{"id":27825,"date":"2025-10-06T20:23:17","date_gmt":"2025-10-06T18:23:17","guid":{"rendered":"https:\/\/revistacultura.ro\/nou\/?p=27825"},"modified":"2025-10-09T10:57:49","modified_gmt":"2025-10-09T08:57:49","slug":"cultura-655","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/cultura-655\/","title":{"rendered":"Cultura 655"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1131\" src=\"http:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/655_800.jpg\" alt=\"\" class=\"wp-image-27831\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/655_800.jpg 800w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/655_800-212x300.jpg 212w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/655_800-448x633.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/655_800-768x1086.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-neve-link-hover-color-color has-nv-site-bg-background-color has-text-color has-background has-link-color has-small-font-size wp-elements-6ea54239d49b9083bc077037e58de3ce\"><strong>| Imagine copert\u0103:<\/strong> Expozi\u021bia interactiv\u0103 RELATOPIA, Asocia\u021bia VAR Cultural, octombrie 2025<strong> |<\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>SOCIETATE<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"900\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/METROPOLIS.jpg\" alt=\"\" class=\"wp-image-27851\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/METROPOLIS.jpg 1600w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/METROPOLIS-300x169.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/METROPOLIS-448x252.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/METROPOLIS-768x432.jpg 768w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/METROPOLIS-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/31-propozitii-despre-terminarea-intempestiva-a-interimatului-lui-radu-nica-la-metropolis\/\">3+1 propozi\u021bii despre terminarea intempestiv\u0103 <br>a interimatului lui Radu Nica la Metropolis<\/a><\/h3>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Performan\u021ba directoratului lui Radu Nica este indubitabil\u0103 \u2013 Metropolis a devenit dintr-o cl\u0103dire de pe Eminescu un reper artistic al Bucure\u0219tiului. <\/li>\n<\/ol>\n\n\n\n<p>2. Acuza\u021biile contra sa (unele) sunt grave \u2013 dac\u0103 nu sunt inventate. <\/p>\n\n\n\n<p>3. Nu pe Facebook se judec\u0103 nici asemenea acuza\u021bii \u2013 iar o reac\u021bie de pe re\u021belele sociale nu poate fundamenta decizia \u00eenlocuirii unui manager cultural. <\/p>\n\n\n\n<p>+1: Interimatele \u00een institu\u021biile culturale finan\u021bate de stat au devenit regula \u2013 iar aceasta este o regul\u0103 nociv\u0103 \u0219i o \u00eenc\u0103lcare flagrant\u0103 a legii, predispune la abuz administrativ, perpetueaz\u0103 practica ingerin\u021bei politice \u00een orice entitate public\u0103 \u0219i, \u00een mod esen\u021bial, ruineaz\u0103 capacitatea oric\u0103rui manager de a stabili \u0219i realiza planuri consistente, solide, multianuale.<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><\/li>\n<\/ol>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/31-propozitii-despre-terminarea-intempestiva-a-interimatului-lui-radu-nica-la-metropolis\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>TEME \u00ceN DEZBATERE<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"422\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/CERCETARE.gif\" alt=\"\" class=\"wp-image-27830\"\/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/despre-cercetare-finantare-si-pseudostiinta\/\">Despre cercetare, finan\u021bare \u0219i pseudo\u0219tiin\u021b\u0103<\/a><\/h3>\n\n\n\n<p><a href=\"https:\/\/ec.europa.eu\/eurostat\/statistics-explained\/index.php?title=Government_budget_allocations_for_R%26D_(GBARD)#Total_GBARD_across_the_EU\">Ultimele date Eurostat<\/a>&nbsp;confirm\u0103 subfinan\u021barea cronic\u0103 a cercet\u0103rii \u00een Rom\u00e2nia \u0219i decalajul major fa\u021b\u0103 de standardele europene. \u021aara noastr\u0103 ocup\u0103 ultima pozi\u021bie \u00een Uniunea European\u0103 \u00een ceea ce prive\u0219te alocarea fondurilor pentru cercetare \u0219i dezvoltare \u00een 2024, cu doar 19,1 euro pe cap de locuitor \u2013 de dou\u0103 ori mai pu\u021bin dec\u00e2t penultima clasat\u0103, Bulgaria (38,3 euro), \u0219i de aproximativ 15 ori mai pu\u021bin dec\u00e2t media UE \u2013 284,7 euro.<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>| <\/strong>Autor:<strong> <\/strong>CORINA  TARA\u0218-LUNGU<strong> |<\/strong> <\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/despre-cercetare-finantare-si-pseudostiinta\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>TEME \u00ceN DEZBATERE<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"414\" src=\"http:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/cercetarea-romaneasca.gif\" alt=\"\" class=\"wp-image-27832\"\/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/cercetarea-romaneasca-stam-rau-dar-mai-bine\/\">Cercetarea rom\u00e2neasc\u0103: st\u0103m r\u0103u, dar mai bine<\/a><\/h3>\n\n\n\n<p>Rom\u00e2nia a \u00eencercat (\u0219i \u00een bun\u0103 m\u0103sur\u0103 a reu\u0219it) o recuperare a \u00eent\u00e2rzierilor din hardware-ul infrastructurilor sociale, neglij\u00e2nd cronic software-ul social. Activit\u0103\u021bile de cercetare-dezvoltare, industriile creative, educa\u021bia \u0219i cultura au fost proiectate \u00een imaginea public\u0103 ca un lux nenecesar, care poate fi am\u00e2nat sau neglijat. Ele, \u00eens\u0103, reprezint\u0103 cheia dezvolt\u0103rii sociale, f\u0103r\u0103 de care infrastructura sau cre\u0219terea veniturilor sunt indicatori goli\u021bi de sens.<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>| <\/strong>Autor:<strong> <\/strong>CARMEN CORBU <strong>|<\/strong> <\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/cercetarea-romaneasca-stam-rau-dar-mai-bine\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>TEME \u00ceN DEZBATERE<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"351\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/cercetare-dezvoltare.jpg\" alt=\"\" class=\"wp-image-27898\" style=\"width:756px;height:auto\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/cercetare-dezvoltare.jpg 800w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/cercetare-dezvoltare-300x132.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/cercetare-dezvoltare-448x197.