\u00centr-o lume \u00een care specializ\u0103rile profesionale sunt din ce \u00een ce mai \u00eenguste este necesar ca, de la o etap\u0103 a cunoa\u015fterii la alta, s\u0103 apar\u0103 \u201etraduc\u0103tori\u201c ai cuno\u015ftin\u0163elor dintr-un domeniu, pentru nespeciali\u015fti ori pentru profesioni\u015ftii altor domenii \u015fi \u201esintetizatori\u201c ai acumul\u0103rilor \u015ftiin\u0163ifice globale.
\n\u00cen secolul al XX-lea, c\u00e2nd \u015ftiin\u0163ele exacte \u015fi, mai ales, fizica s-au situat \u00een avangarda l\u0103rgirii cunoa\u015fterii realit\u0103\u0163ii, rolul de \u201etraduc\u0103tori\u201c la cel mai \u00eenalt nivel \u015fi l-au asumat George Gamow, \u00een etapa \u201enuclear\u0103\u201c a fizicii, \u015fi Basarab Nicolescu, \u00een etapa \u201ecuantic\u0103\u201c. Prin preocup\u0103rile sale privind rela\u0163iile dintre art\u0103, \u015ftiin\u0163\u0103, religie, tradi\u0163ie, Basarab Nicolescu s-a manifestat \u015fi ca \u201esintetizator\u201c al avansului cunoa\u015fterii umane.
\nPersonalit\u0103\u0163ile exilului rom\u00e2nesc obi\u015fnuiau s\u0103-\u015fi trimit\u0103 scrierile confra\u0163ilor, f\u0103c\u00e2ndu-\u015fi cunoscute realiz\u0103rile individuale \u015fi semnal\u00e2ndu-le totodat\u0103 ca \u00eenf\u0103ptuiri ale comunit\u0103\u0163ii etnice \u015fi, de ce nu, ale cunoa\u015fterii \u00een general.
\n\u00cen anul 1988, Basarab Nicolescu a publicat volumul La science, le sens et l\u2019\u00e9volution – Essai sur Jakob Boehme (F\u00e9lin, Paris), care a primit distinc\u0163ia Benjamin Franklin Award for the Best History Book, USA, 1992 \u015fi Premiul Uniunii Scriitorilor din Rom\u00e2nia \u00een 1993. Printre personalit\u0103\u0163ile c\u0103rora Basarab Nicolescu le-a trimis volumul s-a num\u0103rat \u015fi Emil Cioran. R\u0103spunsul acestuia, pe care \u00eel reproducem \u00een continuare, exprim\u0103 aprecierea acordat\u0103 lucr\u0103rii, bogat\u0103 \u00een informa\u0163ii \u015fi sugestiv\u0103. Cioran scrie c\u0103 tezele c\u0103r\u0163ii i-ar fi putut zdruncina scepticismul, dac\u0103 ar fi fost mai t\u00e2n\u0103r. Aceast\u0103 constatare a efectului poten\u0163ial pe care lucrarea men\u0163ionat\u0103 l-ar avea asupra marelui moralist, care a fost Emil Cioran, confirm\u0103 aser\u0163iunea lui Basarab Nicolescu precum c\u0103 \u201eteoria lupascian\u0103 \u00eembog\u0103\u0163it\u0103 cu transdisciplinaritatea ar putea fi baza unei noi morale\u201c. (Basarab Nicolescu, De la Isarl\u00eek…, vol. II, p. 256)
\nScrisoarea lui Emil Cioran c\u0103tre Basarab Nicolescu din 27 decembrie 1988.(1)
\nScrisoarea este expediat\u0103 \u00eentr-un plic, francat cu un timbru de 2,20 \u015fi cu \u015ftampila po\u015ftei din 29 \u2013XII – 1988 ora 18, av\u00e2nd adresa destinatarului: \u201eMonsieur Basarab Nicolescu c\/o \u00c9dition du F\u00e9lin, Espace Kiron, 10, rue La Vacquerie, 75011 Paris\u201c. Expeditorul \u015fi adresa: Cioran, 21, rue de l\u2019Od\u00e9on, Paris 6e\u201c.<\/p>\n
\u201eParis, le 27 d\u00e9cembre 1988
\nDrag\u0103 domnule Nicolescu,
\nJe vous envoie tous mes voeux, doubl\u00e9s de mes remerciements, pour votre livre riche, sugestif, dont les th\u00e8ses, si j\u2019etais moins \u00e2g\u00e9, auraient pu \u00e9branler mon scepticisme cong\u00e9nital.
\nBien cordialement,
\nCioran\u201c<\/p>\n
Traducerea \u00een limba rom\u00e2n\u0103 dat\u0103 de d-l Basarab Nicolescu:<\/p>\n
\u201eParis, 27 decembrie 1988
\nDrag\u0103 domnule Nicolescu,
\nV\u0103 adresez toate ur\u0103rile mele, acompaniate de mul\u0163umirile mele, pentru cartea Dv. bogat\u0103, sugestiv\u0103, ale c\u0103rei teze ar fi putut zdruncina scepticismul meu congenital dac\u0103 a\u015f fi fost mai t\u00e2n\u0103r.
\nCu salut\u0103ri cordiale,
\nCioran\u201c.<\/p>\n
\n(1) Serviciul Jude\u0163ean Prahova al Arhivelor Na\u0163ionale, Fond personal Basarab Nicolescu.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"
\u00centr-o lume \u00een care specializ\u0103rile profesionale sunt din ce \u00een ce mai \u00eenguste este necesar ca, de la o etap\u0103 a cunoa\u015fterii la alta, s\u0103 apar\u0103 \u201etraduc\u0103tori\u201c ai cuno\u015ftin\u0163elor dintr-un domeniu, pentru nespeciali\u015fti ori pentru profesioni\u015ftii altor domenii \u015fi \u201esintetizatori\u201c ai acumul\u0103rilor \u015ftiin\u0163ifice globale. \u00cen secolul al XX-lea, c\u00e2nd \u015ftiin\u0163ele exacte \u015fi, mai ales, fizica… Cite\u0219te mai mult »\u201eTeze ce ar fi putut zdruncina scepticismul meu\u201c<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[219,13772],"class_list":["post-22765","post","type-post","status-publish","format-standard","hentry","category-cultura-literara","tag-basarab-nicolescu","tag-scrisoarea-lui-emil-cioran"],"views":1956,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/22765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=22765"}],"version-history":[{"count":0,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/22765\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=22765"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=22765"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=22765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}