{"id":20688,"date":"2014-09-25T11:43:57","date_gmt":"2014-09-25T09:43:57","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=20688"},"modified":"2014-09-25T11:43:57","modified_gmt":"2014-09-25T09:43:57","slug":"toamna-literelor-in-deflatie","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/toamna-literelor-in-deflatie\/","title":{"rendered":"Toamna literelor \u00een defla\u0163ie"},"content":{"rendered":"<p>Le Magazine Litt\u00e9raire e o vitrin\u0103 clasic\u0103 a ofertelor editoriale cu care pia\u0163a literar\u0103 francez\u0103 marcheaz\u0103 a\u015fa-numita la rentr\u00e9e. Num\u0103rul din august-septembrie 2014 nu face excep\u0163ie \u015fi propune o colec\u0163ie restr\u00e2ns\u0103, aparent mai bine aleas\u0103, emancipat\u0103 de spiritul expansionist al anilor trecu\u0163i. De altfel, chiar hebdomadarul Le Magazine Litt\u00e9raire a adoptat o fa\u0163\u0103 mai \u201econcentrat\u0103\u201d, mai \u201edisciplinat\u0103\u201d: a renun\u0163at la textura glossy a paginilor, p\u0103str\u00e2nd-o doar pentru coperte, \u015fi a redus sim\u0163itor cantitatea de text. Titlul editorialului Une rentr\u00e9e (enfin) concentr\u00e9e semnat de criticul literar Marin de Viry spune totul. Abunden\u0163a de teme \u015fi autori de mai an apare acum drept \u201eimpas infla\u0163ional\u201d, criza duc\u00e2nd, pare-se, la cernerea mai riguroas\u0103 a valorilor. Rea \u00een fond, criza ar fi scos ce era mai bun din pia\u0163a literar\u0103 \u015fi din actorii ei: altfel spus, suntem prea s\u0103raci pentru a ne schimba ma\u015fina \u00een fiecare an, deci vom cump\u0103ra un BMW de ultim\u0103 genera\u0163ie. Alt\u0103dat\u0103 s-a spus c\u0103 marii scriitori se nasc \u00een condi\u0163ii vitrege, c\u0103, \u00een genere, bun\u0103starea mole\u015fe\u015fte, iar crizele sunt creatoare. Un z\u0103ng\u0103nit de propagand\u0103 mobilizatoare, aproape motiva\u0163ional\u0103, r\u0103zbate din aceast\u0103 asumare eufemistic\u0103 a crizei. Totu\u015fi, num\u0103rul redus de autori nu garanteaz\u0103 dec\u00e2t, eventual, calitatea redact\u0103rii (\u201ec\u0103r\u0163ile sunt mai izbutite \u015fi pentru c\u0103 redactorii au avut de prelucrat mai pu\u0163ini scriitori\u201d, concede Viry), restul \u2013 valoare, inova\u0163ie, originalitate \u2013 e mult mai versatil. Peste epiderma fatal\u0103 de meduz\u0103, criza prime\u015fte deci tencuiala senzualit\u0103\u0163ii (oferta literar\u0103 a Fran\u0163ei lui 2014 te-ar \u201educe cu g\u00e2ndul la o stewardes\u0103 a Air France din anii \u201960: disciplinat\u0103, calm\u0103, dar erotic\u0103\u201d, scrie Viry), a s\u0103n\u0103t\u0103\u0163ii \u015fi a moralit\u0103\u0163ii. Altfel spus: gata cu dezm\u0103\u0163ul comercial, \u00eenapoi la literatur\u0103, la c\u0103r\u0163ile bine g\u00e2ndite \u015fi mai ales bine redactate (m\u0103 \u00eentreb totu\u015fi dac\u0103 \u00een anii \u201einfla\u0163iei\u201d editoriale \u00ee\u015fi va fi pus critica francez\u0103 problema obezit\u0103\u0163ii literaturii na\u0163ionale \u015fi dac\u0103 propor\u0163iile produc\u0163iei \u00eei vor fi p\u0103rut un semn de decaden\u0163\u0103: din c\u00e2te \u00eemi amintesc, nici pe departe). Cine vrea s\u0103 vad\u0103 \u00een contractarea cu pricina o esen\u0163ializare, o reac\u0163ie legitim\u0103 dup\u0103 infla\u0163ia de teme \u015fi autori din anii trecu\u0163i poate s-o fac\u0103; n-o s\u0103 fie contrazis dec\u00e2t de cei care v\u0103d \u00een ea o capitulare \u00een fa\u0163a constr\u00e2ngerilor de ordin financiar. R\u0103m\u00e2ne de v\u0103zut dac\u0103 aceast\u0103 literatur\u0103 drastic dr\u0103muit\u0103 e mai mult dec\u00e2t o literatur\u0103 (totu\u015fi) comercial\u0103, (totu\u015fi) inert\u0103 \u00eentr-un orizont de a\u015fteptare ocupat deja de al\u0163i stimuli dec\u00e2t literatura. P\u00e2n\u0103 una, alta, aproape jum\u0103tate din oferta editorial\u0103 selectat\u0103 de Magazine Litt\u00e9raire pe anul 2014 reprezint\u0103 traduceri din autori anglo-saxoni (James Salter, David Vann, John Burnside, Steve Tesich). \u00cen acest context, autohtonii Emmanuel Carr\u00e8re, cu Le Royaume, un roman despre \u00eenceputurile \u015fi mo\u015ftenirea cre\u015ftinismului, Laurent Mauvignier, cu Autour du monde \u2013 o \u201einterna\u0163ional\u0103 a ravagiului\u201d inspirat\u0103 de dezastrul seismului japonez din 2011 \u2013 sau Olivia Rosenthal, cu M\u00e9canismes de survie en milieu hostile, par simple piese de decor.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Magazine Litt\u00e9raire e o vitrin\u0103 clasic\u0103 a ofertelor editoriale cu care pia\u0163a literar\u0103 francez\u0103 marcheaz\u0103 a\u015fa-numita la rentr\u00e9e. Num\u0103rul din august-septembrie 2014 nu face excep\u0163ie \u015fi propune o colec\u0163ie restr\u00e2ns\u0103, aparent mai bine aleas\u0103, emancipat\u0103 de spiritul expansionist al anilor trecu\u0163i. De altfel, chiar hebdomadarul Le Magazine Litt\u00e9raire a adoptat o fa\u0163\u0103 mai \u201econcentrat\u0103\u201d,&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/toamna-literelor-in-deflatie\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Toamna literelor \u00een defla\u0163ie<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[8],"tags":[12303,12307,12305,10551,12304,12306,12308],"class_list":["post-20688","post","type-post","status-publish","format-standard","hentry","category-cultura-literara","tag-criticul-literar-marin-de-viry","tag-cu-autour-du-monde","tag-cu-le-royaume","tag-emmanuel-carrere","tag-hebdomadarul-le-magazine-litteraire","tag-laurent-mauvignier","tag-olivia-rosenthal"],"views":1258,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/20688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=20688"}],"version-history":[{"count":0,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/20688\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=20688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=20688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=20688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}