{"id":23952,"date":"2015-07-12T17:05:46","date_gmt":"2015-07-12T15:05:46","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=23952"},"modified":"2015-07-12T17:05:46","modified_gmt":"2015-07-12T15:05:46","slug":"alchimizari-pasionale","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/alchimizari-pasionale\/","title":{"rendered":"Alchimiz\u0103ri pasionale"},"content":{"rendered":"

Florin Dochia, Orb pe mare<\/em>, Editura PIM, Ia\u015fi, 2014<\/strong><\/p><\/blockquote>\n

Vegheat de inconfundabila prezen\u0163\u0103 a iubirii, volumul lui Florin Dochia Orb pe mare (Editura PIM, Ia\u015fi, 2014) asum\u0103 plenar ample descinderi \u00een diverse lumi unde accep\u0163iunile metafizice au deosebit\u0103 prevalen\u0163\u0103. Din solitudinea celui plecat spre a recupera marile adev\u0103ruri deriv\u0103, cumva inevitabil, un marcant fior nostalgic. Pare c\u0103 o veritabil\u0103 arc\u0103 a metaforelor \u00eenso\u0163e\u015fte c\u0103ut\u0103rile. Oglinzile interioare sunt supuse ritualului liric. Din ce \u00een ce mai des, atmosfera sf\u00e2r\u015fitului de lume cople\u015fe\u015fte discursul: \u201eam barca mea \u015fi r\u0103t\u0103cesc pe mare\/ \u00een c\u0103utarea unui banc de nisip,\/ \u00een c\u0103utarea unei st\u00e2nci,\/ \u00een c\u0103utarea unui loc \u00een care s\u0103 e\u015fuez\/ cum se cuvine.\/\/ toate p\u00e2nzele sus,\/ \u00eentinse \u00eentre cadavrele v\u00e2rstelor pierdute,\/ mustind de orgoliu pe odgoanele putrede.\/\/ ancora at\u00e2rn\u0103 \u00een lan\u0163ul ei ruginit\/ ca un albatros sp\u00e2nzurat de sforile zdren\u0163uite\/ ce ar \u00eenf\u0103\u015fura marile iubiri eterne.\/\/ la v\u00e2sle sclavii au murit demult,\/ scheletele lor sunt deja umbre murdare\/ pe memoria lemnului s\u0103rat al bordului.\/\/ am barca mea plutind \u00een deriv\u0103,\/ c\u0103ut\u00e2nd porturi incendiate, golfuri\/ unde \u00eemb\u0103tr\u00e2nesc fecioarele r\u0103pite de pira\u0163i,\/ lagune cu rechini \u00eenfometa\u0163i\/ care pot oferi gratuit o moarte decent\u0103\u201c. Sarabanda aventurilor ia valen\u0163e accentuat-expresioniste. Etalarea incompletitudinilor existen\u0163iale arunc\u0103 asupra versurilor lui Florin Dochia un v\u0103l saturnian. Chiar \u015fi \u00eembr\u0103\u0163i\u015f\u0103rile consoneaz\u0103 cu aceast\u0103 stare, asimilabil\u0103 unui atipic mers prin foc. Infatigabile introspect\u0103ri br\u0103zdeaz\u0103 teritoriul oniric: \u201es-a dus Prin\u0163esa-n alt\u0103 toamn\u0103,\/ triste\u0163ea-mi a r\u0103mas legat\u0103\/ de sunetul t\u0103cerii ei\/ ca de-un stingher ecou\/ strivit de p\u0103s\u0103ri \u00een av\u00e2nt.\/\/ \u015fterge-mi spaimele, i-am spus,\/ opre\u015fte furtunile care-mi b\u00e2ntuie visele,\/ stinge incendiile care n\u0103v\u0103lesc \u00een s\u00e2ngele meu\/ ca \u015fi cum nu a\u015f fi ad\u0103ugat destul\u0103 cenu\u015f\u0103;\/\/ fii refugiu c\u00e2nd evadez din timp,\/ \u015fi m\u0103 pierd dincolo de umbra inimii tale,\/ \u00eentr-o eternitate insuportabil\u0103 altfel.\/\/ s-a dus Prin\u0163esa \u00een alt somn,\/ s-a dus \u00een alte vise,\/ m\u0103r\u015f\u0103luiesc spre alt castel\/ cu alte por\u0163i deschise\u201c. \u00cen alt\u0103 parte, autorul invoc\u0103 figura marelui damnat Vincent Van Gogh, fantasm\u0103 consonant\u0103 cu paradisul pierdut. \u00cent\u00e2lnim \u00een volum \u015fi elanul autosuplicierii (\u201eam rupt din mine \u00eengerul,\/ cu unghiile l-am rupt,\/ inima i-am f\u0103cut-o \u0163\u0103nd\u0103ri!\u201c), \u00een numele deja programaticei voca\u0163ii evazioniste. Viziunile \u00een siaj cvasiapocaliptic \u00eent\u0103resc filonul dramatic al versurilor, str\u0103puns la nivel pasager de traiectorii ce \u00ee\u015fi propun echilibrul. Alchimiz\u0103ri pasionale destind un itinerariu destinat problematiz\u0103rilor. Asist\u0103m la desf\u0103\u015fur\u0103ri poetice care nu eludeaz\u0103 accentuarea fantasmatic\u0103. Poemul \u00e0 rebours ar putea trimite la ideatica estetizant-misterioas\u0103 promovat\u0103 de J.