<\/p>\n
Doresc s\u0103 semnalez apari\u0163ia c\u0103r\u0163ii Badante per sempre (Badante pentru totdeauna) de Ingrid Beatrice Coman, Rediviva edizioni, Milano, 2015, prezentat\u0103 la 23 octombrie la Festivalul Interna\u0163ional Bookcity de la Milano. Editura Rediviva ofer\u0103 cititorilor italieni \u015fi rom\u00e2ni colec\u0163ii bilingve cu inten\u0163ia de a promova valorile literaturii rom\u00e2ne, precum \u015fi pe autorii rom\u00e2ni care tr\u0103iesc \u00een Italia. O literatur\u0103 care reflect\u0103 realit\u0103\u0163i din ambele \u0163\u0103ri exprim\u00e2nd rezonan\u0163ele emotive \u015fi pun\u00e2nd \u00een discu\u0163ie aspecte ale societ\u0103\u0163ii contemporane. \u00cen aceast\u0103 perspectiv\u0103, ultima carte semnat\u0103 de Ingrid Beatrice Coman, scriitoare de origine rom\u00e2n\u0103 afirmat\u0103 \u00een Italia, poate fi considerat\u0103 urmarea c\u0103r\u0163ii sale precedente, Satul f\u0103r\u0103 m\u0103mici (Il villaggio senza madri), dedicat\u0103 copiilor r\u0103ma\u015fi \u00een grija rudelor din \u0163ar\u0103.
\nDar care este semnificatul termenului \u015fi cine este ea, la badante? Cuv\u00e2ntul indic\u0103 mai degrab\u0103 func\u0163ia \u015fi nu persoana, o prezen\u0163\u0103 familiar\u0103 \u00een realitatea cotidian\u0103 din Italia, o figur\u0103 prin excelen\u0163\u0103 feminin\u0103 (cuv\u00e2ntul nu are corespondent la masculin), care \u00ee\u015fi asum\u0103 responsabilitatea \u00eengrijirii persoanelor aflate \u00een situa\u0163ia de a avea nevoie de \u00eenso\u0163itor permanent. Badante, cuv\u00e2nt ce nu figureaz\u0103 \u00eenc\u0103 \u00een dic\u0163ionare, dar intrat \u00een vocabularul rom\u00e2nesc \u00een virtutea faptului c\u0103 desemneaz\u0103 o ocupa\u0163ie deschis\u0103 \u00een special femeilor, reprezent\u00e2nd o ampl\u0103 ofert\u0103 de locuri de munc\u0103. Cartea a c\u0103rei eroin\u0103 exercit\u0103 aceast\u0103 activitate nu este numai o secven\u0163\u0103 a tr\u0103irilor protagonistei, ci solicit\u0103 interesul cititorului prin analiza motivelor \u015fi a dinamicilor unei munci dificile \u015fi complexe a c\u0103rei importan\u0163\u0103 ar trebui recunoscut\u0103, deoarece mai mult, poate, dec\u00e2t alte forme de colaborare, presupune calit\u0103\u0163i umane deosebite.
\nA\u015fa cum sugereaz\u0103 \u015fi titlul, \u00een succesiunea de experien\u0163e ce sus\u0163in firul epic, figura badantei apare \u00een dimensiunea universal\u0103 a femeii cu voca\u0163ia ei genetic\u0103 pentru protec\u0163ie \u015fi generozitate \u2013 tema central\u0103 a c\u0103r\u0163ii \u2013 care \u00eenal\u0163\u0103 statutul acestei munci adesea desconsiderat\u0103, relans\u00e2nd astfel un alt aspect al feminit\u0103\u0163ii, acela al puterii de a re\u00eencepe mereu de la cap\u0103t \u00eennod\u00e2nd firele afec\u0163iunii, stimulentelor \u015fi \u00een\u0163elegerii. Bogat\u0103 \u00een semnifica\u0163ii poten\u0163iale, cartea eviden\u0163iaz\u0103, f\u0103r\u0103 s\u0103 o fac\u0103 \u00een mod explicit, adev\u0103rata valoare a comunic\u0103rii afective (dincolo de cunoa\u015fterea unei limbi str\u0103ine), care convinge, inspir\u0103 \u00eencredere \u015fi izbute\u015fte s\u0103 \u00eenving\u0103 singur\u0103tatea celor destina\u0163i s\u0103 fie \u00eencredin\u0163a\u0163i unei persoane str\u0103ine; \u015fi tocmai aceast\u0103 capacitate afectiv\u0103 apropie, deschiz\u00e2nd posibilitatea dialogului \u015fi a comunic\u0103rii. \u00cen evolu\u0163ia acestor rela\u0163ii, de multe ori nu lipsite de dificult\u0103\u0163i, \u00eenvinge tenacitatea \u201eacelei numeroase \u015fi invizibile armate de femei\u201c ce lupt\u0103 pe dou\u0103 fronturi: \u201e…\u00eentre greut\u0103\u0163ile \u00eent\u00e2mpinate cu prezen\u0163a lor \u00een Italia \u015fi cele c\u0103rora trebuie s\u0103 le fac\u0103 fa\u0163\u0103 cu absen\u0163a lor de acas\u0103\u201c. Evenimentele se desf\u0103\u015foar\u0103 cu alternan\u0163a permanent\u0103 \u00eentre ve\u015ftile ce sosesc din \u0163ar\u0103 \u015fi comentariul celui ce a tr\u0103it \u00een prima persoan\u0103 acea realitate. Cititorul va g\u0103si o serie de situa\u0163ii \u00een care problemele existen\u0163iale ridicate de repetatele schimb\u0103ri sunt reformulate \u00een func\u0163ie de noile experien\u0163e.
