{"id":26042,"date":"2018-10-23T20:47:30","date_gmt":"2018-10-23T18:47:30","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=26042"},"modified":"2018-10-23T21:58:50","modified_gmt":"2018-10-23T19:58:50","slug":"poet-national-o-expresie-doi-termeni-patru-concepte-nouasprezece-figuri","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/poet-national-o-expresie-doi-termeni-patru-concepte-nouasprezece-figuri\/","title":{"rendered":"Poet na\u021bional. O expresie, doi termeni, patru concepte,  nou\u0103sprezece figuri"},"content":{"rendered":"<p>Mecanica simpl\u0103 a logicii ar fi de p\u0103rere c\u0103 sintagma \u201epoet na\u021bional\u201d se creeaz\u0103 la intersec\u021bia concret\u0103 a mul\u021bimii poe\u021bilor \u0219i a mul\u021bimii elementelor ce obiectiveaz\u0103 construc\u021bia spiritului na\u021bional. \u00cens\u0103, cu toat\u0103 fermitatea ei, logica e inutilizabil\u0103 aici: conceptul de poet na\u021bional e mult mai mult \u0219i mult mai pu\u021bin. Sediul conceptului nu este literatura, ci politica; substan\u021ba lui nu e estetica, ci statul.<br \/>\nF\u0103r\u0103 a avea o ideologie explicit\u0103 \u0219i clar formulat\u0103, conceptul de poet na\u021bional se define\u0219te prin tr\u0103s\u0103turi care transced particularul fiec\u0103rei \u021b\u0103ri, av\u00e2nd ca dominante: stilul romantic, activitatea politic\u0103, viziunea \u201eprogresist\u0103\u201d (ghilimelele se datoreaz\u0103 erod\u0103rii conceptului \u00een viziunea contemporan\u0103, \u00een timp ce epoca romantic\u0103 \u00eei conferea un con\u021binut precis), apartenen\u021ba la \u201esecolul na\u021biunilor\u201d, cum poate fi numit secolul 19, contribu\u021bii recunoscute la lexicul, sintaxa sau conotativul limbii, aderen\u021ba la simboluri etno-culturale, practicarea unor teme istorice (predominant \u00een forma poemului epic), capacitatea de a fi institu\u021bionaliza\u021bi \u00een forma canonului prin cel pu\u021bin o oper\u0103 des\u0103v\u00e2r\u0219it\u0103.<\/p>\n<style>.embed-container { position: relative; padding-bottom:56.25%; height:0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%;}<\/style>\n<div class='embed-container' data-page-width='452' data-page-height='640' id='ypembedcontainer' ><iframe   src=\"https:\/\/www.yumpu.com\/ro\/embed\/view\/jxAeOdKBMqHVbNZi\/3\" frameborder=\"0\" allowfullscreen=\"true\"  allowtransparency=\"true\"><\/iframe><\/div>\n<p><script src='https:\/\/players.yumpu.com\/modules\/embed\/yp_r_iframe.js' ><\/script><\/p>\n<p><a href=\"https:\/\/revistacultura.ro\/pdf\/Cultura_6_588_compressed.pdf\">DESCARC\u0102 PDF \/ PRINTEAZ\u0102<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mecanica simpl\u0103 a logicii ar fi de p\u0103rere c\u0103 sintagma \u201epoet na\u021bional\u201d se creeaz\u0103 la intersec\u021bia concret\u0103 a mul\u021bimii poe\u021bilor \u0219i a mul\u021bimii elementelor ce obiectiveaz\u0103 construc\u021bia spiritului na\u021bional. \u00cens\u0103, cu toat\u0103 fermitatea ei, logica e inutilizabil\u0103 aici: conceptul de poet na\u021bional e mult mai mult \u0219i mult mai pu\u021bin. Sediul conceptului nu este literatura,&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/poet-national-o-expresie-doi-termeni-patru-concepte-nouasprezece-figuri\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Poet na\u021bional. O expresie, doi termeni, patru concepte,  nou\u0103sprezece figuri<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15509],"tags":[],"class_list":["post-26042","post","type-post","status-publish","format-standard","hentry","category-in-dezbatere"],"views":695,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=26042"}],"version-history":[{"count":3,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26042\/revisions"}],"predecessor-version":[{"id":26139,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/26042\/revisions\/26139"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=26042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=26042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=26042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}