{"id":19747,"date":"2014-06-19T12:34:46","date_gmt":"2014-06-19T10:34:46","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=19747"},"modified":"2026-01-23T21:04:17","modified_gmt":"2026-01-23T19:04:17","slug":"clipa-ca-natura-moarta-roman-tolici-si-seria-zece-la-zorzini-gallery","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/clipa-ca-natura-moarta-roman-tolici-si-seria-zece-la-zorzini-gallery\/","title":{"rendered":"Clipa ca natur\u0103 moart\u0103. Roman Tolici \u015fi seria \u201eZece\u201c la Zorzini Gallery"},"content":{"rendered":"

A douazeci \u015fi patra parte dintr-o secund\u00e3. At\u00e2t \u00eenseamn\u00e3, la standardele tehnice actuale, subiectul unui tablou semnat Roman Tolici. O fotogram\u00e3. \u00cen economia expresivit\u00e3\u0163ii vizuale a artistului, o privire, un gest banal, o circumstan\u0163\u00e3 cotidian\u00e3. Un b\u00e3rbat \u00een p\u00e3dure, doi tineri f\u00e3c\u00e2ndu-\u015fi fotografii \u00een excursie, trei b\u00e3rba\u0163<\/strong><\/em>i la o \u015fuet\u00e3 pe ni\u015fte l\u00e3zi de plastic\u2026 \u015fi tot a\u015fa p\u00e2n\u00e3 la opt solda\u0163<\/strong><\/em>i \u00eentr-un pe-loc-repaus, nou\u00e3…\u00a0 Futilitatea unei clipe din imediat plus efortul artistic al transform\u00e3rii ei \u00een pictur\u00e3\/tablou\/oper\u00e3 de art\u00e3 dau, dup\u00e3 egal, o glum\u00e3 la adresa vechii istorii a artei.<\/strong><\/em><\/p>\n

\u015ei totu\u015fi, pentru a picta un astfel de instantaneu \u00een maniera figurativ\u00e3 \u00een care insist\u00e3, artistul folose\u015fte un arsenal \u00eentreg de tehnici tradi\u0163ionale ale desenului. Care, la o adic\u00e3, l-ar putea \u00eendrept\u00e3\u0163i foarte bine s\u00e3 insereze, ca vechii flamanzi \u00een naturile lor moarte, un text de tipul memento mori<\/em> sau vanitas<\/em>.<\/p>\n

\"roman<\/a> \"roman<\/a><\/p>\n

Roman Tolici, Five (c) romantolici.ro<\/span><\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Roman Tolici, Nine (c) romantolici.ro<\/span><\/p>\n

\u00centre materialitatea lucrului lips\u00e3 \u015fi lucrul cu materialul clientului<\/strong>
\nInstantaneul foto transpus minu\u0163ios \u00een ulei sau vopsea acrilic\u00e3 pe p\u00e2nz\u00e3 de \u015fevalet c\u00e2\u015ftig\u00e3 aten\u0163ia adeseori prin ceea ce nu este prezent \u00een cadru. Dincolo de circumstan\u0163e, gesturi \u015fi priviri, mai e ceva. \u015ei, c\u00e2nd lucruri importante lipsesc din tablou, Tolici lucreaz\u00e3 cu complicitatea privitorului. Un privitor venit cu experien\u0163a de acas\u00e3. \u00cen descrierea Adinei Zorzini, curatorul expozi\u0163iei \u201eLapte. Miere. S\u00e2nge\u201c semnate de Roman Tolici \u015fi g\u0103zduite de Palatul \u015etirbei, seria \u201eZece\u201c este \u201eun grupaj de picturi care fac aluzie la parcursul personal \u015fi la con\u0163inutul vie\u0163ii fiec\u00e3ruia dintre noi\u201c.<\/p>\n

\"roman-tolici-one\"<\/a><\/p>\n

Roman Tolici, One, (c) romantolici.ro<\/span><\/span><\/p>\n

O pia\u0163\u00e3 a foto-picturii<\/strong>
\nCu mai multe expozi\u0163ii desf\u00e3\u015furate la Bucure\u015fti \u00een ultimii ani \u015fi cu c\u00e2teva ie\u015firi \u00een galerii din Europa, Roman Tolici se bucur\u00e3 \u015fi de ascensiunea pe pia\u0163a secundar\u00e3. \u00cen casele de licita\u0163ii au fost tranzac\u0163ionate deja mai multe lucr\u00e3ri semnate de el, iar cel mai mare pre\u0163 de adjudecare a fost \u00eenregistrat de o lucrare datat\u00e3 2007, \u201eO lumin\u00e3\u201c, cump\u00e3rat\u00e3 la Artmark cu 8.500 de euro. \u015ei Tolici, \u015fi colegii s\u00e3i din hiperrealismul contemporan atrag aten\u0163ia \u00een special prin atitudinea lor critic\u00e3 fa\u0163\u00e3 de ceva. C\u00e3 e mass-media, c\u00e3 e consumismul, c\u0103 e glamour-ul societ\u00e3\u0163ii actuale. \u00cen cazul lui Tolici, dac\u00e3 nu se re\u0163ine \u00een sarcina lui polemica, amintit\u00e3 mai sus, cu vechea pictur\u00e3 \u00een care doar eroii, sfin\u0163ii \u015fi legendele meritau efortul arti\u015ftilor, ar mai r\u00e3m\u00e2ne doar o critic\u00e3 la adresa fotografiei de vacan\u0163\u00e3 sau a fotografiei de nunt\u00e3. Cu selfie pare s\u00e3 fi rezolvat anticipat, \u00eenc\u0103 din 2005, prin lucrarea \u201eMirror\u201c, o reinterpetare a temei autoportretului \u00een oglinda.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

A douazeci \u015fi patra parte dintr-o secund\u00e3. At\u00e2t \u00eenseamn\u00e3, la standardele tehnice actuale, subiectul unui tablou semnat Roman Tolici. O fotogram\u00e3. \u00cen economia expresivit\u00e3\u0163ii vizuale a artistului, o privire, un gest banal, o circumstan\u0163\u00e3 cotidian\u00e3. Un b\u00e3rbat \u00een p\u00e3dure, doi tineri f\u00e3c\u00e2ndu-\u015fi fotografii \u00een excursie, trei b\u00e3rba\u0163i la o \u015fuet\u00e3 pe ni\u015fte l\u00e3zi de plastic\u2026… Cite\u0219te mai mult »Clipa ca natur\u0103 moart\u0103. Roman Tolici \u015fi seria \u201eZece\u201c la Zorzini Gallery<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11317],"tags":[11563,11565,11564,11566],"class_list":["post-19747","post","type-post","status-publish","format-standard","hentry","category-cultura-vizuala","tag-roman-tolici-expozitie","tag-roman-tolici-licitatie","tag-roman-tolici-lucrari","tag-roman-tolici-vanzari"],"views":2324,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=19747"}],"version-history":[{"count":7,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19747\/revisions"}],"predecessor-version":[{"id":28394,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19747\/revisions\/28394"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=19747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=19747"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=19747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}