{"id":25970,"date":"2018-10-21T13:19:30","date_gmt":"2018-10-21T11:19:30","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=25970"},"modified":"2018-10-24T12:53:01","modified_gmt":"2018-10-24T10:53:01","slug":"un-conflict-aproape-ibsenian-tatal-meu-preotul","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/un-conflict-aproape-ibsenian-tatal-meu-preotul\/","title":{"rendered":"Un conflict aproape ibsenian: \u201eTat\u0103l meu, preotul\u201d"},"content":{"rendered":"<p>O parte important\u0103 a popula\u021biei noastre consider\u0103 c\u0103 apanajul virtu\u021bilor \u0219i al corectitudinii morale este reprezentat de slujitorii BOR. Despre interac\u021biunea societ\u0103\u021bii cu \u00eendrum\u0103torii ei drept-ortodoc\u0219i vorbe\u0219te noua premier\u0103 de la Apollo 111, \u201eTat\u0103l meu, preotul\u201d de Gabriel Sandu, \u00een regia Elenei Morar. Nimic mai potrivit pentru vremurile noastre dec\u00e2t o tem\u0103 pliat\u0103 pe actualitate, pe dezbaterea \u00een jurul Coali\u021biei pentru familie, sus\u021binut\u0103 de BOR, cu arsenalul ei de tehnici, dintre care unele la limita moralit\u0103\u021bii. Era imposibil ca un asemenea subiect, afundat \u00een spiritul nostru rom\u00e2nesc, s\u0103 nu ias\u0103 bine garnisit cu umor, de\u0219i, \u00een decursul celor dou\u0103 reprezenta\u021bii v\u0103zute, ponderea acestuia a fost diferit\u0103.<\/p>\n<style>.embed-container { position: relative; padding-bottom:56.25%; height:0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%;}<\/style>\n<div class='embed-container' data-page-width='452' data-page-height='640' id='ypembedcontainer' ><iframe   src=\"https:\/\/www.yumpu.com\/ro\/embed\/view\/gR7p0UGeA5XhlJqb\/18\" frameborder=\"0\" allowfullscreen=\"true\"  allowtransparency=\"true\"><\/iframe><\/div>\n<p><script src='https:\/\/players.yumpu.com\/modules\/embed\/yp_r_iframe.js' ><\/script><\/p>\n<p><strong><a href=\"https:\/\/revistacultura.ro\/pdf\/Cultura_04_586_2018-net.pdf\">DESCARC\u0102 PDF \/ PRINTEAZ\u0102<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>O parte important\u0103 a popula\u021biei noastre consider\u0103 c\u0103 apanajul virtu\u021bilor \u0219i al corectitudinii morale este reprezentat de slujitorii BOR. Despre interac\u021biunea societ\u0103\u021bii cu \u00eendrum\u0103torii ei drept-ortodoc\u0219i vorbe\u0219te noua premier\u0103 de la Apollo 111, \u201eTat\u0103l meu, preotul\u201d de Gabriel Sandu, \u00een regia Elenei Morar. Nimic mai potrivit pentru vremurile noastre dec\u00e2t o tem\u0103 pliat\u0103 pe actualitate,&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/un-conflict-aproape-ibsenian-tatal-meu-preotul\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Un conflict aproape ibsenian: \u201eTat\u0103l meu, preotul\u201d<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15507],"tags":[],"class_list":["post-25970","post","type-post","status-publish","format-standard","hentry","category-teatru"],"views":703,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/25970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=25970"}],"version-history":[{"count":4,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/25970\/revisions"}],"predecessor-version":[{"id":26123,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/25970\/revisions\/26123"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=25970"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=25970"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=25970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}