:75px;object-fit:cover;width:150px;height:150px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/daniel-sur-448x448.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/daniel-sur-300x300.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/daniel-sur-150x150.jpg 150w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/daniel-sur-768x768.jpg 768w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/daniel-sur-1536x1536.jpg 1536w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/daniel-sur.jpg 1600w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">DANIEL SUR<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/mirossophia-despre-gandirea-care-respira\/\">Mirossophia: despre g\u00e2ndirea care respir\u0103<\/a><\/h5>\n\n\n\n<p>Arti\u0219ti vizuali contemporani folosesc mirosul ca mediu expresiv, contest\u00e2nd domina\u021bia v\u0103zului \u0219i provoc\u00e2nd spectatorul s\u0103-\u0219i reg\u00e2ndeasc\u0103 corpul \u0219i percep\u021bia.&nbsp;(<a href=\"https:\/\/revistacultura.ro\/mirossophia-despre-gandirea-care-respira\/\">articolul integral<\/a>)<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>CIFRE CU SUBIECT \u0218I PREDICAT<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"http:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/Mariacorina_machado.webp\" alt=\"\" class=\"wp-image-27950\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/Mariacorina_machado.webp 1000w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/Mariacorina_machado-300x200.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/Mariacorina_machado-448x299.webp 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/Mariacorina_machado-768x512.webp 768w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/Mariacorina_machado-930x620.webp 930w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/nobelul-pentru-pace-si-lumea-din-jurul-sau-ce-s-a-schimbat-in-124-de-ani\/\"><strong>Nobelul pentru Pace \u0219i lumea din jurul s\u0103u: <\/strong><br><strong>ce s-a schimbat \u00een 124 de ani?<\/strong><\/a><\/h3>\n\n\n\n<p>&nbsp;Datele statistice indic\u0103 o tendin\u021b\u0103 semnificativ\u0103: o sc\u0103dere a ponderii statelor \u0219i organiza\u021biilor interna\u021bionale \u00een r\u00e2ndul laurea\u021bilor, \u00een favoarea indivizilor \u0219i a ini\u021biativelor neguvernamentale. Aparent, graficul de distribu\u021bie arat\u0103 valori similare perioadei antebelice. \u00cens\u0103 deosebirile esen\u021biale sunt cele din mediul social. \u00cen anii de dinaintea primului r\u0103zboi mondial, organiza\u021biile mondiale lipseau sau erau abia \u00een stadiul de proiect. Ele nu se aflau pe lista c\u00e2\u0219tig\u0103torilor pentru c\u0103 nu existau. La r\u00e2ndul lor, ONG-urile existente se reduceau la rolul de organiza\u021bii de caritate.<\/p>\n\n\n\n<p>Spre deosebire de perioadele anterioare, ast\u0103zi faptul c\u0103 persoanele f\u0103r\u0103 un rol politic de\u021bin 60% din premiile recente, reflect\u0103 o criz\u0103 de \u00eencredere \u00een capacitatea statelor \u0219i a organiza\u021biilor mondiale de a asigura o pace just\u0103 \u0219i durabil\u0103. Lumea post-pandemie, a\u0219a cum este oglindit\u0103 de Premiul Nobel, se confrunt\u0103 cu o tranzi\u021bie complex\u0103, \u00een care statele sunt adesea percepute ca ineficiente sau blocate \u00een interese divergente, iar multilateralismul traverseaz\u0103 o perioad\u0103 de incertitudine.<\/p>\n\n\n\n<p><strong>| <\/strong>Autor:<strong> <\/strong>NICU ILIE<strong> |<\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/nobelul-pentru-pace-si-lumea-din-jurul-sau-ce-s-a-schimbat-in-124-de-ani\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>CIFRE CU SUBIECT \u0218I PREDICAT<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"665\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/eric_poppe.webp\" alt=\"\" class=\"wp-image-27952\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/eric_poppe.webp 1000w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/eric_poppe-300x200.