{"id":26661,"date":"2019-06-05T22:28:57","date_gmt":"2019-06-05T20:28:57","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=26661"},"modified":"2019-06-06T00:33:11","modified_gmt":"2019-06-05T22:33:11","slug":"sumar-nr-5-2019-601","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/sumar-nr-5-2019-601\/","title":{"rendered":"Sumar nr. 5 \/ 2019 (601)"},"content":{"rendered":"
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Descarc\u0103 PDF<\/a><\/div>\n\n\n\n

analize \u0219i evalu\u0103ri
<\/em> Cultura rom\u00e2n\u0103 \u00een epoca marilor migra\u021bii<\/a> \/ PP. 5-27 \/<\/strong>
material realizat de Aurelian Giug\u0103l<\/strong> \u0219i Nicu Ilie<\/strong>

Dinamica demografic\u0103 postbelic\u0103 \u0219i implica\u021biile ei politico-economice<\/a> \/ pag. 7 \/
Emigran\u021bi \u0219i imigran\u021bi<\/a> \/ pag. 9 \/
O problem\u0103 economic\u0103 sau una cultural\u0103?<\/a> \/ pag. 12 \/
 Noile Rom\u00e2nii din jurul Rom\u00e2niei<\/a> \/ pag. 14 \/
Institu\u021bi pentru rom\u00e2nii din diaspora<\/a> \/ pag. 16 \/
Roxana Bratu<\/strong> \/ A doua genera\u021bie a diasporei rom\u00e2ne\u0219ti<\/a> \/ pag. 17 \/
MM. Migra\u021bia medical\u0103, un fenomen care are deja propria sigl\u0103<\/a> \/ pag. 20 \/
Elegie rural\u0103: satul rom\u00e2nesc moare<\/a> \/ pag. 22 \/
A doua provocare: imigra\u021bia<\/a> \/ pag. 24 \/
Cercet\u0103ri privind migra\u021bia. Scurt\u0103 bibliografie<\/a> \/ pag. 26 \/<\/p>\n\n\n\n

teme \u00een dezbatere
<\/em> Profesie: politician. \u00centre util \u0219i realizabil<\/a> \/ PP. 28-39 \/<\/strong>
material realizat de Dana Buzura-Gagniuc<\/strong>

Vladimir Pasti<\/strong> \/ \u201ePutem cocheta cu nostalgia profesionaliz\u0103rii\u201d<\/a> \/ pag. 30 \/
Interviu cu Iulian St\u0103nescu<\/strong>\/ \u201eUn politician de profesie \u00eentr-o \u0163ar\u0103 dominat\u0103 de politica de tip clientelar va fi un exponent al acelui tip de politic\u0103\u201d<\/a> \/ pag. 33 \/
Sergiu \u021a\u00e2r\u0103 \/ \u201eExist\u0103 autoritatea dat\u0103 de neobi\u0219nuitul har al unei persoane\u201d<\/a> \/ pag. 38 \/<\/p>\n\n\n\n

sinteze \u0219i reflec\u021bii
<\/em> <\/a>Phonbies sau luddites? Noua rela\u021bie cu tehnologia<\/a> \/ PP. 40-53 \/<\/strong>
material realizat de Iuliana Alexa<\/strong>

Interviu cu Drago\u0219 C\u00eerneci<\/strong> \/ \u201eO dependen\u021b\u0103 puternic\u0103 de tehnologie \u00eempiedic\u0103 dezvoltarea abilit\u0103\u021bilor sociale\u201d<\/a> \/ pag. 41 \/
Andra Popescu<\/strong> \/ Exces digital \u0219i adic\u021bii<\/a> \/ pag. 45 \/
Dan Andreievici<\/strong> \/ Tehnologia \u0219i puterea politic\u0103<\/a> \/ pag. 47 \/
Andrei Dinulescu<\/strong> \/ Tehnologia \u0219i viitorul. C\u00e2teva predic\u021bii<\/a> \/ pag. 49 \/
Iuliana Alexa<\/strong> \/ De la \u201escriptura continua\u201d la \u201evooks\u201d<\/a> \/ pag. 51 \/
Horia Ghibu\u021biu<\/strong> \/ Annabel Lee r\u0103m\u00e2ne Annabel Lee<\/a> \/ pag. 53 \/
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review<\/em>
Aurelian Giug\u0103l<\/strong> \/ Despre institu\u021bionalism \u0219i decalajele dintre na\u021biuni<\/a> \/ pag. 55 \/
Iuliana Alexa \/ Cei Patru C\u0103l\u0103re\u021bi ai Apocalipsei Tehnologice<\/a> \/ pag. 58 \/
Gina \u0218erb\u0103nescu \/ Efectul de oglind\u0103<\/a> \/ pag. 60 \/
Claudiu Sfirschi-L\u0103udat \/ Fenomenul \u201eGame of Thrones\u201d Noi \u0219i dragonii interioriza\u021bi<\/a> \/ pag. 64 \/
Cristina Rusiecki \/ Derapaje politice \u0219i societ\u0103\u021bi viciate<\/a> \/ pag. 66 \/
<\/p>\n\n\n\n

