{"id":26930,"date":"2022-04-26T16:58:39","date_gmt":"2022-04-26T14:58:39","guid":{"rendered":"https:\/\/revistacultura.ro\/nou\/?p=26930"},"modified":"2022-04-26T16:58:40","modified_gmt":"2022-04-26T14:58:40","slug":"cultura-627","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/cultura-627\/","title":{"rendered":"Cultura 627"},"content":{"rendered":"<div class=\"bla bla real3dflipbook\" id=\"34_69fb26f46ccdc\" style=\"position:absolute;\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-very-light-gray-color has-vivid-red-background-color has-text-color has-background\" href=\"https:\/\/revistacultura.ro\/pdf\/cultura_627_web.pdf\">Download PDF<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-very-light-gray-color has-very-dark-gray-background-color has-text-color has-background\" href=\"https:\/\/revistacultura.ro\/newsletter\/\">Abonare newsletter<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-very-light-gray-color has-very-dark-gray-background-color has-text-color has-background\" href=\"https:\/\/us20.campaign-archive.com\/home\/?u=283e2184fb3ed725e7652d7c9&amp;id=061999ac6f\" target=\"_blank\" rel=\"noreferrer noopener\">Edi\u021bii newsletter<\/a><\/div>\n<\/div>\n\n\n\n<p>edi\u021bie print disponibil\u0103<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>SUMAR<\/strong><\/h2>\n\n\n\n<p>aprilie 2022 | Cultura nr. 627<\/p>\n\n\n\n<h2 id=\"wp-block-themeisle-blocks-advanced-heading-082f566e\" class=\"wp-block-themeisle-blocks-advanced-heading wp-block-themeisle-blocks-advanced-heading-082f566e\">Oameni \u2013 case \u2013 ora\u0219e. Dinamica locuirii \u0219i a utiliz\u0103rii spa\u021biului public<\/h2>\n\n\n\n<p>Interviuri realizate de Corina Tara\u0219-Lungu<\/p>\n\n\n\n<p>Coperta &amp; ilustra\u021bia de num\u0103r: scenografii realizate de Irina Moscu<\/p>\n\n\n\n<p>Addenda de Nicu Ilie<\/p>\n\n\n\n<p><strong>editorial<\/strong><\/p>\n\n\n\n<p>Nicu Ilie | Privind \u00eenapoi. Cuv\u00e2nt \u00eenainte | pag. 1<\/p>\n\n\n\n<p>op\/ed<\/p>\n\n\n\n<p>Dana Buzura-Gagniuc | Eu sunt casa mea! | pag. 6<\/p>\n\n\n\n<p><strong>interviuri<\/strong><\/p>\n\n\n\n<p>Gruia B\u0103descu: \u201eDac\u0103 ar fi s\u0103 \u00eemprumut\u0103m ceva de oriunde, ar fi ideea de ora\u0219 pentru oameni\u201d | pag. 10<\/p>\n\n\n\n<p>Alberto Gro\u0219escu: \u201eInfrastructura nu ne permite mai mult\u0103 interac\u021biune cu spa\u021biul public, dar nevoia exist\u0103\u201d | pag. 15<\/p>\n\n\n\n<p>Maria Duda: \u201e\u00cenc\u0103 nu \u0219tim s\u0103 folosim spa\u021biul public ca spa\u021biu gol confortabil\u201d | pag. 22<\/p>\n\n\n\n<p>Irina Niculescu-Belenyi: \u201eProiectele de modificare a spa\u021biului public au o durat\u0103 care de multe ori dep\u0103\u0219e\u0219te interesul electoral\u201d | pag. 26<\/p>\n\n\n\n<p>C\u0103t\u0103lin Berescu: \u201eProprietatea privat\u0103 generalizat\u0103 duce la imobilitatea for\u021bei de munc\u0103. Asta explic\u0103 \u0219i isterica migra\u021bie extern\u0103\u201d | pag. 30<\/p>\n\n\n\n<p>\u0218tefan Vaida: \u201ePrintre oamenii care se mut\u0103 de la ora\u0219 la sat apar \u0219i cei care vor s\u0103 restaureze\u201d | pag. 35<\/p>\n\n\n\n<p>\u201eSuntem Cornelia \u0219i Mihai Isidor \u0219i am construit o cas\u0103 eficient\u0103 energetic\u201d | pag. 40<\/p>\n\n\n\n<p>Irina Chi\u021bu: \u201eRom\u00e2nii se simt mai realiza\u021bi \u0219i mai \u00een siguran\u021b\u0103 dac\u0103 sunt proprietari\u201d | pag. 