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/eric_poppe-448x298.webp 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/eric_poppe-768x511.webp 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/sase-mituri-despre-franceza-si-francofonie\/\">\u0218ase mituri despre francez\u0103 \u0219i Francofonie<\/a><\/h3>\n\n\n\n<p>Eric Poppe, reprezentant al Organiza\u021biei Interna\u021bionale a Francofoniei (OIF) pentru Europa Central\u0103 \u0219i de Est, a sus\u021binut o conferin\u021b\u0103 \u00een cadrul seriei \u201eJeudi de la Francophonie\u201d, organizat\u0103 de Biroul Na\u021bional al Agen\u021biei Universitare a Francofoniei (AUF) \u00een Bucure\u0219ti, la Biblioteca Central\u0103 Universitar\u0103. Tema prezent\u0103rii a vizat deconstruirea unor percep\u021bii gre\u0219ite despre OIF \u0219i limba francez\u0103, explor\u00e2nd \u00een acela\u0219i timp schimb\u0103rile majore care redefinesc Francofonia la nivel global.<\/p>\n\n\n\n<p>Pentru Rom\u00e2nia \u0219i alte state din Europa Central\u0103 \u0219i de Est, provocarea const\u0103 \u00een a redefini relevan\u021ba francezei pentru tinerele genera\u021bii, promov\u00e2nd-o nu ca limb\u0103 a trecutului, ci ca limb\u0103 a oportunit\u0103\u021bilor contemporane \u2013 \u00een educa\u021bie, cercetare, diploma\u021bie \u0219i afaceri interna\u021bionale.<\/p>\n\n\n\n<p><strong>| <\/strong>Autor:<strong> <\/strong>NICU ILIE<strong> |<\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/nobelul-pentru-pace-si-lumea-din-jurul-sau-ce-s-a-schimbat-in-124-de-ani\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:0px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>ARHIVA INI\u021aIATIVELOR CULTURALE INDEPENDENTE<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"470\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/harta-literara-a-bucurestiului.gif\" alt=\"\" class=\"wp-image-27954\"\/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/harta-literara-a-bucurestiului-un-proiect-de-geografie-literara-urbana\/\">Harta Literar\u0103 a Bucure\u0219tiului: <\/a><br><a href=\"https:\/\/revistacultura.ro\/harta-literara-a-bucurestiului-un-proiect-de-geografie-literara-urbana\/\">Un proiect de geografie literar\u0103 urban\u0103<\/a><\/h3>\n\n\n\n<p class=\"has-text-align-center\"><strong><strong>Drumuri prin fic\u021biune<\/strong><\/strong><\/p>\n\n\n\n<p>Harta Literar\u0103 a Bucure\u0219tiului este o platform\u0103 interactiv\u0103 care conecteaz\u0103 literatura cu spa\u021biul urban prin intermediul unei h\u0103r\u021bi digitale. Proiectul adun\u0103 locuri din Bucure\u0219ti descrise \u00een operele autorilor care au tr\u0103it sau \u0219i-au imaginat ora\u0219ul, oferind o interfa\u021b\u0103 prin care cititorii pot explora dimensiunea literar\u0103 a capitalei. Este o \u00eencercare de a face vizibil\u0103 rela\u021bia dintre fic\u021biune \u0219i topografia real\u0103 a ora\u0219ului.<\/p>\n\n\n\n<p>Platforma func\u021bioneaz\u0103 ca un strat informa\u021bional suprapus peste harta fizic\u0103 a Bucure\u0219tiului, unde fiecare punct marcat corespunde unui loc men\u021bionat \u00een literatur\u0103. Abordarea permite explorarea simultan\u0103 a dou\u0103 dimensiuni ale aceluia\u0219i spa\u021biu: cea concret\u0103, urban\u0103, \u0219i cea imaginar\u0103, literar\u0103.