Nici \u00een anii de restri\u015fte 1948-1955, de c\u00e2nd dateaz\u0103 poemele transcrise aici, poezia lui Arghezi nu e monocord\u0103, nu se simplific\u0103 la un singur registru. Are acela\u015fi aspect diversificat tematic \u015fi stilistic ca \u00een volumele Cuvinte potrivite (1927) sau Una sut\u0103 una poeme (1947). \u00centotdeauna poetul a scris simultan \u00een mai multe stiluri, a adoptat mai multe tonalit\u0103\u0163i, \u015fi-a diversificat temele \u015fi tipurile de versifica\u0163ie. Multiplicarea atitudinilor fa\u0163\u0103 de lume, fa\u0163\u0103 de om \u015fi ale poetului fa\u0163\u0103 de sine \u00eensu\u015fi \u0163ine de esen\u0163a arghezianismului. Lumile \u015fi stilurile paralele persist\u0103 \u00eentr-o structur\u0103 ireductibil\u0103 la dinamica simpl\u0103 a unei dualit\u0103\u0163i sau a unei polarit\u0103\u0163i.
\nContradic\u0163iile interne nu pot fi reduse la doi termeni, dup\u0103 cum explor\u0103rile lumii \u015fi exprimarea lor poetic\u0103 nu au doar dou\u0103 sensuri, ci urmeaz\u0103 direc\u0163ii multiple. Psalmul, fabula, pamfletul politic, medita\u0163ia religioas\u0103, anecdoticul, miniaturalul, pastelul, inscrip\u0163iile laconice alterneaz\u0103 sau se intersecteaz\u0103. Natur\u0103, om, societate, transcenden\u0163\u0103, iubire, singur\u0103tate etc. sunt prezente simultan \u00een con\u015ftiin\u0163a poetului, transpuse \u00een cele mai diverse forme de versifica\u0163ie.
\nUniversul mic (furnicile), fiin\u0163ele apropiate \u00een sfera domestic\u0103 (pisicile, c\u00e2inii, p\u0103s\u0103rile de curte) st\u00e2rnesc o duio\u015fie imprevizibil\u0103, pe care nu i-am putea-o b\u0103nui poetului dac\u0103 nu am cunoa\u015fte-o din manifest\u0103rile anterioare. Marea revolt\u0103 sau marea deprimare arghezian\u0103 din anii interdic\u0163iei postbelice se reflect\u0103 sau se consoleaz\u0103 \u00een lumea din preajm\u0103. Evenimentele din universul domestic sunt \u015fi ele str\u0103b\u0103tute de bucurii \u015fi drame. C\u0103\u0163elu\u015ful ar trebui \u015fi el s\u0103 se \u00eembrace, ce orice om, dac\u0103 nu ar avea at\u00e2tea dificult\u0103\u0163i \u00een a-\u015fi adapta croiul hainelor la obiceiurile lui. Pisica Bi\u0163a a disp\u0103rut f\u0103r\u0103 urm\u0103 \u015fi f\u0103r\u0103 explica\u0163ie, l\u0103s\u00e2ndu-l pe poet cu o mare nedumerire, cu amintirea unei filosofii obscure, citit\u0103 \u00een ochii ei str\u0103ini \u015fi \u00een privirea impenetrabil\u0103. La fel de enigmatic, motanul Piciu dispare, f\u0103c\u00e2nd versul ceremonios comemorativ, de\u015fi al\u0163ii vor \u00een\u0163elege greu sau nu vor \u00een\u0163elege aceast\u0103 triste\u0163e, jelania \u201e\u00een fa\u0163a veciei\u201c dup\u0103 un pisoi. Furnicile deretic\u0103 \u015fi robotesc ca femeile \u00een pragul s\u0103rb\u0103torilor, chiar dac\u0103 sunt surprinse de o furtun\u0103 pe care nu au putut-o prevedea. Sentimentele de delicate\u0163e \u015fi de ocrotire sunt trezite \u015fi insuflate ca o mare datorie fa\u0163\u0103 de aceast\u0103 lume mic\u0103, necuv\u00e2nt\u0103toare, dar asem\u0103n\u0103toare \u015fi rezonant\u0103 cu via\u0163a omului.
