{"id":20618,"date":"2014-09-19T20:04:36","date_gmt":"2014-09-19T18:04:36","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=20618"},"modified":"2014-09-19T20:08:16","modified_gmt":"2014-09-19T18:08:16","slug":"10-romane-in-versuri","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/10-romane-in-versuri\/","title":{"rendered":"Romane \u00een versuri"},"content":{"rendered":"<p>\u00cen prima parte a secolului al XIX-lea, \u00een Marea Britanie, patria romanului modern, romanele \u00een versuri erau la fel de populare precum romanele \u00een proz\u0103. Romanul \u00een versuri, care nu trebuie confundat cu epopeea (de\u015fi \u00eenrudirea exist\u0103), este o inven\u0163ie a romanticilor, \u00een special a lui Walter Scott. I-a cedat locul romanului \u00een proz\u0103, pentru c\u0103 a pierdut b\u0103t\u0103lia cu realitatea \u015fi cu realismul. Dup\u0103 cum a schematizat Hermann Fischer \u00een lucrarea Romantic Verse Narrative. The History of a Genre (1991), nara\u0163iunile \u00een versuri au acoperit dou\u0103 direc\u0163ii principale: ezoterismul liric-metafizic (Wordsworth, Shelley etc.) \u015fi escapismul consumerist de tip romance (Walter Scott); \u00een timp ce prima a dus, prin simbolismul francez, la nara\u0163iunile mai mult sau mai pu\u0163in epice ale lui T.S. Eliot \u015fi Pound, cea de-a doua a dat fic\u0163iuni de consum precum libretele operei din secolul al XIX-lea \u015fi romanele de consum.<br \/>\nDe\u015fi la sf\u00e2r\u015fitul deceniului al treilea al secolului al XIX-lea genul romanului \u00een versuri se cam epuizase, avea s\u0103 dea \u00een continuare o capodoper\u0103 precum The Ring and The Book (1868-1869), masiva crea\u0163ie a lui Robert Browning, ale c\u0103rui monologuri dramatice \u00eei atr\u0103seser\u0103 aten\u0163ia admirativ\u0103 lui Dickens (probabil cel mai mare creator de \u201evoci\u201d din istoria romanului).<br \/>\nDup\u0103 aceasta a urmat o lung\u0103 pauz\u0103. \u00cens\u0103, \u00een ultimele decenii, romanul \u00een versuri a re\u00eenviat.<br \/>\nC\u00e2nd Vladimir Nabokov a publicat Pale Fire \u00een 1962 (roman hibrid, compus dintr-o sec\u0163iune de versuri \u015fi alta de comentarii), formula era extrem de original\u0103; r\u0103d\u0103cinile din secolul al XIX-lea se uscaser\u0103 cu totul \u015fi fuseser\u0103 uitate.<br \/>\nDe asemenea, c\u00e2nd Mircea Iv\u0103nescu a publicat \u00een 1973 un roman poli\u0163ist \u00een versuri (Poem), critica rom\u00e2n\u0103 a momentului l-a socotit o eroare (Dana Dumitriu, Al. Piru).<br \/>\n\u00cens\u0103, odat\u0103 cu epuizarea formal\u0103 a romanului c\u0103tre sf\u00e2r\u015fitul secolului al XX-lea, ca urmare a experimentelor intense produse \u00een laboratorul postmodernismului, era inevitabil ca re\u00eent\u00e2lnirea dintre romanul \u00een versuri \u015fi cel \u00een proz\u0103 s\u0103 se produc\u0103 din nou.<br \/>\nPe scurt, au \u00eenceput s\u0103 curg\u0103 nu doar romane \u00een versuri comise de experimentali\u015fti la edituri universitare \u00een tiraje mici; formula veche-nou\u0103 a impregnat rapid literatura de consum, re\u00eennoind o veche familiaritate. Ca atare, pot fi citite, \u00een versuri tocmite, romane horror, romane poli\u0163iste, romane de dragoste; dar \u015fi romane-poeme epice de o subtilitate infinit\u0103, precum acelea ale lui Derek Walcott, poetul din Caraibe care a primit Premiul Nobel \u00een 1992.<br \/>\n\u00cen literatura rom\u00e2n\u0103, deocamdat\u0103 doar Caius Dobrescu a publicat un roman \u00een versuri (Levantul lui Mircea C\u0103rt\u0103rescu e altceva, \u00eentruc\u00e2t mimetizeaz\u0103 recreator o alt\u0103 tradi\u0163ie epic\u0103, aceea a epopeii). Desigur, poate fi amintit \u015fi Radu Cosa\u015fu, cel care a practicat imixtiunea versului \u00een proz\u0103 pe vremea \u00een care era \u00eenc\u0103 revolu\u0163ionar\u0103. Dar nu-i nici o surpriz\u0103 c\u0103 nu-s prea mul\u0163i amatori: romanul \u00een versuri nu-i nici ca romanul, nici ca haiku-ul. Pentru a-l face cum trebuie, e nevoie de o versatilitate care nu-i pe toate drumurile.