Florin Salam, Adrian Minune, Vali Vijelie \u015fi \u00eenc\u0103 vreo c\u00e2\u0163iva din zon\u0103, \u00een total vreo cinsprezece p\u00e2nze \u00een ulei \u015fi foi\u0163\u0103 de aur. Pe scurt, o expozi\u0163ie semnat\u0103 de George Vasilescu \u015fi curatoriat\u0103 de Pavel \u015eu\u015far\u0103. Pu\u0163in mai pe larg, un experiment cultural ad hoc sub genericul \u201eunde dai \u015fi unde crap\u0103\u201c. C\u00e2nd e vorba despre art\u0103, e greu s\u0103 \u201edai\u201c \u015fi s\u0103 se \u00eent\u00e2mple ceva, e similar cu datul cu aghiasm\u0103, n-are repercusiuni, nu e nici r\u0103u, cum nu e nici bine. A\u015fa c\u0103, de cr\u0103pat, a cr\u0103pat \u00een plin scandal cu iz de rasism. Cum-necum, ai zis manele, ai zis \u0163igani, au zis unii c\u0103 nu neap\u0103rat, ai zis \u0163igani, ai zis ce caut\u0103 ei \u00een Muzeul \u0162\u0103ranului Rom\u00e2n, al\u0163ii au zis c\u0103 de ce nu, Muzeul a zis \u015fi el c\u0103 e viu \u015fi deschis oric\u0103ror forme de antropologie cultural\u0103, mai departe po\u0163i s\u0103 zici c\u0103 era chiar \u00een zona lui de interes s\u0103 g\u0103zduiasc\u0103 tot experimentul comunitar pe care expozi\u0163ia \u2013 despre care vorbeam la \u00eenceput, dar pe care, iat\u0103, o putem uita u\u015for \u2013 l-a prilejuit. P\u00e2n\u0103 la urm\u0103, trebuie s\u0103 recunoa\u015ftem, tocmai am aflat c\u0103, dac\u0103 cineva zice \u201eexpozi\u0163ie\u201c, putem s\u0103 silabisim corect cuv\u00e2ntul \u201e\u0163igani\u201c \u015fi c\u0103 nu ne batem capul prin c\u00e2mpul semantic. Idee, concept, stil, curent, cromatic\u0103, reprezentare? Nu. Curatorul \u00eensu\u015fi a ales s\u0103 conving\u0103 publicul \u00een leg\u0103tur\u0103 cu actul artistic pe care l-a propus cu o lung\u0103 incursiune prin gr\u0103dina deliciilor provocate de scandal, vorbind mai mult despre cine, cum \u015fi c\u00e2nd a fost sau urmeaz\u0103 a fi \u00eenjurat \u015fi mai pu\u0163in despre universul plastic. \u201eGeorge Vasilescu completeaz\u0103 ceea ce lipsea lumii maneli\u015ftilor \u015fi le asigur\u0103 din tranzitoriul competi\u0163iei lor nemijlocite, din afirmarea bog\u0103\u0163iei, din afirmarea puterii \u2013 a puterii banului \u015fi a puterii personale \u2013 el le asigur\u0103 cumva accesul la eternitate\u201c, de la maestrul Pavel \u015eu\u015far\u0103, s\u0103 tr\u0103iasc\u0103. S\u0103 zicem c\u0103 poate nici n-a vrut s\u0103 fie mai conving\u0103tor. Iar apropo de George Vasilescu, t\u00e2n\u0103rul artist pe care abia \u00eel mai putem \u00eentrez\u0103ri \u00een toat\u0103 aceast\u0103 poveste, el chiar a \u0163inut s\u0103 vorbeasc\u0103 sincer despre arta sa: \u201eIdeea mi-a venit \u00een momentul \u00een care am fost \u00eentr-o discotec\u0103 \u00een care toat\u0103 lumea dansa pe muzica lor \u015fi erau foarte bucuro\u015fi \u015fi ferici\u0163i. Cred c\u0103 \u00een spatele fiec\u0103rui portret se ascund milioane de emo\u0163ii, milioane de suflete care\u00a0 s-au bucurat, au c\u00e2ntat, s-au c\u0103s\u0103torit pe muzica lor\u201c. Sincer pare s\u0103 fi fost \u015fi curatorul atunci c\u00e2nd a afirmat c\u0103 la \u00eenceput a avut o oarecare re\u0163inere \u015fi c\u0103 s-a g\u00e2ndit c\u0103 totul miroase a oportunism \u015fi a \u00eencercare de a exploata notorietatea pe care manelele o au \u00een spa\u0163iul public. Dar, la urma-urmei, nu la fel de sincer\u0103 ar fi \u015fi o discu\u0163ie, nepurtat\u0103 \u00eenc\u0103, despre scandalul public ca surs\u0103 de notorietate? Oricum, de la expozi\u0163ia-nunt\u0103-cu-dar se poate pleca minimum cu sinceritatea titlului: \u201eConfluen\u0163e, influen\u0163e \u2013 \u00een art\u0103?\u201c. Unde, \u00een afar\u0103 de \u201eart\u0103\u201c cu semnul \u00eentreb\u0103rii, nimic nu \u00eenseamn\u0103 nimic.<\/p>\n","protected":false},"excerpt":{"rendered":"
Florin Salam, Adrian Minune, Vali Vijelie \u015fi \u00eenc\u0103 vreo c\u00e2\u0163iva din zon\u0103, \u00een total vreo cinsprezece p\u00e2nze \u00een ulei \u015fi foi\u0163\u0103 de aur. Pe scurt, o expozi\u0163ie semnat\u0103 de George Vasilescu \u015fi curatoriat\u0103 de Pavel \u015eu\u015far\u0103. Pu\u0163in mai pe larg, un experiment cultural ad hoc sub genericul \u201eunde dai \u015fi unde crap\u0103\u201c. C\u00e2nd e vorba… Cite\u0219te mai mult »Ce \u00eencepe la o nunt\u0103 cu dar \u015fi trebuie s\u0103 sf\u00e2r\u015feasc\u0103 \u00een eternitate? O expozi\u0163ie curatoriat\u0103 de criticul de art\u0103 Pavel \u015eu\u015far\u0103<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11317],"tags":[11839,11837,11836,11835,6038,11838,10854],"class_list":["post-20097","post","type-post","status-publish","format-standard","hentry","category-cultura-vizuala","tag-atitudini-xenofobe","tag-confluente","tag-curator-pavel-susara","tag-expozitie-george-vasilescu","tag-expozitii-arta-plstica","tag-influente-in-arta","tag-mtr"],"views":1398,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/20097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=20097"}],"version-history":[{"count":0,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/20097\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=20097"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=20097"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=20097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}