{"id":21736,"date":"2015-01-15T13:14:42","date_gmt":"2015-01-15T11:14:42","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=21736"},"modified":"2015-01-15T13:14:42","modified_gmt":"2015-01-15T11:14:42","slug":"ecourile-furtunii","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/ecourile-furtunii\/","title":{"rendered":"Ecourile Furtunii"},"content":{"rendered":"<blockquote><p><strong>\u015etefan Bolea, <em>Caietul Roxanei \u015fi alte Jurnale,<\/em> Herg Benet, Bucure\u015fti, 2014<\/strong><\/p>\n<p>&nbsp;<\/p><\/blockquote>\n<p><em><strong>\u015etefan Bolea (n. 1980) este filosof (cu un doctorat \u015fi trei c\u0103r\u0163i publicate \u00een domeniu: Ontologia nega\u0163iei, Introducere \u00een nihilismul nietzschean \u015fi Existen\u0163ialismul ast\u0103zi), \u201eom de litere\u201c \u015fi publicist \u00een general (doctorand la Facultatea de Litere din Cluj-Napoca, redactor-\u015fef al revistei culturale electronice EgoPHobia etc.), poet \u00een mod special (cu 16 premii \u015fi distinc\u0163ii ob\u0163inute la concursuri na\u0163ionale \u015fi cu patru volume de poezie publicate: R\u0103zboi civil, Noaptea instinctelor, Gothic \u2013 un volum de referin\u0163\u0103 pentru goticul industrial, simbolist \u015fi postmodernist \u2013 \u015fi AntiZeu), dar \u015fi prozator de excep\u0163ie (a publicat, de pild\u0103, proz\u0103 fantastic\u0103 \u00een revista electronic\u0103 Suspans). Sintetiz\u00e2nd, poate fi considerat, simplu, \u201eom de cultur\u0103\u201c.<\/strong> <\/em><br \/>\nCaietul Roxanei \u015fi alte Jurnale (Editura Herg Benet, 2013) reprezint\u0103, se pare, jurnalul autorului (ceea ce ne ofer\u0103 \u015fi \u00eencadrarea \u00een specia literar\u0103, cu toate c\u0103 valen\u0163ele operei aici analizate sunt, \u00een fapt, multiple, ating\u00e2nd chiar \u015fi planul romanului, dar la modul adiacent) din trei perioade marcante (pe plan sentimental, dar \u015fi pe plan cultural \u015fi, \u00een consecin\u0163\u0103, pe planul form\u0103rii ca individ) ale existen\u0163ei sale \u2013 1996-1997 (Caietul Roxanei), 2003 (Meet Hilda) \u015fi 2005 (There\u2019s Something About Ellie) \u2013, \u00eembog\u0103\u0163it de un prolog (Nervi) \u015fi de un epilog (Legile de pe Muntele Hermon) filosofice, de dou\u0103 intermezzouri \u015fi de trei anexe poetico-filosofice.<br \/>\nVolumul (publicat pe h\u00e2rtie de calitate deosebit\u0103 \u015fi beneficiind de o copert\u0103 superb\u0103) este unitar, red\u00e2nd, practic, evolu\u0163ia spiritual\u0103 a unui adolescent inteligent \u015fi revoltat, cu un comportament marcat \u015fi de anumite teribilisme mai pu\u0163in l\u0103udabile (din fericire \u015fi pu\u0163ine, \u015fi scuzabile datorit\u0103 v\u00e2rstei \u015fi circumstan\u0163elor personale, socio-culturale etc.), dar mai ales de o preocupare permanent\u0103 \u015fi admirabil\u0103 c\u0103tre autoperfec\u0163ionare \u015fi pentru dezvoltare cultural\u0103, punctat\u0103 uneori de excentricit\u0103\u0163i interesante \u015fi inerente unei personalit\u0103\u0163i cu adev\u0103rat remarcabile, destinate s\u0103 lase o amprent\u0103 \u00een istoria cultural\u0103 contemporan\u0103. Astfel, vom reg\u0103si \u00een Caietul Roxanei pasiune \u015fi spirit, muzic\u0103 clasic\u0103 \u015fi \u201emetal\u201c extrem, Furtuna lui Beethoveen al\u0103turi de Tiamat, versuri \u015fi aforisme, salvare \u015fi revolt\u0103, proteste \u015fi solu\u0163ii, ateism \u015fi religii, pe Shakespeare, Cioran, Baudelaire, Dostoievski, Nietzsche \u015fi Beckett \u00eentr-un amalgam n\u0103ucitor de informa\u0163ie \u015fi de cuget\u0103ri punctate de