{"id":26603,"date":"2019-01-25T15:34:05","date_gmt":"2019-01-25T13:34:05","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=26603"},"modified":"2019-04-14T18:14:57","modified_gmt":"2019-04-14T16:14:57","slug":"sumar-nr-15","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/sumar-nr-15\/","title":{"rendered":"Sumar nr. 1 (597)"},"content":{"rendered":"
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editorial\u00a0<\/a><\/strong>George Maior \/ <\/a>Na\u021bionalismul rom\u00e2nesc frumos<\/a><\/em> \/\u00a0 PAG. 3 \/<\/a>\u00a0
analize \u0219i evalu\u0103ri<\/strong>Dou\u0103 societ\u0103\u021bi fa\u021b\u0103 \u00een fa\u021b\u0103: ce vor rom\u00e2nii, ce \u0219tiu americanii. Un eveniment LARICS, la Academia Rom\u00e2n\u0103<\/a><\/em> \/ PAG. 5 – 19 \/<\/a>\u00a0\u00a0
teme \u00een dezbatere<\/strong> Carmen Corbu, Aurelian Giug\u0103l, Horia Corche\u0219, Viorel Aghean\u0103, Nicu Ilie \/ <\/a>Strategiile pentru educa\u021bie. Impasul reciprocit\u0103\u021bii culturale<\/a><\/em> \/\u00a0 PAG. 21 – 31 \/<\/a>\u00a0
sinteze \u0219i reflec\u021bii<\/strong> Alex Ciorogar, Emanuel Modoc, Alex Goldi\u0219, Mihaela Mudure, Mihaela Ursa \/\u00a0 <\/a>Studiile cantitative \u0219i provoc\u0103rile lor<\/a><\/em>\u00a0\/ PAG. 33 – 39 \/<\/a>\u00a0
review <\/strong>Cristina Rusiecki \/ <\/a>Basmul la level 3D<\/a><\/em>\u00a0 \/ PAG. 40-43 \/<\/a>
Andreea Grecu \/ <\/a>C\u00e2nd comunistul din tine nu poate muri<\/a><\/em> \/ PAG. 44 \u2013 45 \/<\/a>
studii \u015fi cercet\u0103ri<\/strong> Ileana Marin \/ <\/a>Fascina\u021bia manuscriselor<\/a><\/em> \/ PAG. 46- 51 \/<\/a>
puncte de vedere<\/strong> Monica S\u0103vulescu Voudouri \/ <\/a>Ca s\u0103 ne dovedim vrednici, ie\u0219im \u00eenainte cu mor\u021bii<\/a><\/em>\u00a0\/ PAG. 52 – 53 \/<\/a>
Virgil \u015etefan Ni\u021bulescu\u00a0\/\u00a0 <\/a>Muzeele Centenarului<\/a><\/em> \/\u00a0PAG. 55 – 57\u00a0 \/<\/a>
rom\u00e2ni \u00een lume<\/strong>Daniel Ursachi \u2013 Uncanny Figments<\/a><\/em>\u00a0 \/ PAG. 58 – 61 \/<\/a>
contribu\u021bii <\/a><\/strong>Laura-Maria Altmann \/ <\/a>Bruegel \u0219i eu. O vizit\u0103 la expozi\u021bia \u201eOnce in a lifetime\u201d<\/a><\/em> \/ PAG. 62 – 65 \/<\/a>
Constantin Diaconu \/ Partea \u00eentunecat\u0103 a culturii digitale sau despre cum tehnologia disrupe adev\u0103rul<\/a><\/em> \/ PAG. 66 – 69 \/<\/a>
Dan Shafran \/ <\/a>Un premiu mai pu\u021bin obi\u0219nuit<\/a><\/em> \/ PAG. 70 – 71 \/<\/a>
Jean Askenasy \/ <\/a>Dintre emblemele r\u0103zboiului de \u00eentregire<\/a><\/em> \/ PAG. 72 – 73 \/<\/a>
fcab <\/strong>Dana Buzura \/ Genera\u021bia Z \/ <\/a>Interviu cu Roxana Pamfil<\/a><\/em>\u00a0\/ PAG. 74 – 77\/<\/a>
Documentele Augustin Buzura \/ <\/a>Monica Lovinescu \u00een 1989 despre \u201eDrumul cenu\u0219ii\u201d la Radio Europa Liber\u0103<\/a><\/em> \/ PAG. 78 – 83 \/<\/a>
Concurs de scenarii dup\u0103 \u201eVocile nop\u021bii\u201d \/ PAG. 84 – 85 \/<\/a>
Despre Funda\u021bia Cultural\u0103 Augustin Buzura \u0219i despre Buzura Foundation \/ PAG. 86 \/ <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

editorial\u00a0George Maior \/ Na\u021bionalismul rom\u00e2nesc frumos \/\u00a0 PAG. 3 \/\u00a0analize \u0219i evalu\u0103riDou\u0103 societ\u0103\u021bi fa\u021b\u0103 \u00een fa\u021b\u0103: ce vor rom\u00e2nii, ce \u0219tiu americanii. Un eveniment LARICS, la Academia Rom\u00e2n\u0103 \/ PAG. 5 – 19 \/\u00a0\u00a0teme \u00een dezbatere Carmen Corbu, Aurelian Giug\u0103l, Horia Corche\u0219, Viorel Aghean\u0103, Nicu Ilie \/ Strategiile pentru educa\u021bie. Impasul reciprocit\u0103\u021bii culturale \/\u00a0 PAG.… Cite\u0219te mai mult »Sumar nr. 1 (597)<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15496],"tags":[],"class_list":["post-26603","post","type-post","status-publish","format-standard","hentry","category-sumar"],"views":5217,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26603","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=26603"}],"version-history":[{"count":4,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26603\/revisions"}],"predecessor-version":[{"id":26641,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26603\/revisions\/26641"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=26603"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=26603"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=26603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}