{"id":25041,"date":"2015-11-21T09:49:56","date_gmt":"2015-11-21T07:49:56","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=25041"},"modified":"2015-11-21T09:49:56","modified_gmt":"2015-11-21T07:49:56","slug":"teenage-angst-si-atat","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/teenage-angst-si-atat\/","title":{"rendered":"Teenage angst \u015fi at\u00e2t"},"content":{"rendered":"<blockquote><p><strong>Alexandra Turcu, <em>celelalte produse<\/em>, Charmides, Bistri\u0163a, 2015, 54 p.<\/strong><\/p><\/blockquote>\n<p>&nbsp;<br \/>\nLa o prim\u0103 c\u0103utare, poemele Alexandrei Turcu, distribuite r\u0103zle\u0163 pe paginile online ale c\u00e2torva reviste literare, par ni\u015fte simple tratamente de edulcorare liric\u0103 a unor st\u0103ri-limit\u0103, angoase, agonii chiar, profund interiorizate \u015fi filtrate printr-o naivitate salvatoare, activ\u0103 \u015fi asumat\u0103. \u00cens\u0103 la o privire de ansamblu, celelalte produse dovede\u015fte doar calit\u0103\u0163ile tinerei autoare de a-\u015fi primeni poezia \u00eentr-un discurs ordonat \u015fi omogen. Calit\u0103\u0163i onorabile, dar insuficiente.<br \/>\n\u00cenc\u0103 din primul ciclu de poeme, intitulat singur\u0103tate, Alexandra Turcu umbl\u0103 pe potecile bine b\u0103t\u0103torite ale poeziei feminine autohtone, ceea ce indic\u0103 o situare clar\u0103 \u00een siajul acesteia \u015fi, totodat\u0103, o asumare a unui radiografii necru\u0163\u0103toare din partea criticii de \u00eent\u00e2mpinare. Pe m\u0103sur\u0103 ce lecturam celelalte produse, mi-am permis c\u00e2teva compara\u0163ii cu aceast\u0103 liric\u0103, \u00eentruc\u00e2t poezia t\u00e2n\u0103r\u0103 (feminin\u0103 \u00een spe\u0163\u0103) e iremediabil legat\u0103 ombilical de autoare precum Domnica Drumea, Gabi Eftimie, Elena Vl\u0103d\u0103reanu sau Rita Chirian, a\u015fa cum (fapt \u015fi mai evident \u00een cazul Alexandrei Turcu) e legat\u0103 \u015fi de mai vechile patimi ale poeziei americane (Sylvia Plath \u015fi Anne Sexton). Cu o asemenea mo\u015ftenire liric\u0103 \u00een spate, Alexandra Turcu nu reu\u015fe\u015fte, din p\u0103cate, s\u0103 scape cititorul avizat de senza\u0163ia, stranie, de re\u0163etar discursiv. C\u0103ci, odat\u0103 ce pui fa\u0163\u0103 \u00een fa\u0163\u0103 fr\u00e2nturi de poeme precum \u201eprezentul nu mai e dec\u00e2t\/ morfina injectat\u0103 \u00een grab\u0103\u201c (Domnica Drumea) \u015fi versuri precum \u201ememorez prospectele medicamentelor\/ apoi le recit ca pe ni\u015fte poeme\u201c (Alexandra Turcu), \u00eencepi s\u0103 te \u00eentrebi dac\u0103 mai e ceva de spus, folosind mereu acelea\u015fi locuri comune. La fel cum \u00eencepi s\u0103 te \u00eentrebi dac\u0103 poemul ce deschide volumul denot\u0103 o inocen\u0163\u0103 asumat\u0103 (ce stabile\u015fte, a\u015fadar, o conven\u0163ie) sau o inocen\u0163\u0103 \u00een raport cu poezia, neasumat\u0103 \u015fi care \u00eei plaseaz\u0103 produc\u0163ia poetic\u0103 \u00een sfera accidentalului: \u201em\u0103 cheam\u0103 alexandra\/ trebuie doar s\u0103 stau la geam \u015fi s\u0103 urm\u0103resc iepurii\/\/ nu trebuie s\u0103 m\u0103 bucur la comand\u0103\/ nici s\u0103 a\u015fez merele \u00een l\u0103di\u0163\u0103\/ sau s\u0103 cur\u0103\u0163 z\u0103pada de pe pervaz\/\/ p\u00e2n\u0103 o s\u0103 se termine, am timp destul\/ dac\u0103 m\u0103 apuc s\u0103-l citesc pe salinger,\/ \u00eel citesc pe salinger p\u00e2n\u0103 la cap\u0103t\/ dac\u0103 \u00eencep s\u0103 cresc papagali,\/ nu m\u0103 las p\u00e2n\u0103 nu umplu casa cu papagali\/\/ m\u0103 cheam\u0103 alexandra\/ \u015fi trebuie s\u0103 stau la geam \u015fi s\u0103 urm\u0103resc iepurii\u201c.