\nManuscrisele poemelor nu comport\u0103 dificult\u0103\u0163i majore de transcriere, dac\u0103 semnele grafice sunt urm\u0103rite cu suficient\u0103 aten\u0163ie. Edi\u0163ia de la Arad gre\u015fe\u015fte c\u00e2te pu\u0163in \u00een fiecare poem, at\u00e2t c\u00e2t s\u0103-l ciobeasc\u0103. \u00cen poemul Cu\u0163u primul vers din strofa a treia nu e citit complet, ci e redat \u00een forma ciuntit\u0103 \u201eDac\u0103-i pe jum\u0103tate\u201c, \u00een loc de \u201eDac\u0103-i om pe jum\u0103tate\u201c. \u00cen strofa a patra, la versurile 3-4, Arghezi face un semn de inversiune \u00een manuscris, opt\u00e2nd pentru ordinea lor a\u015fa cum am transcris-o aici (edi\u0163ia de la Arad le red\u0103 \u00een ordinea 4-3). \u00cen poemul despre pisica Bi\u0163a (nefinisat de autor), edi\u0163ia de la Arad nu respect\u0103 c\u00e2teva variante fonetice specific argheziene: \u201eginga\u015fe\u201c (\u00een primul vers, \u00een loc de \u201eginga\u015f\u0103\u201c) \u015fi \u201em\u0103tasa\u201c (\u00een loc de \u201em\u0103tasea\u201c). \u00cen final, nu delimiteaz\u0103 strofa de cinci versuri de cea anterioar\u0103, de trei versuri, f\u0103c\u00e2nd un bloc de opt versuri. Am mai spus \u015fi alt\u0103 dat\u0103: organizarea pe strofe este la Arghezi riguroas\u0103.
\nPoemul Furnicile este transcris total aiurea \u00een edi\u0163ia de la Arad. Poetul a scris \u00een dreptul strofelor un num\u0103r de ordine, alta dec\u00e2t cea a elabor\u0103rii \u00een manuscris. Editorii de la Arad transcriu \u015fi cifrele, dar se \u00eencurc\u0103 la strofa concluziv\u0103, pe care, nefiind numerotat\u0103 (pentru c\u0103 nu mai era nevoie), o a\u015faz\u0103 dup\u0103 strofa a doua, stric\u00e2nd construc\u0163ia discursului poetic, foarte limpede, de altfel. Nu delimiteaz\u0103 strofele \u00een c\u00e2te patru versuri, unit\u0103\u0163i foarte bine elaborate \u015fi separate \u00een manuscris. \u00cen versul al treilea citesc \u201efamiliile\u201c, \u00een loc de \u201efemeile\u201c, stric\u00e2nd ritmul. \u00cen poemul Piciu, totul ar fi aproape bine, dac\u0103 nu ar fi uitat, pur \u015fi simplu, ultimul vers, f\u0103r\u0103 de care, bine\u00een\u0163eles, poemul nu e \u00eentreg, r\u0103mas cu un final suspendat, eliptic. E adev\u0103rat c\u0103 disloc\u0103rile topice din ultima strof\u0103 sunt derutante, dar nu ar trebui s\u0103 fie derutante \u015fi pentru un editor versat.<\/p>\n
<\/p>\n
\u015f1\u0163<\/strong>
\nCu\u0163u<\/strong>
\nCu\u0163ul galben nu e om
\nCa s\u0103 bea \u0163uic\u0103 \u015fi rom
\nDar m\u0103n\u00e2nc\u0103 toate cele,
\nIcre, \u015func\u0103 \u015fi chiftele<\/p>\nCa un om, doar nu vorbe\u015fte,
\nCa un om se chibzuie\u015fte,
\nCa un om se-ng\u00e2ndureaz\u0103
\nDoar at\u00e2t, c\u0103 nu fumeaz\u0103.<\/p>\nDac\u0103-i om pe jum\u0103tate
\nNu-n\u0163eleg de ce nu poate
\nJum\u0103tate s\u0103 se-mbrace
\n\u015ei s\u0103-\u015fi puie cozondroace.<\/p>\nPo\u0163i s\u0103 crezi \u015fi po\u0163i nu crede,
\nE ceva ce prea se vede.
\nA\u015f fi-n stare s\u0103-l \u00eembrac
\nCu o m\u00e2nec\u0103 \u015fi-un crac.<\/p>\nC-un pantof \u015fi un ciorap.
\nL-a\u015f g\u0103ti p\u00e2n\u0103 la cap.
\n\u015ei am \u015fi piele destul\u0103
\nS\u0103-i croiesc \u015fi o c\u0103ciul\u0103.<\/p>\n\u00cens\u0103 trebui\u2019 n\u0103scocit
\nUn i\u0163ar mai r\u0103sucit
\nS\u0103 nu se tot descheie
\n\u015ei \u00eencheie pe alee
\nLa tot st\u00e2lpul de zaplaz.<\/p>\nPantalonii-s cu necaz.<\/p>\n
\u015f2\u0163<\/strong>
\n\u015fUnde e Bi\u0163a?\u0163<\/strong>
\nUnde e Bi\u0163a? Bi\u0163a cea ginga\u015fe
\nCa o lalea?
\nO c\u0103ut\u0103m de-o s\u0103pt\u0103m\u00e2n\u0103
\n\u00cen grajduri, \u00een p\u0103tule.
\nNu-i nic\u0103ieri \u015fi ne lipsesc
\nMersul ei \u00eemp\u0103r\u0103tesc,
\nGura ei ca un trandafir,
\nOchii-i ad\u00e2nci \u015fi galbeni ca topazul,
\nM\u0103tasa pip\u0103itului, obrazul,
\nFirea ei de principes\u0103.
