{"id":26625,"date":"2019-04-06T01:32:47","date_gmt":"2019-04-05T23:32:47","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=26625"},"modified":"2019-04-14T19:01:34","modified_gmt":"2019-04-14T17:01:34","slug":"sumar-nr-3-2019-598","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/sumar-nr-3-2019-598\/","title":{"rendered":"Sumar nr. 3 \/ 2019 (599)"},"content":{"rendered":"
<\/div>\n\n\n\n

analize \u0219i evalu\u0103ri<\/em>
Despre emergen\u021ba discursului feminist <\/a><\/strong> \/ PP. 5 – 19 \/
dosar coordonat de<\/a> Iulia Alexa<\/a><\/strong>
 <\/a>Oana B\u0103lu\u021b\u0103<\/a><\/strong> \/ Feminismul actual, valid, activ<\/a> \/ pag. 6 \/<\/a><\/strong>
 <\/a>Alina Purcaru<\/a><\/strong> \/<\/a> <\/a><\/em>Lipsa scriitoarelor din manuale. Rigidit\u0103\u021bi \u0219i ambi\u021bii subterane <\/a>\/ pag. 9 \/<\/a><\/strong>
 <\/a>Ioana Ulmeanu<\/a><\/strong> \/ Un concept care ridic\u0103 spr\u00e2ncene <\/a>\/ pag. 10 \/<\/a><\/strong>
 <\/a>Alina \u0218erban<\/a><\/strong> \/ A\u0219tept\u0103ri care condi\u021bioneaz\u0103 <\/a>\/ pag. 12 \/<\/a><\/strong>
 Interviu cu <\/a>Alina Isac Alak<\/a><\/strong> \/ Variante, contextualiz\u0103ri, tensiuni \u0219i concilieri <\/a>\/ pag. 14 \/<\/a><\/strong>
 Interviu cu <\/a>Simona Voicescu<\/a><\/strong> \/ Pseudo-istoria \u0219i privirea ironic\u0103<\/a> \/ pag. 18 \/<\/a><\/strong><\/p>\n\n\n\n

teme \u00een dezbatere
<\/em> <\/a>Kitsch-ul si avatarurile subiectivismului. De la \u201elocuirea \u00een neautentic\u201d la \u201eleader kitsch\u201d <\/a><\/strong> \/ PP. 21 – 31 \/
dosar coordonat de <\/a>Dana Buzura-Gagniuc<\/a><\/strong>
 Interviu cu dr. <\/a>Ioan Marchi\u0219<\/a><\/strong> \/ \u201eO locuire \u00een neautentic \u0219i artificial\u201d <\/a>\/ pag. 22 \/<\/a><\/strong>
 Interviu cu conf. univ. dr. <\/a>Delia Suiogan<\/a><\/strong> \/ \u201eObiectul kitsch este, de cele mai multe ori, o marc\u0103 a cantit\u0103\u021bii\u201d <\/a>\/ pag. 23 \/<\/a><\/strong>
 Cristian Lic\u0103<\/a><\/strong> \/ \u201eInstan\u021bele noastre sunt vizitatorii\u201d<\/a> \/ pag. 26 \/<\/a><\/strong>
 Atelierul de Analiz\u0103 a Mentalit\u0103\u021bilor \u0219i Ideilor Contemporane \/<\/strong> \u201eProblema kitsch-ului este definirea sa sau, mai bine spus, lipsa acesteia\u201d<\/a> \/ pag. 27 \/<\/a><\/strong><\/p>\n\n\n\n

sinteze \u0219i reflec\u021bii<\/em>
 <\/a>Selec\u021biile Gopo. 13 ani de film rom\u00e2nesc, a\u0219a cum se vede el \u00een on-line<\/a><\/strong> \/ PP. 32-65 \/
dosar de Carmen Corbu<\/a><\/p>\n\n\n\n

review<\/em>
 Aurelian Giug\u0103l<\/a><\/strong> \/ Inegalit\u0103\u021bile de clas\u0103 \u0219i inegalit\u0103\u021bile din \u00eenv\u0103\u021b\u0103m\u00e2nt <\/a>\/ pag. 67 \/<\/a><\/strong>
 <\/a>Gina \u0218erb\u0103nescu<\/a><\/strong> \/ Dinamica politicii \u0219i identitatea artistului <\/a>\/ pag.71 \/<\/a><\/strong>
 Cristina Rusiecki<\/a><\/strong> \/ Medeea suntem to\u021bi <\/a>\/ pag. 75 \/<\/a><\/strong>
 <\/a>Claudiu Sfirschi-L\u0103udat<\/a><\/strong> \/ O lec\u021bie de istorie recent\u0103 <\/a>\/ pag. 78 \/<\/a><\/strong><\/p>\n\n\n\n