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/cercetare-dezvoltare-768x337.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-right has-small-font-size\">Imagine: AT&amp;S Europas, via Heute, CC BY 4.0<\/p>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/geopolitica-cercetarii-ue-pierde-teren-in-fata-sua-si-a-chinei\/\">Geopolitica cercet\u0103rii: UE pierde teren \u00een fa\u021ba SUA \u0219i a Chinei<\/a><\/h3>\n\n\n\n<p>C\u00e2nd vorbim despre putere \u00een secolul XXI, ne g\u00e2ndim \u00eent\u00e2i de toate la armate, la PIB sau la influen\u021b\u0103 diplomatic\u0103. \u00cens\u0103 sub suprafa\u021ba acestor percep\u021bii, care vin dintr-o lung\u0103 tradi\u021bie, se afl\u0103 un conflict mai pu\u021bin vizibil, dar ast\u0103zi cu mult mai relevant: cel din laboratoare \u0219i centre de cercetare, unde se decide de fapt cine va domina economia \u0219i geopolitica urm\u0103toarelor decenii. Cercetarea \u0219i dezvoltarea nu mai sunt simple instrumente ale puterii de stat \u2013 ele au devenit \u00eens\u0103\u0219i substan\u021ba acestei puteri.<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>| <\/strong>Autor:<strong> <\/strong>NICU IULIE <strong>|<\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/geopolitica-cercetarii-ue-pierde-teren-in-fata-sua-si-a-chinei\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>TEME \u00ceN DEZBATERE<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/revistacultura.ro\/romania-nu-are-o-componenta-privata-care-sa-investeasca-in-cercetare-la-modul-serios\/\">Bogdan Drug\u0103: \u201eRom\u00e2nia nu are o component\u0103 privat\u0103 care s\u0103 investeasc\u0103 \u00een cercetare la modul serios\u201d<\/a><\/h3>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"271\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/bogdan_druga_laborator-930x563-1-448x271.webp\" alt=\"\" class=\"wp-image-27836\" style=\"aspect-ratio:1;object-fit:cover\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/bogdan_druga_laborator-930x563-1-448x271.webp 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/bogdan_druga_laborator-930x563-1-300x182.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/bogdan_druga_laborator-930x563-1-768x465.webp 768w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/bogdan_druga_laborator-930x563-1.webp 930w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>\u201e\u00cen primul r\u00e2nd suntem slab reprezenta\u021bi pentru c\u0103 suntem pu\u021bini, \u00een medie avem cam un cercet\u0103tor la mia de locuitori, un raport extrem de mic, dac\u0103 nu cel mai mic din Europa. Apoi, avem o mentalitate care ne \u00eencurc\u0103, vrem s\u0103 facem lucrurile noi \u00eentre noi, cu pu\u021bin\u0103 deschidere interna\u021bional\u0103, credem c\u0103 noi \u0219tim mai bine, c\u0103 stilul nostru e mai bun, c\u0103 rezolv\u0103m problemele \u00eentre noi etc. Mai e problema faptului c\u0103 mul\u021bi rom\u00e2ni din cercetare nu v\u0103d neap\u0103rat importan\u021ba populariz\u0103rii rezultatelor lor c\u0103tre un public. Sunt cercet\u0103tori cu rezultate foarte bune pe care nu le comunic\u0103, fie li se pare pierdere de timp, fie nu \u0219tiu cum s\u0103 fac\u0103 asta.\u201d<\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"font-style:normal;font-weight:200\">Bogdan Drug\u0103 este directorul Institutului de Cercet\u0103ri Biologice Cluj din 2022, cu studii postdoctorale \u00een Elve\u021bia, \u00een cadrul Swiss Federal Institute of Aquatic Science and Technology, \u0219i \u00een Germania, \u00een cadrul Technische Universit\u00e4t Darmstadt. <\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/romania-nu-are-o-componenta-privata-care-sa-investeasca-in-cercetare-la-modul-serios\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>TEME \u00ceN DEZBATERE<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a href=\"https:\/\/revistacultura.ro\/despre-cercetarea-aplicativa-cea-fundamentala-si-gandirea-pe-termen-lung\/\">Sergiu Mi\u0219coiu: <br>\u201eCred c\u0103 este o mare oportunitate \u00een zona fondurilor europene pentru cercetare, unde g\u00e2ndirea pe termen mediu \u0219i lung \u00eenc\u0103 mai exist\u0103<\/a><\/h3>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"446\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/sergiu_miscoiu-448x446.webp\" alt=\"\" class=\"wp-image-27838\" style=\"aspect-ratio:1;object-fit:cover\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/sergiu_miscoiu-448x446.webp 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/sergiu_miscoiu-300x300.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/sergiu_miscoiu-150x150.webp 150w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/sergiu_miscoiu-768x765.webp 768w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/sergiu_miscoiu.webp 1000w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>\u201eMulte trenuri au fost pierdute, tocmai fiindc\u0103 nu a existat o g\u00e2ndire s\u0103n\u0103toas\u0103 pe termen lung. Configura\u021bia mental\u0103 a clasei politice rom\u00e2ne\u0219ti e bazat\u0103 pe o contraselec\u021bie, \u00eenc\u00e2t am ajuns \u00een momentul 2024-2025 la riscul c\u0103derii \u00een extremism. \u0218i, din p\u0103cate, aceste lucruri afecteaz\u0103 \u00eentotdeauna bugetul cercet\u0103rii, care e v\u0103zut\u0103 ca un moft sau ca un demers inutil.\u201d<\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"font-style:normal;font-weight:200\">Sergiu Mi\u0219coiu<strong>&nbsp;<\/strong>este profesor de \u0218tiin\u021be Politice la Facultatea de Studii Europene a Universit\u0103\u021bii Babe\u0219-Bolyai din Cluj-Napoca. De\u021bine func\u021biile de Director al Centrului pentru Cooperare Interna\u021bional\u0103 \u0219i este coordonatorul mai multor proiecte interna\u021bionale de cercetare.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/despre-cercetarea-aplicativa-cea-fundamentala-si-gandirea-pe-termen-lung\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>C\u00c2MPURI DE EXPERTIZ\u0102<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-large is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Remus_Pricopie-edited.webp\" alt=\"\" class=\"wp-image-27841\" style=\"border-radius:75px;object-fit:cover;width:150px;height:150px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Remus_Pricopie-edited.webp 400w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Remus_Pricopie-edited-300x300.