{"id":20684,"date":"2014-09-25T11:38:31","date_gmt":"2014-09-25T09:38:31","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=20684"},"modified":"2014-09-25T11:38:31","modified_gmt":"2014-09-25T09:38:31","slug":"intru-evanescenta","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/intru-evanescenta\/","title":{"rendered":"\u00centru evanescen\u0163\u0103"},"content":{"rendered":"<blockquote><p><strong>Marian Dr\u0103ghici, <em>Lumin\u0103<\/em>, <em>\u00eencet,<\/em> Tracus Arte, Bucure\u015fti, 2013, 115 p.<\/strong><\/p>\n<p>&nbsp;<\/p><\/blockquote>\n<p>\u00centr-o pseudo-prefa\u0163\u0103 liric\u0103 a c\u0103r\u0163ii lui Marian Dr\u0103ghici, lumin\u0103, \u00eencet (Tracus Arte, Bucure\u015fti, 2013), printre adieri hieratice \u015fi acute obiectiv\u0103ri din proximitatea durerii, irumpe, la nivel oniric, textul poetic. Odat\u0103, toate poemele visate p\u0103reau a fiin\u0163a pe teritoriile excelen\u0163ei, p\u00e2n\u0103 la instaurarea acelei irepresibile \u201etabula rasa\u201d, la ie\u015firea de sub tutela lui Oneiros. Rememor\u0103rile au o stranietate estetic\u0103. Nostalgia, nedisimulat\u0103, p\u0103trunde \u00eentru evanescen\u0163\u0103. Ipostaza auctorial\u0103 se conjug\u0103 cu figuri din \u201etempi passati\u201d (pot fi recunoscu\u0163i Marcel Proust \u015fi Martha Bibescu), ceea ce genereaz\u0103 un halou afin fluidei suprarealit\u0103\u0163i: \u201eeram, existam eu \u015fi marea\/ m\u0103sur\u00e2ndu-ne din priviri\/ (Marcel: m\u0103 interseaz\u0103 deosebit de mult\/ cum \u00eemb\u0103tr\u00e2nesc chipurile)\/ \u00eentr-o singur\u0103tate din ce \u00een ce mai stranie \u015fi ap\u0103s\u0103toare,\/ a\u015fa am intrat \u00een ea \u00eembr\u0103cat, am parcurs-o\/ p\u00e2n\u0103 a doua zi c\u0103tre sear\u0103\/ c\u00e2nd ajunsese pe malul dimpotriv\u0103\/ unde iat\u0103 stau \u015fi a\u015ftept (hallali hallali:\/ arie de corn de v\u00e2n\u0103toare\/ de obicei veste\u015fte c\u0103 cerbul este \u00eencol\u0163it)\/ a\u015fezat pe o banc\u0103 la trei-patru pa\u015fi de col\u0163ul\/ unei str\u0103zi al c\u0103rei nume \u00eemi scap\u0103 hallali hallali\u201d. Impresioneaz\u0103 statura paradigmatic\u0103 a m\u0103rii: \u201eceva \u00een genul acesta\/ m-am ridicat \u00een sf\u00e2r\u015fit, am dat col\u0163ul\/ \u015fi deodat\u0103 \u00eemi ap\u0103ru \u00een fa\u0163\u0103,\/ vertical\u0103,\/ marea\u201d. Aceasta, \u00een timp ce excesive dizarmonii marcheaz\u0103 aventurile mundane, ap\u0103s\u0103ri, mari ap\u0103s\u0103ri care fac s\u0103 vibreze chiar \u015fi legile s\u00e2ngelui. Devine tu\u015fant\u0103 for\u0163a de a concentra fiorul poetic: \u201elumin\u0103, c\u00e2t ai aprinde\/ un pai pe ape\u201d. Imaginea \u201ep\u0103h\u0103ru\u0163ului\u201d ia abisale valori metafizice. Incursiunile vitale sunt supuse regimului meandric. \u00cen discursul poetic intervin considerabile transfigur\u0103ri, unele livre\u015fti, altele profund determinate de contingen\u0163\u0103, pentru edificarea unui filon ideatic cu marcant\u0103 individualitate. Constat\u0103m