\nUnde-i bijuteria casei noastre?<\/p>\n\u015ei-aduci aminte, se urca pe piept
\n\u015ei se uita \u00een ochii no\u015ftri drept
\nCeasuri \u00eentregi, voind s\u0103 spun\u0103
\nC\u0103 ea pogoar\u0103 din Luceaf\u0103r sau din lun\u0103.<\/p>\nDe \u015fapte zile n-a m\u00e2ncat
\nNici nu s-a ad\u0103pat
\n\u015ei nu a pl\u00e2ns \u015fi nu s-a r\u0103sf\u0103\u0163at.<\/p>\nAm \u00eentrebat-o: ce-ai tu, Bi\u0163a?
\nDeschide guri\u0163a – \u015fi spune.
\nEa s-a uitat la noi ca totdeauna,
\nDep\u0103rtat\u0103 ca luna,
\nStr\u0103in\u0103 ca piscul, ca marea.<\/p>\n\u015f3\u0163<\/strong>
\nFurnicile<\/strong>
\nNefiind eretice
\nVoiau s\u0103-\u015fi deretice
\nDe pa\u015fti, ca femeile
\nCasa \u015fi bordeiele.<\/p>\nO furtun\u0103 le-a surprins
\nNeav\u00e2nd parc\u0103-ntr-adins
\nBuletine logice
\nMeteorologice.<\/p>\n\u015ei-au ie\u015fit din mu\u015furoaie
\nS\u0103 le-acopere de ploaie
\nC\u0103ci un nor \u00eentunecat
\nS-a ivit \u015fi a tunat.<\/p>\nCuiburilor din pietri\u015f
\nLe lipse\u015fte-acoperi\u015f.
\nMii \u015fi mii \u015fi zeci de sute
\nStr\u00e2ng materiale iute.<\/p>\nD\u0103-le pace c\u0103 au treab\u0103
\nC\u0103-\u015fi str\u00e2ng boabele degrab\u0103,
\nBoarfele \u015fi c\u00e2te toate
\nM\u0103run\u0163i\u015furi \u015fi bucate.<\/p>\nS\u0103 ia bine seama to\u0163i
\nOamenii de c\u00e2\u0163iva co\u0163i,
\nC\u00e2inii \u015fi pisicile:
\nNu c\u0103lca\u0163i furnicile.<\/p>\n\u015f4\u0163<\/strong>
\nPiciu<\/strong>
\nTu ai pierit, cum piere f\u0103r\u0103 urm\u0103
\nMioara m\u00e2ng\u00e2iat\u0103, pe negur\u0103, din turm\u0103.
\nO caut\u0103 pe r\u00e2p\u0103 \u015fi-o strig\u0103 noaptea-n van
\nPe marginile ce\u0163ei m\u00e2hnitul ei cioban.<\/p>\nAm cercetat-o \u015fi cu t\u0103cerea \u00een zadar
\nCa s\u0103 g\u0103sesc frumosul cadavrul t\u0103u m\u0103car.
\nA\u015f fi primit triste\u0163ea s\u0103 \u015ftiu de se putea
\n\u015ei s\u0103 \u00ee\u0163i fac \u00een tufe morm\u00e2nt cu m\u00e2na mea.<\/p>\nLas versului, silabei duioasa mea ru\u015fine
\nS\u0103 te ascund\u0103-n ele de om \u015fi s\u0103 suspine
\n\u015ei \u00eempletesc cu umbr\u0103, nedeslu\u015fit, \u015fi-azur
\nF\u0103ptura ta pribeag\u0103, pierdut\u0103 din contur.<\/p>\n\u00cenve\u015fm\u00e2ntat domne\u015fte \u00een catifea \u015fi blan\u0103
\n\u015ei scris cu arabescuri de pensul\u0103 \u015fi pan\u0103,
\nC\u0103 o s\u0103 ierte omul condeiului m\u0103-ndoi
\nDe-a jelui \u00een fa\u0163a veciei un pisoi.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"Nici \u00een anii de restri\u015fte 1948-1955, de c\u00e2nd dateaz\u0103 poemele transcrise aici, poezia lui Arghezi nu e monocord\u0103, nu se simplific\u0103 la un singur registru. Are acela\u015fi aspect diversificat tematic \u015fi stilistic ca \u00een volumele Cuvinte potrivite (1927) sau Una sut\u0103 una poeme (1947). \u00centotdeauna poetul a scris simultan \u00een mai multe stiluri, a adoptat… Cite\u0219te mai mult »Evenimente \u00een universul domestic<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[12182],"class_list":["post-21064","post","type-post","status-publish","format-standard","hentry","category-cultura-literara","tag-versuri-inedite-arghezi"],"views":1509,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/21064","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=21064"}],"version-history":[{"count":0,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/21064\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=21064"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=21064"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=21064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}