{"id":26613,"date":"2019-03-03T19:37:02","date_gmt":"2019-03-03T17:37:02","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=26613"},"modified":"2019-04-14T18:05:27","modified_gmt":"2019-04-14T16:05:27","slug":"sumar-nr-2-2019-598","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/sumar-nr-2-2019-598\/","title":{"rendered":"Sumar nr. 2 \/ 2019 (598)"},"content":{"rendered":"
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sinteze \u0219i reflec\u021bii
TEATRUL DOCUMENTAR. <\/strong>
O \u00eencercare de demontare a prejudec\u0103\u021bilor<\/a><\/strong> \/ PP. 4-15 \/
dosar coordonat de Cristina Rusiecki \u0219i Carmen Corbu<\/a>
 Doru Talo\u0219 \/<\/a><\/strong> Pentru a sensibiliza sau pentru a revolta, pentru a atrage aten\u021bia sau pentru a \u00een\u021belege, pur \u0219i simplu<\/a> \/ pag. 7 \/<\/a><\/strong>
 Radu Apostol \/<\/a><\/strong> G\u00e2ndirea artistic\u0103 e \u00een str\u00e2ns\u0103 leg\u0103tur\u0103 cu publicul, cu istoria recent\u0103, cu istoria ignorat\u0103, nescris\u0103, cu realitatea imediat\u0103<\/a> \/ pag. 9 \/<\/a><\/strong>
 Leta Popescu \/ <\/a><\/strong>Dezbaterea e lung\u0103, subiectul e important <\/a>\/ pag. 12 \/<\/a><\/strong>
 Elena Morar \/ <\/a><\/strong>Exist\u0103, cred, prejudecata c\u0103 teatrul documentar e s\u0103r\u0103c\u0103cios estetic<\/a> \/ pag. 13 \/<\/a><\/strong>
 Carmen Lidia Vidu<\/a><\/strong> \/ Nu exist\u0103 \u201epredispozi\u021bie\u201d c\u0103tre un gen de art\u0103. Exist\u0103 educa\u021bie \u0219i at\u00e2t. E decizia fiec\u0103ruia dac\u0103 prefer\u0103 magia alb\u0103 sau dialogul cultural <\/a>\/ pag. 14 \/<\/a><\/strong>
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analize \u0219i evalu\u0103ri
 TOTALITARISMUL ORIZONTAL \u0218I TIRANIILE MAJORIT\u0102\u021aII. <\/a><\/strong>
<\/a>Societatea \u00eenchis\u0103, de la religios \u0219i patriarhal la bullying \u0219i cyberbullying<\/a><\/strong> \/ PP. 16 – 29 \/
dosar coordonat de Nicu Ilie<\/a>
 Mariano Mart\u00edn Rodr\u00edguez \/ <\/a><\/strong>Totalitarismul orizontal \u00een via\u021b\u0103 \u0219i \u00een literatur\u0103<\/a> \/ pag. 18 \/<\/a><\/strong>
 Sorin Antohi \u00een dialog cu Mariano Mart\u00edn Rodr\u00edguez<\/a><\/strong> \/ Axele totalitarismului \u0219i punctul lor de intersec\u021bie<\/a> \/ pag. 23 \/<\/a><\/strong>
 Nicu Ilie \/ <\/a><\/strong>Bullying \u2013 nu doar pe net, nu doar printre elevi<\/a> \/ pag. 27 \/<\/a><\/strong><\/p>\n\n\n\n

teme \u00een dezbatere
CORECTITUDINEA POLITIC\u0102.
Varianta de azi a Patului lui Procust<\/a><\/strong> \/ PP. 30 – 39 \/
dosar coordonat de Dana Buzura-Gagniuc<\/a>
 Iulian St\u0103nescu \/<\/a><\/strong> Corectitudinea politic\u0103 \u015fi puterea<\/a> \/ pag. 34 \/<\/a><\/strong>
 Radu Boroianu \/ <\/a><\/strong>\u00centre \u0219tiin\u021b\u0103, arte, creativitate \u0219i b\u00e2lciul ideologic nu a func\u021bionat nicic\u00e2nd dialogul<\/a> \/ pag. 36 \/<\/a><\/strong><\/p>\n\n\n\n