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Remus_Pricopie-edited-150x150.webp 150w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">REMUS PRICOPIE<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/compromisul-in-politica\/\">Compromisul \u00een politic\u0103<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-center\">\u00cen limbajul cotidian rom\u00e2nesc, el este asociat mai degrab\u0103 cu cedarea ru\u0219inoas\u0103, cu lipsa de caracter sau cu o solu\u021bie necinstit\u0103, prin care cineva ob\u021bine avantaje. (<a href=\"https:\/\/revistacultura.ro\/compromisul-in-politica\/\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/partidele-kgb\/\">Partidele KGB<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-center has-neve-link-hover-color-color has-text-color has-link-color wp-elements-d4a1a185dadf890e297214a7ffd077e8\">Principalele \u201epor\u021bi\u201d prin care Rusia \u0219i-a f\u0103cut intrarea \u00een politica na\u021bional\u0103 \u0219i european\u0103 sunt: (i)&nbsp;partidele politice, (ii)&nbsp;mass-media&nbsp;\u0219i (iii)&nbsp;re\u021belele sociale. (<a href=\"https:\/\/revistacultura.ro\/partidele-kgb\/\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center has-neve-link-hover-color-color has-text-color has-link-color wp-elements-217d666926e6ebd54d6a2361951d5158\"><a href=\"https:\/\/revistacultura.ro\/prezidentiabilitatea-unui-presedinte\/\">Preziden\u021biabilitatea unui pre\u0219edinte<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-center\">Preziden\u021biabilitatea nu \u00eenseamn\u0103 s\u0103 fii popular sau s\u0103 ai un talent oratoric ie\u0219it din comun. Nici v\u00e2rsta, nici aspectul fizic, nici carisma personal\u0103 nu garanteaz\u0103 un asemenea atribut.(<a href=\"https:\/\/revistacultura.ro\/prezidentiabilitatea-unui-presedinte\/\">articolul integral<\/a>)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-large is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"667\" height=\"667\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/remus-stefureac-informat.ro_-edited.webp\" alt=\"\" class=\"wp-image-27842\" style=\"border-radius:75px;object-fit:cover;width:150px;height:150px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/remus-stefureac-informat.ro_-edited.webp 667w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/remus-stefureac-informat.ro_-edited-300x300.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/remus-stefureac-informat.ro_-edited-448x448.webp 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/remus-stefureac-informat.ro_-edited-150x150.webp 150w\" sizes=\"auto, (max-width: 667px) 100vw, 667px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">REMUS \u0218TEFUREAC<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/valorile-hibride-ale-unei-societati-contradictorii\/\">Valorile hibride ale unei societ\u0103\u021bi contradictorii<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-center\">Datele Barometrului Informat.ro-INSCOP arat\u0103 o polarizare genera\u021bional\u0103 \u0219i educa\u021bional\u0103 care se poate traduce \u00een clivaje politice \u0219i culturale pe termen mediu. (<a href=\"https:\/\/revistacultura.ro\/valorile-hibride-ale-unei-societati-contradictorii\/\">articolul integral<\/a>)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-large is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"448\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/nicu-ilie-448x448.jpg\" alt=\"\" class=\"wp-image-27843\" style=\"border-radius:75px;object-fit:cover;width:150px;height:150px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/nicu-ilie-448x448.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/nicu-ilie-300x300.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/nicu-ilie-150x150.jpg 150w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/nicu-ilie.jpg 720w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">NICU ILIE<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/istoria-inca-nu-e-o-stiinta-punct\/\">Istoria \u00eenc\u0103 nu e o \u0219tiin\u021b\u0103, punct<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-center\">Sistemele educa\u021bionale na\u021bionale sunt concepute pentru a produce identitate na\u021bional\u0103, nu pentru a produce cunoa\u0219tere obiectiv\u0103 despre trecut.&nbsp;(<a href=\"https:\/\/revistacultura.ro\/istoria-inca-nu-e-o-stiinta-punct\/\">articolul integral<\/a>)<\/p>\n\n\n<div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-large is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"449\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/adrian-mociulschi-448x449.jpg\" alt=\"\" class=\"wp-image-27844\" style=\"border-radius:75px;object-fit:cover;width:150px;height:150px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/adrian-mociulschi-448x449.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/adrian-mociulschi-300x300.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/adrian-mociulschi-150x150.jpg 150w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/adrian-mociulschi.jpg 472w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">ADRIAN LEONARD MOCIULSCHI<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/blockchain-ul-estetic-muzica-matematici-si-democratie\/\">Blockchain-ul estetic: muzic\u0103, matematici \u0219i democra\u021bie<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-center\">&nbsp;\u00cen aceast\u0103 re\u021bea distribuit\u0103 a viitorului artistic, sensul nu se mai impune prin re\u021bete elitiste, ci se confirm\u0103 prin votul contribuabilului, al pl\u0103titorului de taxe \u0219i impozite, ca \u00eentr-un DAO cultural. (<a href=\"http:\/\/Blockchain-ul estetic: muzic\u0103, matematici \u0219i democra\u021bie\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/muzica-clasica-in-era-algoritmilor\/\">Muzica clasic\u0103 \u00een era algoritmilor<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-center\">&nbsp;Actualitatea muzicii nu se sprijin\u0103 pe marketing, ci pe ecologia cultural\u0103: ea respir\u0103 oriunde g\u0103se\u0219te aer \u2014 \u00een sal\u0103, pe ecran, \u00een re\u021bele. (<a href=\"https:\/\/revistacultura.ro\/muzica-clasica-in-era-algoritmilor\/\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/arhitecturi-ale-tacerii-lectia-lui-marian-borkowski\/\">Arhitecturi ale t\u0103cerii: lec\u021bia lui Marian