<br \/>\nMai departe, oric\u00e2t ar fi de apreciat felul \u00een care Alexandra Turcu se fere\u015fte, sistematic, chiar ritualic, de patetic, cu excep\u0163ia unor versuri cu adev\u0103rat bune (c\u0103ci poem bun, \u00een \u00eentregimea lui, ar fi doar cel ce \u00eenchide primul ciclu \u015fi care merit\u0103 citat in extenso: \u201ete obi\u015fnuie\u015fti cu singur\u0103tatea\/ a\u015fa cum te obi\u015fnuie\u015fti cu un drog tare\/ ascul\u0163i zgomotul pe care-l fac\/ porumbeii \u00een pod\/ prive\u015fti afar\u0103 f\u0103r\u0103 s\u0103 te apropii\/ de geam\/ te ui\u0163i ore \u00eentregi la paharul cu ap\u0103\/ \u015fi tot nu \u0163i se face sete\/ \u00een stomac, din ce \u00een ce mai multe\/ algocalmine toate durerile\/ trebuie anticipate\/\/ corpul \u2013 un animal ce nu mai poate comunica\/ pentru o singur\u0103 mi\u015fcare,\/ peste dou\u0103 ore de preg\u0103tire\/ pentru o singur\u0103 mi\u015fcare,\/ creierul st\u0103 gata s\u0103 explodeze\/\/ zilele trec ca un tratament\/ ce nu se mai termin\u0103\/ \u00ee\u0163i cobori privirea \u00eenspre picioare\/ de la g\u00e2t \u00een jos,\/ nu a mai r\u0103mas nimic\u201c), volumul e \u00eemp\u00e2nzit de serii persistente de metafore facile: \u201elumina traseaz\u0103 o linie orizontal\u0103 pe g\u00e2t\/ cea mai fin\u0103 incizie\u201c, \u201efac cur\u0103\u0163enie\/ scot de sub pat\/ o gr\u0103m\u0103joar\u0103 de unghii roase\/ \u015fi \u00eenc\u0103 una de fire de p\u0103r\/ fumez jum\u0103tate de \u0163igar\u0103\/ urm\u0103resc apele care cresc\/\/ \u00eencerc s\u0103 m\u0103 apropii \u015fi amintirea ta\/ ca un gard electric\/ m\u0103 arunc\u0103 cu 3 pa\u015fi\/ \u00eenapoi\u201c \u015fi de compara\u0163ii nefericite (\u201etrupurile noastre vor fo\u015fni \u00een pat\/ ca dou\u0103 pungi de cump\u0103r\u0103turi\u201c), precum \u015fi de imagini inadecvate \u00een locuri \u00een care ar fi putut exista momente cu adev\u0103rat autentice de deta\u015fare fa\u0163\u0103 de evenimentul traumatic prin refugiul \u00een infantil: \u201estau minute \u00een \u015fir \u00een fa\u0163a oglinzii\/ \u015fi m\u0103 uit la ochii obosi\u0163i\/ stau ore \u00een \u015fir \u00een cad\u0103\/ \u0163in picioarele desf\u0103cute\/ m\u0103 g\u00e2ndesc la burta mea\/ ca la o pung\u0103 de pufule\u0163i cu surprize\/ \u00eemi doresc o ma\u015finu\u0163\u0103 pe care\/ s\u0103 o asamblez dup\u0103 instruc\u0163iuni\u201c.<br \/>\nDespre familie, cu prospectul \u00een m\u00e2n\u0103<br \/>\nR\u0103m\u00e2ne aproape de ne\u00een\u0163eles cum, \u00eentr-o destul de mare propor\u0163ie, poezia t\u00e2n\u0103r\u0103 \u00ee\u015fi construie\u015fte cel mai pertinent discurs \u00een jurul temei familiei. Dac\u0103, la Alexandra Turcu, singur\u0103tatea e aceea\u015fi ciorb\u0103 re\u00eenc\u0103lzit\u0103 de un secol jum\u0103tate, iar dragostea e doar o etern\u0103 evadare din angoas\u0103 prin refugiul \u00eentr-o angoas\u0103 mai suportabil\u0103, locul unde se desf\u0103\u015foar\u0103 cel mai stabil discurs liric este \u00een acest al doilea ciclu (familie). S-ar p\u0103rea c\u0103 autenticismul Alexandrei Turcu se configureaz\u0103 cel mai bine \u00een jurul acestei componente. O fi ceva productiv \u015fi fecund \u00een felul \u00een care genera\u0163ia (mai) t\u00e2n\u0103r\u0103 \u00ee\u015fi percepe spa\u0163iul familial, \u015fi indiciul cel mai clar \u00een privin\u0163a acestei muta\u0163ii de percep\u0163ie rezid\u0103 din prezen\u0163a unui anume percep\u0163ii autiste care n-a fost \u00eendeajuns exploatat\u0103 \u00een lirica rom\u00e2neasc\u0103 anterioar\u0103 (dec\u00e2t, poate, la Rita Chirian): \u201eam crescut cu fric\u0103 \u015fi de fric\u0103.