{"id":21592,"date":"2014-12-18T14:29:34","date_gmt":"2014-12-18T12:29:34","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=21592"},"modified":"2014-12-18T14:29:34","modified_gmt":"2014-12-18T12:29:34","slug":"viena-intre-ultimele-zile-ale-omenirii-si-hippies-use-side-door","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/viena-intre-ultimele-zile-ale-omenirii-si-hippies-use-side-door\/","title":{"rendered":"Viena \u00eentre  &#8222;Ultimele zile ale omenirii&#8221; \u015fi &#8222;Hippies Use Side Door&#8221;"},"content":{"rendered":"<p><em><strong>\u00cen a\u015fteptarea primei ninsori, Viena bea vin fiert (gluhwein) \u015fi \u00ee\u015fi construie\u015fte atent\u0103 propriul program pentru 2020, c\u00e2nd \u00ee\u015fi dore\u015fte s\u0103 primeasc\u0103 optsprezece milioane de vizitatori anual \u015fi s\u0103 \u00eencaseze un miliard de euro.<\/strong> <\/em><br \/>\nManagerii desemna\u0163i s\u0103 aplice strategia bazat\u0103 pe tema Global. Smart. Premium consider\u0103 c\u0103 Viena este \u015fi poate fi mai departe o capital\u0103 turistic\u0103 \u201einteligent\u0103 \u015fi str\u0103lucitoare\u201c. Cu 850 de parcuri publice, 42 de kilometri de rivier\u0103 dun\u0103rean\u0103, Viena vrea s\u0103 fie o gr\u0103din\u0103 verde a Europei \u015fi o capital\u0103 cosmopolit\u0103 unde se face cultur\u0103 fin\u0103 \u015fi se tranzac\u0163ioneaz\u0103 bani importan\u0163i. \u00cens\u0103 ora\u015ful este, \u00een mare m\u0103sur\u0103, accesibil tineretului \u015fi social echitabil, dup\u0103 cum remarc\u0103 rapoartele specializate din ultimii ani. Acestea plaseaz\u0103 metropola austriac\u0103 pe locul \u00eent\u00e2i \u00een lume \u00een ultimii cinci ani, iar de anul acesta pe locul doi, la capitolul bun\u0103stare a vie\u0163ii, dup\u0103 Melbourne. Muzeele, teatrele, str\u0103zile, oamenii ei fream\u0103t\u0103, chiar \u015fi atunci c\u00e2nd la Volkstheater se joac\u0103 o capodoper\u0103 a lui Karl Kraus cu un titlu mai pu\u0163in optimist, Ultimele zile ale omenirii, iar \u201emumok\u201c, muzeul care ad\u0103poste\u015fte avangarda vienez\u0103 \u015fi european\u0103, celebreaz\u0103 anii \u00een care Hippies Use Side Door. Ceea ce era c\u00e2ndva fenomen refractar la establishment este ast\u0103zi pagin\u0103 de cultur\u0103 asimilat\u0103. Cea care expune sub aceast\u0103 egid\u0103 aparent nostalgic\u0103, Cosima von Bonin, este o artist\u0103 conceptual\u0103, n\u0103scut\u0103 \u00een 1962, \u00een Kenya, dar care tr\u0103ie\u015fte \u015fi lucreaz\u0103 la K\u00f6ln, iar din anii \u201890 a fost receptat\u0103 ca una dintre cele mai importante nume \u00een domeniul s\u0103u. Lucreaz\u0103 cu instala\u0163ii video, muzic\u0103 electronic\u0103, sculptur\u0103, fotografii, film, pictur\u0103 mural\u0103, diverse materiale refolosibile, textile pictate. Deviza sa artistic\u0103 ar fi: \u201e(eu) sunt mai mul\u0163i\u201c, cu referire la frontierele elastice ale noii re\u0163ele artistice interna\u0163ional constituite \u2013 un credo care define\u015fte \u00een cele din urm\u0103 artistul planetar de azi. Iar artista german\u0103 a colaborat cu nume ca Martin Kippeenberger, Cady Noland, Andr\u00e9 Cadere (artist de etnie rom\u00e2n\u0103, n\u0103scut \u00een Polonia, mort \u00een 1978, la 44 de ani), Iza Geknsken, Mike Kelly sau cu regizori precum Jacques Tati \u015fi George Romero.