{"id":27449,"date":"2024-12-04T19:40:15","date_gmt":"2024-12-04T17:40:15","guid":{"rendered":"https:\/\/revistacultura.ro\/nou\/?p=27449"},"modified":"2025-02-19T20:58:53","modified_gmt":"2025-02-19T18:58:53","slug":"cultura-643","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/cultura-643\/","title":{"rendered":"Cultura 644"},"content":{"rendered":"
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2024 | Cultura nr. 644<\/p>\n\n\n\n

ARTA | POLITICA | SOCIETATEA
la \u00eenceputul epocii AI<\/h2>\n\n\n\n
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\u00ceN EDI\u021aIE: <\/strong>Violeta Berea, Alin Boeru, George Bonea, Diana Buluga, B-Critic, Augustin Buzura, Dana Buzura-Gagniuc, Gianina C\u0103rbunariu, Alexandru Ciubotariu aka Pisica P\u0103trat\u0103, Alina Codin, Dan Coman, Carmen Corbu, Eugen Demeterc\u0103, Teodora Dumitru, Valentin Filip, Funda\u021bia Regal\u0103, Aurelian Giug\u0103l, Andreea Grecu, Delia Hugel, Drago\u0219 Ilie, Nicu Ilie, Aurora Kiraly, Nicoleta Lefter, George Cristian Maior, Ciprian M\u0103ce\u0219aru, Antonio Momoc, Bogdan Mure\u0219anu, Cosmin Per\u021ba, Tudor Platon, PostModernism Museum, Viorel Prodan, Corina Tara\u0219-Lungu, Suz\u0103nica T\u0103nase, Octav Ungureanu aka SmokingCoolCat, Radu Umbre\u0219, Carmen Lidia Vidu, Adi Voicu, Antoaneta Zaharia<\/p>\n\n\n\n

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SUMAR<\/h3>\n\n\n\n

DOSAR AI<\/h2>\n\n\n\n

un dosar de Nicu Ilie<\/p>\n\n\n\n

Tehnologia: A se consuma responsabil<\/h4>\n\n\n\n

Pagina 4 Ma\u0219ina rea \u0219i narativul ma\u0219inii rele<\/strong><\/p>\n\n\n\n

Pagina 9 Parlamentul European: Inteligen\u021ba artificial\u0103: oportunit\u0103\u021bi \u0219i pericole<\/strong><\/p>\n\n\n\n

Pagina 13 Cazuri dovedite \u0219i situa\u021bii \u00een care s-a invocat denaturarea procesului electoral prin cyberatacuri \u0219i AI<\/strong><\/p>\n\n\n\n

Pagina 20 Media \u0219i Inteligen\u021ba Artificial\u0103 sau despre impactul IA asupra jurnalismului \u0219i comunic\u0103rii<\/strong><\/p>\n\n\n\n

Pagina 23 Ce e de \u0219tiut despre AI?<\/strong><\/p>\n\n\n\n

Arta \u0219i arti\u0219tii la \u00eenceputul epocii AI<\/h4>\n\n\n\n

Pagina 38 Eugen Demeterc\u0103: Artistul creeaz\u0103 cu ajutorul AI-ului, nu invers<\/strong><\/p>\n\n\n\n

Pagina 45 Alina Codin: Analogul \u0219i digitalul nu sunt opuse, ci complementare<\/strong><\/p>\n\n\n\n

Pagina 49 Teodora Dumitru: Despre conexiunile dintre literatur\u0103, \u0219tiin\u021be \u0219i tehnologii<\/strong><\/p>\n\n\n\n

Portret de artist<\/h4>\n\n\n\n

Pagina 56 Alexandru Ciubotariu aka Pisica P\u0103trat\u0103 \u0219i Alin Boeru<\/strong>
\u201eDe ce scriu \u0103\u0219tia pe pere\u021bi\u201d sau despre art\u0103 stradal\u0103, graffiti \u0219i muralism<\/p>\n\n\n\n

Pagina 67 Drago\u0219 Ilie <\/strong>
\u00centoarcerea acas\u0103 a fost fireasc\u0103<\/p>\n\n\n\n