Borkowski<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-center\">Muzica lui Borkowski este \u201esacr\u0103\u201d nu \u00een sens liturgic, ci ontologic. Sacrul, aici, nu trimite la ritual, ci la o tainic\u0103 ordine interioar\u0103 a sensului. Fiecare sunet este purt\u0103tor de inten\u021bie, fiecare pauz\u0103 \u2014 o respira\u021bie cosmic\u0103. (<a href=\"https:\/\/revistacultura.ro\/arhitecturi-ale-tacerii-lectia-lui-marian-borkowski\/\">articolul integral<\/a>)<\/p>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/codul-lui-lukaszewski-sacralitatea-sunetului-si-vocatia-universala-a-formei\/\">Codul lui \u0141ukaszewski: Sacralitatea sunetului \u0219i voca\u021bia universal\u0103 a formei<\/a><\/h5>\n\n\n\n<p class=\"has-text-align-center\">Muzica sa se num\u0103r\u0103 printre rarele partituri contemporane care nu doar se aud, ci se simt: ca o atingere interioar\u0103, discret\u0103 \u0219i profund\u0103, a celui care ascult\u0103. (<a href=\"https:\/\/revistacultura.ro\/codul-lui-lukaszewski-sacralitatea-sunetului-si-vocatia-universala-a-formei\/\">articolul integral<\/a>)<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>CIFRE CU SUBIECT \u0218I PREDICAT<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"596\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/SCOALA.jpg\" alt=\"\" class=\"wp-image-27854\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/SCOALA.jpg 900w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/SCOALA-300x199.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/SCOALA-448x297.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/SCOALA-768x509.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong><a href=\"https:\/\/revistacultura.ro\/scoala-si-dificultatile-ei-sondaj\/\">\u0218coala \u0219i dificult\u0103\u021bile ei (sondaj INSCOP)<\/a><\/strong><\/h3>\n\n\n\n<p>&nbsp;\u00cenceputul fiec\u0103rui an \u0219colar readuce \u00een aten\u021bia public\u0103 provoc\u0103rile sistemului educa\u021bional rom\u00e2nesc, iar un sondaj recent realizat de INSCOP Research, la comanda Informat.ro, ofer\u0103 o perspectiv\u0103 asupra percep\u021biilor rom\u00e2nilor, eviden\u021biind discrepan\u021be semnificative pe diversele paliere sociale. <br>Doar 11,6% dintre rom\u00e2ni consider\u0103 emo\u021biile \u0219i stresul elevilor ca fiind o problem\u0103. \u00cens\u0103 cei care au trecut recent prin \u0219coal\u0103 sau au copii la \u00eenceputul ciclurilor educa\u021bionale au tendin\u021ba de a le lua mult mai \u00een serios. Tinerii sub 30 de ani, de exemplu, sunt cei mai \u00eengrijora\u021bi. 20% dintre ace\u0219tia consider\u0103 emo\u021biile \u0219i stresul provocate de \u0219coal\u0103 ca fiind o dificultate. Ei reprezint\u0103 grupul social cu cel mai recent contact direct cu \u0219coala \u0219i, prin urmare, sunt mai con\u0219tien\u021bi de presiunile actuale.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/scoala-si-dificultatile-ei-sondaj\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>CIFRE CU SUBIECT \u0218I PREDICAT<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"563\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/sondaj-enescu-1b.gif\" alt=\"\" class=\"wp-image-27857\"\/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong><a href=\"https:\/\/revistacultura.ro\/scaderea-notorietatii-lui-enescu-un-diagnostic-al-societatii\/\">Sc\u0103derea notoriet\u0103\u021bii lui Enescu: un diagnostic al \u00eentregii societ\u0103\u021bi<\/a><\/strong><\/h3>\n\n\n\n<p>Concret, notorietatea lui Enescu a sc\u0103zut de la 90,6% \u00een 2013 la 85% \u00een 2025, iar notorietatea festivalului a \u00eenregistrat o sc\u0103dere similar\u0103, de la 80,2% la 76,6%. Aceast\u0103 diminuare este deosebit de pronun\u021bat\u0103 \u00een r\u00e2ndul segmentului de v\u00e2rst\u0103 18-29 de ani, unde cifre devin \u00eengrijor\u0103toare. <br>Analiz\u00e2nd profilul demografic, cele mai relevante disparit\u0103\u021bi sunt \u00een r\u00e2ndul tinerilor: <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>26% dintre tinerii cu v\u00e2rste \u00eentre 18 \u0219i 29 de ani declar\u0103 c\u0103 nu au auzit niciodat\u0103 de George Enescu. <\/li>\n\n\n\n<li>54% dintre tineri nu au auzit de Festivalul George Enescu.<\/li>\n<\/ul>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/scaderea-notorietatii-lui-enescu-un-diagnostic-al-societatii\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>CIFRE CU SUBIECT \u0218I PREDICAT<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"764\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Modele-AI-accesate-prin-browser-1.jpg\" alt=\"\" class=\"wp-image-27859\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Modele-AI-accesate-prin-browser-1.jpg 1000w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Modele-AI-accesate-prin-browser-1-300x229.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Modele-AI-accesate-prin-browser-1-448x342.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Modele-AI-accesate-prin-browser-1-768x587.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong><a href=\"https:\/\/revistacultura.ro\/cele-mai-populare-modele-ai-in-2025\/\">Cele mai populare modele AI \u00een 2025<\/a><\/strong><\/h3>\n\n\n\n<p>Peisajul AI se schimb\u0103 extrem de rapid. Principala platform\u0103 de monitorizare, Open Router, indic\u0103 cre\u0219teri \u0219i sc\u0103deri uria\u0219e de la o zi la alta pentru fiecare dintre modele.&nbsp;<\/p>\n\n\n\n<p>Open AI \u0219i Google \u00ee\u0219i disput\u0103 intens primul loc \u00een topul utilizatorilor de AI. \u00cens\u0103, de\u0219i pozi\u021bia lor pe pia\u021b\u0103 este una extrem de solid\u0103, companiile mai noi Deepseek \u0219i X-AI (Grok) au reu\u0219it cre\u0219teri ale cotei de pia\u021b\u0103 de la (aproape) zeo la numere cu dou\u0103 cifre. \u00cen acela\u0219i timp, \u00eentreaga pia\u021b\u0103 este \u00eentr-o expansiune major\u0103.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/cele-mai-populare-modele-ai-in-2025\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:0px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>CIFRE CU SUBIECT \u0218I PREDICAT<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"349\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/statistica_AI.gif\" alt=\"\" class=\"wp-image-27834\"\/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong><a href=\"http:\/\/Geopolitica Inteligen\u021bei Artificiale Generative: cine conduce \u00een cursa global\u0103 \u00een 2025?