Oric\u00e2t de sincer, direct \u015fi polemic ar fi un om, \u00eentotdeauna vituper\u0103rile lui ascund o nuan\u0163\u0103 secret\u0103, o sl\u0103biciune, o modera\u0163ie insesizabil\u0103 ochilor neaviza\u0163i. Menajamentul se strecoar\u0103 \u015fi \u00een cele mai exhaustive intransigen\u0163e. E sigur c\u0103 \u015fi Savonarola purta la piept lista lui de proteja\u0163i. E impresionant s\u0103 vezi aceast\u0103 parte de omenesc din cele mai supraomene\u015fti av\u00e2nturi, concesiile din cele mai inflexibile discursuri. Impreca\u0163iile, at\u00e2t de precis calculate, ocolesc \u00een traiectoria lor devastatoare anumite puncte sau chiar un singur loc. \u015ei chiar \u00een acel loc se afl\u0103 inima bombardierului care ar vrea s\u0103 distrug\u0103 \u00eentreaga lume cu o excep\u0163ie sau dou\u0103\u2026 \u00cen orice declara\u0163ie de r\u0103zboi putem citi, printre r\u00e2nduri, \u00een stilistica ei implicit\u0103, \u015fi o declara\u0163ie de dragoste.
\n\u00cen Lacrimi \u015fi sfin\u0163i \u00eent\u00e2lnim o asemenea nea\u015fteptat\u0103 declara\u0163ie de dragoste. R\u0103zboiul lui Emil Cioran cu Dumnezeu, cu religia cre\u015ftin\u0103 face nenum\u0103rate victime \u2013 \u00eencep\u00e2nd cu Prea-\u00cenaltul \u015fi p\u00e2n\u0103 la ultimul mistic occidental sau arab. Exist\u0103 \u00eens\u0103 un spa\u0163iu protejat, absent, neinclus \u00eentre \u0163intele lui Emil Cioran: e vorba de spa\u0163iul r\u0103s\u0103ritean al ortodoxiei. Emil Cioran se ceart\u0103 cu cre\u015ftinismul, dar, nu \u00eent\u00e2mpl\u0103tor, cre\u015ftinismul la care se refer\u0103 este catolic. Nu era mai firesc ca aceast\u0103 carte scris\u0103 \u00een rom\u00e2ne\u015fte, \u00een Rom\u00e2nia, \u0163ar\u0103 ortodox\u0103, s\u0103 con\u0163in\u0103 referin\u0163e la spa\u0163iul teologal r\u0103s\u0103ritean?\u00a0 Sfin\u0163ii, misticii la care se refer\u0103, pe care-i citeaz\u0103, din care se inspir\u0103, c\u0103rora le r\u0103spunde polemic apar\u0163in apusului european. S-a spus, \u00eentr-o \u00eencercare de psihanalizare a operei sale, c\u0103 Emil Cioran, fiu de preot ortodox, se revolt\u0103 \u00eempotriva tat\u0103lui s\u0103u prin aceast\u0103 revolt\u0103 fa\u0163\u0103 de cre\u015ftinism. Da, dar precizarea unei nuan\u0163e este important\u0103: cre\u015ftinismul este catolic\u2026\u00a0 Dac\u0103 \u00eenc\u0103 despre revolt\u0103 e vorba, atunci e vorba de o revolt\u0103 indirect\u0103, tangen\u0163ial\u0103, pe din l\u0103turi. \u00cen felul acesta de a scrie, Cioran manifest\u0103, \u00een condi\u0163iile situ\u0103rii sale fa\u0163\u0103 de problema religioas\u0103, o maxim\u0103 curtoazie fa\u0163\u0103 de religia tat\u0103lui s\u0103u \u015fi fa\u0163\u0103 de religia \u0163\u0103rii sale. Se prea poate ca aceast\u0103 autocenzur\u0103 s\u0103 nu fie str\u0103in\u0103 \u015fi de o inten\u0163ie de autoprotec\u0163ie: cititorii lui Cioran puteau fi revolta\u0163i de aparentele blasfemii \u015fi profan\u0103ri prezente \u00een carte, dar revolta lor nu putea fi dec\u00e2t moderat\u0103 \u2013 \u00een definitiv nu era vorba despre cre\u015ftinismul lor, na\u0163ional, ortodox (pe atunci, \u015fi legionar) ci despre catolicismul Occidentului corupt, dec\u0103zut, parlamentarist \u015fi democrat\u2026 Lacrimi \u015fi sfin\u0163i este un exemplu de sfidare cu m\u0103nu\u015fi, de provocare ce reu\u015fe\u015fte s\u0103 trezeasc\u0103 interesul \u015fi aten\u0163ia f\u0103r\u0103 s\u0103 atrag\u0103 excomunicarea \u015fi oprobriul public.
\nR\u0103spunsul la \u00eentrebarea ce datoreaz\u0103 Cioran spa\u0163iului rom\u00e2nesc sau religiei ortodoxe ar trebui s\u0103 aib\u0103 \u00een vedere \u015fi aceste semne, invizibile, ale unui ata\u015fament de un tip aparte care, la anumite personalit\u0103\u0163i, se manifest\u0103 doar printr-o indiferen\u0163\u0103 binevoitoare, printr-o t\u0103cere cordial\u0103, printr-un lapsus izb\u0103vitor.<\/p>\n","protected":false},"excerpt":{"rendered":"
Oric\u00e2t de sincer, direct \u015fi polemic ar fi un om, \u00eentotdeauna vituper\u0103rile lui ascund o nuan\u0163\u0103 secret\u0103, o sl\u0103biciune, o modera\u0163ie insesizabil\u0103 ochilor neaviza\u0163i. Menajamentul se strecoar\u0103 \u015fi \u00een cele mai exhaustive intransigen\u0163e. E sigur c\u0103 \u015fi Savonarola purta la piept lista lui de proteja\u0163i. E impresionant s\u0103 vezi aceast\u0103 parte de omenesc din cele… Cite\u0219te mai mult »Un caz de autocenzur\u0103<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11237],"tags":[12287,738,1864,12288],"class_list":["post-20674","post","type-post","status-publish","format-standard","hentry","category-cultura-societate","tag-cititorii-lui-cioran","tag-crestinism","tag-emil-cioran","tag-oprobriul-public"],"views":1420,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/20674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=20674"}],"version-history":[{"count":0,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/20674\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=20674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=20674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=20674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}