Pagina 73 Gianina C\u0103rbunariu<\/strong>
Nu prea \u00eenv\u0103\u021b\u0103m din lec\u021biile dure ale istoriei recente<\/p>\n\n\n\n

Pagina 78 Octav Ungureanu aka SmokingCoolCat \u0219i Alexandru Ciubotaru aka Pisica P\u0103trat\u0103<\/strong>
A noua art\u0103: banda desenat\u0103<\/p>\n\n\n\n

Pagina 82 Dan Coman<\/strong>
Un demers artistic \u0219i un gest de antreprenoriat cultural<\/p>\n\n\n\n

Pagina 85 Adi Voicu<\/strong>
\u201eCaptura\u201d \u2013 debut \u00een lungmetrajul de fic\u021biune<\/p>\n\n\n\n

Pagina 87 Cosmin Per\u021ba<\/strong>
Colec\u021bia Pantazi.
Noile voci ale literaturii<\/p>\n\n\n\n

Pagina 97 Diana Buluga<\/strong>
Subiectul singur\u0103t\u0103\u021bii e riscant \u0219i provocator<\/p>\n\n\n\n

Pagina 102 Carmen Lidia Vidu<\/strong>
Povestea care une\u0219te istoria recent\u0103 a Germaniei cu istoria recent\u0103 a Rom\u00e2niei<\/p>\n\n\n\n

Pagina 104 Nicoleta Lefter<\/strong>
\u201eC\u00e2nd sunt actri\u021b\u0103 nu pot s\u0103 g\u00e2ndesc ca un regizor\u2026\u201d<\/p>\n\n\n\n

Pagina 112 Andreea Grecu<\/strong>
Portret de artist Aurora Kiraly<\/p>\n\n\n\n

Review<\/h3>\n\n\n\n

Pagina 118 \u201eO familie aproape perfect\u0103\u201d sau spectacolul cotidianului<\/strong>
Aurelian Giug\u0103l<\/p>\n\n\n\n

Pagina 120 Implozia comunismului rom\u00e2nesc sau \u201eAnul Nou care n-a fost\u201d s\u0103 fie<\/strong>
Antonio Momoc<\/p>\n\n\n\n

Pagina 122 Sursele ne\u00eencrederii \u00eentr-un sat moldav sau lumea rural\u0103 sub lupa antropologului<\/strong>
Aurelian Giug\u0103l<\/p>\n\n\n\n

Pagina 125 Transformarea ordinii interna\u021bionale<\/strong>
Valentin Filip<\/p>\n\n\n\n

Zoom in<\/h3>\n\n\n\n

Pagina 134 PostModernism Museum \u0219i programul DARE<\/strong><\/p>\n\n\n\n

Pagina 139 Fragment din volumul \u201eBuzura la Berin\u021ba \u2013 Locul de unde n-a plecat niciodat\u0103\u201d<\/strong><\/p>\n\n\n\n

Pagina 146 A XV-a edi\u021bie a Concertului Regal Caritabil<\/strong><\/p>\n\n\n\n

Pagina 148 B-Critic Efecte de Scen\u0103: O privire \u00een culisele teatrului<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

2024 | Cultura nr. 644 ARTA | POLITICA | SOCIETATEAla \u00eenceputul epocii AI \u00ceN EDI\u021aIE: Violeta Berea, Alin Boeru, George Bonea, Diana Buluga, B-Critic, Augustin Buzura, Dana Buzura-Gagniuc, Gianina C\u0103rbunariu, Alexandru Ciubotariu aka Pisica P\u0103trat\u0103, Alina Codin, Dan Coman, Carmen Corbu, Eugen Demeterc\u0103, Teodora Dumitru, Valentin Filip, Funda\u021bia Regal\u0103, Aurelian Giug\u0103l, Andreea Grecu, Delia Hugel,… Cite\u0219te mai mult »Cultura 644<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":27464,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15496],"tags":[],"class_list":["post-27449","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sumar"],"views":503,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2024\/12\/644.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27449","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=27449"}],"version-history":[{"count":10,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27449\/revisions"}],"predecessor-version":[{"id":27481,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27449\/revisions\/27481"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media\/27464"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=27449"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=27449"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=27449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}