{"id":25420,"date":"2017-01-18T22:58:31","date_gmt":"2017-01-18T20:58:31","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=25420"},"modified":"2017-01-18T22:58:31","modified_gmt":"2017-01-18T20:58:31","slug":"sumar-nr-3-2017","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/sumar-nr-3-2017\/","title":{"rendered":"Sumar nr. 3 \/ 2017"},"content":{"rendered":"

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SUMAR<\/h4>\n

EDITORIAL
\nVirgil \u015etefan Ni\u0163ulescu<\/strong> \/ 2016, un an cultural \u00eentre dou\u0103 guverne<\/em> \/ 3<\/p>\n

CULTURA POLITIC\u0102
\nGeorge Apostoiu<\/strong> \/ Cronica diplomatic\u0103 \/\/ Echilibru vechi sau ordine nou\u0103?<\/em> \/ 4<\/p>\n

CULTURA ECONOMIC\u0102
\nTeodor Brate\u0219<\/strong> \/ M\u0103surile antiausteritate nu \u00eenseamn\u0103 (neap\u0103rat) populism<\/em> \/ 5<\/p>\n

CULTUR\u0102 \u015eI SOCIETATE
\nMonica S\u0103vulescu Voudouri<\/strong> \/ Rom\u00e2nia din diaspora \/\/ Singur pe lume, cu telefonul mobil<\/em> \/ 6<\/p>\n

CULTURA ISTORIEI
\nIoan-Aurel Pop <\/strong>\/ Elogiu latinit\u0103\u0163ii \/\/ Roma \u0219i \u201ebarbarii\u201d sau Ovidius \u00een Pont<\/em> \/ 7<\/p>\n

CULTURA LITERAR\u0102
\nRodica Grigore<\/strong> \/ Istorie \u0219i samurai, \u00een Japonia<\/em> \/ 8
\nDan Burcea<\/strong> \/ Medalion parizian \/\/ Christine Adamo<\/em> \/ 9
\n\u015etefan Baghiu<\/strong> \/ Perspective \/\/ Prozatorul fuge mereu din tem\u0103<\/em> \/ 10
\nCosmin Borza<\/strong> \/ \u00cent\u00e2mpin\u0103ri \/\/ \u00cenapoi la Balzac<\/em> \/ 11
\nAlexandru Dobrescu<\/strong> \/ Eminescu, pretextul continuu<\/em> \/ 12-13
\nNichita Danilov<\/strong> \/ C\u00e2te ceva despre \u201eNous\u201d-ul lui Liviu Ioan Stoiciu<\/em> \/ 14
\nConstantin Coroiu<\/strong> \/ Texte \u015fi contexte \/\/ Note despre morala lui Esop<\/em> \/ 15
\nRevista \u201eCultura\u201d v\u0103 recomand\u0103<\/em> \/ 16<\/p>\n

CULTURA RETROSPECTIVEI
\n2016 \u00een literatur\u0103, artele spectacolului, teatru, artele performative \u015fi artele plastice<\/strong> \/\/ Semneaz\u0103: Emanuel Modoc, Gina \u015eerb\u0103nescu, Cristina Rusiecki, Daniel Sur \u015fi Pavel \u0218u\u0219ar\u0103 \/ 17-21<\/p>\n

CULTURA SPORTULUI
\nValentin Protopopescu<\/strong> \/ Prin oglind\u0103 \/\/ Patrick Mouratoglu, un \u201eintruder\u201d<\/em> \/ 22
\nM\u0103d\u0103lina Fir\u0103nescu<\/strong> \/ In corpore sano \/\/ Money for nothin\u2019<\/em> \/ 23<\/p>\n

CULTURA CINEMA
\nIoan Laz\u0103r<\/strong> \/ A\u015fteptare cu termen prelungit. \u201eSieranevada\u201d de Cristi Puiu<\/em> \/ 24-25
\nDaniel Iftene<\/strong> \/ Sf\u00e2ntul Pap\u0103 Superstar<\/em> \/ 26<\/p>\n

CULTURA MEDIA
\nCarmen Corbu<\/strong> \/ \u00centreb\u0103ri la r\u0103spunsurile dintr-un studiu IRES<\/em> \/ 27<\/p>\n

CULTURA VIZUAL\u0102
\nNicu Ilie<\/strong> \/ Arta lui Ghenie<\/em> \/ 28<\/p>\n","protected":false},"excerpt":{"rendered":"

[flipbook id=”25419″ width=”100%” height=”500″] SUMAR EDITORIAL Virgil \u015etefan Ni\u0163ulescu \/ 2016, un an cultural \u00eentre dou\u0103 guverne \/ 3 CULTURA POLITIC\u0102 George Apostoiu \/ Cronica diplomatic\u0103 \/\/ Echilibru vechi sau ordine nou\u0103? \/ 4 CULTURA ECONOMIC\u0102 Teodor Brate\u0219 \/ M\u0103surile antiausteritate nu \u00eenseamn\u0103 (neap\u0103rat) populism \/ 5 CULTUR\u0102 \u015eI SOCIETATE Monica S\u0103vulescu Voudouri \/ Rom\u00e2nia… Cite\u0219te mai mult »Sumar nr. 3 \/ 2017<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15496],"tags":[],"class_list":["post-25420","post","type-post","status-publish","format-standard","hentry","category-sumar"],"views":3702,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/25420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=25420"}],"version-history":[{"count":1,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/25420\/revisions"}],"predecessor-version":[{"id":25421,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/25420\/revisions\/25421"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=25420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=25420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=25420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}