<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p><strong>10 romane \u00een versuri<\/strong><\/p>\n<p><strong>10. Toby Barlow, Sharp Teeth, 2008<\/strong><br \/>\nRoman horror cu v\u00e2rcolaci plasat \u00een Los Angeles.<br \/>\n<strong>9. Constantine Phipps, What You Want, 2014<\/strong><br \/>\n\u201eWhen I was about halfway through life\/ (always a cheery moment) I lost my wife\/ to another man\u201d: evident, punctul de plecare st\u0103 \u00een Divina Comedie a lui Dante, c\u0103reia \u00eens\u0103 Constantine Phipps (care publicase \u00eenainte dou\u0103 romane obi\u015fnuite) nu-i preia \u015fi complexul sistem metric, mul\u0163umindu-se cu banala rim\u0103 \u00eemperecheat\u0103 \u00een care, de altfel, Dante a mai fost tradus \u00een englez\u0103 (cel mai recent de Clive James). Pe post de Virgiliu, apare Sigmund Freud.<br \/>\n<strong>8. Mark Z. Danielewski, The Fifty Year Sword, 2012<\/strong><br \/>\nDanielewski este autorul unuia dintre cele mai originale \u015fi frisonante scrieri horror publicate vreodat\u0103, House of Leaves (2000). The Fifty Year Sword, de asemenea provocator din punct de vedere grafic, este o novella cu fantome.<br \/>\n<strong>7. Byron, Don Juan, 1837<\/strong><br \/>\nPoemul neterminat al lui Byron, una dintre cele mai influente scrieri epice ale secolului al XIX-lea, este disponibil \u00eentr-o traducere nu foarte precis\u0103 (ca s\u0103 folosesc un eufemism) apar\u0163in\u00e2ndu-i lui Aurel Covaci.<br \/>\n<strong>6. Dorothy Porter, The Monkey\u2019s Mask, 1994<\/strong><br \/>\nRoman noir \u00een versuri. Poate fi citit online la adresa http:\/\/www.poetrylibrary.edu.au\/poems-book\/the-monkey-s-mask-0129000. Un alt roman \u00een versuri de Porter este El Dorado (2007).<br \/>\n<strong>5. Vladimir Nabokov, Pale Fire, 1962<\/strong><br \/>\nS-ar zice c\u0103 o carte imposibil de tradus; \u00eens\u0103 anul acesta Veronica<br \/>\nD. Niculescu a publicat o versiune surprinz\u0103toare la Polirom (Foc palid).<br \/>\n<strong>4. Caius Dobrescu, Euromorphotikon, 2010<\/strong><br \/>\nCaius Dobrescu este cel mai complet scriitor debutat dup\u0103 1989, cu performan\u0163e de v\u00e2rf \u015fi \u00een eseu, \u015fi \u00een roman, \u015fi \u00een poezie. Euromorphotikon ofer\u0103 o performan\u0163\u0103 stilistic\u0103 \u015fi intelectual\u0103 care taie r\u0103suflarea.<br \/>\n<strong>3. Mircea Iv\u0103nescu, Poem, 1973<\/strong><br \/>\nDe\u015fi am publicat prin 2012 un eseu \u00een care \u00eencercam s\u0103 rezolv enigmele acestui \u201eroman poli\u0163ist\u201d, \u00eenc\u0103 mai lucrez asupra cazului.<br \/>\n<strong>2. Derek Walcott, Omeros, 1990<\/strong><br \/>\n\u00cenc\u0103 o rescriere a Odiseei, de aceast\u0103 dat\u0103 \u00een decorul insulei caraibiene Santa Lucia. Capodopera lui Walcott, unul dintre cei mai mari poe\u0163i ai ultimei jum\u0103t\u0103\u0163i de secol.<br \/>\n<strong>1. Robert Browning, The Ring and The Book, 1868-1869<\/strong><br \/>\n21.000 de versuri, mai multe dec\u00e2t \u00een Iliada, dezbat fe\u0163ele unui proces de crim\u0103 \u00een Roma secolului al XVII-lea din nou\u0103 perspective narative.