{"id":19129,"date":"2014-05-22T10:20:00","date_gmt":"2014-05-22T08:20:00","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=19129"},"modified":"2026-01-23T21:03:57","modified_gmt":"2026-01-23T19:03:57","slug":"juan-genoves-despre-anularea-identitatii-afis-international","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/juan-genoves-despre-anularea-identitatii-afis-international\/","title":{"rendered":"Juan Genov\u00e9s, despre anularea identit\u00e3\u0163ii. Afi\u015f interna\u0163ional"},"content":{"rendered":"<h3><a href=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/05\/Juan-Genoves-Tempo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-19147\" src=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/05\/Juan-Genoves-Tempo-448x371.jpg\" alt=\"Juan-Genoves,-Tempo\" width=\"448\" height=\"371\" srcset=\"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/05\/Juan-Genoves-Tempo-448x371.jpg 448w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/05\/Juan-Genoves-Tempo-300x249.jpg 300w, https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/05\/Juan-Genoves-Tempo.jpg 600w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/a><\/h3>\n<p>Juan Genov\u00e9s, <em>Tempo<\/em>, 2013, Marlborough Gallery, 85.000 euro (c)artsy.net<\/p>\n<p>Juan Genov\u00e9s este unul dintre arti\u015ftii contemporani cei mai cunoscu\u0163i din Spania. Plasate \u00eentr-un registru de pop-art prin respira\u0163ia cinematografic\u00e3 a compozi\u0163iilor, lucr\u00e3rile lui Genov\u00e9s exploreaz\u00e3, dublu, tema individului ca parte a mul\u0163imii \u015fi tema c\u00e3ut\u00e3rilor \u015fi angoaselor sociale. \u00centr-o perspectiv\u00e3 plonjat\u00e3, personajul uman este o prezen\u0163\u00e3 aproape punctiform\u00e3, repetabil\u00e3 \u015fi replicabil\u00e3, parte insignifiant\u00e3 a unui organism colectiv, plasat \u015fi el, destul de nelini\u015ftitor, \u00een spa\u0163ii goale, lipsite de orice indicii creatoare de context. E un joc de-a locarea \u015fi relocarea continu\u00e3 a individului, \u00eentr-un discurs despre anularea identit\u00e3\u0162ii. Picturile lui Genov\u00e9s se g\u00e3sesc \u00een multe colec\u0163ii publice. Sunt la Institutul de Art\u00e3 din Chicago, sau la Muzeul de Art\u00e3 Modern\u00e3 \u015fi Muzeul Guggenheim din New York Anul trecut, o lucrare semnat\u00e3 de Juan Genov\u00e9s, datat\u00e3 2003 \u015fi intitulat\u00e3 \u201eIncendiaries I\u201c a fost v\u00e2ndut\u00e3 la casa de licita\u0163ii Christie&#8217;s din Londra cu pre\u0162ul de 157.875 de lire, echivalentul a aproape 250.000 USD. Lucr\u00e3ri recente ale artistului se afl\u00e3 \u00een portofoliul Marlborough Gallery, iar pre\u0163ul acestora, potrivit portalului artsy.com se \u00eencadreaz\u00e3 \u00een intervalul 80.000-130.000 de euro.<\/p>\n<p><strong>Carmen Corbu<\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Juan Genov\u00e9s, Tempo, 2013, Marlborough Gallery, 85.000 euro (c)artsy.net Juan Genov\u00e9s este unul dintre arti\u015ftii contemporani cei mai cunoscu\u0163i din Spania. Plasate \u00eentr-un registru de pop-art prin respira\u0163ia cinematografic\u00e3 a compozi\u0163iilor, lucr\u00e3rile lui Genov\u00e9s exploreaz\u00e3, dublu, tema individului ca parte a mul\u0163imii \u015fi tema c\u00e3ut\u00e3rilor \u015fi angoaselor sociale. \u00centr-o perspectiv\u00e3 plonjat\u00e3, personajul uman este o&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/juan-genoves-despre-anularea-identitatii-afis-international\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Juan Genov\u00e9s, despre anularea identit\u00e3\u0163ii. Afi\u015f interna\u0163ional<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":19147,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[66],"tags":[11310,11308,11309],"class_list":["post-19129","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-media","tag-arta-plastica-europeana","tag-artist-spaniol-juan-genoves","tag-pictori-eurpoeni-contemporani"],"views":771,"jetpack_featured_media_url":"https:\/\/revistacultura.ro\/nou\/wp-content\/uploads\/2014\/05\/Juan-Genoves-Tempo.jpg","_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=19129"}],"version-history":[{"count":2,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19129\/revisions"}],"predecessor-version":[{"id":28383,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19129\/revisions\/28383"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media\/19147"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=19129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=19129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=19129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}