{"id":20176,"date":"2014-07-24T13:12:41","date_gmt":"2014-07-24T11:12:41","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=20176"},"modified":"2014-07-24T13:12:41","modified_gmt":"2014-07-24T11:12:41","slug":"piata-secundara-vanzatorul-principal","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/piata-secundara-vanzatorul-principal\/","title":{"rendered":"Pia\u0163a secundar\u0103, v\u00e2nz\u0103torul principal"},"content":{"rendered":"

\u00cen absen\u0163a unei inten\u0163ii comerciale manifeste a galeriilor<\/strong><\/p>\n

\n

\n

Fie concentrat\u0103 pe v\u00e2nz\u0103rile \u00een expozi\u0163ii \u015fi t\u00e2rguri interna\u0163ionale, fie resping\u00e2nd sau doar ignor\u00e2nd publicitatea din jurul tranzac\u0163ion\u0103rii unei lucr\u0103ri sau a unui artist, pia\u0163a primar\u0103 de art\u0103 de la Bucure\u015fti pare s\u0103-\u015fi cedeze locul celei secundare. Singur\u0103, AnnArt Gallery \u015fi-a anun\u0163at recent o statistic\u0103 a v\u00e2nz\u0103rilor din portofoliu. \u00cen rest, galeriile continu\u0103 s\u0103 par\u0103 muzee, neatinse de vreo finalitate comercial\u0103, condi\u0163ii \u00een care casele de licita\u0163ii \u00ee\u015fi consolideaz\u0103 pozi\u0163iile de principali dealer-i ai arti\u015ftilor contemporani. <\/strong><\/em><\/p>\n

\"Andrei-Gamart\"<\/a><\/p>\n

Andrei Gamar\u0163, A Field in Memory<\/em>, ulei pe p\u00e2nz\u0103, 124 \u00d7 140 cm, estimare: 4.000 – 5.500 de euro
\n(c) artmark.ro<\/em><\/p>\n

\nLa Grimberg, au fost propuse, succesiv, de-a lungul mai multor \u015fedin\u0163e, lucr\u0103ri datate 2013 sau 2014 \u015fi semnate de arti\u015fti contemporani ca Flavia Piti\u015f, Gabriela Culic, Ana Asavei, Francisc Chiuariu, Florica Prevenda. La Artmark, \u00een licita\u0163ia \u201ePostwar and Contemporary\u201c, lucr\u0103ri expuse recent la galeriile Anaid Art, Zorzini sau AnnArt s-au bucurat de stabilirea unor pre\u0163uri estimative sau de confirmarea acestora prin adjudecare.
\nAmbian\u0163a sincronist\u0103<\/strong>
\nArta contemporan\u0103 r\u0103m\u00e2ne cea \u00een vog\u0103 printre preferin\u0163ele colec\u0163ionarilor din pia\u0163a interna\u0163ional\u0103. Recent, ARTnews a publicat a dou\u00e3zeci \u015fi patra edi\u0163ie a topului celor mai importan\u0163i dou\u0103 sute de colec\u0163ionari din \u00eentreaga lume \u015fi, \u00een clasament, peste treizeci de pozi\u0163ii apar\u0163in unor colec\u0163ionari debutan\u0163i sau recuren\u0163i. Potrivit artdaily.com, \u00een topul de anul acesta se afl\u0103 nume puternice din lumea modei precum Miuccia Prada \u015fi Maurice Marciano, mogulul Charles Saatchi, mo\u015ftenitorii Florence \u015fi Daniel Guerlain, mogulii media \u015fi sponsorii MoMa, Patricia Phelps de Cisneros \u015fi Gustavo A. Cisneros, proprietarii unor importante edituri, precum Benedikt Taschen \u015fi Thomas Shao, \u015fi artistul Damien Hirst. Per total, \u00een achizi\u0163iile celor nominaliza\u0163i \u00een top, operele vechilor mae\u015ftri, arta postbelic\u0103, cea abstract\u0103, impresionismul \u015fi postimpresionismul au fost devansate de arta contemporan\u0103.
\nDesignul statistic<\/strong>
\nGheorghe Fikl, artist din Timi\u015foara, n\u0103scut \u00een 1968, a expus cu dou\u0103 luni \u00een urm\u0103 la t\u00e2rgul Art Safari. La Artmark, pe 10 iulie, semn\u0103tura sa a \u00eenregistrat un record prin adjudecarea cu 6.000 de euro a uleiului pe p\u00e2nz\u0103 \u201eShrine\u201c (306 \u00d7 183,5 cm). Laura Covaci, pictori\u0163\u0103 n\u0103scut\u0103 \u00een 1964 \u015fi stabilit\u0103 mai mult\u0103 vreme \u00een afara \u0163\u0103rii, a avut o serie de expozi\u0163ii \u00een ultimii doi ani la Bucure\u015fti. Semn\u0103tura sa a ob\u0163inut o adjudecare la 3.500 de euro a lucr\u0103rii datate 2014, \u201eCruel Fantasy\u201c, un acrilic fluorescent pe p\u00e2nz\u0103 expus \u00een ultimele dou\u0103 luni la AnnArt Gallery. Andrei Gamar\u0163, plastician n\u0103scut \u00een 1980, a expus consistent la Zorzini Gallery. \u201eA Field in Memory\u201c, un ulei pe p\u00e2nz\u0103 din recentul solo-show \u201eThis Garden Was Enchanted\u201c de la Zorzini a fost propus cu o valoare estimativ\u0103 de 4.000 – 5.500 de euro, f\u0103r\u0103 \u00eens\u0103 a fi fost adjudecat \u00een sesiunea respectiv\u0103. Alexandru R\u0103dvan (expus anul trecut la Anaid Art), Cosmin Paulescu (promovat recent de Atelier 030202), Florica Prevenda (cu o lucrare mult anterioar\u0103 celor expuse acum) sau Constantin Pacea sunt alte nume prezente aproape simultan pe simezele galeriilor \u015fi \u00een sesiunile caselor de licita\u0163ii.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00cen absen\u0163a unei inten\u0163ii comerciale manifeste a galeriilor Fie concentrat\u0103 pe v\u00e2nz\u0103rile \u00een expozi\u0163ii \u015fi t\u00e2rguri interna\u0163ionale, fie resping\u00e2nd sau doar ignor\u00e2nd publicitatea din jurul tranzac\u0163ion\u0103rii unei lucr\u0103ri sau a unui artist, pia\u0163a primar\u0103 de art\u0103 de la Bucure\u015fti pare s\u0103-\u015fi cedeze locul celei secundare. Singur\u0103, AnnArt Gallery \u015fi-a anun\u0163at recent o statistic\u0103 a v\u00e2nz\u0103rilor… Cite\u0219te mai mult »Pia\u0163a secundar\u0103, v\u00e2nz\u0103torul principal<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11317],"tags":[11893,11892,11891,10406,4388,11828,11890,7447],"class_list":["post-20176","post","type-post","status-publish","format-standard","hentry","category-cultura-vizuala","tag-annart-gallery","tag-ark","tag-art","tag-casa-de-licitatii-grimberg","tag-galerii-de-arta","tag-licitatii","tag-vanyari-in-licitatii","tag-zorzini-gallery"],"views":1387,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/20176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=20176"}],"version-history":[{"count":0,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/20176\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=20176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=20176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=20176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}