\">Geopolitica Inteligen\u021bei Artificiale Generative: cine conduce \u00een cursa global\u0103 \u00een 2025?<\/a><\/strong><\/h3>\n\n\n\n<p>&nbsp;Anul 2025 este un moment crucial, \u00een care competi\u021bia pentru dezvoltarea celor mai performante \u0219i sigure modele va defini nu doar viitorul tehnologiei, ci \u0219i echilibrul global de putere. Peisajul geopolitic al inteligen\u021bei artificiale este \u00eentr-o continu\u0103 transformare. Modelele lingvistice mari (LLM) nu mai sunt doar algoritmi complec\u0219i, ci active strategice care reflect\u0103 ambi\u021biile economice \u0219i politice ale na\u021biunilor care le dezvolt\u0103. De\u0219i Statele Unite \u00ee\u0219i men\u021bin o pozi\u021bie puternic\u0103, ascensiunea rapid\u0103 a Chinei \u0219i eforturile de reglementare ale Uniunii Europene contureaz\u0103 o lume multi-polar\u0103 a AI.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"http:\/\/Geopolitica Inteligen\u021bei Artificiale Generative: cine conduce \u00een cursa global\u0103 \u00een 2025?\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>EVOCARE<br>AUGUSTIN BUZURA<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Augustin Buzura este fondatorul Revistei Cultura. Funda\u021bia Cultural\u0103 Augustin Buzura, editorul acestei publica\u021bii, a fost \u00eenfiin\u021bat\u0103 \u00een memoria scriitorului.<\/p>\n<\/blockquote>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/22-septembrie-1938\/\">22 <\/a><br><a href=\"https:\/\/revistacultura.ro\/22-septembrie-1938\/\">septembrie <\/a><br><a href=\"https:\/\/revistacultura.ro\/22-septembrie-1938\/\">1938<\/a><\/h3>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"600\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/augustin-buzura-biblioteca-448x600.jpg\" alt=\"\" class=\"wp-image-27907\" style=\"aspect-ratio:1;object-fit:cover\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/augustin-buzura-biblioteca-448x600.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/augustin-buzura-biblioteca-224x300.jpg 224w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/augustin-buzura-biblioteca-768x1028.jpg 768w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/augustin-buzura-biblioteca.jpg 800w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>| Autor: DANA GAGNIUC-BUZURA |<\/p>\n\n\n\n<p>22 septembrie 1938 \u2013 se na\u0219te academicianul Augustin Buzura. O informa\u021bie corect\u0103, important\u0103 \u0219i rece.<br>Eu \u00eens\u0103 nu o pot privi a\u0219a, pentru c\u0103 dac\u0103 el n-ar fi venit \u00een verile copil\u0103riei mele acas\u0103 la Berin\u021ba, nici copil\u0103ria mea n-ar fi fost la fel. Mi-l amintesc aleg\u00e2ndu-\u0219i \u201eCondi\u021bia uman\u0103\u201d a lui Malraux din bibliotec\u0103 \u0219i pe mine \u2013 foarte mic\u0103 fiind \u2013 c\u0103ut\u00e2nd dup\u0103 plecarea lui s\u0103 citesc ceva \u00een cartea aceea. N-am \u00een\u021beles nimic, evident. Dar mi-am dorit. Era o s\u0103m\u00e2n\u021b\u0103 de vis \u00eenc\u0103 nen\u0103scut\u2026<\/p>\n\n\n\n<p>Mi-ar fi pl\u0103cut ca \u0219i timpul s\u0103 aib\u0103 mai mult\u0103 r\u0103bdare cu noi, dar el \u00ee\u0219i cunoa\u0219te propriile reguli, el \u0219tie c\u00e2nd \u0219i unde s\u0103 pun\u0103 semnele de punctua\u021bie \u00een pove\u0219ti, \u00een vie\u021bi, \u00een dialoguri \u00eent\u00e2mplate sau ne\u00eencepute.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/22-septembrie-1938\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>ARHIVA INI\u021aIATIVELOR CULTURALE INDEPENDENTE<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2048\" height=\"1152\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/WhatsApp-Image-2025-10-06-at-20.08.01_8eec1a85.jpg\" alt=\"\" class=\"wp-image-27866\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/WhatsApp-Image-2025-10-06-at-20.08.01_8eec1a85.jpg 2048w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/WhatsApp-Image-2025-10-06-at-20.08.01_8eec1a85-300x169.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/WhatsApp-Image-2025-10-06-at-20.08.01_8eec1a85-448x252.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/WhatsApp-Image-2025-10-06-at-20.08.01_8eec1a85-768x432.jpg 768w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/WhatsApp-Image-2025-10-06-at-20.08.01_8eec1a85-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/revistacultura.ro\/agenda\/2025\/09\/relatopia-o-experienta-artistica-interactiva-despre-convietuire-bucuresti-iasi-katerini\/\"><strong>RELATOPIA<\/strong>, un proiect VAR Cultural<\/a><\/h3>\n\n\n\n<p class=\"has-text-align-center\"><strong>O experien\u021b\u0103 artistic\u0103 interactiv\u0103 despre convie\u021buire<\/strong><\/p>\n\n\n\n<p>Proiectul RELATOPIA extinde direc\u021bia propus\u0103 de proiectul&nbsp;<em>Matched Society<\/em>&nbsp;(care urm\u0103rea surprinderea instantaneelor simbolice ale primei \u00eent\u00e2lniri romantice) c\u0103tre o cartografiere afectiv\u0103 a cuplului \u0219i a modului \u00een care aceast\u0103 cartografiere&nbsp; conserv\u0103 memoria afectiv\u0103 colectiv\u0103.<\/p>\n\n\n\n<p>Metodele de documentare din proiect au avut un caracter participativ, deschiz\u00e2nd un dialog at\u00e2t cu exper\u021bi din domeniile sociologiei, psihologiei, antropologiei \u0219i dreptului, c\u00e2t \u0219i prin includerea m\u0103rturiilor ob\u021binute \u00een urma unor interviuri de investiga\u021bie cu reprezentan\u021bi ai dou\u0103 genera\u021bii cu viziuni polarizate. S-a urm\u0103rit astfel o reflec\u021bie asupra diversit\u0103\u021bii \u00een angajarea publicului, nu doar din perspectiv\u0103 estetic\u0103, ci \u0219i social\u0103, etic\u0103, critic\u0103 \u0219i empatic\u0103, prin \u00eemp\u0103rt\u0103\u0219irea de experien\u021be.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/stilul-nu-este-despre-tendinte-stilul-este-despre-a-te-cunoaste-a-sti-ce-te-avantajeaza\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>ARHIVA INI\u021aIATIVELOR CULTURALE INDEPENDENTE<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"930\" height=\"620\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/sabina_georgescu_interviu_cultura-930x620-1.webp\" alt=\"\" class=\"wp-image-27864\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/sabina_georgescu_interviu_cultura-930x620-1.webp 930w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/sabina_georgescu_interviu_cultura-930x620-1-300x200.