{"id":26218,"date":"2018-10-26T22:53:45","date_gmt":"2018-10-26T20:53:45","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=26218"},"modified":"2018-10-27T00:02:59","modified_gmt":"2018-10-26T22:02:59","slug":"celalalt-film-despre-utoya-crime-impotriva-umanitatii-vazute-cu-ochiul-liber","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/celalalt-film-despre-utoya-crime-impotriva-umanitatii-vazute-cu-ochiul-liber\/","title":{"rendered":"Cel\u0103lalt film despre Ut\u00f8ya. Crime \u00eempotriva umanit\u0103\u021bii v\u0103zute cu ochiul liber"},"content":{"rendered":"<p>\u201e22 iulie\u201d \u0219i \u201eU(t\u00f8ya). 22 iulie\u201d sunt dou\u0103 filme cu acela\u0219i subiect, primul distribuit de Netflix, cel\u0103lalt pe marile ecrane. Cel de-al doilea a primit nominaliz\u0103ri pentru Berlin \u0219i pentru Festivalul Filmului European \u0219i a str\u00e2ns majoritatea cronicilor. Reconstituie, clip\u0103 de clip\u0103, fuga pentru supravie\u021buire a unei fete, victim\u0103 \u00een atacul de la Ut\u00f8ya. Filmul a fost turnat \u00een cinci zile, iar majoritatea actorilor sunt amatori. Profund emo\u021bional, un film cu o puternic\u0103 scar\u0103 uman\u0103. \u0218i cealalt\u0103 produc\u021bie este una remarcabil\u0103. Cumva, ele ar trebui v\u0103zute \u00eempeun\u0103, eventual al\u0103turi de alte trei-patru filme care \u00eenc\u0103 n-au fost turnate, care s\u0103 configureze, fragment cu fragment, \u00eentreaga dimensiune a terorii. \u0218i, mai ales, r\u0103spunsul la aceasta.<\/p>\n<style>.embed-container { position: relative; padding-bottom:56.25%; height:0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%;}<\/style>\n<div class='embed-container' data-page-width='452' data-page-height='640' id='ypembedcontainer' ><iframe   src=\"https:\/\/www.yumpu.com\/ro\/embed\/view\/Kyi6AefmPF0I4OWo\/12\" frameborder=\"0\" allowfullscreen=\"true\"  allowtransparency=\"true\"><\/iframe><\/div>\n<p><script src='https:\/\/players.yumpu.com\/modules\/embed\/yp_r_iframe.js' ><\/script><\/p>\n<p><a href=\"https:\/\/revistacultura.ro\/pdf\/Cultura08-2018-compressed.pdf\">DESCARC\u0102 PDF \/ PRINTEAZ\u0102<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201e22 iulie\u201d \u0219i \u201eU(t\u00f8ya). 22 iulie\u201d sunt dou\u0103 filme cu acela\u0219i subiect, primul distribuit de Netflix, cel\u0103lalt pe marile ecrane. Cel de-al doilea a primit nominaliz\u0103ri pentru Berlin \u0219i pentru Festivalul Filmului European \u0219i a str\u00e2ns majoritatea cronicilor. Reconstituie, clip\u0103 de clip\u0103, fuga pentru supravie\u021buire a unei fete, victim\u0103 \u00een atacul de la Ut\u00f8ya. Filmul&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/celalalt-film-despre-utoya-crime-impotriva-umanitatii-vazute-cu-ochiul-liber\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Cel\u0103lalt film despre Ut\u00f8ya. Crime \u00eempotriva umanit\u0103\u021bii v\u0103zute cu ochiul liber<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15518],"tags":[],"class_list":["post-26218","post","type-post","status-publish","format-standard","hentry","category-film"],"views":591,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=26218"}],"version-history":[{"count":2,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26218\/revisions"}],"predecessor-version":[{"id":26248,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26218\/revisions\/26248"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=26218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=26218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=26218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}