{"id":23590,"date":"2015-06-13T07:13:19","date_gmt":"2015-06-13T05:13:19","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=23590"},"modified":"2015-06-13T07:13:19","modified_gmt":"2015-06-13T05:13:19","slug":"tartuffe-vesnica-dualitate-corp-spirit","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/tartuffe-vesnica-dualitate-corp-spirit\/","title":{"rendered":"Tartuffe, ve\u015fnica dualitate corp-spirit"},"content":{"rendered":"

La acela\u015fi teatru, o alt\u0103 produc\u0163ie care merit\u0103 v\u0103zut\u0103 este Tartuffe de Moli\u00e8re, \u00een regia lui Keresztes Attila \u015fi scenografia lui Fodor Viola. Un spectacol grav, \u00een care creatorul s\u0103u a ales cu bun\u0103 \u015ftiin\u0163\u0103 s\u0103 eradicheze r\u00e2sul. \u00centr-un spa\u0163iu \u00eenchis, cu decor geometric, un cub metalic \u00een t\u0103ieturi simple, personajele se mi\u015fc\u0103 \u00een lumin\u0103 plin\u0103, ca ni\u015fte cobai de laborator. Undeva \u00een spate, se ghice\u015fte coridorul care face leg\u0103tura cu lumea sau poate cu libertatea. Pe aici intr\u0103 \u015fi ies personajele. Decorul ad\u0103poste\u015fte \u015fi mascheaz\u0103 tuburile din care copiii vor ap\u0103rea ca s\u0103-l spioneze pe Tartuffe.
\nRegizorul creeaz\u0103 de la bun \u00eenceput tensiune \u00eentre dou\u0103 lumi, una a habotnicilor, a celor cu bani, ca bunica (Biluska Annam\u00e1ria) \u015fi cu putere, ca tat\u0103l (Bir\u00f3 J\u00f3zsef), \u015fi una vie, a celor ce iubesc via\u0163a. \u00cen a doua categorie figureaz\u0103 mama \u00eembr\u0103cat\u0103 sexi, cu pantofi ro\u015fii cu toc (Varga Andrea), servitoarea debord\u00e2nd de energie (Gecse Ram\u00f3na) \u015fi tinerii \u00eendr\u0103gosti\u0163i (K\u00e1d\u00e1r No\u00e9mi \u015fi Cs\u00edki Szabolcs) pe care \u00eei g\u0103sim \u00een cele mai moderne ipostaze. Doar c\u0103 \u00een societatea imaginat\u0103 de Keresztes Attila viul datoreaz\u0103 supunere normelor artificiale, construc\u0163iilor elaborate de min\u0163i lucide, concepute de unii pentru a profita de ceilal\u0163i. Lumea lui Tartuffe (\u00een dubl\u0103 distribu\u0163ie, Bokor Barna sau L\u00e1szl\u00f3 Csaba), a tat\u0103lui \u015fi a bunicii este una patriarhal\u0103, a puterii, \u00een care omenia se transform\u0103 pe loc \u00een rigoare f\u0103r\u0103 drept de apel. \u00cen interpretarea fin\u0103 a lui Bir\u00f3 J\u00f3zsef, tat\u0103l, persuasiv, uman, chiar iubitor, nu se sfie\u015fte ca \u00een momentul \u00een care servitoarea i se \u00eempotrive\u015fte s\u0103 pun\u0103 degrab\u0103 m\u00e2na pe topor. Tandre\u0163ea lui patern\u0103 se va transforma repede \u00een duritate \u015fi \u00een arogan\u0163\u0103. Dac\u0103 fata \u00ee\u015fi pledeaz\u0103 cauza dragostei, tat\u0103l o va pedepsi, ca la \u015fcoal\u0103, ridic\u00e2nd-o \u00een picioare \u015fi \u00eei va arunca furios supa. Dac\u0103 b\u0103iatul, revendicativ, p\u00e2nde\u015fte scena \u00een care Tartuffe \u00eencearc\u0103 s\u0103-i dezonoreze tat\u0103l, agita\u0163ia i se transform\u0103 \u00een groaz\u0103 de \u00eendat\u0103 ce va ap\u0103rea instan\u0163a \u00een carne \u015fi oase. \u00cen fa\u0163a autorit\u0103\u0163ii paterne, Damis \u00ee\u015fi pierde curajul, se b\u00e2lb\u00e2ie, se t\u00e2r\u0103\u015fte expresiv pe l\u00e2ng\u0103 ziduri (de-a dreptul meritorie plasticitatea corporal\u0103 a lui Bartha L\u00e1szl\u00f3 Zsolt).
