{"id":25895,"date":"2018-10-17T20:53:01","date_gmt":"2018-10-17T18:53:01","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=25895"},"modified":"2018-10-24T12:48:24","modified_gmt":"2018-10-24T10:48:24","slug":"umanitate","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/umanitate\/","title":{"rendered":"Umanitate. Bogdan R\u0103ileanu, \u201eTot spa\u021biul dintre g\u00e2ndurile mele\u201d"},"content":{"rendered":"<p>Ceea ce iese cel mai mult \u00een eviden\u021b\u0103, de la prima \u0219i p\u00e2n\u0103 la ultima pagin\u0103, la scrisul lui Bogdan R\u0103ileanu este eclectismul, flexibilitatea \u0219i naturale\u021bea cu care sunt abordate subiectele. Cu toate c\u0103 \u021binta predilect\u0103 o constituie middle-class-ul rom\u00e2nesc de capital\u0103 (un segment social care a mai fost disecat \u00een multe alte pagini de proz\u0103, aproape p\u00e2n\u0103 la punctul de satura\u021bie), principalele tare care caracterizeaz\u0103 aceast\u0103 genera\u021bie (30-45 de ani) sunt eclipsate de varietatea de jocuri narative pe care le probeaz\u0103 autorul \u00een fiecare proz\u0103. Cu alte cuvinte, nu avem de-a face cu o proz\u0103 \u201ede fi\u021be\u201d, \u00een care segmentul corporatist este glamour-izat strident \u0219i chiar oglindit printr-o redare pedant\u0103 \u0219i pre\u021bioas\u0103 a principalelor drame\/angoase\/depresii metropolitane, dar nici cu o scriitur\u0103 minimalist\u0103 care las\u0103 aceste detalii s\u0103 fie vizibile doar \u00een filigran.<\/p>\n<p>\/ Bogdan R\u0103ileanu, <em>Tot spa\u021biul dintre g\u00e2ndurile mele<\/em>, Editura Polirom, Ia\u0219i, 2017 \/<\/p>\n<p>&nbsp;<\/p>\n<style>.embed-container { position: relative; padding-bottom:56.25%; height:0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%;}<\/style>\n<div id=\"ypembedcontainer\" class=\"embed-container\" data-page-width=\"480\" data-page-height=\"640\"><iframe src=\"https:\/\/www.yumpu.com\/ro\/embed\/view\/CPr96ZNTqOjJKvyV\/16\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p><script src='https:\/\/players.yumpu.com\/modules\/embed\/yp_r_iframe.js' ><\/script><\/p>\n<p><strong><a href=\"https:\/\/revistacultura.ro\/pdf\/Cultura_nr_03_2018_585-compressed.pdf\">DESCARC\u0102 PDF \/ PRINTEAZ\u0102<\/a><\/p>\n<ul><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ceea ce iese cel mai mult \u00een eviden\u021b\u0103, de la prima \u0219i p\u00e2n\u0103 la ultima pagin\u0103, la scrisul lui Bogdan R\u0103ileanu este eclectismul, flexibilitatea \u0219i naturale\u021bea cu care sunt abordate subiectele. Cu toate c\u0103 \u021binta predilect\u0103 o constituie middle-class-ul rom\u00e2nesc de capital\u0103 (un segment social care a mai fost disecat \u00een multe alte pagini de&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/umanitate\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Umanitate. Bogdan R\u0103ileanu, \u201eTot spa\u021biul dintre g\u00e2ndurile mele\u201d<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15506],"tags":[],"class_list":["post-25895","post","type-post","status-publish","format-standard","hentry","category-literatura"],"views":644,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/25895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=25895"}],"version-history":[{"count":5,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/25895\/revisions"}],"predecessor-version":[{"id":26107,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/25895\/revisions\/26107"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=25895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=25895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=25895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}