{"id":27158,"date":"2024-06-02T12:14:58","date_gmt":"2024-06-02T10:14:58","guid":{"rendered":"https:\/\/revistacultura.ro\/nou\/?p=27158"},"modified":"2024-06-02T17:40:50","modified_gmt":"2024-06-02T15:40:50","slug":"cultura-635","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/cultura-635\/","title":{"rendered":"Cultura 635"},"content":{"rendered":"
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Imagine de copert\u0103: <\/strong>Spectacolul Don Quijote<\/em>, concept, regie \u0219i coregrafie:\u00a0Bacz\u00f3 T\u00fcnde, adaptare scenic\u0103 dup\u0103 Miguel de Cervantes \u0219i Mihail Bulgakov, Teatrul Nottara
credit foto: Andrei G\u00eendac<\/strong><\/p>\n\n\n\n

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<\/a>C\u00e2nd ne plictiseam mai tare, Don Quijote ne-a salvat<\/a><\/h3>\n\n\n\n

Autor: Carmen Corbu<\/p>\n<\/div>\n\n\n\n

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<\/p>\nEnergetic, sofisticat vizual, \u00eenc\u0103rcat de emo\u021bie \u0219i punctat cu accente ludice, \u201eDon Quijote\u201d-ul lui Bacz\u00f3 T\u00fcnde de la Nottara este un spectacol aproape total. Este poveste, joc dramatic, muzic\u0103, dans \u0219i picturalitate a scenei. Este nebunia superb\u0103 care a surprins un public prea pu\u021bin obi\u0219nuit cu astfel de propuneri artistice.<\/cite><\/blockquote>\n\n\n\n

Foto: Andrei G\u00eendac \/ Sursa: Teatrul Nottara<\/p>\n\n\n\n

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articolul integral<\/a><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

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\u201eRaport asupra iubirii\u201d, un alt fel de \u201eRaport asupra singur\u0103t\u0103\u021bii\u201d<\/a><\/h3>\n\n\n\n
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Autor: Nicu Ilie<\/p>\n\n\n\n

Romanele lui Buzura au mult mai multe layere, iar asta devine \u0219i mai evident \u00een c\u0103r\u021bile de dup\u0103 c\u0103derea comunismului. \u00cendeosebi, \u201eRaport asupra singur\u0103t\u0103\u021bii\u201d, roman ce a atras mai pu\u021bin\u0103 aten\u021bie pentru c\u0103 a ap\u0103rut \u00eentr-o epoc\u0103 \u00een care lumea nu mai citea, iar Buzura era deja etichetat. <\/p>\n\n\n\n

Textul \u00eencalc\u0103 mari tabuuri \u00eenc\u0103 existente \u00een lumea noastr\u0103, oric\u00e2t de transparent\u0103 ar fi ea, \u0219i suscit\u0103, pe fond, polemici privind acceptabilitatea social\u0103 \u0219i abisurile impulsurilor, dorin\u021belor \u0219i emo\u021biilor. \u0218i, mai presus de toate, relev\u0103 poezia intrinsec\u0103 a romanelor lui Buzura, greu b\u0103nuit\u0103 \u00een afara unei astfel de esen\u021bializ\u0103ri.<\/p>\n\n\n\n

articolul integral<\/a><\/strong><\/p>\n<\/div>\n\n\n\n

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2024: Seriozitate politic\u0103 \u0219i un Proiect de \u021aar\u0103<\/a><\/h3>\n\n\n\n

Autor: Remus Pricopie<\/p>\n\n\n\n

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Acesta este adev\u0103ratul test pe care \u0219i Rom\u00e2nia \u00eel are de parcurs, \u00een 2024, al\u0103turi de multe alte \u021b\u0103ri democratice, care au alegeri \u00een acest an: s\u0103 identifice corect extremismul \u0219i s\u0103-l anihileze prin seriozitatea unor proiecte de \u021bar\u0103.<\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n\n\n\n

