{"id":27038,"date":"2024-06-01T16:13:15","date_gmt":"2024-06-01T14:13:15","guid":{"rendered":"https:\/\/revistacultura.ro\/nou\/?p=27038"},"modified":"2024-06-02T13:59:25","modified_gmt":"2024-06-02T11:59:25","slug":"cultura-637","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/cultura-637\/","title":{"rendered":"Cultura 637"},"content":{"rendered":"
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Interviu cu
George Maior<\/a><\/h3>\n\n\n\n

Autor: Nicu Ilie<\/p>\n\n\n\n

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\u201eNe afl\u0103m \u00eentr-o faz\u0103 de tranzi\u021bie, care cuprinde redistribuiri masive de putere \u00een sistemul interna\u021bional \u0219i reinterpret\u0103ri ale unor concepte de legitimitate\u201d<\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n\n\n\n

Am discutat pe larg \u00een carte despre no\u021biunea de \u201er\u0103zboaie culturale\u201d (termen utilizat de sociologul american James Hunter \u0219i \u00eemprumutat din fenomenul \u201eKulturkamf\u201d din Germania secolului 19). Asemenea \u201er\u0103zboaie\u201d cuprind \u0219i angajeaz\u0103 segmente importante ale societ\u0103\u021bii (\u00een cazul de fa\u021b\u0103 al societ\u0103\u021bii americane) cu viziuni greu compatibile \u00een privin\u021ba unor teme majore, precum justi\u021bia social\u0103, religia, ecologia, discriminarea de ras\u0103 \u0219i gen, imigra\u021bia, avortul, drepturile civile etc. <\/p>\n\n\n\n

articolul integral<\/a><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

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<\/a>\u201e5 minute de literatur\u0103\u201d, proiect complementar al Revistei Cultura \u2013 Premiul AFCN pentru Promovarea culturii scrise<\/a><\/h3>\n\n\n\n
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La data primirii premiului, statisticile consolidate ar\u0103tau c\u0103 peste 15.000 de oameni sunt, \u00een diverse forme, publicul Showroom-ului digital \u201e5 minute de literatur\u0103\u201d.<\/p>\n\n\n\n

Echipa de proiect \u2013 Carmen Corbu, Corina Tara\u0219-Lungu, Nicu Ilie \u2013 mul\u021bume\u0219te tuturor celor peste 100 de scriitori care au \u00een\u021beles necesitatea unui astfel de demers \u0219i au acceptat invita\u021bia de a se al\u0103tura ini\u021biativei.<\/p>\n\n\n\n

articolul integral<\/a><\/strong><\/p>\n<\/div>\n\n\n\n

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Premiile UNITER 2024<\/a><\/h3>\n\n\n\n

Regizorii Andrei M\u0103jeri \u0219i Radu Afrim – premiile pentru cea mai bun\u0103 regie \u0219i pentru cel mai bun spectacol. Regizorul Bobi Pricop \u0219i scenograful Cosmin Florea – creatorii spectacolului Gala UNITER 2024<\/p>\n\n\n\n

articolul integral<\/a><\/strong><\/p>\n<\/div>\n\n\n\n

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Gala Premiilor AFCN. <\/a>
43 de noi proiecte care au activat cultural Rom\u00e2nia \u00een 2023<\/a><\/h3>\n\n\n\n

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Premiile Fic\u021biunea, edi\u021bia a III-a, 2024<\/a><\/h3>\n\n\n\n

Filmul documentar Amar,<\/em> de Diana Gavra, a ob\u021binut Premiul special al revistei Fic\u021biunea.<\/p>\n\n\n\n

articolul integral<\/a><\/strong><\/p>\n<\/div>\n\n\n\n

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555 de tineri muzicieni, din 57 de \u021b\u0103ri, \u00eenscri\u0219i \u00een Concursul Interna\u021bional George Enescu \u2013 record istoric de concuren\u021bi<\/a><\/h3>\n\n\n\n
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Brand cultural de \u021bar\u0103 \u0219i proiect cultural strategic la nivel na\u021bional, Concursul Interna\u021bional George Enescu este finan\u021bat de Guvernul Rom\u00e2niei prin Ministerul Culturii \u0219i organizat de ARTEXIM<\/p>\n\n\n\n