neoromantism \u015fi de tr\u0103iri amoroase, \u201eservite\u201c \u00eentr-o formul\u0103 aproape academic\u0103, dar \u00eentr-un stil cuceritor \u015fi cu des\u0103v\u00e2r\u015fit talent literar. \u201eAlecsandri, dup\u0103 ce a descoperit Miori\u0163a, s-a convins c\u0103 rom\u00e2nul e n\u0103scut poet. Din contr\u0103, balada demonstreaz\u0103 c\u0103 rom\u00e2nul e n\u0103scut cioban\u201c, spune Bolea la un moment dat, revel\u00e2nd astfel, prin verdict, refuzul s\u0103u de a \u00eembr\u0103\u0163i\u015fa conceptele pe care le consider\u0103 non-valide, oric\u00e2t de l\u0103udate ar fi acestea, \u015fi, totodat\u0103, demonstr\u00e2nd o profunzime a g\u00e2ndirii capabil\u0103 s\u0103 \u00eei ofere o imagine real\u0103 asupra unui obiect sau subiect, dincolo de \u201efumul\u201c oric\u0103rei propagande. Mai mult: \u201eecourile Furtunii\u00a0 beethoveniene str\u0103bat toat\u0103 muzica rock a anilor \u201990\u201c \u015fi \u201eS\u0103 nu furi. Dac\u0103 \u00ee\u0163i trebuie ceva, \u00eemprumut\u0103\u201c, iat\u0103 doar dou\u0103 exemple sugestive privind dimensiunea cultural\u0103 \u015fi aceea moral\u0103 a operei, dimensiuni poten\u0163ate din interac\u0163iunea cu cele trei personaje feminine principale \u2013 Roxana, Hilda \u015fi Ellie \u2013, \u00eentrup\u0103ri ale experien\u0163ei \u00een dublu sens, ca tr\u0103ire \u015fi ca \u00eenv\u0103\u0163\u0103tur\u0103.<br \/>\nConcluzion\u00e2nd, \u201enihilismul\u201c lui Bolea nu reprezint\u0103 nici pe departe un scop, ci un mijloc de a transcende ordinarul atotprezent \u00een societatea contemporan\u0103 (\u201eNihilism romantic\u201c: \u201eExist\u0103 unele teritorii at\u00e2t de corupte, \u00eenc\u00e2t singurele acte cinstite posibile sunt cele nihiliste\u201c \u2013 Richard Morgan, Carbon modificat, Editura Tritonic, 2008); o revolt\u0103 byronian\u0103, temperat\u0103 \u00eens\u0103 de un lord Henry Wotton (poate v\u0103 aminti\u0163i, de asemenea: \u201eYou never say a moral thing, and you never do a wrong thing\u201c) \u00een vederea respingerii non-valorilor \u015fi a \u00een\u0103l\u0163\u0103rii spiritului uman \u2013 fie c\u0103 dore\u015fte, fie c\u0103 nu, \u015etefan Bolea face, prin scrierile sale, lumea mai bun\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u015etefan Bolea, Caietul Roxanei \u015fi alte Jurnale, Herg Benet, Bucure\u015fti, 2014 &nbsp; \u015etefan Bolea (n. 1980) este filosof (cu un doctorat \u015fi trei c\u0103r\u0163i publicate \u00een domeniu: Ontologia nega\u0163iei, Introducere \u00een nihilismul nietzschean \u015fi Existen\u0163ialismul ast\u0103zi), \u201eom de litere\u201c \u015fi publicist \u00een general (doctorand la Facultatea de Litere din Cluj-Napoca, redactor-\u015fef al revistei culturale electronice&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/ecourile-furtunii\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Ecourile Furtunii<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[13188,13187],"class_list":["post-21736","post","type-post","status-publish","format-standard","hentry","category-cultura-literara","tag-caietul-roxanei-si-alte-jurnale","tag-stefan-bolea"],"views":1238,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/21736","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=21736"}],"version-history":[{"count":0,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/21736\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=21736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=21736"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=21736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}