![\"spectacol_8901\"](\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/06\/spectacol_8901.jpg\")
<\/a> ![\"spectacol--8903\"](\"http:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/06\/spectacol-8903.jpg\")
<\/a><\/p>\nFoto: Adi Bulboac\u0103<\/span><\/p>\n Micile inser\u0163ii verosimile despre avantajele \u015fi dezavantajele de a avea o mam\u0103 plecat\u0103 la munc\u0103 \u00een Italia, care, \u00een schimbul prezen\u0163ei \u015fi al grijii materne, \u00eei aduce fiului haine \u201ede firm\u0103\u201c, sporesc doza necesar\u0103 de realism. P\u0103tura pe care fata, prev\u0103z\u0103toare, nu a uitat-o, bricheta care nu se aprinde, telefonul \u00een jurul c\u0103ruia orbiteaz\u0103 singura lor \u015fans\u0103 de supravie\u0163uire, f\u0103r\u0103 semnal, \u00eens\u0103, \u00een lift sunt obiectele care figureaz\u0103 povestea celor cinci zile petrecute \u00een claustrare. El are optsprezece ani, ea mai are trei s\u0103pt\u0103m\u00e2ni p\u00e2n\u0103 s\u0103-i \u00eemplineasc\u0103. Se preg\u0103tesc de bac. P\u00e2n\u0103 atunci, \u00eens\u0103, ei \u00eei vine ideea s\u0103 fac\u0103 dragoste, pentru prima oar\u0103, \u00een liftul dintr-o fabric\u0103 p\u0103r\u0103sit\u0103. Pe mama ei o minte c\u0103 doarme la o prieten\u0103. Doar c\u0103 liftul se blocheaz\u0103 \u015fi, cum \u00een fabric\u0103 nu mai… Cite\u0219te mai mult »Tragica zbenguial\u0103 a celor doi \u00eendr\u0103gosti\u0163i din lift<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11318],"tags":[11496,11498,3607,11499,11497,1549,11495],"class_list":["post-19628","post","type-post","status-publish","format-standard","hentry","category-cultura-spectacolului","tag-elevator","tag-florentina-nastase","tag-gabriel-pintilei","tag-piesa-elevator","tag-teatrul-mignon","tag-teatrul-odeon","tag-vlad-balan"],"views":2458,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=19628"}],"version-history":[{"count":3,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19628\/revisions"}],"predecessor-version":[{"id":28223,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19628\/revisions\/28223"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=19628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=19628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=19628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\u00cen st\u00e2nga, de-a curmezi\u015ful scenei intime de la Mignon, liftul este sugerat de doi pere\u0163i originali (furniza\u0163i, adic\u0103, de Ascensorul S.A.), pe care scenografii Raluca Boca \u015fi Alexandru Potec\u0103 \u00eei patineaz\u0103 mete\u015fugit pentru a le da aerul de vechi. \u00cen acest spa\u0163iu infim, personajele \u00ee\u015fi deruleaz\u0103 povestea celor c\u00e2teva zile. Fr\u00e2ng\u00e2nd adesea gesturile actorilor, coregrafia inspirat\u0103 a lui Iulian Gli\u0163\u0103, care pedaleaz\u0103 pe mi\u015fc\u0103ri \u00eentortocheate, va induce subliminal senza\u0163ia de claustrare.
\nCum s\u0103 faci un text filmic, cu dialoguri scurte \u015fi secven\u0163e t\u0103iate rapid \u015fi mai ales cu obligoul str\u00e2mt \u015fi ap\u0103s\u0103tor al aceluia\u015fi spa\u0163iu, s\u0103 devin\u0103 conving\u0103tor dramatic \u015fi uman \u2013 acesta pare s\u0103 fi fost pariul (c\u00e2\u015ftigat!) de regizorul Dorin Boca. \u00cendem\u00e2narea sa const\u0103 \u00een tipica fi\u015f\u0103 de observa\u0163ie, \u00een lipsa de patetism, \u00een grada\u0163ia bine controlat\u0103, \u00een care nici o scen\u0103 nu r\u0103m\u00e2ne lipsit\u0103 de necesarele justific\u0103ri \u015fi mai cu seam\u0103 \u00een balansul fin al acumul\u0103rilor survenite pe nesim\u0163ite. Iar cea mai mare reu\u015fit\u0103 r\u0103m\u00e2ne un adev\u0103rat crescendo al armoniei \u00een rela\u0163ia dintre cei doi tineri. Zilele petrecute \u00een claustrare, f\u0103r\u0103 ap\u0103, hran\u0103 \u015fi toalet\u0103, netezesc frecu\u015furile \u015fi \u00eei apropie pe cei doi str\u0103ini cupla\u0163i la limita \u00eent\u00e2mpl\u0103rii, pe care, dincolo de curiozitate \u015fi libido, prea pu\u0163ine lucruri par s\u0103-i uneasc\u0103 la \u00eenceput.