discrete, chiar sfioase dep\u0103\u015firi ale temporalit\u0103\u0163ii ce-\u015fi dovedise neviabilitatea \u00een raport cu fastul \u015fi fine\u0163ea caracteristice\u00a0 lirismului: \u201eam plecat, era timpul inconsisten\u0163\u0103 tun\u0103toare\/ p\u0103n\u0103 \u015fi u\u015filor tr\u00e2ntite c\u00e2ndva \u00een urma mea\/ le-am cerut iertare,\/ p\u00e2n\u0103 \u015fi clopo\u0163elului de la intrare\/\/ era \u00eentr-adev\u0103r timpul \u2013\/ o zi-nsorit\u0103, oarecare\/ cu flori de step\u0103 pe mas\u0103.\/\/ un fel de c\u0103in\u0163\u0103 m\u0103 \u00eencearc\u0103 acum (nu regretul)\/ o c\u0103in\u0163\u0103 melodioas\u0103, \u00eembietoare\/ cum ai vedea c\u00e2nd focuri dau pe mare\/ un ins merg\u00e2nd \u00een step\u0103\/ s\u0103 r\u00e2d\u0103 singur,\/ s\u0103 culeag\u0103 flori de step\u0103\u201d. Idealul se reveleaz\u0103 printre faldurile crepusculului inspirator, vegheat mereu, spectral, de nimbul mor\u0163ii. Diafanul luminii are \u00een el persisten\u0163a st\u0103rii de provizorat. Perspectiva sf\u00e2r\u015fitului genereaz\u0103 un paradoxal echilibru av\u00e2nd la baz\u0103, totu\u015fi, durerea: \u201eastfel \u00eemi fu dat,\/ s\u0103 \u00eent\u00e2lnesc \u00eentr-un septembrie oarecare\/ pricina mor\u0163ii mele\/ \u015fi s\u0103 fiu lini\u015ftit cu ea ca plopul cu zbaterea\/ frunzei sale\u201d. Regimul cromatic de iarn\u0103 caracterizeaz\u0103 selenarele introspect\u0103ri ale poetului. Rezist\u0103 leg\u0103tura cu divinitatea: \u201ec\u00e2t prive\u015fte poetul,\/ dup\u0103 o noapte alb\u0103 el scrie:\/ ceea ce persist\u0103\/ este un sentiment verde iarna \u2013\/ sentimentul de iarn\u0103. \u015fi:\/ sunt fericit, Dumnezeu mi-a dat de lucru.\/ Dumnezeu, nu omul\u201d. Iat\u0103 \u015fi o inedit\u0103 \u201efotografie\u201d a mor\u0163ii: \u201emoartea\/ cu ochii s\u0103i viole\u0163i\/ l\u0103s\u00e2ndu-\u015fi pe um\u0103rul meu greutatea\/ de verde papagal b\u0103tr\u00e2nicios,\/ f\u0103c\u00e2ndu-\u015fi pe um\u0103rul meu veacul \u015fi g\u0103ina\u0163ii\/ \u00eenainte de-a trece marea \u2013\/\/ dac\u0103 un verde papagal b\u0103tr\u00e2nicios\/ cu ochii s\u0103i viole\u0163i\/ este \u00een stare s\u0103 treac\u0103 marea\u201d. Ample tribula\u0163ii nocturne destabilizeaz\u0103 \u201elucrurile\u201d \u015fi \u201es\u00e2ngele din febra lini\u015ftii\u201d. Starea poetic\u0103, \u00een direct\u0103 rela\u0163ie cu Thanatos, concentreaz\u0103 paradoxuri de multe ori luminoase: \u201eei bine, pentru poet\/ fiecare vers,\/ fiecare poem mare \u015fi adev\u0103rat\/ declan\u015feaz\u0103\/ \u015focul unei scurte mor\u0163i instantanee.\/\/ c\u00e2te poeme,\/ c\u00e2te versuri mari \u015fi adev\u0103rate\/ \u00een via\u0163a unui poet,\/ at\u00e2tea\/ mor\u0163i\/ bru\u015fte,\/ succesive.\/\/ \u00een jurul capului s\u0103u aura neagr\u0103\/ din\/ moarte-n\/ moarte\/ se\/ albe\u015fte cu timpul\/\/ \u015fi \u00eentr-o zi lumineaz\u0103 ca luna plin\u0103\/ deasupra str\u0103zii N\u0103bucului.\/\/ c\u0103ci gloria mor\u0163ii intens focalizat\u0103\/ \u00eei confer\u0103 vie\u0163ii prin reflex\/ un caracter\/ (pentru poet)\/ sacru.