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/sabina_georgescu_interviu_cultura-930x620-1-448x299.webp 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/sabina_georgescu_interviu_cultura-930x620-1-768x512.webp 768w\" sizes=\"auto, (max-width: 930px) 100vw, 930px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong><a href=\"https:\/\/revistacultura.ro\/stilul-nu-este-despre-tendinte-stilul-este-despre-a-te-cunoaste-a-sti-ce-te-avantajeaza\/\">\u201eFrom Waste to Wonder: Art\u0103 \u0219i Mod\u0103 pentru viitor\u201d, un proiect Asocia\u021bia Elite Art<\/a><\/strong><\/h3>\n\n\n\n<p><strong>Sabina Georgescu: <\/strong>\u201eAcesta este efectul a jum\u0103tate de secol de marketing axat pe tendin\u021be \u0219i nu pe stil personal: oameni care cump\u0103r\u0103 impulsiv, pentru a fi \u201e\u00een trend\u201d \u2013 care dintre ele?, c\u0103 sunt vreo 16 thread-uri de tendin\u021be concomitent! \u2013 \u0219i, de fapt, nu \u0219tiu nimic despre ei \u00een\u0219i\u0219i. \u00cen primul r\u00e2nd, oamenii ar trebui s\u0103 se raporteze la ei \u00een\u0219i\u0219i, la ce le place cu adev\u0103rat \u0219i apoi la mediul social. Hainele sunt doar accesorii care ne comunic\u0103. Adev\u0103rata plusvaloare este personalitatea, propriul spirit. \u00cen momentul \u00een care decizi s\u0103 schimbi unghiul, s\u0103 te focusezi pe valorile individuale \u0219i nu pe acceptarea grupului, atunci \u00ee\u021bi po\u021bi construi stilul personal \u0219i vei vedea la c\u00e2t de multe lucruri vei renun\u021ba pentru c\u0103 nu te reprezentau, de fapt.\u201d<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/stilul-nu-este-despre-tendinte-stilul-este-despre-a-te-cunoaste-a-sti-ce-te-avantajeaza\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>ART\u0102<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"533\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Concert-Imersiv-Ultima-Piesa_Stefania-Burcea.webp\" alt=\"\" class=\"wp-image-27869\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Concert-Imersiv-Ultima-Piesa_Stefania-Burcea.webp 800w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Concert-Imersiv-Ultima-Piesa_Stefania-Burcea-300x200.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Concert-Imersiv-Ultima-Piesa_Stefania-Burcea-448x298.webp 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/Concert-Imersiv-Ultima-Piesa_Stefania-Burcea-768x512.webp 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong><a href=\"https:\/\/revistacultura.ro\/agenda\/2025\/09\/la-finalul-festivalului-enescu-2025\/\">La finalul Festivalului Enescu 2025<\/a><\/strong><\/h3>\n\n\n\n<p><strong>Inova\u021bia \u00eent\u00e2lne\u0219te tradi\u021bia<\/strong><\/p>\n\n\n\n<p>Edi\u021bia 2025 a marcat \u0219i un pas curajos spre viitor prin \u201eEnescu \u2013 JTI Immersive Experience\u201d, prima serie de spectacole imersive din istoria festivalului. G\u0103zduit\u0103 la MINA \u2013 Muzeul Artei Noi Imersive, aceast\u0103 ini\u021biativ\u0103 a atras un public divers, dornic s\u0103 experimenteze muzica \u00eentr-o form\u0103 multisenzorial\u0103, \u00een care sunetul s-a \u00eent\u00e2lnit cu tehnologia digital\u0103. <br>\u00cen acela\u0219i spirit inovator, noua serie \u201eEnescu \u00een Control\u201d, sus\u021binut\u0103 de BRD Groupe Soci\u00e9t\u00e9 G\u00e9n\u00e9rale, a adus festivalul \u00eentr-un spa\u021biu alternativ, adres\u00e2ndu-se unor noi categorii de public \u00eentr-un sincretism artistic f\u0103r\u0103 precedent.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/agenda\/2025\/09\/la-finalul-festivalului-enescu-2025\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>ART\u0102<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"533\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/2025_streetwise.webp\" alt=\"\" class=\"wp-image-27871\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/2025_streetwise.webp 800w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/2025_streetwise-300x200.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/2025_streetwise-448x298.webp 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/2025_streetwise-768x512.webp 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong><a href=\"https:\/\/blog.revistacultura.ro\/2025\/09\/16\/graffiti-regenerare-urbana-in-sectorul-6-din-bucuresti-galerie-foto\/\">Graffiti \u2013 regenerare urban\u0103 \u00een Sectorul 6 din Bucure\u0219ti<\/a><\/strong><\/h3>\n\n\n\n<p>Prim\u0103ria Sectorului 6 a organizat Streetwise Festival, \u201eun altfel de eveniment marca 6\u201d. Un pasaj abandonat al unei c\u0103i ferate dezafectate din prelungirea Parcului Liniei, \u00een zona Lujerului, este recuperat urbanistic \u0219i transformat, treptat, \u00eentr-un spa\u021biu pentru evenimente.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/blog.revistacultura.ro\/2025\/09\/16\/graffiti-regenerare-urbana-in-sectorul-6-din-bucuresti-galerie-foto\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>ART\u0102<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"578\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/lupta-cu-ingerul_8821_n.gif\" alt=\"\" class=\"wp-image-27873\"\/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong><a href=\"https:\/\/revistacultura.ro\/metamorfoza-carnalitatii-in-sculptura-lui-mircea-roman\/\">Metamorfoza carnalit\u0103\u021bii \u00een sculptura lui Mircea Roman<\/a><\/strong><\/h3>\n\n\n\n<p>Expozi\u021bia personal\u0103 a lui Mircea Roman de la IOMO Gallery, deschis\u0103 pe 11 septembrie \u0219i vizibil\u0103 p\u00e2n\u0103 la 11 octombrie 2025, marcheaz\u0103 o nou\u0103 etap\u0103 \u00een evolu\u021bia unui dintre cei mai importan\u021bi sculptori contemporani rom\u00e2ni. <br>Dac\u0103 siluetele vag umanoide din sculpturile precedente, iconice, ale lui Mircea Roman erau imediat recognoscibile printr-un hibrid arhaic-modern ce nu necesita explicitare, \u00een aceast\u0103 expozi\u021bie ele sunt \u00eenlocuite cu piese gigantice, nearticulate, care par s\u0103 fie membre ale operelor precedente sau gross-planuri ale unor forme familiare.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/metamorfoza-carnalitatii-in-sculptura-lui-mircea-roman\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>ART\u0102<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1125\" height=\"891\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/sight.jpg\" alt=\"\" class=\"wp-image-27875\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/sight.jpg 1125w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/sight-300x238.