{"id":20483,"date":"2014-08-21T17:01:59","date_gmt":"2014-08-21T15:01:59","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=20483"},"modified":"2014-09-11T11:21:52","modified_gmt":"2014-09-11T09:21:52","slug":"arta-suplicierii","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/arta-suplicierii\/","title":{"rendered":"Arta suplicierii"},"content":{"rendered":"<blockquote><p><strong>Angela Marcovici,<em> Intimitate<\/em>, Editura Charmides, Bistri\u0163a, 2013, 52 pag.<\/strong><\/p><\/blockquote>\n<p>&nbsp;<br \/>\nVolumul Intimitate al poetei Angela Marinescu, de aceast\u0103 dat\u0103 semn\u00e2nd Angela Marcovici, posed\u0103 ample tr\u0103s\u0103turi fluide, clar-obscure, totul \u00eentr-o aparent\u0103 iner\u0163ie cu scop bine definit \u00eentru osificare. Sensibilitatea degajat\u0103 are un anumit stil propice \u00eenghe\u0163\u0103rii. Fiorul decaden\u0163ei profund asumate contest\u0103 actul maternit\u0103\u0163ii, la orice nivel s-ar manifesta acesta: \u201eau venit \u0163iganii cu aparatele de m\u0103turat\/ parcurile de joac\u0103 pentru copii\/ s\u0103 fie curat ca lacrima spa\u0163iul de sub nasul\/ progeniturilor.\/ pisicile stau la soare, \u00eencremenite,\/ de parc\u0103 ar fi g\u0103uri negre cu circumferin\u0163e\/ iluminate.\/ de ce ar mai trebui s\u0103 ias\u0103 la suprafa\u0163\u0103\/ puii lor vulnerabili p\u00e2n\u0103 la obscenitate?\/\/ neputin\u0163a puilor este hipoplazic\u0103 \u015fi rece\u201c (Peisaj). Con\u015ftiin\u0163a damn\u0103rii este singura certitudine acceptat\u0103. Sunt ad\u00e2nci coresponden\u0163e, antropomorfiz\u0103ri care vor s\u0103 dovedeasc\u0103 atotputernicia s\u00e2ngelui sf\u00e2\u015fiat. Un perete obi\u015fnuit poate lua valori de axis mundi, cu pulsa\u0163ii ascetice \u015fi fizionomie emaciat\u0103. Toate metamorfozele indic\u0103 o form\u0103 paradoxal\u0103 de fine\u0163e a sf\u00e2r\u015fitului, prosternare absolut\u0103 \u00een fa\u0163a extinc\u0163iei imanente: \u201evibra\u0163iile matematice ale intensit\u0103\u0163ii privirii\/ peretelui\/ le am \u00een s\u00e2nge, nu \u00een creier\/ vibra\u0163iile matematice ale suferin\u0163ei ad\u00e2nci pe\/ care\/ mi-o d\u0103 imaginea ireal\u0103 a peretelui\/ le am \u00een s\u00e2nge, nu \u00een creier\/\/ sunt o c\u0103delni\u0163\u0103 ce se clatin\u0103 \u015fi se pr\u0103bu\u015fe\u015fte\/ \u00een fa\u0163a peretelui, adic\u0103 a tabernacolului\/ fulgerat \u015fi tr\u0103snit\/ nu mai este nevoie de niciun fel de distorsiune\/ sau contorsionare\/ totul este at\u00e2t de alb \u015fi precis\/ ca un abur rece al aurorei boreale\/ de o frumuse\u0163e pe care nu o pot vedea\/\/ aici nu este poezie\/ nu este agonie sau moarte\/ sau blasfemie\/ nu este extaz nu este murd\u0103rie\/ nu este\/ nimic\u201c (Lumina dimine\u0163ii). Suplicierile au un tip de insurgen\u0163\u0103 demitizant\u0103. \u201eLimfa de ghea\u0163\u0103\u201c ritmeaz\u0103 tu\u015fele abisale. Maladii astrale determin\u0103 aceste treptate desprinderi situate sub tutela ternar\u0103 a revoltelor