{"id":24853,"date":"2015-11-05T02:00:40","date_gmt":"2015-11-05T00:00:40","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=24853"},"modified":"2015-10-30T02:05:45","modified_gmt":"2015-10-30T00:05:45","slug":"stephane-lupasco-in-corespondenta","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/stephane-lupasco-in-corespondenta\/","title":{"rendered":"St\u00e9phane Lupasco  \u00een coresponden\u0163\u0103"},"content":{"rendered":"<blockquote><p><strong>St\u00e9phane Lupasco, <em>Infinitul \u015fi experien\u0163a. Coresponden\u0163\u0103 primit\u0103, articole, interviuri<\/em>, edi\u0163ie \u00eengrijit\u0103, tabele cronologice, traducere, note, comentarii \u015fi indice de Oana Soare, prefa\u0163\u0103 de Basarab Nicolescu, postfa\u0163\u0103 de Eugen Simion, Academia Rom\u00e2n\u0103. Funda\u0163ia Na\u0163ional\u0103 pentru \u015ftiin\u0163\u0103 \u015fi Art\u0103, Bucure\u015fti, 2015<\/strong><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p>\u201eInfluen\u0163a lui St\u00e9phane Lupasco asupra culturii franceze este considerabil\u0103 dar, \u00een majoritatea cazurilor, subteran\u0103. Inclasabil, Lupasco era considerat filosof de c\u0103tre fizicieni \u015fi fizician de c\u0103tre filosofi, \u015fi mai grav \u00eenc\u0103<br \/>\n\u00een atmosfera francez\u0103,<br \/>\nde dreapta de c\u0103tre intelectualii de st\u00e2nga \u015fi de st\u00e2nga de c\u0103tre cei de dreapta. La intersec\u0163ia culturii franceze cu cea rom\u00e2n\u0103, a culturii \u015ftiin\u0163ifice cu cea umanist\u0103, Lupasco prefigureaz\u0103 ceea ce Jean-Fran\u00e7ois Malherbe nume\u015fte un \u00abnomad poliglot, figur\u0103 emblematic\u0103 a unei lumi \u00een c\u0103utarea identit\u0103\u0163ii. Marele merit al c\u0103r\u0163ii Oanei Soare este de a pune \u00een eviden\u0163\u0103, prin<br \/>\npublicarea coresponden\u0163ei lui St\u00e9phane Lupasco, influen\u0163a filosofiei lui St\u00e9phane Lupasco asupra unor mari personalit\u0103\u0163i ale lumii culturale \u015fi \u015ftiin\u0163ifice din Fran\u0163a \u015fi din Rom\u00e2nia.\u00bb (Basarab Nicolescu)<br \/>\n\u201ePublic\u0103m \u00een volumul de fa\u0163\u0103 coresponden\u0163a primit\u0103 de filosoful de origine rom\u00e2n\u0103 \u015etefan Lupa\u015fcu de la mari personalit\u0103\u0163i din lumea \u015ftiin\u0163ific\u0103 \u015fi artistic\u0103 a Fran\u0163ei (Bachelard, Breton, Louis de Broglie, Jean Paulhan, Edgar Morin, Jean Fran\u00e7ois Revel, Jean Cassou, Georges A. Mathieu, Gilbert Durand etc.), dar \u015fi din lumea rom\u00e2neasc\u0103 (Constantin Noica, Eugen Ionescu, Cioran, Benjamin Fondane, Mircea Eliade, Vintil\u0103 Horia). Except\u00e2nd pe Noica \u2013 r\u0103mas \u00een \u0163ar\u0103 \u2013 ceilal\u0163i rom\u00e2ni cita\u0163i au tr\u0103it, ca \u015fi filosoful, \u00een Fran\u0163a \u015fi au scris \u00een limba francez\u0103. Eliade este singurul din a doua categorie care prefer\u0103 s\u0103 se adreseze lui Lupa\u015fcu \u00een limba lor comun\u0103. (&#8230;)<br \/>\n&lt;Lupa\u015fcu&gt; era, deduc din coresponden\u0163a inclus\u0103 \u00een volumul de fa\u0163\u0103\u00a0 un om sociabil, bon viveur, avea prieteni \u00een cercurile avangardei literare \u015fi a scris (&#8230;) despre Michaux, Dali, introduc\u00e2nd \u00een analiz\u0103 concepte noi, cum ar fi subrealismul. Avea \u2013 \u00ee\u015fi aminte\u015fte un corespondent \u2013 un cap mare, frumos, de pictor. Monica Lovinescu, care-i ia un interviu, spune c\u0103 Lupa\u015fcu nu-\u015fi pierduse, la b\u0103tr\u00e2ne\u0163e, interesul \u015fi simpatia pentru rom\u00e2ni, dovad\u0103 c\u0103 voia cu tot dinadinsul ca interviul s\u0103 se desf\u0103\u015foare \u00een limba rom\u00e2n\u0103. Dar c\u00e2nd s\u0103 \u00eenceap\u0103, constat\u0103 c\u0103 rom\u00e2na filosofului era greu de \u00een\u0163eles.