{"id":27775,"date":"2025-07-27T15:47:52","date_gmt":"2025-07-27T13:47:52","guid":{"rendered":"https:\/\/revistacultura.ro\/nou\/?p=27775"},"modified":"2025-07-27T18:31:00","modified_gmt":"2025-07-27T16:31:00","slug":"cultura-653","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/cultura-653\/","title":{"rendered":"Cultura 653"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"633\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/07\/800px_653-448x633.jpg\" alt=\"\" class=\"wp-image-27776\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/07\/800px_653-448x633.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/07\/800px_653-212x300.jpg 212w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/07\/800px_653-768x1086.jpg 768w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/07\/800px_653.jpg 800w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-table is-style-regular\"><table><tbody><tr><td class=\"has-text-align-center\" data-align=\"center\">EDITORIAL <br><a href=\"https:\/\/revistacultura.ro\/despre-unii-intelectuali-limbaj-violenta-simbolica-si-dialog-nedemocratic\/\" target=\"_blank\" rel=\"noreferrer noopener\">Despre (unii) intelectuali, limbaj, violen\u021b\u0103 simbolic\u0103 \u0219i dialog (ne)democratic<\/a><br><br>de REMUS PRICOPIE<br><br>___________________________________<br><br><br><strong>RUBRIC\u0102 NOU\u0102: <a href=\"https:\/\/blog.revistacultura.ro\/category\/camera-de-ecou\/\" target=\"_blank\" rel=\"noreferrer noopener\">Camera de ecou<\/a><\/strong><br>| Andreea E\u0219anu: Despre pseudo-\u0219tiin\u021b\u0103, de la P\u0103m\u00e2ntul-plat la antivaxeri | Salva\u021bi Cetatea Argedava | O interesant\u0103 perspectiv\u0103 asupra disputei dintre Tudor Ganea \u0219i cititori(i altor autori) | O lectur\u0103 fidel\u0103 a Peripe\u021biilor lui \u0160vejk | Vali Albinetz: C\u00e2nd vorbim despre legionari \u0219i neolegionari ar fi bine s\u0103 \u0219tim despre ce e vorba | <br><br>___________________________________<br><br><strong><br>\u00a0TEME \u00ceN DEZBATERE<br><\/strong><br><a href=\"https:\/\/revistacultura.ro\/bugetar-substantiv-i\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Bugetar, substantiv (I)<\/strong><\/a><br>Spectrul austerit\u0103\u021bii radicalizeaz\u0103, ca \u0219i \u00een episoadele precedente, conflictul latent dintre mediul privat \u0219i angaja\u021bii la stat.<br><br><a class=\"\" href=\"https:\/\/revistacultura.ro\/cat-de-religiosi-sunt-romanii-sau-cred-ca-ar-fi-dezirabil-sa-fie\/\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/revistacultura.ro\/cat-de-religiosi-sunt-romanii-sau-cred-ca-ar-fi-dezirabil-sa-fie\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>C\u00e2t de religio\u0219i sunt rom\u00e2nii (sau cred c\u0103 ar fi dezirabil s\u0103 fie)?<\/strong><\/a><br>Date din Barometrului \u201eInformat.ro\u201d realizat de Inscop Research<br><br><strong>ARTICOLE DE REMUS PRICOPIE<br><\/strong><br><a href=\"https:\/\/revistacultura.ro\/romania-2025-intre-decizie-deficitul-de-incredere-extremism-si-responsabilitate-colectiva1\/\" target=\"_blank\" rel=\"noreferrer noopener\">Rom\u00e2nia 2025: \u00eentre decizie, deficitul de \u00eencredere, extremism \u0219i responsabilitate colectiv\u0103<\/a><br><a href=\"https:\/\/revistacultura.ro\/tacerea\/\" target=\"_blank\" rel=\"noreferrer noopener\">T\u0103cerea<\/a><br><a href=\"https:\/\/revistacultura.ro\/vorbitul-aiurea\/\" target=\"_blank\" rel=\"noreferrer noopener\">Vorbitul aiurea<\/a><br><a href=\"https:\/\/revistacultura.ro\/memoria-vulnerabila-reabilitarea-discursiva-a-miscarii-legionare-in-romania-contemporana\/\" target=\"_blank\" rel=\"noreferrer noopener\">Memoria vulnerabil\u0103: reabilitarea discursiv\u0103 a Mi\u0219c\u0103rii Legionare \u00een Rom\u00e2nia contemporan\u0103<\/a><br><br><br>DOINA POPESCU<br><a href=\"https:\/\/revistacultura.ro\/este-imoral-si-periculos-sa-relativizezi-fascismul-in-numele-unui-anticomunism-idealizat\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u201eEste imoral \u0219i periculos s\u0103 relativizezi fascismul \u00een numele unui anticomunism idealizat\u201d<\/a><br><br><br><strong>\u00a0ARTICOLE DE ADRIAN-LEONARD MOCIULSCHI<br><\/strong><a href=\"https:\/\/revistacultura.ro\/o-privire-critica-asupra-utopiei-ca-forma-de-reflectie-sociala\/\" target=\"_blank\" rel=\"noreferrer noopener\">Utopia ca form\u0103 de reflec\u021bie social\u0103<\/a><br><a href=\"https:\/\/revistacultura.ro\/fericirea-programata-si-memoria-stearsa-distopia-ca-oglinda-a-prezentului\/\" target=\"_blank\" rel=\"noreferrer noopener\">Fericirea programat\u0103 \u0219i memoria \u0219tears\u0103: distopia ca oglind\u0103 a prezentului<\/a><br><a href=\"https:\/\/revistacultura.ro\/de-la-pestera-lui-platon-la-cainele-mecanic-cum-ne-oglindim-prezentul-prin-alegorie\/\" target=\"_blank\" rel=\"noreferrer