{"id":27765,"date":"2025-06-30T18:30:15","date_gmt":"2025-06-30T16:30:15","guid":{"rendered":"https:\/\/revistacultura.ro\/nou\/?p=27765"},"modified":"2025-07-27T15:42:48","modified_gmt":"2025-07-27T13:42:48","slug":"cultura-652","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/cultura-652\/","title":{"rendered":"Cultura 652"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n
Arte<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
\u201eP\u0103durea asuma\u021bilor\u201d sau
cum vidul existen\u021bial alimenteaz\u0103 extremismul<\/a>
ROXANA DUMITRACHE\u201eSpectacol este necesar \u0219i inteligent, subtil dar f\u0103r\u0103 s\u0103 te pun\u0103 s\u0103 chestionezi p\u00e2n\u0103 \u0219i adev\u0103rurile limpezi. \u0218i, mai ales, \u00eengrijor\u0103tor de actual\u201d.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
De ce e special\u0103 edi\u021bia din 2025 a Festivalului Enescu?<\/a>
\u00a0<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
\u201eCioburi\u201d. La fericita aniversare de 45 de ani<\/a>
CRISTINA RUSIECKISpectacolul \u201eCioburi\u201d este o dram\u0103 despre aparen\u021ba de fericire-lini\u0219te-stabilitate fake <\/em>\u0219i despre mimarea unei fericiri glamour<\/em>.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Biblioteca Lidia Vianu<\/a>. Un articol de Magda Teodorescu<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
NAC \u2013 o re\u021bea unic\u0103 de arti\u0219ti \u0219i oameni de \u0219tiin\u021b\u0103<\/a>.
Andreea Sandu \u00een dialog cu Corina Tara\u0219-Lungu<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
JAM Montenegro 2025: jazz \u00eentre Est \u0219i Vest<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Identitatea \u00een schimbare:
lumile hibride ale Leonorei Carrington
\u00een pictur\u0103 \u0219i \u00een proz\u0103<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Teme deschise<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
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Premiile teatrale, eternul punct nevralgic<\/a>

UN ARTICOL DE ALEXANDRA ARES
regizor \u0219i dramaturg<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
C\u00e2t mai c\u00e2nt\u0103re\u0219te un premiu literar?<\/a>

UN ARTICOL DE VICTOR COBUZ<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
DE CE CRE\u0218TE EXTREMISMUL?
(Nu totul e despre bani)<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
\u201eTinerii sunt, \u00een egal\u0103 m\u0103sur\u0103, u\u0219or adaptabili \u0219i inflexibili\u201d<\/a>

Interviu cu psihologul Georgeta P\u00e2ni\u0219oar\u0103 despre g\u00e2ndirea critic\u0103, educa\u021bia copiilor \u00een mediul familiar \u0219i despre tinerii vulnerabili la extremism \u0219i manipulare.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
\u201eMul\u021bi din diaspora tr\u0103iesc un etern provizorat\u201d<\/a>

Despre vot \u0219i mentalit\u0103\u021bi \u00een diaspora cu jurnalistul Elena Stancu, realizator al proiectului Teleleu<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Educa\u021bie, libertate, cultur\u0103:
Ghid de supravie\u021buire \u00een lumea digital\u0103<\/a>