<\/p>\n\n\n\n<p>Proiectul este dezvoltat de ONG-ul Tech and Tonic, o organiza\u021bie format\u0103 din speciali\u0219ti \u00een jurnalism, comunicare, antropologie, literatur\u0103 \u0219i civic tech \u0219i este cofinan\u021bat de Administra\u021bia Fondului Cultural Na\u021bional. Echipa include manageri de proiect, designeri, dezvoltatori \u0219i antropologi. Printre colaboratori se num\u0103r\u0103 Andreea R\u0103suceanu, autoare \u0219i cercet\u0103toare \u00een geografia literar\u0103 urban\u0103, ale c\u0103rei lucr\u0103ri academice sunt citate \u0219i \u00een sec\u021biunea de resurse recomandate.<\/p>\n\n\n\n<p>Tech and Tonic abordeaz\u0103 tehnologia din perspectiva implic\u0103rii sociale, analiz\u00e2nd critic impactul algoritmilor, inteligen\u021bei artificiale \u0219i automatiz\u0103rii asupra societ\u0103\u021bii contemporane. Manifestul organiza\u021biei ridic\u0103 \u00eentreb\u0103ri despre transformarea spa\u021biului public \u0219i privat, despre alegerile personale \u00een contextul digitaliz\u0103rii \u0219i despre consecin\u021bele sociale ale noilor tehnologii.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/harta-literara-a-bucurestiului-un-proiect-de-geografie-literara-urbana\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>CAMERA DE ECOU<\/p>\n\n\n\n<h6 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/blog.revistacultura.ro\/2025\/10\/29\/cercetare-diferentele-relevante-dintre-suporterii-lui-george-simion-si-calin-georgescu\/\">Cercetare: diferen\u021bele relevante dintre suporterii lui George Simion \u0219i C\u0103lin Georgescu<\/a><\/h6>\n\n\n\n<p>Sociologii Sergiu Mi\u0219coiu (UBB) \u0219i Sergiu Gherghina (Universitatea din Glasgow) au realizat un amplu sondaj \u00een diaspora \u00eencerc\u00e2nd s\u0103 afle de ce extrema dreapt\u0103 a reu\u0219it cre\u0219teri importante \u00een acel spa\u021biu \u00een ultimele alegeri. Rezultatele sondajului au fost publicate \u00een \u201eEthnicities\u201d (Sage). Concluzia studiului: votul emigran\u021bilor rom\u00e2ni \u00een 2024 a fost fundamentat pe o combina\u021bie puternic\u0103 de&nbsp;frustrare de lung\u0103 durat\u0103 fa\u021b\u0103 de e\u0219ecurile&nbsp;<em>establishment<\/em>-ului&nbsp;\u0219i o&nbsp;viziune romanticizat\u0103 \u0219i nostalgic\u0103 asupra na\u021biunii, intensificat\u0103 de na\u021bionalismul la distan\u021b\u0103.<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/blog.revistacultura.ro\/2025\/10\/09\/cercetari-utilizarea-populismului-ca-strategie-in-parlamentul-romaniei\/\">Cercetare: Utilizarea populismului ca strategie \u00een Parlamentul Rom\u00e2niei<\/a><\/h5>\n\n\n\n<p>Aurelian Giug\u0103l<strong>&nbsp;<\/strong>\u0219i&nbsp;Sergiu Gherghina&nbsp;au publicat recent \u00een revista&nbsp;<em>Party Politics<\/em>&nbsp;un studiu referitor la instrimentalizarea populismului \u00een Parlamentul Rom\u00e2niei. Sub titlul&nbsp;<em>\u201eThe strategic use of populism in parliamentary questions: Evidence from Romania\u201d<\/em>, lucrarea analizeaz\u0103 modul \u00een care deputa\u021bii rom\u00e2ni folosesc retorica populist\u0103 \u00een \u00eentreb\u0103rile scrise adresate guvernului, ca strategie de vizibilitate \u0219i pozi\u021bionare ideologic\u0103. Studiul arat\u0103 c\u0103 acest tip de retoric\u0103 este mai frecvent folosit de parlamentari din opozi\u021bie, cu resurse limitate, care urm\u0103resc aten\u021bia mediatic\u0103.<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/blog.revistacultura.ro\/2025\/10\/30\/dosarul-revistei-urbanitas-migratia-si-diversitatea-culturala-in-perioadele-vechi\/\">Dosar Revista\u00a0<em>URBANITAS<\/em>\u00a0: o imagine complex\u0103 \u0219i nuan\u021bat\u0103 a migra\u021biei \u00een spa\u021biul rom\u00e2nesc<\/a><\/h5>\n\n\n\n<p>Dosarul adun\u0103 o serie de studii fascinante care ilustreaz\u0103 modul \u00een care diversele comunit\u0103\u021bi migratoare \u0219i-au pus amprenta asupra artei, vie\u021bii cotidiene \u0219i structurii urbane a Capitalei \u0219i a Principatelor Rom\u00e2ne. Valorificarea informa\u021biilor istorice reliefeaz\u0103 leg\u0103turile culturale de lung\u0103 durat\u0103 dintre poporul rom\u00e2n \u0219i diversele culturi din Orientul Apropiat \u0219i Europa, a c\u0103ror importan\u021b\u0103 a fost mult timp subminat\u0103 de un na\u021bionalism rigid, deseori xenofob, care a caracterizat mult timp mediul academic rom\u00e2nesc.