-K. Huysmans, tem\u0103 ce predispune la voiaje crepusculare: \u201eah, dulce am\u00e2nare a f\u0103ptuirii\/ c\u00e2nd r\u0103t\u0103cite-s trupuri \u00een hamace\/ \u015fi alte noi chem\u0103ri nu le dau pace\/ cu \u00eembieri s\u0103 vin\u0103, s\u0103 se joace,\/ s\u0103 fie la-nceput de lume mirii\/ r\u0103pi\u0163i de ierburi afrodiziace.\/\/ ah, dulce abandon \u00een a\u015fteptare,\/ ne\u00eent\u00e2mpl\u0103rii robi s\u0103 fie iar,\/ \u00eenfior\u0103ri dorite \u00een zadar,\/ cum marinari v\u00e2slind spre-un \u0163\u0103rm barbar,\/ pierdu\u0163i prin valuri, \u00een imensa mare,\/ nu pot ajunge \u00eendep\u0103rtatul far.\/\/ ah, dulce g\u00e2nd la dulcea ran\u0103,\/ ad\u00e2ncu-i lene\u015f s\u0103-i atingi,\/ s\u0103 te desfaci \u00eencet din chingi,\/ funesta foame s-o \u00eenvingi,\/ s\u0103 cazi din cer \u015fi s\u0103 fii hran\u0103\/ aprinsei p\u0103s\u0103ri \u015fi s-o stingi\u201c. La nivel ideal e preconizat\u0103 dob\u00e2ndirea st\u0103rii evanescente, revel\u00e2nd fulgura\u0163ii \u00eentru eternitate. Insatisfac\u0163iile contingen\u0163ei sunt sublimate artistic. Nietzscheana \u00eentrebare \u201ede c\u00e2t haos e nevoie\/ ca s\u0103 se nasc\u0103 o nou\u0103 stea?\u201c ilustreaz\u0103 unul dintre motivele metafizice proprii volumului Orb pe mare. Printre alte prezen\u0163e reg\u0103sim \u015fi \u201eo \u00eenchipuire a doamnei bou\u00e9 cobor\u00e2nd\/ lent peste pleoapele transparente \u2013\/\/ sub ele pupilele albe dorm\/ somnul puilor de delfin ascun\u015fi\/ pe fundul oceanului pentru totdeauna\u201c. Fiin\u0163a \u015farpelui Uroboros determin\u0103 percutante \u015farje misteriosofice. Infatigabilele glis\u0103ri se petrec printre multiple ecouri urmuziene: \u201eai mu\u015fcat deja din fructul oprit la semafor,\/ o dragoste p\u0103g\u00e2n\u0103 te conduce\/ credincioas\u0103 precum c\u00e2inele orbului\/ de la poarta turnului cu ceas.\/\/ pe zebr\u0103, ismail \u015fi turnavitu,\/ algazy \u015fi grummer,\/ p\u00e2lnia \u015fi stamate\/ m\u00e2na\u0163i din spate\/ de emil gayk,\/ ciupit de v\u0103rsat \u015fi cu unghiile net\u0103iate.\/\/ e\u015fti un poet prost \u00eenarmat,\/ meri\u0163i o terapie expansiv\u0103,\/ meri\u0163i un iepure alb alergat de ogari,\/ meri\u0163i vizuina lui,\/ m\u0103nu\u015file lui,\/ evantaiul lui,\/ soarta pe care i-o preg\u0103te\u015fte ducesa.\/\/ vine alice \u015fi aduce lesa,\/ tu te pierzi pe mare,\/ navig\u00e2nd spre odessa\u201c. Ne situ\u0103m mereu \u00een a\u015fteptarea revela\u0163iei, acolo unde \u201eprin locul str\u00e2mt al cheii se deschide\/ secreta u\u015f\u0103 a \u00eemplinirii vaste\u201c. Sinteza poeziei cu iubirea z\u0103misle\u015fte peisaje aflate sub puternicele raze ale eclectismului. Florin Dochia opereaz\u0103 cu detalieri elocvente, pasionalitatea estetic\u0103 fiind lesne recognoscibil\u0103 pe aceast\u0103 cale a generoaselor elev\u0103ri suflete\u015fti.<\/p>\n","protected":false},"excerpt":{"rendered":"

Florin Dochia, Orb pe mare, Editura PIM, Ia\u015fi, 2014 Vegheat de inconfundabila prezen\u0163\u0103 a iubirii, volumul lui Florin Dochia Orb pe mare (Editura PIM, Ia\u015fi, 2014) asum\u0103 plenar ample descinderi \u00een diverse lumi unde accep\u0163iunile metafizice au deosebit\u0103 prevalen\u0163\u0103. Din solitudinea celui plecat spre a recupera marile adev\u0103ruri deriv\u0103, cumva inevitabil, un marcant fior nostalgic.… Cite\u0219te mai mult »Alchimiz\u0103ri pasionale<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[14757,14758],"class_list":["post-23952","post","type-post","status-publish","format-standard","hentry","category-cultura-literara","tag-florin-dochia","tag-orb-pe-mare"],"views":969,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/23952","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=23952"}],"version-history":[{"count":1,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/23952\/revisions"}],"predecessor-version":[{"id":23953,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/23952\/revisions\/23953"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=23952"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=23952"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=23952"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}