\/\/ e mesajul lui.\/ e sc\u0103parea\u201d. Poezia posed\u0103 o natur\u0103 suprem\u0103, la fel ca iubirea, ca moartea. Exotice reprezent\u0103ri din zodia suprarealit\u0103\u0163ii \u0163in locul mult a\u015fteptatelor evad\u0103ri. Perimetrul boemei con\u0163ine toate aceste \u201em\u0103\u015fti\u201d ce flaneaz\u0103 prin via\u0163\u0103. Sintagma \u201eharrum\u201d, cu incontestabil\u0103 valoare mantric\u0103, are un special ton ascendent, ceea ce presupune \u015fi eviden\u0163a rupturii la nivel ontologic: \u201evino \u00een somn cu o pern\u0103 pe fa\u0163\u0103\/ e\u015fti \u00eengerul,\/ e\u015fti de bun\u0103 seam\u0103 sf\u00e2r\u015fitul\u201d. Omniprezen\u0163a \u201eflorilor de step\u0103\u201d orienteaz\u0103 mereu g\u00e2ndul spre orizontul marilor plec\u0103ri. Multiple tonuri, at\u00e2t ludice c\u00e2t \u015fi ironice, puncteaz\u0103 lirismul lui Marian Dr\u0103ghici. Flash-uri impresionante, purt\u0103toare de complexe universuri, urmeaz\u0103 legile suferin\u0163ei: \u201ev\u00e2sc auriu al vie\u0163ii mele, putere de a bea\/ p\u00e2n\u0103 la cap\u0103t acest pahar\/ \u00een care a scuipat deja moartea.\/\/ vers dup\u0103 vers poem dup\u0103 poem\/ imprimate pe creier, \u00een g\u00e2nd.\/ mari por\u0163iuni din scoar\u0163\u0103 sunt arse, scurt \u2013\/ circuitate \/ nici b\u0103l\u0103rii nu mai cresc,\/ nici r\u0103mureaua de scaiete\/ nu se despoaie\/ \u00een roua l\u0103untric\u0103.\/\/ la autopsie \u00een craniul meu se va g\u0103si\/ (dac\u0103 se va g\u0103si)\/ o moar\u0103 mic\u0103 neagr\u0103 ars\u0103 din temelii\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marian Dr\u0103ghici, Lumin\u0103, \u00eencet, Tracus Arte, Bucure\u015fti, 2013, 115 p. &nbsp; \u00centr-o pseudo-prefa\u0163\u0103 liric\u0103 a c\u0103r\u0163ii lui Marian Dr\u0103ghici, lumin\u0103, \u00eencet (Tracus Arte, Bucure\u015fti, 2013), printre adieri hieratice \u015fi acute obiectiv\u0103ri din proximitatea durerii, irumpe, la nivel oniric, textul poetic. Odat\u0103, toate poemele visate p\u0103reau a fiin\u0163a pe teritoriile excelen\u0163ei, p\u00e2n\u0103 la instaurarea acelei irepresibile&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/intru-evanescenta\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">\u00centru evanescen\u0163\u0103<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[12302,2934,12301],"class_list":["post-20684","post","type-post","status-publish","format-standard","hentry","category-cultura-literara","tag-incet","tag-lumina","tag-marian-draghici"],"views":1243,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/20684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=20684"}],"version-history":[{"count":0,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/20684\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=20684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=20684"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=20684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}