<br \/>\nStudiile lui st\u00e2rnesc interesul logicienilor, al epistemologilor, oamenilor de art\u0103 (Andr\u00e9 Breton \u015fi Dali sunt dou\u0103 exemple), dar \u015fi al oamenilor de \u015ftiin\u0163\u0103 (Louis de Broglie \u2013 premiul Nobel pentru fizic\u0103) sau al esteticienilor \u015fi teoreticienilor (Bachelard). Dovad\u0103 acest volum de coresponden\u0163\u0103 preg\u0103tit de Oana Soare, cercet\u0103toare la Institutul \u00abG. C\u0103linescu\u00bb, doctor \u00een litere, la Sorbona (&#8230;), ea a cercetat arhiva Lupa\u015fcu \u015fi a beneficiat de sprijinul Doamnei Alde Lupasco Massot, fiica filosofului, care a permis reproducerea \u2013 \u00een rom\u00e2ne\u015fte \u015fi fran\u0163uze\u015fte \u2013 a scrisorilor primite de filosof&#8230;. Oana Soare a reprodus, \u00een volumul de fa\u0163\u0103, \u00een capitolul texte aferente, articolele ap\u0103rute \u00een rom\u00e2ne\u015fte \u015fi c\u00e2teva fragmente din interviurile date \u00een Fran\u0163a de autor \u015fi din comentariile despre scrierile sale. Avem, a\u015fadar, \u00een fa\u0163\u0103 un dosar amplu cu documente din care putem \u00een\u0163elege ceva despre rela\u0163iile umane \u015fi intelectuale ale acestui filosof care tulbur\u0103, prin g\u00e2ndirea lui, conceptele clasice ale logicii \u015fi, \u00een genere, ale cunoa\u015fterii macro \u015fi microfizice, contribuind, astfel, la dezvoltarea unei discipline noi, moderne, pe care Bachelard \u2013 el \u00eensu\u015fi, la origine, om de \u015ftiin\u0163\u0103 \u2013 o nume\u015fte (&#8230;) metafizica \u015ftiin\u0163ei&#8230;\u201c<\/p>\n","protected":false},"excerpt":{"rendered":"<p>St\u00e9phane Lupasco, Infinitul \u015fi experien\u0163a. Coresponden\u0163\u0103 primit\u0103, articole, interviuri, edi\u0163ie \u00eengrijit\u0103, tabele cronologice, traducere, note, comentarii \u015fi indice de Oana Soare, prefa\u0163\u0103 de Basarab Nicolescu, postfa\u0163\u0103 de Eugen Simion, Academia Rom\u00e2n\u0103. Funda\u0163ia Na\u0163ional\u0103 pentru \u015ftiin\u0163\u0103 \u015fi Art\u0103, Bucure\u015fti, 2015 &nbsp; \u201eInfluen\u0163a lui St\u00e9phane Lupasco asupra culturii franceze este considerabil\u0103 dar, \u00een majoritatea cazurilor, subteran\u0103. Inclasabil,&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/stephane-lupasco-in-corespondenta\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">St\u00e9phane Lupasco  \u00een coresponden\u0163\u0103<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[15326,15325,15324],"class_list":["post-24853","post","type-post","status-publish","format-standard","hentry","category-cultura-literara","tag-corespondenta-stephane-lupasco","tag-infinitul-si-experienta","tag-stephane-lupasco"],"views":1400,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/24853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=24853"}],"version-history":[{"count":1,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/24853\/revisions"}],"predecessor-version":[{"id":24854,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/24853\/revisions\/24854"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=24853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=24853"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=24853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}