Ceea ce Salieri nu i-a putut ierta niciodat\u0103 lui Mozart nu a fost at\u00e2t genialitatea evident\u0103 a muzicii sale, c\u00e2t inocen\u0163a, puritatea, spontaneitatea \u015fi paradisiacul structurii sau naturii sale suflete\u015fti care a f\u0103cut-o posibil\u0103. Ros de ambi\u0163ie, nelini\u015ftit, serios \u015fi grav, Salieri a invidiat la Mozart un principiu divin de gra\u0163ie, inspira\u0163ie \u015fi senin\u0103tate, care poate crea de la sine, simplu, f\u0103r\u0103 efort, f\u0103r\u0103 \u00eencr\u00e2ncenare, liber, gratuit, f\u0103r\u0103 un scop anume, doar dintr-o necesitate intern\u0103 a fiin\u0163ei \u015fi din nimic altceva exterior ei, cum ar fi gloria, faima, prestigiul, c\u00e2\u015ftigul, cariera sau succesul.<\/p>\n
Reprezentant des\u0103v\u00e2r\u015fit al tuturor mediocrilor, care nu v\u0103d mai departe de ei \u00een\u015fi\u015fi sau de meschinelor interese, urm\u0103rind, din acest motiv, un scop personal \u00een tot ceea ce fac, Salieri a ur\u00e2t, \u00een ultim\u0103 instan\u0163\u0103, la Mozart tocmai aceast\u0103 sublim\u0103 dezinteresare \u015fi deta\u015fare de scop sau de ceea ce \u00een Bhagavad-Gita se nume\u015fte ac\u0163iunea f\u0103r\u0103 rezultat, f\u0103r\u0103 \u201efruct\u201d. Neputin\u0163a lui de a p\u0103trunde cu adev\u0103rat \u00een dimensiunea acestui g\u00e2nd \u015fi de a \u00een\u0163elege c\u0103 doar ac\u0163iunea f\u0103r\u0103 \u201efruct\u201d este o ac\u0163iune total\u0103, liber\u0103 \u015fi creatoare \u00eel separ\u0103 definitiv de Mozart, c\u0103sc\u00e2nd un h\u0103u, o pr\u0103pastie sau un abis ca aceea \u00eentre \u00cenger \u015fi Demon, Dumnezeu \u015fi Diavol, Divin \u015fi Demoniac, Creator \u015fi Imitator\/Plagiator.<\/p>\n
Neputin\u0163a lui Salieri devine astfel paradigmatic\u0103 pentru un \u00eentreg sistem de g\u00e2ndire bazat pe cultivarea obsesiv\u0103 a scopului, a rezultatului, a produsului, l\u0103comia nem\u0103surat\u0103 fa\u0163\u0103 de acestea fiind, nu f\u0103r\u0103 temei, considerat\u0103 marele p\u0103cat, respectiv marea ratare a adev\u0103ratei \u201e\u0163inte\u201d care este procesualitatea, spontaneitatea \u015fi creativitatea vie\u0163ii \u00eense\u015fi. A ac\u0163iona f\u0103r\u0103 scop, f\u0103r\u0103 rezultat, f\u0103r\u0103 \u201efruct\u201d nu reprezint\u0103, a\u015fadar, o abera\u0163ie, o halucina\u0163ie sau un act de patologie a voin\u0163ei, cum se specific\u0103 \u00een c\u0103r\u0163ile de psihologie clasic\u0103, ci reprezint\u0103 mai cur\u00e2nd o ac\u0163iune spontan\u0103, gratuit\u0103, creativ\u0103 \u015fi liber\u0103, orientat\u0103 nu spre exterior, spre produs, rezultat, \u201efruct\u201d sau scop, care \u0163in de verbul cantitativ \u201ea avea\u201d, ci spre sine, spre interior, spre proces, ca drum, cale, care \u0163in de verbul calitativ \u201ea fi\u201d.<\/p>\n
\u00cen zadar a r\u00e2vnit, a\u015fadar, Salieri la tot ceea ce \u00eenseamn\u0103 Mozart ca produs, ca rezultat, ca \u201efruct\u201d (faim\u0103, glorie, prestigiu, succes), dac\u0103 nu i-a \u00een\u0163eles acestuia modul de a fi, acel \u201ea fi\u201d deta\u015fat, dezinteresat care ac\u0163ion\u00e2nd total, gratuit \u015fi spontan, f\u0103r\u0103 a urm\u0103ri un rezultat anume a f\u0103cut cu putin\u0163\u0103, paradoxal, tocmai splendoarea \u201efructului\u201d.<\/p>\n
Fructul oprit, fructul interzis din gr\u0103dina Edenului este, poate, \u00eencercarea divinit\u0103\u0163ii de a ne feri de aceast\u0103 ispit\u0103, suger\u00e2ndu-ne, \u00een fond, dezinteresarea \u015fi deta\u015farea de \u201efruct\u201d, de rezultat, de scop, iar p\u0103catul de a gusta din el semnific\u0103, \u00een aceast\u0103 logic\u0103, dorin\u0163a omului de \u201ea avea\u201d mai cur\u00e2nd dec\u00e2t aceea de \u201ea fi\u201d. Salieri a suferit \u015fi el de acest p\u0103cat de care Mozart a fost scutit \u015fi care produc\u00e2ndu-i, \u00een cele din urm\u0103 o iluminare, l-a f\u0103cut s\u0103 rosteasc\u0103 aceste memorabile cuvinte: \u201eMediocrilor de pretutindeni, v\u00e3 iert… v\u00e3 iert… v\u00e3 iert pe to\u0163i\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"
Ceea ce Salieri nu i-a putut ierta niciodat\u0103 lui Mozart nu a fost at\u00e2t genialitatea evident\u0103 a muzicii sale, c\u00e2t inocen\u0163a, puritatea, spontaneitatea \u015fi paradisiacul structurii sau naturii sale suflete\u015fti care a f\u0103cut-o posibil\u0103. Ros de ambi\u0163ie, nelini\u015ftit, serios \u015fi grav, Salieri a invidiat la Mozart un principiu divin de gra\u0163ie, inspira\u0163ie \u015fi senin\u0103tate, care… Cite\u0219te mai mult »Mozart \u015fi Salieri<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[66],"tags":[15454,15453,15455],"class_list":["post-25062","post","type-post","status-publish","format-standard","hentry","category-arte-media","tag-faima","tag-gloria","tag-prestigiul"],"views":2896,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/25062","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=25062"}],"version-history":[{"count":1,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/25062\/revisions"}],"predecessor-version":[{"id":25063,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/25062\/revisions\/25063"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=25062"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=25062"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=25062"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}