{"id":19914,"date":"2014-07-03T12:41:41","date_gmt":"2014-07-03T10:41:41","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=19914"},"modified":"2026-01-23T21:01:44","modified_gmt":"2026-01-23T19:01:44","slug":"judy-millar-pictura-in-gigant-curly-afis-international","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/judy-millar-pictura-in-gigant-curly-afis-international\/","title":{"rendered":"Judy Millar,  pictura \u00een gigant curly. Afi\u015f interna\u0163ional"},"content":{"rendered":"<p>Artistei neo-zeelandeze Judy Millar, criticii i-au atribuit pictura gestual\u0103, apropierea de arhitectur\u0103 prin a\u015fezarea culorii \u015fi un biomorfism ca efect al lucr\u0103rilor sale. Pictura abstract\u0103, post-expresionist\u0103 a lui Judy Millar a atras aten\u0163ia prin a\u015fezarea vopselei \u00een spa\u0163iul lucr\u0103rii, \u00eentr-un looping continuu, care creaz\u0103 panglici curbate, str\u00e2nse, un curly \u00een tonuri puternice, vibrante din care negrul \u015fi rozul lipsesc rar. Adeseori, Judy Millar se \u00eentoarce asupra zonei pictate, revoc\u00e2nd totul, \u015fterg\u00e2nd, separ\u00e2nd linii, transform\u00e2nd sectoare \u00eentregi \u00een \u201eunpaintings\u201c. Lucr\u00e2nd at\u00e2t \u00een Noua Zeeland\u0103, la Auckland, c\u00e2t \u015fi \u00een Germania, la Berlin,\u00a0 artista este reprezentat\u0103 de galeriile Hamish Morrison din Berlin \u015fi Mark Muller din Z\u00fcrich. Ambele o reprezint\u0103 \u00een aceast\u0103 perioad\u0103 la Art Basel. Pre\u0163urile pentru lucr\u0103rile artistei, potrivit portalului artsy.net, se situeaz\u0103 \u00eentr-un interval de 7.000- 20.000 de euro.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/07\/judy-millar-untitled-2009.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-19915\" src=\"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/07\/judy-millar-untitled-2009.jpg?resize=400%2C274&#038;ssl=1\" alt=\"judy-millar,-untitled-2009\" width=\"400\" height=\"274\" srcset=\"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/07\/judy-millar-untitled-2009.jpg?w=400&amp;ssl=1 400w, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/07\/judy-millar-untitled-2009.jpg?resize=300%2C205&amp;ssl=1 300w, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/07\/judy-millar-untitled-2009.jpg?resize=200%2C137&amp;ssl=1 200w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a>Judy Millar, Untitled, 2009, acrilic \u015fi ulei pe aluminiu, 70 cm \u00d7 95 cm, Hamish Morrison Galerie<a href=\"https:\/\/www.artsy.net\/\" target=\"_blank\"><span style=\"text-decoration: underline;\"><span style=\"color: #0000ff; text-decoration: underline;\"> \u00a9 artsy.net<\/span><\/span><\/a><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/07\/judy-millar-untitled-2014.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-19916\" src=\"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/07\/judy-millar-untitled-2014.jpg?resize=400%2C274&#038;ssl=1\" alt=\"judy-millar-untitled-2014\" width=\"400\" height=\"274\" srcset=\"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/07\/judy-millar-untitled-2014.jpg?w=400&amp;ssl=1 400w, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/07\/judy-millar-untitled-2014.jpg?resize=300%2C205&amp;ssl=1 300w, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/07\/judy-millar-untitled-2014.jpg?resize=200%2C137&amp;ssl=1 200w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a>4 Judy Millar, Untitled, 2013, acrilic \u015fi ulei pe p#nz\u0103, 180 cm \u00d7 150 cm, Galerie Mark M\u00fcller <a href=\"https:\/\/www.artsy.net\/\"><span style=\"text-decoration: underline;\"><span style=\"color: #0000ff; text-decoration: underline;\">\u00a9 artsy.net<\/span><\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artistei neo-zeelandeze Judy Millar, criticii i-au atribuit pictura gestual\u0103, apropierea de arhitectur\u0103 prin a\u015fezarea culorii \u015fi un biomorfism ca efect al lucr\u0103rilor sale. Pictura abstract\u0103, post-expresionist\u0103 a lui Judy Millar a atras aten\u0163ia prin a\u015fezarea vopselei \u00een spa\u0163iul lucr\u0103rii, \u00eentr-un looping continuu, care creaz\u0103 panglici curbate, str\u00e2nse, un curly \u00een tonuri puternice, vibrante din care&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/judy-millar-pictura-in-gigant-curly-afis-international\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Judy Millar,  pictura \u00een gigant curly. Afi\u015f interna\u0163ional<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11317],"tags":[11683,11684,6824],"class_list":["post-19914","post","type-post","status-publish","format-standard","hentry","category-cultura-vizuala","tag-artista-judy-millar","tag-expozitii-europene-arta-plastica","tag-pictura-contemporana"],"views":1313,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":28609,"url":"https:\/\/revistacultura.ro\/nou\/cultura-661\/","url_meta":{"origin":19914,"position":0},"title":"Cultura 661","author":"hrnicu","date":"aprilie 6, 2026","format":false,"excerpt":"| Imagine copert\u0103: Sesiunile SwordS - Club Control, 2026 Credit foto: Andrei Mu\u0219at (https:\/\/www.instagram.com\/andreimusat10), Sursa: Pagina SwordS - Spoken Word Sessions | SOCIETATE Despre digitalizarea prost f\u0103cut\u0103 | Autor: NICU ILIE | ANAF are propriul portal \u0219i, cel pu\u021bin pentru moment, nu vars\u0103 datele \u00een noua platform\u0103. 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Pe locurile urm\u0103toare s-au aflat: pleonasm,\u00a0pragmatic,\u00a0sinecur\u0103, simpatie, exhaustiv,\u00a0misogin... articolul integral De ce\u2026","rel":"","context":"\u00cen \u201eSumar\u201d","block_context":{"text":"Sumar","link":"https:\/\/revistacultura.ro\/nou\/category\/sumar\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/06\/Geografia_fragilitatii_alina_necsulescu-930x620-1.webp?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/06\/Geografia_fragilitatii_alina_necsulescu-930x620-1.webp?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/06\/Geografia_fragilitatii_alina_necsulescu-930x620-1.webp?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/revistacultura.ro\/nou\/wp-content\/uploads\/2026\/06\/Geografia_fragilitatii_alina_necsulescu-930x620-1.webp?resize=700%2C400&ssl=1 2x"},"classes":[]}],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=19914"}],"version-history":[{"count":5,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19914\/revisions"}],"predecessor-version":[{"id":28308,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19914\/revisions\/28308"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=19914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=19914"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=19914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}