\nDe la asperit\u0103\u0163ile ini\u0163iale, de la spaima ei tradus\u0103 \u00een tot spectrul irit\u0103rii (provocat\u0103 mai cu seam\u0103 de dorin\u0163a b\u0103iatului de a fuma), de la micile isterii, personajul jucat de Florentina N\u0103stase va fi acaparat, scen\u0103 cu scen\u0103, de feminitate bl\u00e2nd\u0103, disperare (c\u00e2nd el le\u015fin\u0103 de sete, delireaz\u0103 sau are frisoane) \u015fi grij\u0103. Expresiv\u0103 \u00een toate gesturile, actri\u0163a creioneaz\u0103 un \u00eentreg parcurs al maturiz\u0103rii de criz\u0103, la \u00eenceput neanun\u0163at de reac\u0163iile nep\u0103s\u0103toare ale fetei cochete care vrea s\u0103-\u015fi impun\u0103 voin\u0163a. Pas cu pas, aceasta se dilueaz\u0103 \u00eencet, pentru a se transforma \u00een acceptare (spre sf\u00e2r\u015fit nici chiar inten\u0163ia lui de a fuma nu o mai deranjeaz\u0103) \u015fi bl\u00e2nde\u0163e. Micu\u0163\u0103 c\u00e2nd \u00ee\u015fi evoc\u0103 \u015fi invoc\u0103 mama, disimul\u00e2ndu-\u015fi curiozitatea fl\u0103m\u00e2nd\u0103 \u015fi inocen\u0163a \u00een \u00eentreb\u0103ri cool c\u00e2nd vrea s\u0103 afle cum se face dragoste, fata nu se poate ab\u0163ine s\u0103 nu-\u015fi chestioneze partenerul \u00een privin\u0163a biografiei sale sexuale. Care \u00eensumeaz\u0103 nici mai mult, nici mai pu\u0163in dec\u00e2t cinci episoade \u015fi jum\u0103tate. Pe m\u0103sur\u0103 ce zilele trec, intimitatea, \u00een\u0163elegerea \u015fi tandre\u0163ea dintre cei doi tineri vor fi tot mai mari, pentru a culmina cu scena \u00een care el se pr\u0103bu\u015fe\u015fte \u00een poala ei, \u00een clasica postur\u0103 de Piet\u00e0.
\n\u00cen rolul lui, Vlad B\u0103lan, actor cu prezen\u0163\u0103 plin\u0103, nu are nevoie de prea multe gesturi sau cuvinte ca s\u0103 transmit\u0103 un ce personal \u015fi ca \u00een jurul s\u0103u s\u0103 se \u00eenchege \u00eentreg spa\u0163iul. Credibil \u00een nep\u0103sarea \u015fi \u00een fronda specific\u0103 v\u00e2rstei, b\u0103iatul care mimeaz\u0103 (amuzant, bine\u00een\u0163eles) cunoa\u015fterea erotic\u0103 atunci c\u00e2nd \u00ee\u015fi etaleaz\u0103, la cererea ei, metodele de a se apropia de fete, ascunde tandre\u0163ea \u00eenn\u0103scut\u0103 a gesturilor protectoare.
\nCu regie subtil\u0103 \u015fi atent\u0103, cu doi tineri actori talenta\u0163i, Elevator, de la Teatrul Mignon, se dovede\u015fte un spectacol proasp\u0103t, care curge u\u015for, st\u00e2rnind empatia \u015fi deopotriv\u0103 simpatia publicului.<\/p>\n","protected":false},"excerpt":{"rendered":"