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/sight-448x355.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/sight-768x608.jpg 768w\" sizes=\"auto, (max-width: 1125px) 100vw, 1125px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong><a href=\"https:\/\/revistacultura.ro\/agenda\/2025\/09\/expo-out-of-sight-out-of-mind\/\">Expo: \u201eOut of Sight, Out of Mind\u201d<\/a><\/strong><\/h3>\n\n\n\n<p>Lucr\u0103ri de: Raluca Dr\u0103ghici, S\u00eenziana Georgescu,&nbsp;Irina C\u00eempeanu<\/p>\n\n\n\n<p><em>Out of Sight, Out of Mind<\/em>&nbsp;reprezint\u0103 un proiect \u00een care artistele \u00ee\u0219i propun s\u0103 abordeze at\u00e2t picturi, c\u00e2t \u0219i obiecte, colaje sau instala\u021bii ce ofer\u0103 un dialog vizual \u00eentre simbol, detaliu \u0219i memorie. <br>De\u0219i fiecare artist\u0103 \u00ee\u0219i urmeaz\u0103 un traseu personal, expozi\u021bia construie\u0219te un teren comun: interogarea vizibilului \u0219i a invizibilului. Fluturele, porumbelul, memoria, toate devin imagini despre fragilitate, persisten\u021b\u0103 \u0219i capacitatea artei de a reconfigura ceea ce scap\u0103 aten\u021biei imediate. (Diana Roman, curator)<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/agenda\/2025\/09\/expo-out-of-sight-out-of-mind\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>ART\u0102<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"563\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/expo_16mp.jpg\" alt=\"\" class=\"wp-image-27877\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/expo_16mp.jpg 1000w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/expo_16mp-300x169.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/expo_16mp-448x252.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/expo_16mp-768x432.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong><a href=\"https:\/\/revistacultura.ro\/agenda\/2025\/10\/imagini-din-expozitia-personala-dorina-horatau\/\">Expo: \u201e16 metri p\u0103tra\u021bi\u201d<\/a><\/strong><\/h3>\n\n\n\n<p>Lucr\u0103ri de: Dorina Hor\u0103t\u0103u<\/p>\n\n\n\n<p>Curatorul expozi\u021biei a fost Ruxandra Demetrescu, istoric de art\u0103 \u0219i profesor \u00een cadrul Universit\u0103\u021bii Na\u021bionale de Arte din Bucure\u0219ti. Conform textului de prezentare, \u00een expozi\u021bie, \u201emomente ale propriei biografii sunt sublimate \u00een etape semnificative ale activit\u0103\u021bii sale artistice, ilustrate prin experimente vizual-hapticem conjugate cu o dimensiune sonor\u0103\u201d.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-secondary\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/revistacultura.ro\/agenda\/2025\/10\/imagini-din-expozitia-personala-dorina-horatau\/\" style=\"border-width:1px;font-style:normal;font-weight:100\">articolul integral<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-1c1b4f74 wp-block-group-is-layout-constrained\">\n<p>CAMERA DE ECOU<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-full is-resized has-custom-border\"><a href=\"https:\/\/blog.revistacultura.ro\/2025\/09\/11\/interviu-cu-george-maior-despre-noua-sa-carte-managerii-istoriei\/\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"454\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/emisiune-maior-stefureac.webp\" alt=\"\" class=\"wp-image-27879\" style=\"border-radius:0px;object-fit:cover;width:600px;height:150px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/emisiune-maior-stefureac.webp 800w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/emisiune-maior-stefureac-300x170.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/emisiune-maior-stefureac-448x254.webp 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/emisiune-maior-stefureac-768x436.webp 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/figure>\n<\/div>\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><strong><a href=\"https:\/\/blog.revistacultura.ro\/2025\/09\/11\/interviu-cu-george-maior-despre-noua-sa-carte-managerii-istoriei\/\">\u00cen\u021belepciunea Istoriei: un ghid pentru managerii prezentului<\/a><\/strong><\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong>Podcastul \u201eOameni Informa\u021bi\u201d de la informat.ro<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Cartea lui George Maior propune, pentru a g\u0103si solu\u021bii la provoc\u0103rile actuale, o abordare bazat\u0103 pe studierea modului \u00een care mari g\u00e2nditori \u0219i lideri ai istoriei au gestionat puterea, stabilitatea \u0219i conflictele. Dialogul, moderat de gazda podcastului, a explorat teme momentului, de la escaladarea conflictului ruso-ucrainean \u0219i r\u0103zboiul informa\u021bional, p\u00e2n\u0103 la rolul Rom\u00e2niei \u00een alian\u021bele interna\u021bionale \u0219i impactul iminent al inteligen\u021bei artificiale. (<a href=\"https:\/\/blog.revistacultura.ro\/2025\/09\/11\/interviu-cu-george-maior-despre-noua-sa-carte-managerii-istoriei\/\">articolul integral<\/a>)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-large is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"253\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/p-4-448x253.jpg\" alt=\"\" class=\"wp-image-27880\" style=\"border-radius:0px;object-fit:cover;width:600px;height:150px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/p-4-448x253.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/p-4-300x170.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/p-4.jpg 605w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure>\n<\/div>\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/blog.revistacultura.ro\/2025\/09\/03\/ce-demonstreaza-paradoxul-olimpiadelor-scolare-internationale\/\">Ce demonstreaz\u0103 paradoxul olimpiadelor \u0219colare interna\u021bionale?