\/\/ teama noastr\u0103 e un c\u00e2ntec de leag\u0103n pe care-l repet\u0103m prin parcuri.\/ doar a\u015fa ne mai putem lini\u015fti\u201c. La fel, \u00een\u0163elegerea lumii cap\u0103t\u0103, pe l\u00e2ng\u0103 cadrul bazal al infantilit\u0103\u0163ii, \u015fi aceast\u0103 pelicul\u0103 autist\u0103, nuan\u0163atoare: \u201eca s\u0103 \u00ee\u0163i dai seama c\u0103 oamenii mor,\/ trebuie s\u0103 prive\u015fti mult timp \u00eentr-un punct fix.\/ apoi totul e simplu. \u00een\u0163elegi\/ de ce \u00ee\u0163i pune bunica c\u0103r\u0163i de rug\u0103ciuni sub pern\u0103\/ de ce ai avut tot timpul un schimb de haine negre \u00een dulap\/ de ce \u0163i se spune s\u0103 fii atent\u0103 la semne\u201c.<br \/>\nMomentele bune \u00een poezia celorlalte produse se opresc atunci c\u00e2nd, dorind s\u0103 creeze un discurs al ini\u0163ierii infantile filtrat prin prisma unei feminit\u0103\u0163i maladive, permanent angoasate, Alexandra Turcu pare s\u0103 se ia prea \u00een serios \u00een \u00eencercarea ei de a trata teme mari. Folosindu-se de un imaginar limitat, dac\u0103 e s\u0103 operez cu un concept anatomic, la etapa puber\u0103, t\u00e2n\u0103ra autoare se mul\u0163ume\u015fte s\u0103 lucreze doar cu o serie s\u0103r\u0103c\u0103cioas\u0103 de motive lirice \u2013 consecvente doar prin persisten\u0163a lor sup\u0103r\u0103toare \u2013, iar rezultatul e unul inautentic, cu c\u00e2teva certe note de ridicol. C\u0103ci dac\u0103, s\u0103 zicem, la Anatol Grosu avem, dincolo de op\u0163iunea pentru spa\u0163iul rural mitiza(n)t \u015fi pentru \u00eentoarcerea la teme \u015fi motive desuete, cam aceea\u015fi abordare a infantilit\u0103\u0163ii (de\u015fi \u00eentr-o cheie ludic-ironic\u0103 prin care-\u015fi f\u0103cea dreptate mult mai bine dec\u00e2t autoarea celorlalte produse), copil\u0103ria, la Alexandra Turcu, se articuleaz\u0103 pe fondul unei deregl\u0103ri sistematice a sim\u0163urilor prin&#8230; algocalmine. Imaginea obsedant\u0103 a medica\u0163iei serve\u015fte nu at\u00e2t la o redare reu\u015fit\u0103 a maladivului, c\u00e2t la tr\u0103darea acestui imaginar limitat despre care pomeneam, iar vocea liric\u0103 a celorlalte produse pare a apar\u0163ine uneia dintre feti\u0163ele din ga\u015fca Mendebilului c\u0103rt\u0103rescian, trecut\u0103 s\u0103n\u0103tos de a doua v\u00e2rst\u0103 \u015fi internat\u0103 la un azil de b\u0103tr\u00e2ni a\u015ftept\u00e2nd, \u00een fiecare moment, s\u0103 i se declan\u015feze demen\u0163a senil\u0103. Ca s\u0103 nu par\u0103 c\u0103 exagerez, notez, succint, c\u00e2teva ocuren\u0163e ale cuvintelor din c\u00e2mpul semantic al farmaceuticii \u00eentr-un volum ce se \u00eentinde pe nu mai pu\u0163in de 51 de pagini: \u201ememorez prospectele medicamentelor\u201c (p. 10), \u201eam prea multe algocalmine\/ \u015fi nu e nimeni cu care s\u0103 le \u00eempart\u201c (p. 13), \u201eordonez toate medicamentele pe mas\u0103\/ \u015fi m\u0103 \u00eentreb c\u00e2te ar fi de-ajuns\u201c (p. 20), \u201ete obi\u015fnuie\u015fti cu singur\u0103tatea\/ a\u015fa cum te obi\u015fnuie\u015fti cu un drog tare\u201c (p. 22), \u201e\u00een stomac, din ce \u00een ce mai multe\/ algocalmine toate durerile\/ trebuie anticipate\u201c (tot p. 22), \u201ezilele trec ca un tratament\u201c (tot p. 22!), \u201edup\u0103 2 h,\/ bunicul ne treze\u015fte.