F\u0103r\u0103 o implicare politic\u0103 serioas\u0103, din partea tuturor rom\u00e2nilor, adic\u0103 inclusiv participarea la dezbaterile politice \u0219i la vot, care vor avea loc pe parcursul acestui an, \u0219i f\u0103r\u0103 un Proiect de \u021aar\u0103<\/em><\/strong> bine fundamentat, care s\u0103 dep\u0103\u0219easc\u0103 limitele unui partizanat politic mic, realizat \u201epe picior\u201d, risc\u0103m s\u0103 ne arunc\u0103m copiii \u00eentr-un v\u00e2rtej geopolitic, respectiv s\u0103-i condamn\u0103m, \u00een mod colectiv, s\u0103 fac\u0103 parte dintr-o nou\u0103 genera\u021bie de sacrificiu.<\/p>\n\n\n\n

articolul integral<\/a><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

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<\/a>Rom\u00e2nia++: Utilizarea internetului \u00een UE \u0219i \u00een Rom\u00e2nia<\/a><\/h3>\n\n\n\n

Autor: Nicu Ilie<\/p>\n\n\n\n

Suntem obi\u0219nui\u021bi ca Rom\u00e2nia s\u0103 aib\u0103 unul din ultimele locuri \u00een mai toate statisticile Uniunii Europene. La multe capitole, \u00eendeosebi cele care \u021bin de capacitatea \u0219i creativitatea politice \u0219i administrative, \u00eenc\u0103 este a\u0219a. \u00cens\u0103 acolo unde ac\u021biunea apar\u021bine direct cet\u0103\u021benilor, printr-un mecanism sau altul, rezultatele sunt extraordinare, iar r\u0103m\u00e2nerea \u00een urm\u0103 este recuperat\u0103 rapid. Un capitol la care Rom\u00e2nia a f\u0103cut progrese extraordinare \u00eentr-un timp relativ scurt este utilizarea internetului.<\/p>\n\n\n\n

articolul integral<\/a><\/strong><\/p>\n<\/div>\n\n\n\n

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D\u0103 mai departe! <\/a><\/h3>\n\n\n\n

Un proiect dezvoltat de Funda\u021bia Cultural\u0103 Augustin Buzura \u0219i Metropolitan Life<\/h4>\n\n\n\n

articolul integral<\/a><\/strong><\/p>\n<\/div>\n\n\n\n

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MATCHED SOCIETY <\/a><\/h3>\n\n\n\n

Traseul anun\u021burilor matrimoniale<\/h3>\n\n\n\n

Asocia\u021bia VAR lanseaz\u0103 Matched Society, un proiect ce analizeaz\u0103 evolu\u021bia anun\u021burilor matrimoniale de la mesaje din ziare la online dating, cu implicarea unei echipe interdisciplinare format\u0103 din arti\u0219ti, profesioni\u0219ti din domeniile sociologie \u0219i psihologie, exper\u021bi IT \u0219i operatori culturali. <\/p>\n\n\n\n

articolul integral<\/a><\/strong><\/p>\n<\/div>\n\n\n\n

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Rom\u00e2nia, cel mai instabil stat din Europa ultimelor decenii<\/a><\/a><\/h3>\n\n\n\n
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Brand cultural de \u021bar\u0103 \u0219i proiect cultural strategic la nivel na\u021bional, Concursul Interna\u021bional George Enescu este finan\u021bat de Guvernul Rom\u00e2niei prin Ministerul Culturii \u0219i organizat de ARTEXIM<\/p>\n\n\n\n

articolul integral<\/a><\/strong><\/p>\n<\/div>\n\n\n\n

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Imagine de copert\u0103: Spectacolul Don Quijote, concept, regie \u0219i coregrafie:\u00a0Bacz\u00f3 T\u00fcnde, adaptare scenic\u0103 dup\u0103 Miguel de Cervantes \u0219i Mihail Bulgakov, Teatrul Nottara credit foto: Andrei G\u00eendac C\u00e2nd ne plictiseam mai tare, Don Quijote ne-a salvat Autor: Carmen Corbu Foto: Andrei G\u00eendac \/ Sursa: Teatrul Nottara articolul integral \u201eRaport asupra iubirii\u201d, un alt fel de \u201eRaport… Cite\u0219te mai mult »Cultura 635<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":27154,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"[\"content\",\"tags\",\"comments\"]","neve_meta_disable_header":"off","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15496],"tags":[],"class_list":["post-27158","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sumar"],"views":95,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2024\/06\/coperta-635.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=27158"}],"version-history":[{"count":19,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27158\/revisions"}],"predecessor-version":[{"id":27227,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27158\/revisions\/27227"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media\/27154"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=27158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=27158"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=27158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}