obscure: \u201emul\u0163imea, melancolia \u015fi moartea\u201c. Poeziile se scriu cu s\u00e2nge pe fondul intenselor rat\u0103ri spectrale. O prezen\u0163\u0103 ce poate fi asimilat\u0103 unui alter ego renegat ocup\u0103 zona revela\u0163iilor privilegiind obsesia: \u201evorbeam \u00een \u015foapt\u0103, cu o fiin\u0163\u0103 ciudat\u0103, nu o\/ puteam\/ defini, dimpotriv\u0103, m\u0103 delimitam de ea, nu\/ voiam\/ s-o ating sau m\u0103car s-o privesc,\/ eram deta\u015fat, ca un obiect sexual\/ ce imploda, chiar atunci, \u00een fa\u0163a ei\/ \u015fi \u00eei spuneam: \u00abeu merg pe intensitate\u00bb,\/ adic\u0103 pe intensitatea masiv\u0103 \u015fi rece pe care\/ \u0163i-o d\u0103 boala\u201c (Insinuare pe l\u00e2ng\u0103 o fiin\u0163\u0103 ciudat\u0103). \u00cen aceste circumstan\u0163e, se realizeaz\u0103 sinteza eros-thanatos, ceea ce bulverseaz\u0103 fundamental coordonatele fiin\u0163ei: \u201esingur\u0103, boala este aceea care \u00ee\u0163i exacerbeaz\u0103\/ instinctul sexual, \u00eei spuneam, umil\u0103, \u015fi te\/ complexeaz\u0103,\/ pe drept cuv\u00e2nt,\/ deoarece devii o nenorocit\u0103\/ \u00eenc\u00e2t nici m\u0103car nu mai po\u0163i s\u0103-\u0163i recuno\u015fti\/ profundele imperfec\u0163iuni intelectuale \u015fi nici\/ profesionale,\/ poate doar\/ credin\u0163a, cacofonia \u015fi oligofrenia (triada\/ indestructibil\u0103\/ a sufletului feminin)\u201c (Insinuare pe l\u00e2ng\u0103 o fiin\u0163\u0103 ciudat\u0103). Spectrul insanit\u0103\u0163ii, con\u015ftientizat cu acuitate, marcheaz\u0103 pluralitatea nelini\u015ftilor. Dezechilibrul caut\u0103 p\u0103r\u0163i umbroase, pu\u0163in uzitate. Detalii de sorginte naturalist\u0103 accentueaz\u0103 r\u0103t\u0103cirea. Viscerele sunt consonante cu frica, gener\u00e2nd o ideatic\u0103 dureroas\u0103. Lipsa vitalit\u0103\u0163ii favorizeaz\u0103 lichefierile \u015fi loviturile \u00eenc\u0103rcate de fiori vinova\u0163i: \u201ea fost un m\u0103cel autentic.\/ rezistau numai obseda\u0163ii pentru c\u0103 numai\/ obseda\u0163ii puteau fi c\u0103lug\u0103ri\u0163i \u015fi apoi\/ omor\u00e2\u0163i.\/ a fost o \u00eentrecere, o lupt\u0103 pe via\u0163\u0103 \u015fi pe moarte.\/ a fost \u00eentuneric\u201c (\u00cen afara mea). \u201eUn soare sterilizant\u201c vegheaz\u0103 toate aceste \u00eentunecate deambul\u0103ri. Corporaliz\u0103rile frizeaz\u0103 apogeul delirului, \u00een siajul indiferen\u0163ei cov\u00e2r\u015fitoare cu nimb taciturn. Flagel\u0103rile parcurg trasee erotizate, punctate nevrotic: \u201esomnoroasele femei\/ pasive, lascive, impregnate \u015fi penetrate\/ pe la cuiburi se adun\u0103\/ eu le spun cu g\u00e2tul sf\u00e2\u015fiat\/ de neputin\u0163\u0103\/ singur\u0103\/ ca o larv\u0103 de fluture\/ profund integrat\u0103 \u00een natur\u0103\/ neterminat\u0103 \u015fi dezabuzat\u0103\/ dinainte de a fi\/ protejat\u0103,\/ \u00abnoapte bun\u0103\u00bb\u201c (Somnoroase p\u0103s\u0103rele). Se \u00eentrevede finalul, pulsatil pe c\u0103ile depresiei. \u201eO nonpoezie din ce \u00een ce mai \u00eentunecat\u0103\u201c deriv\u0103 de aici, cu tr\u0103s\u0103turi c\u00e2teodat\u0103 vindicative. Invaziile sunt tot mai numeroase, cumva \u00een genul unei ultrainflamate gravuri d\u00fcreriene: \u201evin animale sl\u0103b\u0103noage pe s\u00e2rm\u0103\/ \u015fi parc\u0103 nu ar veni\/ c\u00e2nd ridic pleoapele\/ \u00eemi propun s\u0103 v\u0103d de\u015fi nu v\u0103d\/ cum pupila se dilat\u0103\/ pentru c\u0103 intr\u0103 \u00een ochi\/ imaginea rece a melancoliei\/ albastr\u0103 neagr\u0103 oranj \u015fi de un galben sinistru\u201c (Artificial). Se impun radicale eviscer\u0103ri ce au propor\u0163ii hipertrofiate. Condi\u0163ia fiin\u0163\u0103rii conjug\u0103 nenum\u0103rate realit\u0103\u0163i blestemate. Iat\u0103 vibra\u0163ia neantului: \u201ec\u00e2t\u0103 precaritate \u00eentunecat\u0103\/ \u00een aceast\u0103 a\u015fteptare a mor\u0163ii\/ ce se dezice de via\u0163\u0103\u201c (Mirosuri). Pare c\u0103 totalitatea fluxului liric st\u0103 sub influen\u0163a unei perpetue criogen\u0103ri a esen\u0163ei vitale, exterioriz\u00e2nd scindarea unei atotcuprinz\u0103toare t\u0103ceri: \u201epoezie de ghea\u0163\u0103, asta am reu\u015fit s\u0103 fac\/ copil atras de abisul mamei tale\/ \u015fi de abisul tat\u0103lui t\u0103u\/ sugrumat de aerul tare al nimicului\/ ghea\u0163\u0103 subversiv\u0103\/ indecent\u0103, spart\u0103, rareori,\/ de imen\u015fii pe\u015fti canivori din\u0103untru,\/ \u00een cap, duplicitate perpetu\u0103\/ separare \u015fi ruptur\u0103\/ ne se mai poate sim\u0163i dec\u00e2t\/ ghea\u0163a \u00eentins\u0103 pe spa\u0163ii nesf\u00e2r\u015fite\u201c (C\u0103dere de nivel).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Angela Marcovici, Intimitate, Editura Charmides, Bistri\u0163a, 2013, 52 pag. &nbsp; Volumul Intimitate al poetei Angela Marinescu, de aceast\u0103 dat\u0103 semn\u00e2nd Angela Marcovici, posed\u0103 ample tr\u0103s\u0103turi fluide, clar-obscure, totul \u00eentr-o aparent\u0103 iner\u0163ie cu scop bine definit \u00eentru osificare. Sensibilitatea degajat\u0103 are un anumit stil propice \u00eenghe\u0163\u0103rii. Fiorul decaden\u0163ei profund asumate contest\u0103 actul maternit\u0103\u0163ii, la orice nivel&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/arta-suplicierii\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Arta suplicierii<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[8723,321,8724],"class_list":["post-20483","post","type-post","status-publish","format-standard","hentry","category-cultura-literara","tag-angela-marcovici","tag-angela-marinescu","tag-intimitate"],"views":1064,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/20483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=20483"}],"version-history":[{"count":0,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/20483\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=20483"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=20483"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=20483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}