\/ \u00eei punem termometrul\/ \u015fi-i verific\u0103m culoarea pielii.\/ \u00eei d\u0103m medicamentele\u201c (p. 25), \u201epromit c\u0103 nu o s\u0103 te uit niciodat\u0103 \u00een parcare la kaufland\/ \u015fi c\u0103 o s\u0103 \u0163in algocalminele \u00een dulapul de sus\u201c (p. 26), \u201em\u0103 \u00eentind aici.\/ o aju\u0163i pe mama s\u0103-\u015fi ia medicamentele\u201c (p. 28), \u201edizolvam multe algocalmine \u00een ap\u0103\/ \u015fi apoi priveam mor\u0163i de sete paharul\u201c (p. 29), \u201espaima c\u0103 ai uitat numele bunicii\/ sau c\u0103 \u0163i-ai luat de dou\u0103 ori medicamentele\u201c (p. 34), \u201e\u0163i-am spus c\u0103, dac\u0103 te apropii,\/ o s\u0103 \u00ee\u0163i ar\u0103t cum s\u0103-\u0163i ascunzi medicamentele sub limb\u0103\u201c (p. 36), \u201ecitim prospectul medicamentelor\/ \u015fi c\u0103ut\u0103m efectele adverse:\/ somnolen\u0163\u0103\/ grea\u0163\u0103\/ dureri de cap\/ c\u0103derea p\u0103rului\u201c (p. 41), \u201estr\u00e2ngem toate monedele de 50 de bani. \/ ne lu\u0103m hainele \u015fi mergem la farmacie.\/ dubl\u0103m provizia de algocalmine.\/ nu \u015ftii niciodat\u0103 de c\u00e2te algocalmine\/ po\u0163i avea nevoie \u00eentr-o singur\u0103 noapte\u201c (p. 42).<br \/>\nCeea ce n-ar face din celelalte produse un volum prost de poezie, ci doar unul lipsit de elementele care fac o scriitur\u0103 s\u0103 fie sincer\u0103, autentic\u0103, sau m\u0103car conving\u0103toare. Deoarece c\u00e2teodat\u0103 pur \u015fi simplu nu e de ajuns ca tot ce po\u0163i s\u0103 \u015ftii despre un volum de debut e c\u0103 e unul legat la to\u0163i nasturii, mi-e greu s\u0103 decid (cum \u00eei era \u015fi lui George Neagoe, c\u00e2ndva) dac\u0103 travaliul liric al volumului celelalte proiecte se confund\u0103 cu o fermentare \u00een vin bun sau cu o\u0163etirea.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alexandra Turcu, celelalte produse, Charmides, Bistri\u0163a, 2015, 54 p. &nbsp; La o prim\u0103 c\u0103utare, poemele Alexandrei Turcu, distribuite r\u0103zle\u0163 pe paginile online ale c\u00e2torva reviste literare, par ni\u015fte simple tratamente de edulcorare liric\u0103 a unor st\u0103ri-limit\u0103, angoase, agonii chiar, profund interiorizate \u015fi filtrate printr-o naivitate salvatoare, activ\u0103 \u015fi asumat\u0103. \u00cens\u0103 la o privire de ansamblu,&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/teenage-angst-si-atat\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Teenage angst \u015fi at\u00e2t<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[15439,15440,15441],"class_list":["post-25041","post","type-post","status-publish","format-standard","hentry","category-cultura-literara","tag-alexandra-turcu","tag-celelalte-produse","tag-charmides"],"views":1639,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/25041","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=25041"}],"version-history":[{"count":1,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/25041\/revisions"}],"predecessor-version":[{"id":25042,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/25041\/revisions\/25042"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=25041"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=25041"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=25041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}