\nLumina plin\u0103, ap\u0103s\u0103toare, pare \u015fi ea punitiv\u0103 pentru personaje, de\u015fi, de ce s\u0103 nu o recunoa\u015ftem?, pentru spectatorul care, \u00een sf\u00e2r\u015fit, poate s\u0103 vad\u0103 ce se \u00eent\u00e2mpl\u0103 pe scen\u0103, nu doar s\u0103 ghiceasc\u0103 ni\u015fte figuri, dup\u0103 moda de azi a eclerajului, se dovede\u015fte mai mult dec\u00e2t reconfortant\u0103. Sub aceast\u0103 lumin\u0103 de laborator, personajele sunt construite ca ni\u015fte marionete a c\u0103ror partitur\u0103 este menit\u0103 s\u0103 demonstreze ideea. \u00cen tradi\u0163ionala societate descris\u0103 de Keresztes Attila, sim\u0163urile sunt biciuite de dragul austerit\u0103\u0163ii, iar viul trebuie extirpat. Mai mult dec\u00e2t firesc, deci, ca Tartuffe s\u0103 se autoflageleze sub privirea unui dublu care survine \u00een momentele esen\u0163iale ale spectacolului m\u0103rturisind, \u00eenc\u0103 o dat\u0103, duplicitatea lumii. T\u00e2n\u0103r, plin de vitalitate, atest\u00e2nd mai mult ca niciodat\u0103 dualitatea corp-spirit, Tartuffe \u00ee\u015fi poart\u0103 \u015fi el crucea, cu care intr\u0103 chiar de la debutul spectacolului. O cruce \u00een care oportunismul \u015fi dorin\u0163a lui de putere \u00ee\u015fi g\u0103sesc un serios contracandidat \u00een nevoile \u0163\u00e2\u015fnite din imperiul c\u0103rnii.
\nCu rela\u0163ii construite ca la carte, cu un concept care d\u0103 pertinen\u0163\u0103 spectacolului, Tartuffe de la Compania \u201eTompa Mikl\u00f3s\u201d din T\u00e2rgu-Mure\u015f este, pentru spectatorii care vor s\u0103 reviziteze literatura clasic\u0103, o op\u0163iune demn\u0103 de luat \u00een considera\u0163ie.<\/p>\n

\"tartuffe\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

La acela\u015fi teatru, o alt\u0103 produc\u0163ie care merit\u0103 v\u0103zut\u0103 este Tartuffe de Moli\u00e8re, \u00een regia lui Keresztes Attila \u015fi scenografia lui Fodor Viola. Un spectacol grav, \u00een care creatorul s\u0103u a ales cu bun\u0103 \u015ftiin\u0163\u0103 s\u0103 eradicheze r\u00e2sul. \u00centr-un spa\u0163iu \u00eenchis, cu decor geometric, un cub metalic \u00een t\u0103ieturi simple, personajele se mi\u015fc\u0103 \u00een lumin\u0103… Cite\u0219te mai mult »Tartuffe, ve\u015fnica dualitate corp-spirit<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11318],"tags":[14447,11104],"class_list":["post-23590","post","type-post","status-publish","format-standard","hentry","category-cultura-spectacolului","tag-regia-keresztes-attila","tag-tartuffe-de-moliere"],"views":1363,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/23590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=23590"}],"version-history":[{"count":1,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/23590\/revisions"}],"predecessor-version":[{"id":23592,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/23590\/revisions\/23592"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=23590"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=23590"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=23590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}