<\/a><\/h4>\n\n\n\n<p class=\"has-text-align-center has-neve-text-color-color has-text-color has-link-color wp-elements-aa2a7e81f83d137ea409608fcae72b44\"><strong>Un articol \u00een Palladium Magazine\/Governance Futurism<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Performan\u021ba remarcabil\u0103 a Rom\u00e2niei la olimpiadele interna\u021bionale de \u0219tiin\u021b\u0103, unde se claseaz\u0103 frecvent al\u0103turi de na\u021biuni mult mai mari \u0219i mai bogate, contrasteaz\u0103 puternic cu rezultatele sale submediocre la evalu\u0103ri educa\u021bionale interna\u021bionale precum PISA. <br>Acest fenomen, care reprezint\u0103 un fel de&nbsp;\u201edoping\u201d sistemic, nu se refer\u0103 la practici neetice, ci la un&nbsp;design unic \u0219i extrem de stratificat al sistemului educa\u021bional rom\u00e2nesc, care cultiv\u0103 excelen\u021ba de v\u00e2rf \u00een detrimentul performan\u021bei generale. (<a href=\"https:\/\/blog.revistacultura.ro\/2025\/09\/03\/ce-demonstreaza-paradoxul-olimpiadelor-scolare-internationale\/\">articolul integral<\/a>)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-large is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"251\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/541796453_10163359514094533_4266799774159239644_n-448x251.jpg\" alt=\"\" class=\"wp-image-27888\" style=\"border-radius:0px;object-fit:cover;width:600px;height:150px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/541796453_10163359514094533_4266799774159239644_n-448x251.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/541796453_10163359514094533_4266799774159239644_n-300x168.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/541796453_10163359514094533_4266799774159239644_n.jpg 500w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure>\n<\/div>\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/blog.revistacultura.ro\/2025\/09\/06\/dezvaluiri-fara-precedent-din-interiorul-propagandei-anti-romanesti-a-moscovei\/\">Dezv\u0103luiri f\u0103r\u0103 precedent din interiorul propagandei anti-rom\u00e2ne\u0219ti a Moscovei<\/a><\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong>Jurnalistul Vitalie Cojocari <\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Jurnalista Natalia Zaharescu de la publica\u021bia ZDG din Republica Moldova a reu\u0219it s\u0103 se infiltreze \u00een grupuri de propagand\u0103 ruseasc\u0103 al c\u0103ror obiectiv este de a destabiliza Republica Moldova \u0219i Rom\u00e2nia. Mesajele primite de ea au fost f\u0103cute publice \u0219i demonstreaz\u0103 cu acurate\u021be o ac\u021biune de propor\u021bii \u0219i extrem de complex\u0103. (<a href=\"https:\/\/blog.revistacultura.ro\/2025\/09\/06\/dezvaluiri-fara-precedent-din-interiorul-propagandei-anti-romanesti-a-moscovei\/\">articolul integral<\/a>)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-large is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"394\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/claudia_goldin_premiul_nobel-edited.webp\" alt=\"\" class=\"wp-image-27887\" style=\"border-radius:0px;object-fit:cover;width:600px;height:150px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/claudia_goldin_premiul_nobel-edited.webp 700w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/claudia_goldin_premiul_nobel-edited-300x169.webp 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/10\/claudia_goldin_premiul_nobel-edited-448x252.webp 448w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n<\/div>\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/blog.revistacultura.ro\/2025\/09\/19\/un-detectiv-economic-in-cautarea-femeilor-casatorite\/\">Un detectiv economic \u00een c\u0103utarea femeilor c\u0103s\u0103torite<\/a><\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong>Pagina biografic\u0103 Claudia Goldin pe site-ul Premiilor Nobel<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Cercet\u0103rile Claudiei Goldin demonstreaz\u0103 c\u0103 istoria economic\u0103 este, \u00een esen\u021b\u0103, o munc\u0103 de detectiv. Prin tenacitatea sa de a c\u0103uta dovezi acolo unde al\u021bii nu au f\u0103cut-o, ea a rescris istoria economic\u0103 a secolului XX, oferind o perspectiv\u0103 esen\u021bial\u0103 asupra provoc\u0103rilor \u0219i progresului femeilor \u00een carier\u0103 \u0219i familie. Opera sa nu este doar o colec\u021bie de date, ci o cronic\u0103 a transform\u0103rilor sociale, culturale \u0219i economice care continu\u0103 s\u0103 modeleze lumea de ast\u0103zi. (<a href=\"https:\/\/blog.revistacultura.ro\/2025\/09\/19\/un-detectiv-economic-in-cautarea-femeilor-casatorite\/\">articolul integral<\/a>)<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-group\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--20);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--50)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-3543ed5c wp-block-group-is-layout-constrained\"><div class=\"wp-block-image wp-duotone-000000-rgb233233233-1\">\n<figure class=\"aligncenter size-full has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1131\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2024\/06\/caseta-638.jpg\" alt=\"\" class=\"wp-image-27279\" style=\"border-style:none;border-width:0px\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2024\/06\/caseta-638.jpg 800w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2024\/06\/caseta-638-212x300.jpg 212w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2024\/06\/caseta-638-448x633.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2024\/06\/caseta-638-768x1086.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>| Imagine copert\u0103: Expozi\u021bia interactiv\u0103 RELATOPIA, Asocia\u021bia VAR Cultural, octombrie 2025 | SOCIETATE 3+1 propozi\u021bii despre terminarea intempestiv\u0103 a interimatului lui Radu Nica la Metropolis 2. Acuza\u021biile contra sa (unele) sunt grave \u2013 dac\u0103 nu sunt inventate. 3. Nu pe Facebook se judec\u0103 nici asemenea acuza\u021bii \u2013 iar o reac\u021bie de pe re\u021belele sociale nu&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/cultura-655\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Cultura 655<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15496],"tags":[],"class_list":["post-27825","post","type-post","status-publish","format-standard","hentry","category-sumar"],"views":153,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27825","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=27825"}],"version-history":[{"count":47,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27825\/revisions"}],"predecessor-version":[{"id":27915,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27825\/revisions\/27915"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=27825"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=27825"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=27825"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}