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>\u00cen prima parte a secolului al XIX-lea, \u00een Marea Britanie, patria romanului modern, romanele \u00een versuri erau la fel de populare precum romanele \u00een proz\u0103. Romanul \u00een versuri, care nu trebuie confundat cu epopeea (de\u015fi \u00eenrudirea exist\u0103), este o inven\u0163ie a romanticilor, \u00een special a lui Walter Scott. I-a cedat locul romanului \u00een proz\u0103, pentru&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/10-romane-in-versuri\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Romane \u00een versuri<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[8],"tags":[5091,12244,12243,12245],"class_list":["post-20618","post","type-post","status-publish","format-standard","hentry","category-cultura-literara","tag-mircea-ivanescu","tag-roman-politist-in-versuri","tag-romane-in-versuri","tag-scriitori-experimentalisti"],"views":1322,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":28664,"url":"https:\/\/revistacultura.ro\/nou\/cultura-662\/","url_meta":{"origin":20618,"position":0},"title":"Cultura 662","author":"hrnicu","date":"mai 6, 2026","format":false,"excerpt":"| Imagine copert\u0103: RAD ART FAIR, 2026 | Foto: Daniel Sur SOCIETATE Populismul ca simptom: Frustr\u0103ri reale, solu\u021bii false \u0219i jocul de putere din spatele retoricii suveraniste | Autor: GIORGE ROMAN | Frustr\u0103rile care alimenteaz\u0103 mi\u0219c\u0103rile populiste sunt reale, asta trebuie spus clar \u0219i f\u0103r\u0103 condescenden\u021b\u0103, pentru c\u0103 tenta\u021bia de\u2026","rel":"","context":"\u00cen \u201eSumar\u201d","block_context":{"text":"Sumar","link":"https:\/\/revistacultura.ro\/nou\/category\/sumar\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/05\/caseta-662.gif?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/05\/caseta-662.gif?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/05\/caseta-662.gif?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/05\/caseta-662.gif?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":28546,"url":"https:\/\/revistacultura.ro\/nou\/cultura-660\/","url_meta":{"origin":20618,"position":1},"title":"Cultura 660","author":"hrnicu","date":"martie 10, 2026","format":false,"excerpt":"| Imagine copert\u0103: Film\u0103rile \u00een Rom\u00e2nia pentru produc\u021bia \u201eThe White House\u201d (FOX Nation). Credit foto: Andreas Mircea - Icon Films, Sursa: OFIC | SOCIETATE Cum a reu\u0219it Ministerul Culturii s\u0103 declan\u0219eze o alert\u0103 european\u0103 de \u00eenc\u0103lcare a libert\u0103\u021bii presei \u0219i cum escaladeaz\u0103 sistematic un conflict cu spa\u021biul public rom\u00e2nesc |\u2026","rel":"","context":"\u00cen \u201eSumar\u201d","block_context":{"text":"Sumar","link":"https:\/\/revistacultura.ro\/nou\/category\/sumar\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/03\/Muzici-si-faze-930x563-1.webp?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/03\/Muzici-si-faze-930x563-1.webp?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/03\/Muzici-si-faze-930x563-1.webp?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/03\/Muzici-si-faze-930x563-1.webp?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":28827,"url":"https:\/\/revistacultura.ro\/nou\/cultura-666\/","url_meta":{"origin":20618,"position":2},"title":"Cultura 666","author":"hrnicu","date":"septembrie 9, 2026","format":false,"excerpt":"| Imagine copert\u0103: Proiectul LOCURI DE POVESTE - foto: Carmen Corbu | SOCIETATE Ierarhia inversat\u0103 Autor: VALI ALBINE\u021a A\u0219a c\u0103 \u00eentrebarea nu e de ce sunt oamenii pro\u0219ti. Nu sunt. \u00centrebarea e de ce apetitul \u0103sta pentru lideri puternici apare peste tot, \u00een societ\u0103\u021bi complet diferite, la oameni cu \u0219coal\u0103\u2026","rel":"","context":"\u00cen \u201eSumar\u201d","block_context":{"text":"Sumar","link":"https:\/\/revistacultura.ro\/nou\/category\/sumar\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/09\/InventART_main.webp?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/09\/InventART_main.webp?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/09\/InventART_main.webp?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/09\/InventART_main.webp?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/09\/InventART_main.webp?