Eseu de Adrian-Leonard Mociulschi<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Non-Fiction<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Primele fotografii din Balcani, o sut\u0103 de ani mai t\u00e2rziu<\/a>
Simplu spus, proiectul Dincolo de ieri\/Beyond Yesterday este o recuperare a imaginilor realizate de fra\u021bii Manakia, primii videografi \u0219i fotografi din Balcani. Imaginile realizate de ei au fost \u00een parte recreate de antropologul C\u0103t\u0103lin D. Constantin, p\u0103str\u00e2nd acelea\u0219i \u00eencadr\u0103ri \u0219i perspective, o sut\u0103 plus de ani mai t\u00e2rziu.\u00a0<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Regenerarea spa\u021biilor industriale ca muzee \u0219i galerii de art\u0103<\/a> 
\u00ceN LUME \u0218I \u00ceN ROM\u00c2NIAAceste conversii nu servesc doar scopului prezerv\u0103rii patrimoniului industrial, ci au \u0219i efecte pozitive asupra revitaliz\u0103rii zonelor urbane, atr\u0103g\u00e2nd turi\u0219ti \u0219i stimul\u00e2nd economia local\u0103. Ele creeaz\u0103 noi centre culturale \u00een zone anterior neglijate sau abandonate. Impactul unor asemenea reconversii este profund.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
\"\"<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
O cartografiere afectiv\u0103 (\u0219i artistic\u0103) a rela\u021biilor din cuplu \u0219i familie<\/a>
RELATOPIA, un proiect VAR CULTURALDinamica vie\u021bii de cuplu \u0219i a familiei vizeaz\u0103 at\u00e2t lumea privat\u0103, c\u00e2t \u0219i ritualurile publice, marcate de coduri culturale complexe.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
\u201eViitorul ca un spa\u021biu al op\u021biunilor, nu doar al fricilor\u201d<\/a>
INTERVIUDiana Stafie studiaz\u0103 viitorul \u2013 la propriu. Este specialist\u0103 \u00een Strategic Foresight, o profesie emergent\u0103 prin care analizeaz\u0103 tendin\u021bele care pot schimba lumea \u2013 fie c\u0103 vorbim despre tehnologie, societate sau politic\u0103.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Lumea v\u0103zut\u0103 din interiorul escrocheriei perfecte<\/a>Review la \u201eMoneda diavolului\u201d de Jennifer MacAdam \u0219i Douglas Thompson<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Cifre cu subiect \u0219i predicat<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Forma\u021bia\/interpretul de muzic\u0103 rom\u00e2neasc\u0103 preferat <\/a>
SONDAJ INSCOP RESEARCHGusturile muzicale ale rom\u00e2nilor au r\u0103mas captive \u00een deceniile trecute.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Tendin\u021be: cinematografele \u0219i viitorul lor<\/a>
INFOGRAFICRemarcabil\u0103 este evolu\u021bia produc\u021biei cinematografice rom\u00e2ne\u0219ti, care a crescut de la 10-15 filme anual \u00een perioada 2005-2010 la peste 30 \u00een 2023. De\u0219i \u00eenc\u0103 reprezint\u0103 sub 10% din pia\u021ba local\u0103, aceast\u0103 cre\u0219tere demonstreaz\u0103 vitalitatea industriei locale \u0219i receptivitatea cresc\u00e2nd\u0103 a publicului fa\u021b\u0103 de con\u021binutul autohton.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Actualitatea<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
EDITORIALPredictibil \u2013 Despre cultur\u0103 \u0219i taxe<\/a>Codul Fiscal a fost modificat de 140 de ori de la adoptare, \u00een 2015, p\u00e2n\u0103 azi. Afacerile, ONG-urile \u0219i personalul din \u201esectorul cultural\u201d sunt afectate \u00een mod special de aceste schimb\u0103ri, din cauza unor condi\u021bii specifice \u0219i a unor deficien\u021be structurale.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
AGENDAFrederick Kempe, pre\u0219edinte \u0219i CEO al Atlantic Council,
Doctor Honoris Causa al SNSPA<\/a>Frederick Kempe a contribuit decisiv la transformarea organiza\u021biei \u00eentr-un actor global \u00een domeniul rela\u021biilor interna\u021bionale \u0219i al securit\u0103\u021bii. Sub conducerea sa, Atlantic Council a \u00eenregistrat o cre\u0219tere istoric\u0103, \u00een dimensiune, expertiz\u0103 \u0219i influen\u021b\u0103, extinz\u00e2ndu-\u0219i activitatea prin centre regionale pe \u00eentreg globul.<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
\"\"<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
De-a Arhitectura TALKS<\/a>
VALOAREA ARHITECTURII \u00ceN EDUCA\u021aIE<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
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ICR organizeaz\u0103 cursuri de limba rom\u00e2n\u0103 pentru str\u0103ini<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Arte \u201eP\u0103durea asuma\u021bilor\u201d saucum vidul existen\u021bial alimenteaz\u0103 extremismulROXANA DUMITRACHE\u201eSpectacol este necesar \u0219i inteligent, subtil dar f\u0103r\u0103 s\u0103 te pun\u0103 s\u0103 chestionezi p\u00e2n\u0103 \u0219i adev\u0103rurile limpezi. \u0218i, mai ales, \u00eengrijor\u0103tor de actual\u201d. De ce e special\u0103 edi\u021bia din 2025 a Festivalului Enescu?\u00a0 \u201eCioburi\u201d. La fericita aniversare de 45 de aniCRISTINA RUSIECKISpectacolul \u201eCioburi\u201d este o dram\u0103 despre… Cite\u0219te mai mult »Cultura 652<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":27766,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15496],"tags":[],"class_list":["post-27765","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sumar"],"views":90,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2025\/06\/652-web.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=27765"}],"version-history":[{"count":4,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27765\/revisions"}],"predecessor-version":[{"id":27772,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27765\/revisions\/27772"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media\/27766"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=27765"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=27765"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=27765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}