studii \u015fi cercet\u0103ri<\/em>
 <\/a>C\u0103t\u0103lin D. Constantin<\/a><\/strong> \/ C\u0103tre o teorie a pie\u021bei. Spa\u021bii cu centru, spa\u021bii f\u0103r\u0103 centru <\/a>\/ pag. 81 \/<\/a><\/strong><\/p>\n\n\n\n

rom\u00e2ni \u00een lume<\/em>
 <\/a>Dan Shafran<\/a><\/strong> \/ O scrisoare <\/a>\/ pag. 93 \/<\/a><\/strong>
 <\/a>Teodor Stan <\/a><\/strong>\/ Lecturi publice la Washington \u0219i la New York. Dennis Deletant despre istoria disiden\u021bei rom\u00e2ne\u0219ti <\/a>\/ pag. 95 \/<\/a><\/strong><\/p>\n\n\n\n

puncte de vedere<\/em>
 <\/a>Ioan-Aurel Pop<\/a><\/strong> \/ Limba noastr\u0103-i limb\u0103 sf\u00e2nt\u0103 \u2026<\/a> \/ pag. 100 \/<\/a><\/strong>
 <\/a>Monica S\u0103vulescu Voudouri<\/a><\/strong> \/ The Decent People <\/a>\/ pag. 102 \/<\/a><\/strong><\/p>\n\n\n\n

contribu\u021bii<\/em>
 Nicu Ilie<\/a><\/strong> \/ Elasticitatea capitalului. Punctul nevralgic al politicilor rom\u00e2ne\u0219ti<\/a> \/ pag. 105 \/<\/a><\/strong>
 <\/a>Gheorghi\u021b\u0103 Gean\u0103<\/a><\/strong> \/ C\u0103derea cortinei de fier \u015fi entropia valorilor <\/a>\/ pag. 109 \/<\/a><\/strong>
 <\/a>Jean Jacques Askenasy<\/a><\/strong> \/ Migrarea tineretului este binef\u0103c\u0103toare pentru Europa, dar distructiv\u0103 pentru Rom\u00e2nia<\/a> \/ pag. 114 \/<\/a><\/strong><\/p>\n\n\n\n

fcab<\/em>
 <\/a>Genera\u021bia Z<\/a><\/strong> \/ Interviu cu <\/a>Dr. Paul A. Gagniuc<\/a><\/strong> \/ \u201eSunt un soi de\u2026 europatriot\u201d <\/a>\/ pag. 116 \/<\/a><\/strong>
 <\/a>Documentele Augustin Buzura \/<\/a><\/strong> Eu vorbesc, noi vorbim\u2026 \/ Text ap\u0103rut \u00een \u201eTribuna\u201d, 1983 <\/a>\/ pag. 124 \/<\/a><\/strong>
Concursurile Funda\u021biei Culturale Augustin Buzura<\/a><\/strong> \/ pag. 126 \/<\/a><\/p>\n\n\n\n

Descarc\u0103 PDF<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

analize \u0219i evalu\u0103ri Despre emergen\u021ba discursului feminist \/ PP. 5 – 19 \/ dosar coordonat de Iulia Alexa Oana B\u0103lu\u021b\u0103 \/ Feminismul actual, valid, activ \/ pag. 6 \/ Alina Purcaru \/ Lipsa scriitoarelor din manuale. Rigidit\u0103\u021bi \u0219i ambi\u021bii subterane \/ pag. 9 \/ Ioana Ulmeanu \/ Un concept care ridic\u0103 spr\u00e2ncene \/ pag. 10… Cite\u0219te mai mult »Sumar nr. 3 \/ 2019 (599)<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15496],"tags":[],"class_list":["post-26625","post","type-post","status-publish","format-standard","hentry","category-sumar"],"views":6975,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=26625"}],"version-history":[{"count":11,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26625\/revisions"}],"predecessor-version":[{"id":26642,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26625\/revisions\/26642"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=26625"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=26625"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=26625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}