44<\/p>\n\n\n\n<p>Victor Toriani Gabriel Gorea: \u201ePutem avea tendin\u021ba s\u0103 copiem structuri locative \u00een care ne-am sim\u021bit \u00een siguran\u021b\u0103 sau ne-am sim\u021bit iubi\u021bi\u201d | pag. 47<\/p>\n\n\n\n<p>Cristian China-Birta: \u201eOric\u00e2t de aspira\u021bional ai fi, \u00ee\u021bi trebuie s\u0103 ai \u0219i un locu\u0219or al t\u0103u, s\u0103 \u0219tii c\u0103 baia e pe dreapta, c\u0103 soarele intr\u0103 pe un geam\u2026\u201d | pag. 49<\/p>\n\n\n\n<p>Irina Moscu: \u201eSpa\u0163iul genereaz\u0103 g\u00e2nduri \u015fi emo\u0163ii care nu te las\u0103 niciodat\u0103 indiferent\u201d | pag. 54<\/p>\n\n\n\n<p>Andrei Diaconescu: \u201eRom\u00e2nii au un interes tot mai crescut pentru locuin\u021be care s\u0103 reflecte foarte bine stilul lor de via\u021b\u0103\u201d | pag. 57<\/p>\n\n\n\n<p>Adela P\u00e2rvu: \u201eEu cred c\u0103 putem tr\u0103i frumos, f\u0103r\u0103 a ne tortura singuri pentru a atinge ni\u0219te standarde consumeriste\u201d | pag. 61<\/p>\n\n\n\n<p>Ana-Maria Istrati: \u201eFiecare tip de locuin\u021b\u0103 are o tipologie de cump\u0103r\u0103tor care o vizeaz\u0103\u201d | pag. 65<\/p>\n\n\n\n<p>Gabriela Timi\u0219 Sinevici: \u201eOamenii realizeaz\u0103 c\u0103 nu putem tr\u0103i departe de natur\u0103\u201d | pag. 72<\/p>\n\n\n\n<p>Rare\u0219 Timi\u0219 Sinevici: \u201eCred c\u0103 acestea ar fi\u2026ingredientele: timp, imagina\u021bie, pu\u021bin\u0103 \u00eendem\u00e2nare sau dispozi\u021bia de a \u00eenv\u0103\u021ba\u201d | pag. 75<\/p>\n\n\n\n<p>Alex Filip: \u201eS\u0103 restaurezi o casa veche cost\u0103 cu siguran\u021b\u0103 mai mult dec\u00e2t s\u0103 construie\u0219ti una nou\u0103, de la zero\u201d | pag. 77<\/p>\n\n\n\n<p>Hanna Derer: \u201eDup\u0103 jum\u0103tate de secol de comunism, oamenii au alte priorit\u0103\u021bi dec\u00e2t cl\u0103dirile vechi\u201d | pag. 81<\/p>\n\n\n\n<p>Constantin \u0218tef\u0103nuc\u0103: \u201eDup\u0103 doi ani, \u00eenc\u0103 nu se cuno\u0219tea nimic din ce f\u0103ceam, de\u0219i munceam cu 40-50 oameni pe zi\u201d | pag. 85<\/p>\n\n\n\n<p>Liviu G. Stan: \u201e\u00cen primii mei ani \u00een Bucure\u0219ti, aveam constant un sentiment de\u2026 asfixiere stradal\u0103\u201d | pag. 89<\/p>\n\n\n\n<p><strong>Addenda<\/strong><\/p>\n\n\n\n<p><strong>Locuirea \u2013 calitatea se m\u0103soar\u0103 \u00een minute \u0219i metri p\u0103tra\u021bi <\/strong>| pag. 91<\/p>\n\n\n\n<p>pag. 92-93 Rom\u00e2nia \u2013 urban vs. rural | Gradul de urbanizare pe jude\u021be | Jude\u021bele Rom\u00e2niei \u2013 PIB per capita | Distribu\u021bia municipiilor, ora\u0219elor \u0219i comunelor | Tipuri de localit\u0103\u021bi \u00een UE | Prognoza Uniunii Europene pentru urm\u0103torii 30 de ani<br>pag. 94-95 Bucure\u0219ti vs. Rom\u00e2nia | Indicatori locali \u0219i regionali pentru principalele afaceri din Rom\u00e2nia | Soldul investi\u021biilor str\u0103ine directe | Volumul comer\u021bului exterior pe jude\u021be | Nivelul dependen\u021bei fa\u021b\u0103 de transferuri de la bugetul de stat pentru municipiile, ora\u0219ele \u0219i comunele Rom\u00e2niei<br>pag. 96-98 Minute vs. metri p\u0103tra\u021bi | Indicele de accesibilitate urban\u0103 | Suprafa\u021ba locuibil\u0103\/locuitor \u2013 suprapopularea \u00een mediul urban \u0219i \u00een mediul rural<br>pag. 96-98 Proprietate vs. chirie | UE \u2013 tipuri de locuire \u0219i tipuri de proprietate | Evolu\u021bia pre\u021bului locuin\u021belor \u0219i chiriilor \u00een perioada 2007-2020 | Pre\u021bul locuin\u021belor pe metru p\u0103trat pentru apartamente | Pia\u021ba imobiliar\u0103 \u2013 evolu\u021bia pre\u021burilor \u00een Bucure\u0219ti (1990-2022)<br>pag. 100 Infrastructur\u0103 comunica\u021bional\u0103 \u0219i cultural\u0103 | Viteza re\u021belei Internet | Harta infrastructurii culturale<\/p>\n\n\n\n<p><strong>Lista ilustra\u021biilor<\/strong><\/p>\n\n\n\n<p>Coperta 1-4 | Scen\u0103 din spectacolul Pas\u0103rea retro se love\u0219te de bloc \u0219i cade pe asfaltul fierbinte, regia Radu Afrim, Teatrul Na\u021bional T\u00e2rgu Mure\u0219 \u2013 Compania \u201eTompa Mikl\u00f3s\u201d. Scenografia: Irina Moscu. Foto: Bereczky Sandor<br>Paginile 4-5 | Scen\u0103 din spectacolul M\u0103celaria lui Iov, regia Radu Afrim, Teatrul Na\u021bional \u201eVasile Alecsandri\u201d, Ia\u0219i. Scenografia: Irina Moscu. Foto: Constantin Dimitriu<br>Paginile 20-21 | Scen\u0103 din spectacolul Pas\u0103rea retro se love\u0219te de bloc \u0219i cade pe asfaltul fierbinte.<br>Foto: Adi Bulboac\u0103<br>Paginile 28-29 | Scen\u0103 din spectacolul Trei surori, regia Radu Afrim, TNB. Scenografia: Irina Moscu. Foto: Adi Bulboac\u0103<br>Pagina 53 | Scen\u0103 din spectacolul Pas\u0103rea retro se love\u0219te de bloc \u0219i cade pe asfaltul fierbinte.<br>Foto: Adi Bulboac\u0103<br>Paginile 70-71 | Scen\u0103 din spectacolul Trei surori. Foto: Adi Bulboac\u0103<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-very-light-gray-color has-vivid-red-background-color has-text-color has-background\" href=\"https:\/\/revistacultura.ro\/pdf\/cultura_627_web.pdf\">Download PDF<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-very-light-gray-color has-very-dark-gray-background-color has-text-color has-background\" href=\"https:\/\/revistacultura.ro\/newsletter\/\">Abonare newsletter<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-very-light-gray-color has-very-dark-gray-background-color has-text-color has-background\" href=\"https:\/\/us20.campaign-archive.com\/home\/?u=283e2184fb3ed725e7652d7c9&amp;id=061999ac6f\" target=\"_blank\" rel=\"noreferrer noopener\">Edi\u021bii newsletter<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>edi\u021bie print disponibil\u0103 SUMAR aprilie 2022 | Cultura nr. 627 Interviuri realizate de Corina Tara\u0219-Lungu Coperta &amp; ilustra\u021bia de num\u0103r: scenografii realizate de Irina Moscu Addenda de Nicu Ilie editorial Nicu Ilie | Privind \u00eenapoi. Cuv\u00e2nt \u00eenainte | pag. 1 op\/ed Dana Buzura-Gagniuc | Eu sunt casa mea! | pag. 6 interviuri Gruia B\u0103descu: \u201eDac\u0103&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/cultura-627\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Cultura 627<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15496],"tags":[],"class_list":["post-26930","post","type-post","status-publish","format-standard","hentry","category-sumar"],"views":2137,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=26930"}],"version-history":[{"count":1,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26930\/revisions"}],"predecessor-version":[{"id":26931,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26930\/revisions\/26931"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=26930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=26930"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=26930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}