<br \/>\n\u201equartier21\u201c, reziden\u0163a unde voi sta dou\u0103 luni, al\u0103turi de arti\u015fti din SUA, Africa de Sud, Germania, Olanda, Turcia, Cehia, este parte a unui vast centru cultural, Museums Quartier Wien (prescurtat MQW), care cuprinde \u015faizeci de entit\u0103\u0163i culturale, un loc de \u00eent\u00e2lnire al artelor (Tanzquartier Wien aici \u00ee\u015fi are sediul, iar spectacolul britanicului Richard O\u2019Brien, Rocky Horror Show, face furori printre cei tineri la data c\u00e2nd scriu), s\u0103li de expozi\u0163ii, de teatru, muzee pentru copii \u015fi tineret, ateliere, cafenele, restaurante etc. Este considerat al cincilea centru cultural din lume \u015fi a fost finalizat cu bani mul\u0163i \u00een 2001, \u00een jurul unor cl\u0103diri istorice din secolele al XVIII-lea \u015fi al XIX-lea. Muzeele \u201eLeopold\u201c (cu operele lui Egon Schiele \u00een prim plan), \u201emumok\u201c (avangarda interna\u0163ional\u0103 \u015fi austriac\u0103, cu peste 10.000 de lucr\u0103ri, peste 1.600 de arti\u015fti, dintre care Kokoschka, Picabia, Magritte, Max Ernst sau Mondrian sunt la loc de cinste) aici \u00ee\u015fi au sediul. A\u015ftept cu ner\u0103bdare deschiderea, \u00een 17 decembrie, a marii expozi\u0163ii Giacometti.<br \/>\n\u00cenceput\u0103 din anul 2002, reziden\u0163a \u201equartier21\u201c a g\u0103zduit p\u00e2n\u0103 acum peste cinci sute de arti\u015fti, chiar vreo \u015fapte-opt scriitori rom\u00e2ni (ultimul a fost, recent, Daniel B\u0103nulescu), ceea ce arat\u0103 un anume interes al organiza\u0163iei pentru literatura rom\u00e2n\u0103, gra\u0163ie generozit\u0103\u0163ii Elisabethei Hajek, coordonatoarea \u201equartier21\u201c.<br \/>\nP\u00e2n\u0103 c\u00e2nd voi reveni cu un alt articol, anul viitor, v\u0103 spun \u201eLa mul\u0163i ani\u201c \u00eenc\u0103 de pe acum \u015fi v\u0103 doresc o iarn\u0103 frumoas\u0103, oriunde v-a\u0163i afla.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00cen a\u015fteptarea primei ninsori, Viena bea vin fiert (gluhwein) \u015fi \u00ee\u015fi construie\u015fte atent\u0103 propriul program pentru 2020, c\u00e2nd \u00ee\u015fi dore\u015fte s\u0103 primeasc\u0103 optsprezece milioane de vizitatori anual \u015fi s\u0103 \u00eencaseze un miliard de euro. Managerii desemna\u0163i s\u0103 aplice strategia bazat\u0103 pe tema Global. Smart. Premium consider\u0103 c\u0103 Viena este \u015fi poate fi mai departe o&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/viena-intre-ultimele-zile-ale-omenirii-si-hippies-use-side-door\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Viena \u00eentre  &#8222;Ultimele zile ale omenirii&#8221; \u015fi &#8222;Hippies Use Side Door&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[13085,13087,13086,10778],"class_list":["post-21592","post","type-post","status-publish","format-standard","hentry","category-mozaic","tag-capitala-turistica","tag-cultura-asimilata","tag-hippies-use-side-door","tag-viena"],"views":1056,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/21592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=21592"}],"version-history":[{"count":0,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/21592\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=21592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=21592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=21592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}