<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/blog.revistacultura.ro\/2025\/10\/28\/cum-a-fost-la-filit-2025\/\">Cum a fost la FILIT 2025<\/a><\/h5>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"298\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/Filit-25-Day-3-@the_phope-76_resized-448x298.webp\" alt=\"\" class=\"wp-image-27956\" style=\"aspect-ratio:16\/9;object-fit:cover\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/Filit-25-Day-3-@the_phope-76_resized-448x298.webp 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/Filit-25-Day-3-@the_phope-76_resized-300x200.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/Filit-25-Day-3-@the_phope-76_resized-768x512.webp 768w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/11\/Filit-25-Day-3-@the_phope-76_resized.webp 800w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure>\n\n\n\n<p>200 de evenimente, sute de invita\u021bi din \u021bar\u0103 \u0219i str\u0103in\u0103tate, nume mari ale scenei culturale interna\u021bionale, peste 20.000 de participan\u021bi \u00een public, plus al\u021bi 20.000 de spectatori la evenimentele transmise live, \u00eent\u00e2lniri cu scriitori \u0219i traduc\u0103tori, dezbateri, concerte, expozi\u021bii, mese rotunde \u0219i ateliere profesionale.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\"><\/div>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-3543ed5c wp-block-group-is-layout-constrained\"><div class=\"wp-block-image wp-duotone-000000-rgb233233233-1\">\n<figure class=\"aligncenter size-full has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1131\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2024\/06\/caseta-638.jpg\" alt=\"\" class=\"wp-image-27279\" style=\"border-style:none;border-width:0px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2024\/06\/caseta-638.jpg 800w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2024\/06\/caseta-638-212x300.jpg 212w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2024\/06\/caseta-638-448x633.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2024\/06\/caseta-638-768x1086.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>| Imagine copert\u0103: Adrian Leonard Mociulschi, grafic\u0103 realizat\u0103 cu ajutorul AI | SOCIETATE C\u00e2nd digitalizarea reproduce birocra\u021bia \u00een format electronic Anun\u021bata implementare a SDFC (Sistemul Digital pentru procesele de Finan\u021bare a Culturii) i-a bucurat pe operatorii culturali din Rom\u00e2nia. Promitea s\u0103 fie un upgrade tehnic care r\u0103spundea la nevoia de eficien\u021b\u0103, la renun\u021barea la dosare&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/cultura-656\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Cultura 656<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15496],"tags":[],"class_list":["post-27919","post","type-post","status-publish","format-standard","hentry","category-sumar"],"views":115,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27919","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=27919"}],"version-history":[{"count":21,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27919\/revisions"}],"predecessor-version":[{"id":27962,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27919\/revisions\/27962"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=27919"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=27919"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=27919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}