{"id":19348,"date":"2014-06-05T07:47:00","date_gmt":"2014-06-05T05:47:00","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=19348"},"modified":"2026-01-23T21:01:04","modified_gmt":"2026-01-23T19:01:04","slug":"afis-international-burcu-percin-distopia-incepe-azi","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/afis-international-burcu-percin-distopia-incepe-azi\/","title":{"rendered":"Afi\u015f interna\u0163ional: Burcu Percin &#8211;  Distopia \u00eencepe azi"},"content":{"rendered":"<p>P\u00e2nzele lui Burcu Percin sunt un melanj de figurativ \u015fi abstract, de realism \u015fi expresionism. Lucr\u0103rile pictori\u0163ei, care tr\u0103ie\u015fte \u015fi lucreaz\u0103 \u00een Turcia, s-au v\u00e2ndut la casele de licita\u0163ii Bonhams \u015fi Sotheby. \u00cen ultimii ani, compozi\u0163iile sale trateaz\u0103 aproape exclusiv efectele evolu\u0163iei economice. Fabrici p\u0103r\u0103site, ma\u015fini stricate, spa\u0163ii de depozitare a de\u015feurilor, obiecte abandonate sau \u015fosele goale creeaz\u0103 un gol distopic din care fiin\u0163a uman\u0103 pare s\u0103 fi disp\u0103rut. Tratate deloc sumbru cromatic, spa\u0163iile din cadrul compozi\u0163iilor nu sunt ur\u00e2te, ba dimpotriv\u0103, chiar dac\u0103 mesajul explicit este cel de singur\u0103tate \u015fi alienare. Artista pare s\u0103 se fi raportat politically correct la ideea de cimitir de modernitate, \u00een condi\u0163iile \u00een care sunt sesizabile \u015fi pledoaria ecologist\u0103, \u015fi cea social-economic\u0103. Conven\u0163ionale ca tehnic\u0103 de baz\u0103 \u2013 ulei pe p\u00e2nz\u0103 \u2013, lucr\u00e3rile experimenteaz\u0103 \u015fi alterarea suprafe\u0163ei finite prin \u00eendep\u0103rtarea straturilor de vopsea. \u00cen licita\u0163ii desf\u0103\u015furate la Londra, la Bonhams sau la Sotheby, lucr\u0103ri semnate de Burcu Percin \u015fi datate \u00een ultimii trei ani au fost adjudecate \u00een jurul valorii de 8.000 de euro.<\/p>\n<p><a href=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/06\/burcu-percin-2013.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-19349\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/06\/burcu-percin-2013.jpg\" alt=\"burcu-percin-2013\" width=\"283\" height=\"208\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/06\/burcu-percin-2013.jpg 283w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/06\/burcu-percin-2013-200x146.jpg 200w\" sizes=\"auto, (max-width: 283px) 100vw, 283px\" \/><\/a><strong>Burcu Percin, <em>Untitled<\/em>, 2013\u00a0 <span style=\"text-decoration: underline; color: #0000ff;\">(c)<span style=\"color: #0000ff;\"><em> burcupercin.net<\/em><\/span><\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>P\u00e2nzele lui Burcu Percin sunt un melanj de figurativ \u015fi abstract, de realism \u015fi expresionism. Lucr\u0103rile pictori\u0163ei, care tr\u0103ie\u015fte \u015fi lucreaz\u0103 \u00een Turcia, s-au v\u00e2ndut la casele de licita\u0163ii Bonhams \u015fi Sotheby. \u00cen ultimii ani, compozi\u0163iile sale trateaz\u0103 aproape exclusiv efectele evolu\u0163iei economice. Fabrici p\u0103r\u0103site, ma\u015fini stricate, spa\u0163ii de depozitare a de\u015feurilor, obiecte abandonate sau&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/afis-international-burcu-percin-distopia-incepe-azi\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Afi\u015f interna\u0163ional: Burcu Percin &#8211;  Distopia \u00eencepe azi<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[11317],"tags":[11372,11449],"class_list":["post-19348","post","type-post","status-publish","format-standard","hentry","category-cultura-vizuala","tag-artisti-plastici-europeni","tag-burcu-percin"],"views":1223,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=19348"}],"version-history":[{"count":3,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19348\/revisions"}],"predecessor-version":[{"id":28280,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19348\/revisions\/28280"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=19348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=19348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=19348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}