rom\u00e2ni \u00een lume
 Dan Shafran \/ <\/a><\/strong>Lupta\u021bi pentru Europa!<\/a> \/ pag. 38 \/<\/a><\/strong>
<\/p>\n\n\n\n

puncte de vedere
 Ioan-Aurel Pop \/ <\/a><\/strong>Limba rom\u00e2n\u0103 <\/a>\/ pag. 40 \/<\/a><\/strong><\/p>\n\n\n\n

studii \u015fi cercet\u0103ri
 Dumitru M. Rusu \/<\/a><\/strong> Arhitectura modernist-socialist\u0103 \u00een Europa de Est<\/a> \/ pag. 42 \/<\/a><\/strong><\/p>\n\n\n\n

review
 Iulia Alexa <\/a><\/strong>\/ Comportamentul uman, \u00eentre sublim, abject \u0219i context <\/a>\/ pag. 53 \/<\/a><\/strong>
 Cristina Rusiecki<\/a><\/strong> \/ Hamlet, leul din cu\u0219c\u0103<\/a> \/ pag. 56 \/<\/a><\/strong>
 Gina \u0218erb\u0103nescu \/ <\/a><\/strong>Oxigen f\u0103r\u0103 masc\u0103<\/a> \/ pag.60 \/<\/a><\/strong>
 Claudiu Sfirschi-L\u0103udat \/ <\/a><\/strong>Un verde at\u00e2t de \u00eenchis, \u00eenc\u00e2t e negru<\/a> \/ pag. 64 \/<\/a><\/strong>
 Liviu Rotman \/<\/a><\/strong> Un lider \u0219i lumea lui: Yitzhak Rabin<\/a> \/ pag. 68 \/<\/a><\/strong>
<\/p>\n\n\n\n

contribu\u021bii
 Doru M\u0103rgineanu<\/a><\/strong> \/ Capitalul mintal al popoarelor \u2013 irosire \u015fi valorificare<\/a> \/ pag. 70 \/<\/a><\/strong>
 Jean Jacques Askenasy<\/a><\/strong> \/ Cum am ajuns medic al nomenclaturii<\/a> \/ pag. 74 \/<\/a><\/strong>
<\/p>\n\n\n\n

fcab
 Genera\u021bia Z \/ <\/a><\/strong>Interviu cu Sonia Coman-Ernstoff \/ \u201eFrumosul ne schimb\u0103 \u00een bine, mai ales atunci c\u00e2nd suntem capabili s\u0103 \u00eel detect\u0103m\u201d <\/a> \/ pag. 76 \/<\/a><\/strong>
Documentele Augustin Buzura \/<\/strong>
A fi prezent \/ Text ap\u0103rut \u201eTribuna\u201d, 1972<\/a> \/ pag. 82 \/<\/a><\/strong>
 Concursurile Funda\u021biei Culturale Augustin Buzura<\/a> \/ pag. 86 \/<\/a><\/strong><\/p>\n\n\n\n

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DESCARC\u0102 PDF<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

sinteze \u0219i reflec\u021biiTEATRUL DOCUMENTAR. O \u00eencercare de demontare a prejudec\u0103\u021bilor \/ PP. 4-15 \/ dosar coordonat de Cristina Rusiecki \u0219i Carmen Corbu Doru Talo\u0219 \/ Pentru a sensibiliza sau pentru a revolta, pentru a atrage aten\u021bia sau pentru a \u00een\u021belege, pur \u0219i simplu \/ pag. 7 \/ Radu Apostol \/ G\u00e2ndirea artistic\u0103 e \u00een str\u00e2ns\u0103… Cite\u0219te mai mult »Sumar nr. 2 \/ 2019 (598)<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15496],"tags":[],"class_list":["post-26613","post","type-post","status-publish","format-standard","hentry","category-sumar"],"views":5652,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26613","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=26613"}],"version-history":[{"count":7,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26613\/revisions"}],"predecessor-version":[{"id":26640,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26613\/revisions\/26640"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=26613"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=26613"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=26613"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}