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":28770,"url":"https:\/\/revistacultura.ro\/nou\/cultura-664\/","url_meta":{"origin":20618,"position":3},"title":"Cultura 664","author":"hrnicu","date":"iulie 15, 2026","format":false,"excerpt":"| Imagine copert\u0103: Palatul Cultural Blaj - sursa: Municipiul Blaj | SOCIETATE Un \u201epicnic nobil la castel\u201d a anticipat \u00een suburbiile Clujului, la R\u0103scruci, anun\u021barea premiilor Europa Nostra din acest an. Aproape de Bon\u021bida \u0219i de celebrul s\u0103u Electric Castle, un alt castel B\u00e1nffy a fost restaurat de CJ-ul clujean\u2026","rel":"","context":"\u00cen \u201eSumar\u201d","block_context":{"text":"Sumar","link":"https:\/\/revistacultura.ro\/nou\/category\/sumar\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/07\/raluca_boboc-930x620-1.webp?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/07\/raluca_boboc-930x620-1.webp?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/07\/raluca_boboc-930x620-1.webp?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/07\/raluca_boboc-930x620-1.webp?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":28717,"url":"https:\/\/revistacultura.ro\/nou\/cultura-663\/","url_meta":{"origin":20618,"position":4},"title":"Cultura 663","author":"hrnicu","date":"iunie 9, 2026","format":false,"excerpt":"| Imagine copert\u0103 (captur\u0103 video): BAIFF, 2026 - baiff.ro SOCIETATE \u201eTehnocrat\u201d \u2013 cuv\u00e2ntul lunii pe Dexonline Dexonline public\u0103 lunar un top al celor mai c\u0103utate cuvinte. \u00cen mai, cel mai c\u0103utat termen a fost \u201etehnocrat\u201d, cu 10411 interog\u0103ri. Pe locurile urm\u0103toare s-au aflat: pleonasm,\u00a0pragmatic,\u00a0sinecur\u0103, simpatie, exhaustiv,\u00a0misogin... articolul integral De ce\u2026","rel":"","context":"\u00cen \u201eSumar\u201d","block_context":{"text":"Sumar","link":"https:\/\/revistacultura.ro\/nou\/category\/sumar\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/06\/Geografia_fragilitatii_alina_necsulescu-930x620-1.webp?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/06\/Geografia_fragilitatii_alina_necsulescu-930x620-1.webp?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/06\/Geografia_fragilitatii_alina_necsulescu-930x620-1.webp?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/06\/Geografia_fragilitatii_alina_necsulescu-930x620-1.webp?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":28799,"url":"https:\/\/revistacultura.ro\/nou\/cultura-665\/","url_meta":{"origin":20618,"position":5},"title":"Cultura 665","author":"hrnicu","date":"august 16, 2026","format":false,"excerpt":"| Imagine copert\u0103: Expozi\u021bia de grup AEROSOLI - Vila Catena - foto: Daniel Sur | SOCIETATE De ce nu mai cred \u00een via\u021ba de noapte Autor: ADRIAN \u0218OAIT\u0102 \u00cen aceast\u0103 lume, nu mai conteaz\u0103 at\u00e2t de mult s\u0103 p\u0103strezi ceva. Conteaz\u0103 s\u0103 fi fost acolo. S\u0103 fi sim\u021bit. S\u0103 fi\u2026","rel":"","context":"\u00cen \u201eSumar\u201d","block_context":{"text":"Sumar","link":"https:\/\/revistacultura.ro\/nou\/category\/sumar\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/08\/aerosoli_hero.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/08\/aerosoli_hero.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/08\/aerosoli_hero.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/08\/aerosoli_hero.jpeg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/08\/aerosoli_hero.jpeg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/08\/aerosoli_hero.jpeg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/20618","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=20618"}],"version-history":[{"count":0,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/20618\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=20618"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=20618"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=20618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}