{"id":23301,"date":"2015-05-06T21:52:27","date_gmt":"2015-05-06T19:52:27","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=23301"},"modified":"2015-05-06T21:58:10","modified_gmt":"2015-05-06T19:58:10","slug":"razvan-mazilu-friends","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/razvan-mazilu-friends\/","title":{"rendered":"R\u0103zvan Mazilu & Friends"},"content":{"rendered":"

\u201eAbsolut superb! Mi-a pl\u0103cut fiecare moment\u201d, se aud comentariile unei spectatoare \u00een timp ce-\u015fi ia haina de la garderob\u0103.<\/strong> <\/em><\/p>\n

Secretul e pl\u0103cerea. O doz\u0103 uria\u015f\u0103 de pl\u0103cere pe care R\u0103zvan Mazilu, at\u00e2t \u00een chip de dansator, c\u00e2t \u015fi de coregraf, o \u00eemp\u0103rt\u0103\u015fe\u015fte publicului. Exemplul cel mai bun a fost ultima Gal\u0103 Extraordinar\u0103 a Dansului, R\u0103zvan Mazilu & Friends, organizat\u0103 cu prilejul Zilei Mondiale a Dansului la Teatrul Odeon. Ca de fiecare dat\u0103, Gala a al\u0103turat momente diferite performate de dansatori diferi\u0163i. F\u0103r\u0103 preten\u0163ia unor infinite straturi conceptuale \u015fi cu at\u00e2t mai pu\u0163in a vreunui mesaj inflamant, cu un eclectism asumat, spectacolul conceput de R\u0103zvan Mazilu a ridicat, din nou, pentru minute bune, sala \u00een picioare.
\nNumai \u00een viziunea lui lax\u0103 \u015fi fluid\u0103, Bach coopereaz\u0103, pe aceea\u015fi scen\u0103, cu l\u0103ut\u0103reasca sadea a Romic\u0103i Puceanu, f\u0103r\u0103 ca titanul muzicii s\u0103-\u015fi piard\u0103 anvergura, iar l\u0103utarul, savoarea. Numai \u00een coregrafia lui coexist\u0103, f\u0103r\u0103 nici cea mai mic\u0103 discordan\u0163\u0103, un striptease cu calit\u0103\u0163i artistice (Alina Petric\u0103) cu o scen\u0103 de dans contemporan de o poezie halucinant\u0103, \u00eenv\u0103luitoare, ad\u00e2nc\u0103 \u015fi febril\u0103, ca \u00een fragmentul din Nesomn (coregrafia Arcadie Rusu, \u00een extraordinara interpretare a acestuia \u015fi a Ioanei Marchidan). Frumuse\u0163ea, elegan\u0163a \u015fi gra\u0163ia r\u0103m\u00e2n tu\u015fele incontestabile ale lui R\u0103zvan Mazilu. Iar ele se g\u0103sesc cu prisosin\u0163\u0103 \u015fi \u00een fragmentul din Giselle, at\u00e2t de sensibil dansat de C\u0103t\u0103lina Iliescu \u015fi Ionu\u0163 Dini\u0163\u0103, elevi ai Liceului de Coregrafie \u201eFloria Capsali\u201d, coordona\u0163i de Simona \u015eom\u0103cescu, dar \u015fi \u00een scenele moderne, pline de nerv din West Side Story, care devin liantul \u00eentregului spectacol. \u00cen fond, dragostea constituie fermentul acestei Gale, cu tot ce presupune ea, flutura\u015fi, erotism, c\u00e2ntece t\u00e2nguioase sau binomul atrac\u0163ie-ur\u0103, ca \u00een scena cu Tango Tangent, unde Monica Petric\u0103 \u015fi R\u0103zvan Mazilu \u00eempr\u0103\u015ftie sc\u00e2ntei de pasiune, nu lipsite de comic.
\nC\u0103ci acesta constituie al doilea mare atu al spectacolului coagulat de personalitatea lui Mazilu. Gra\u0163ie, ludic \u015fi umor sunt ingrediente nelipsite din orice apari\u0163ie a sa. Totdeauna charismatic prin postur\u0103, gesturi \u015fi nu mai pu\u0163in prin privire \u2013 care aproape c\u0103 danseaz\u0103 \u015fi ea, at\u00e2t e de vie \u2013, R\u0103zvan Mazilu nu uit\u0103 s\u0103 adauge necesarul strop de persiflare. \u00cen spatele erotismului p\u00e2ndesc de fiecare dat\u0103 accentele comice f\u0103r\u0103 ca unul dintre atribute s\u0103-l deranjeze pe cel\u0103lalt. Iar frumuse\u0163ea a ie\u015fit \u015fi mai bine \u00een eviden\u0163\u0103 dublat\u0103 de o por\u0163ie zdrav\u0103n\u0103 de entertainment la care au participat pe \u00eendelete prezentatorii Ruxandra Maniu \u015fi Silvian V\u00e2lcu.
\nO pl\u0103cere s\u0103 asi\u015fti la amestecul de genuri teoretic incompatibile \u00een momentele de dans ale invita\u0163ilor, al c\u0103ror numitor comun l-au reprezentat tinere\u0163ea, vitalitatea \u015fi talentul. Prezen\u0163e ca Judith State, \u00eenv\u0103luitoare, non\u015falant\u0103 \u015fi magnetic\u0103 pe scen\u0103, ca Vanda \u015etef\u0103nescu, expresiv\u0103 \u00een toate, sau ca Silviu Daniel Mititelu, cu dansul s\u0103u robust, au ad\u0103ugat sare \u015fi piper \u00eentregului discurs coregrafic. Iar publicul s-a bucurat s\u0103 (re)vad\u0103 scene din spectacole at\u00e2t de iubite ale Odeonului, semnate de R\u0103zvan Mazilu, ca Block Bach, Depeche Dance, \u015earaiman, Un Tango Mas.
\n\u201eAbsolut superb!\u201d, comentariul spectatoarei de la garderob\u0103, traducea imensa pl\u0103cere l\u0103sat\u0103 de Gal\u0103. Fine\u0163e, energie, elegan\u0163\u0103, umor au fost atuurile pe care R\u0103zvan Mazilu a mizat \u015fi de aceast\u0103 dat\u0103. \u015ei a c\u00e2\u015ftigat!<\/p>\n

\"teatru\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201eAbsolut superb! Mi-a pl\u0103cut fiecare moment\u201d, se aud comentariile unei spectatoare \u00een timp ce-\u015fi ia haina de la garderob\u0103. Secretul e pl\u0103cerea. O doz\u0103 uria\u015f\u0103 de pl\u0103cere pe care R\u0103zvan Mazilu, at\u00e2t \u00een chip de dansator, c\u00e2t \u015fi de coregraf, o \u00eemp\u0103rt\u0103\u015fe\u015fte publicului. Exemplul cel mai bun a fost ultima Gal\u0103 Extraordinar\u0103 a Dansului, R\u0103zvan… Cite\u0219te mai mult »R\u0103zvan Mazilu & Friends<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11318],"tags":[14189,1551,14190,14188],"class_list":["post-23301","post","type-post","status-publish","format-standard","hentry","category-cultura-spectacolului","tag-catalina-iliescu-si-ionut-dinita","tag-razvan-mazilu","tag-ruxandra-maniu-si-silvian-valcu","tag-ziua-mondiala-a-dansului-la-teatrul-odeon"],"views":1130,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/23301","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=23301"}],"version-history":[{"count":0,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/23301\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=23301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=23301"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=23301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}