studii \u015fi cercet\u0103ri
<\/em> Sonia \u0218tefana Corbu<\/strong> \/ \u201eComunicarea on-line ca parte a rela\u021biei cu publicul. Studiu de caz pentru muzee din Rom\u00e2nia<\/a> \/ pag. 70 \/
<\/p>\n\n\n\n

rom\u00e2ni \u00een lume
<\/em> interviu cu Radu-Anton Maier<\/strong> \/ \u201eAm muncit pentru integrare \u0219i, deopotriv\u0103, pentru existen\u021b\u0103\u201d<\/a> \/ pag. 80 \/
Margaret Parsons<\/strong> \/ Noul val al filmului rom\u00e2nesc. Reflec\u021bii personale<\/a> \/ pag. 85 \/
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puncte de vedere
<\/em> Monica S\u0103vulescu Voudouri<\/strong> \/ Bolnavi de bog\u0103\u021bie?<\/a> \/ pag. 92 \/
<\/p>\n\n\n\n

contribu\u021bii<\/em>
Dan Shafran<\/strong> \/ Aventura Dada continu\u0103<\/a> \/ pag. 95 \/
Jean Askenasy<\/strong> \/ \u0218tiin\u021ba \u00een pericol de a-\u0219i pierde omenia<\/a> \/ pag. 97 \/
Iovan Drehe<\/strong> \/ O istorisire cu prieteni risipitori \u0219i risipi\u021bi<\/a> \/ pag. 99 \/
<\/p>\n\n\n\n

fcab<\/em>
Genera\u021bia Z. Interviu cu Diana Doroftei<\/strong> \/ \u201eAm un avantaj \u00een a-mi p\u0103stra identitatea de rom\u00e2nc\u0103\u201d<\/a> \/ pag. 102 \/
Programul \u201eLiteratur\u0103 \u0219i Transmedia\u201d. Dac\u0103 po\u021bi s\u0103 vezi mai mult<\/a> \/ pag. 108 \/
Documentele Augustin Buzura<\/strong>. Bloc notes. Pseudojurnal IV<\/a> \/ Text
ap\u0103rut \u00een \u201eTribuna\u201d, 1984 \/ pag. 110 \/
Concursurile Funda\u021biei Culturale Augustin Buzura<\/a> \/ pag. 112 \/<\/p>\n\n\n\n

Coperta \u0219i ilustra\u021bia de num\u0103r: lucr\u0103ri ale artistului Radu-Anton Maier <\/strong><\/p>\n\n\n\n

Descarc\u0103 PDF<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

analize \u0219i evalu\u0103ri Cultura rom\u00e2n\u0103 \u00een epoca marilor migra\u021bii \/ PP. 5-27 \/ material realizat de Aurelian Giug\u0103l \u0219i Nicu Ilie Dinamica demografic\u0103 postbelic\u0103 \u0219i implica\u021biile ei politico-economice \/ pag. 7 \/ Emigran\u021bi \u0219i imigran\u021bi \/ pag. 9 \/ O problem\u0103 economic\u0103 sau una cultural\u0103? \/ pag. 12 \/ Noile Rom\u00e2nii din jurul Rom\u00e2niei \/… Cite\u0219te mai mult »Sumar nr. 5 \/ 2019 (601)<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15496],"tags":[],"class_list":["post-26661","post","type-post","status-publish","format-standard","hentry","category-sumar"],"views":4625,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26661","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=26661"}],"version-history":[{"count":8,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26661\/revisions"}],"predecessor-version":[{"id":26670,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26661\/revisions\/26670"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=26661"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=26661"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=26661"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}