noopener\">De la pe\u0219tera lui Platon la c\u00e2inele mecanic: cum ne oglindim prezentul prin alegorie<\/a><br><br><br>REMUS \u0218TEFUREAC<br>despre<br><a href=\"https:\/\/blog.revistacultura.ro\/2025\/07\/21\/o-crestere-de-neimaginat-a-simpatiei-pentru-ceausescu\/\" target=\"_blank\" rel=\"noreferrer noopener\">O cre\u0219tere de neimaginat a simpatiei fa\u021b\u0103 de Ceau\u0219escu<\/a><br><br>\u00a0<a href=\"https:\/\/blog.revistacultura.ro\/2025\/07\/26\/cum-interpreteaza-sociologii-artistii-si-politicienii-sondajul-despre-nostalgiile-comuniste\/\" target=\"_blank\" rel=\"noreferrer noopener\">Cum interpreteaz\u0103 sociologii, arti\u0219tii \u0219i politicienii sondajul despre nostalgiile comuniste<\/a>:<br>NICU\u0218OR DAN | MIRCEA KIVU | DANA FODOR MATEESCU | VALI ALBINTEZ | <br>RADU PIRC\u0102 | LUCIAN LUMEZEANU | IOANA NICOLAIE | VALERIA ZAMFIR<br><br>VIDEO:<br><a href=\"https:\/\/revistacultura.ro\/cum-era-cu-adevarat-viata-in-comunism-video\/\" target=\"_blank\" rel=\"noreferrer noopener\">Cum era cu adev\u0103rat via\u021ba \u00een comunism?<\/a><br><br>___________________________________<br><br><br><strong>ARTE<\/strong><br><a href=\"https:\/\/revistacultura.ro\/augustin-buzura-la-opt-ani-de-la-disparitie-o-posteritate-vie-intr-o-lume-in-schimbare\/\" target=\"_blank\" rel=\"noreferrer noopener\">Augustin Buzura la opt ani de la dispari\u021bie: <\/a><br><a href=\"https:\/\/revistacultura.ro\/augustin-buzura-la-opt-ani-de-la-disparitie-o-posteritate-vie-intr-o-lume-in-schimbare\/\" target=\"_blank\" rel=\"noreferrer noopener\">o posteritate vie \u00eentr-o lume \u00een schimbare<\/a><br><br><a href=\"https:\/\/revistacultura.ro\/odiseea-amintirilor-la-homer-si-kundera\/\" target=\"_blank\" rel=\"noreferrer noopener\">Odiseea amintirilor\u00a0la Homer \u0219i Kundera<\/a><br>de \u0218tefana Baciu<br><br><a href=\"https:\/\/revistacultura.ro\/selectii-din-vagoane-de-metrou-de-dan-danila\/\" target=\"_blank\" rel=\"noreferrer noopener\">Selec\u021bii din \u201eVagoane de metrou\u201d<\/a><br>de Dan D\u0103nil\u0103<br><br>Interviu: <a href=\"https:\/\/revistacultura.ro\/un-poem-pentru-mine-este-asemanator-cu-o-ecuatie\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u201eUn poem, pentru mine, seam\u0103n\u0103 cu o ecua\u021bie\u201d<\/a><br><br><a class=\"\" href=\"https:\/\/revistacultura.ro\/agenda\/2025\/07\/garden-of-hooks-dublu-vernisaj\/\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/revistacultura.ro\/agenda\/2025\/07\/garden-of-hooks-dublu-vernisaj\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u201eGarden of Hooks\u201d<\/a> &#8211; dublu vernisaj la Timi\u0219oara<br><br><a class=\"\" href=\"https:\/\/revistacultura.ro\/alter-o-invitatie-la-a-l-privi-pe-celalalt-expozitia-de-la-galeria-simeza\/\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/revistacultura.ro\/alter-o-invitatie-la-a-l-privi-pe-celalalt-expozitia-de-la-galeria-simeza\/\" target=\"_blank\" rel=\"noreferrer noopener\">ALTER &#8211; la Galeria Simeza<\/a>\u00a0<br><br><a href=\"https:\/\/revistacultura.ro\/agenda\/2025\/07\/cinema-marconi-un-flash-de-lumina-dupa-decenii-de-intuneric\/\" target=\"_blank\" rel=\"noreferrer noopener\">Cinema Marconi: un flash de lumin\u0103 dup\u0103 decenii de \u00eentuneric<\/a><br><\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>EDITORIAL Despre (unii) intelectuali, limbaj, violen\u021b\u0103 simbolic\u0103 \u0219i dialog (ne)democratic de REMUS PRICOPIE ___________________________________ RUBRIC\u0102 NOU\u0102: Camera de ecou| Andreea E\u0219anu: Despre pseudo-\u0219tiin\u021b\u0103, de la P\u0103m\u00e2ntul-plat la antivaxeri | Salva\u021bi Cetatea Argedava | O interesant\u0103 perspectiv\u0103 asupra disputei dintre Tudor Ganea \u0219i cititori(i altor autori) | O lectur\u0103 fidel\u0103 a Peripe\u021biilor lui \u0160vejk | Vali&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/cultura-653\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Cultura 653<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15496],"tags":[],"class_list":["post-27775","post","type-post","status-publish","format-standard","hentry","category-sumar"],"views":79,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27775","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=27775"}],"version-history":[{"count":3,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27775\/revisions"}],"predecessor-version":[{"id":27780,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27775\/revisions\/27780"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=27775"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=27775"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=27775"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}