{"id":26493,"date":"2018-12-20T23:58:20","date_gmt":"2018-12-20T21:58:20","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=26493"},"modified":"2018-12-21T01:18:07","modified_gmt":"2018-12-20T23:18:07","slug":"radu-afrim-represented-romania-at-the-bangkok-art-biennale","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/radu-afrim-represented-romania-at-the-bangkok-art-biennale\/","title":{"rendered":"Radu Afrim represented Romania at the Bangkok Art Biennale"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">At the Bangkok Art Bienniale, the ENTHEOS Cultural Association, with the support of the German Cultural Foundation KulturForum Europe, represented by its president, Dieter Topp, and by Christian Bauer, organized at BACC the photography exhibition \u201eBoys, Girls and Neighborhoods\u201d signed by one of the most appreciated Romanian theatre directors, Radu Afrim, who is also a talented visual artist. The Board estimates that BACC exhibitions have on average 4000-5000 visitors per day.<\/p>\n\n\n<div class=\"bla bla real3dflipbook\" id=\"1_6adeef59d3e2c\" style=\"position:absolute;\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>At the Bangkok Art Bienniale, the ENTHEOS Cultural Association, with the support of the German Cultural Foundation KulturForum Europe, represented by its president, Dieter Topp, and by Christian Bauer, organized at BACC the photography exhibition \u201eBoys, Girls and Neighborhoods\u201d signed by one of the most appreciated Romanian theatre directors, Radu Afrim, who is also a&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/radu-afrim-represented-romania-at-the-bangkok-art-biennale\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Radu Afrim represented Romania at the Bangkok Art Biennale<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[15520],"tags":[],"class_list":["post-26493","post","type-post","status-publish","format-standard","hentry","category-english-edition"],"views":484,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26493","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=26493"}],"version-history":[{"count":2,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26493\/revisions"}],"predecessor-version":[{"id":26507,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26493\/revisions\/26507"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=26493"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=26493"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=26493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}