\nA\u015f vrea s\u0103 subliniez \u015fi unele teme mai generale\/ actuale, aparent dep\u0103rtate unele de altele, dar \u00een realitate apropiate de dou\u0103 elemente pe care le au \u00een comun: dialogul \u00eentre persoane diverse \u015fi \u00eentoarcerea la altruism, la valorile general-umane. Badantele, devenite figuri importante \u00een panorama uman\u0103 \u015fi social\u0103 a Italiei, prin calit\u0103\u0163ile personale de a transmite senin\u0103tate v\u00e2rstei nesiguran\u0163elor, tipice copiilor \u015fi b\u0103tr\u00e2nilor, \u015fi-au c\u00e2\u015ftigat stima \u015fi au l\u0103sat urme de ne\u015fters \u00een via\u0163a celor asista\u0163i \u015fi a familiilor acestora. De mare impact socio-cultural, cartea lanseaz\u0103 ideea \u00eemp\u0103rt\u0103\u015firii experien\u0163elor de via\u0163\u0103 care privesc contactul direct \u00eentre persoane. Datorit\u0103 leg\u0103turii stabilite pe parcursul unui drum f\u0103cut \u00eempreun\u0103, leg\u0103tur\u0103 ce st\u0103 la baza activit\u0103\u0163ii lor, badantele se afl\u0103 in \u201elinia int\u00e2i\u201c a procesului de integrare, fiindc\u0103 raportul direct \u00eentre persoane implic\u0103 un schimb de valori \u015fi obiceiuri, sacrificii \u015fi beneficii care conduc la cre\u015fterea personalit\u0103\u0163ii prin confruntarea cu alte realit\u0103\u0163i. Aceast\u0103 form\u0103 de colaborare, faptul c\u0103 s-au pus la \u00eencercare \u00eentr-o \u0163ar\u0103 str\u0103in\u0103 unde se vorbe\u015fte o alt\u0103 limb\u0103, le deschide drumul de \u00eentoarcere acas\u0103, \u00eencrez\u0103toare \u00een capacit\u0103\u0163ile de exprimare a propriilor poten\u0163ialit\u0103\u0163i.\u00a0\u00a0 \u00a0n<\/p>\n","protected":false},"excerpt":{"rendered":"
Doresc s\u0103 semnalez apari\u0163ia c\u0103r\u0163ii Badante per sempre (Badante pentru totdeauna) de Ingrid Beatrice Coman, Rediviva edizioni, Milano, 2015, prezentat\u0103 la 23 octombrie la Festivalul Interna\u0163ional Bookcity de la Milano. Editura Rediviva ofer\u0103 cititorilor italieni \u015fi rom\u00e2ni colec\u0163ii bilingve cu inten\u0163ia de a promova valorile literaturii rom\u00e2ne, precum \u015fi pe autorii rom\u00e2ni care tr\u0103iesc… Cite\u0219te mai mult »Badante \u2013 un cuv\u00e2nt nou \u00een vocabularul rom\u00e2nesc<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[56],"tags":[15486,15487],"class_list":["post-25139","post","type-post","status-publish","format-standard","hentry","category-cultura-antropologica","tag-badante-pentru-totdeauna","tag-ingrid-beatrice-coman"],"views":12776,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/25139","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=25139"}],"version-history":[{"count":2,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/25139\/revisions"}],"predecessor-version":[{"id":25141,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/25139\/revisions\/25141"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=25139"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=25139"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=25139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}