articolul integral<\/a><\/strong><\/p>\n<\/div>\n\n\n\n

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\u201eSilviu Purc\u0103rete. Infinite metamorfoze\u201d \u2013 un album realizat de Mihaela Marin \u0219i Adriana Moca<\/a><\/h3>\n<\/div>\n\n\n\n
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<\/p>\nL-am \u00eentrebat pe Silviu Purc\u0103rete dac\u0103 ar fi de acord cu ideea unei expozi\u021bii aniversare. Noi, ca societate, nu prea facem exerci\u021bii de admira\u021bie pentru personalit\u0103\u021bile valoroase \u00een via\u021b\u0103. Oriunde \u00een Occident acest tip de gest este moned\u0103 curent\u0103. <\/em>(Adriana Moca)<\/cite><\/blockquote>\n\n\n\n

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articolul integral<\/a><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

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\u00centre vis \u0219i viu<\/a><\/h3>\n\n\n\n
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Lidia Vianu despre Monica Pillat \u0219i despre volumul O candel\u0103 \u00een noapte<\/em>: <\/strong>
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Cartea se \u00eencheie cu c\u00e2teva pagini albe, \u201epentru \u00eensemn\u0103ri\u201d. \u015ei, \u00eentr-adev\u0103r, versurile din acest volum al Monic\u0103i Pillat \u00eens\u0103m\u00e2n\u0163eaz\u0103 g\u00e2nduri. Foarte multe g\u00e2nduri, pe care sim\u0163i c\u0103 trebuie s\u0103 le r\u00e2nduie\u015fti \u00een vorbe, acum, negre\u015fit, imediat.<\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n\n\n\n

Nu pot uita clipa c\u00e2nd Monica mi-a povestit cum s-a stins mama ei. \u00cen scurta clip\u0103 dintre dou\u0103 drumuri, c\u00e2nd Monica era \u00een taxi, \u00eendrept\u00e2ndu-se \u00eenapoi c\u0103tre spital. A a\u015fteptat clipa c\u00e2nd copilul ei nu era l\u00e2ng\u0103 ea, ca s\u0103 nu o marcheze, ca s\u0103 nu o \u00eensp\u0103im\u00e2nte. Am tr\u0103it, la r\u00e2ndul meu, aceea\u015fi experien\u0163\u0103. Mama Monic\u0103i \u015ftia c\u0103 feti\u0163a ei este puternic\u0103, \u015fi o \u00eenv\u0103\u0163ase c\u0103 \u00een rug\u0103ciune st\u0103 aceast\u0103 putere a sa. Vorbim aici despre puterea de a tr\u0103i, dar \u015fi despre acceptarea g\u00e2ndului c\u0103 nu vei mai fi, pe care le \u00eemplete\u015fte acest volum, aceast\u0103 lumin\u0103, aceast\u0103 candel\u0103 \u00een noapte<\/em>.<\/p>\n\n\n\n

articolul integral<\/a><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

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Interviu cu George Maior Autor: Nicu Ilie \u201eNe afl\u0103m \u00eentr-o faz\u0103 de tranzi\u021bie, care cuprinde redistribuiri masive de putere \u00een sistemul interna\u021bional \u0219i reinterpret\u0103ri ale unor concepte de legitimitate\u201d Am discutat pe larg \u00een carte despre no\u021biunea de \u201er\u0103zboaie culturale\u201d (termen utilizat de sociologul american James Hunter \u0219i \u00eemprumutat din fenomenul \u201eKulturkamf\u201d din Germania secolului… Cite\u0219te mai mult »Cultura 637<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":27070,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"[\"content\",\"tags\",\"comments\"]","neve_meta_disable_header":"off","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15496],"tags":[],"class_list":["post-27038","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sumar"],"views":115,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2024\/06\/coperta-637.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27038","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=27038"}],"version-history":[{"count":55,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27038\/revisions"}],"predecessor-version":[{"id":27220,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/27038\/revisions\/27220"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media\/27070"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=27038"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=27038"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=27038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}