{"id":26392,"date":"2018-11-02T00:04:45","date_gmt":"2018-11-01T22:04:45","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=26392"},"modified":"2018-11-02T13:50:35","modified_gmt":"2018-11-02T11:50:35","slug":"cum-mai-stam-cu-experimentul-in-teatru","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/cum-mai-stam-cu-experimentul-in-teatru\/","title":{"rendered":"Cum mai st\u0103m cu experimentul \u00een teatru?"},"content":{"rendered":"<p>Spectrul instrumentelor noastre teatrale a evoluat enorm, spectacolele neconven\u021bionale se \u00eenscriu \u00een multe festivaluri, tehnologia a p\u0103truns \u00eencet, dar sigur \u0219i \u00een teatrul rom\u00e2nesc, astfel \u00eenc\u00e2t ATELIERULUI \u00eei vine greu s\u0103 mai fac\u0103 diferen\u021ba. \u00cen aceast\u0103 stare de lucruri, selec\u021bionerii Radu Macrinici \u0219i Radu Dinulescu s-au adaptat la noua realitate teatral\u0103 \u0219i au propus, dac\u0103 nu spectacole create cu mijloace nemaiv\u0103zute, cel pu\u021bin, produc\u021bii cu un limbaj mai pu\u021bin uzitat, care transgreseaz\u0103 grani\u021bele estetice (teatru-dans, teatru gestual, teatru fizic, teatru documentar, teatru \u00een spa\u021bii neconven\u021bionale, teatru instrumental, teatru burlesc, teatru cu obiecte, teatru-circ etc.) sau fizice ale teatrului tradi\u021bional. <\/p>\n<style>.embed-container { position: relative; padding-bottom:56.25%; height:0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%;}<\/style>\n<div class='embed-container' data-page-width='452' data-page-height='640' id='ypembedcontainer' ><iframe   src=\"https:\/\/www.yumpu.com\/ro\/embed\/view\/YOastxn7Tudk4hIA\/12\" frameborder=\"0\" allowfullscreen=\"true\"  allowtransparency=\"true\"><\/iframe><\/div>\n<p><script src='https:\/\/players.yumpu.com\/modules\/embed\/yp_r_iframe.js' ><\/script><\/p>\n<p><a href=\"https:\/\/revistacultura.ro\/pdf\/Cultura_nr_12_594_w.pdf\"><strong>DESCARC\u0102 PDF \/ PRINTEAZ\u0102<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Spectrul instrumentelor noastre teatrale a evoluat enorm, spectacolele neconven\u021bionale se \u00eenscriu \u00een multe festivaluri, tehnologia a p\u0103truns \u00eencet, dar sigur \u0219i \u00een teatrul rom\u00e2nesc, astfel \u00eenc\u00e2t ATELIERULUI \u00eei vine greu s\u0103 mai fac\u0103 diferen\u021ba. \u00cen aceast\u0103 stare de lucruri, selec\u021bionerii Radu Macrinici \u0219i Radu Dinulescu s-au adaptat la noua realitate teatral\u0103 \u0219i au propus, dac\u0103&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/cum-mai-stam-cu-experimentul-in-teatru\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Cum mai st\u0103m cu experimentul \u00een teatru?<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[15507],"tags":[],"class_list":["post-26392","post","type-post","status-publish","format-standard","hentry","category-teatru"],"views":1486,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26392","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=26392"}],"version-history":[{"count":4,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26392\/revisions"}],"predecessor-version":[{"id":26443,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26392\/revisions\/26443"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=26392"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=26392"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=26392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}