\u00cen presa literar\u0103 de azi nu vom g\u0103si dezbateri despre starea romanului, a poeziei, a traducerilor sau a prozei scurte; \u00een schimb, toat\u0103 lumea se pronun\u0163\u0103 asupra criticii literare: noua critic\u0103 vs. vechea critic\u0103, dezertarea cronicarilor literari, academici vs. publici\u015fti \u015f.a.m.d.\u00a0 Toate acestea pot fi reduse la meciul dintre Critica Estetic\u0103 (veche) \u015fi Noua Critic\u0103 (\u015fi nou\u0103, \u015fi nonestetic\u0103).<\/p>\n
Stanislaw Lem vorbea despre procesul de degradare cognitiv\u0103 \u015fi estetic\u0103 prin care trece orice subgen nou creat. Procesul cunoa\u015fte patru etape: 1. explorarea genuin-\u00eenc\u00e2ntat\u0103 a noului device, 2. c\u0103utarea de complica\u0163ii care s\u0103 adauge ad\u00e2ncime, tinz\u00e2nd c\u0103tre epuizarea permut\u0103rilor posibile, 3. parodizarea\/ valorificarea \u00een cheie comic\u0103 \u015fi, \u00een fine, 4. decrepitudinea, adic\u0103 valorificarea prin \u00eencruci\u015farea cu subgenuri de larg consum precum nara\u0163iunea poli\u0163ist\u0103, erotic\u0103 \u015f.a.m.d. (De pild\u0103, \u00een materie de fantasy \u2013 un subgen relativ nou, num\u0103r\u00e2nd sub o sut\u0103 de ani \u2013, \u00een momentul de fa\u0163\u0103, succesul seriei Hunger Games semnalizeaz\u0103 c\u0103 am ajuns, \u00een cadrul celei de-a patra etape, la combinarea fantasy-ului cu subgenul soft-porn, sub-sub-genul teens.)<\/p>\n
Propun urm\u0103torul exerci\u0163iu: s\u0103 echival\u0103m critica estetic\u0103 cu un subgen literar. \u00cen cultura rom\u00e2n\u0103, critica estetic\u0103 urmeaz\u0103 toate cele patru etape ale lui Lem. Prin Maiorescu, a fost descoperit\u0103; prin E. Lovinescu \u2013 G. C\u0103linescu \u2013 Pompiliu Constantinescu, continua\u0163i apoi de criticii \u015faizeci\u015fti, a fost cartografiat\u0103, uneori cu decora\u0163iuni \u015fi volane, ca \u00een h\u0103r\u0163ile vechilor mae\u015ftri; prin optzeci\u015fti, dup\u0103 aceea, critica estetic\u0103 a fost relativizat\u0103 \u015fi tratat\u0103 cu acizii ironiei, f\u0103r\u0103 a fi \u00eens\u0103 dep\u0103\u015fit\u0103; pentru ca \u00een anii 90, prin critici precum Dan-Silviu Boerescu (nu foarte numero\u015fi, ce-i drept), s\u0103 descopere trivialul, contaminarea cu literatura de consum, devenind adesea o glum\u0103. Aceast\u0103 din urm\u0103 etap\u0103 (a patra, \u00een termenii lui Lem) \u015fi-a cunoscut momentul de glorie \u00een anii 2000, prin apari\u0163ia at\u00e2t a unor cronicari care-\u015fi concepeau textele pe modelul comentariilor din Champions League, c\u00e2t \u015fi a blogurilor \u015fi a blogerilor \u2013 amatori care au cam terminat procesul de trivializare a criticii estetice, tranform\u00e2nd-o basically \u00eentr-o opera\u0163iune de ag\u0103\u0163at \u201evizitatori\u201c \u015fi \u201elike\u201c-uri.<\/p>\n
A\u015fa c\u0103, \u00een momentul de fa\u0163\u0103, punerea \u00een discu\u0163ie, pe toate gardurile, a criticii estetice nu reprezint\u0103 doar o criz\u0103 exterioar\u0103, ci sf\u00e2r\u015fitul sistemic, decis de ceasul intern al ma\u015finii: \u00een desene animate, e secunda \u00een care Tom sau Coiotul descoper\u0103 c\u0103 de la o vreme merge \u201epe aer\u201d, f\u0103r\u0103 teren sub picioare, \u015fi \u00een consecin\u0163\u0103 \u00eencepe s\u0103 cad\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"
\u00cen presa literar\u0103 de azi nu vom g\u0103si dezbateri despre starea romanului, a poeziei, a traducerilor sau a prozei scurte; \u00een schimb, toat\u0103 lumea se pronun\u0163\u0103 asupra criticii literare: noua critic\u0103 vs. vechea critic\u0103, dezertarea cronicarilor literari, academici vs. publici\u015fti \u015f.a.m.d.\u00a0 Toate acestea pot fi reduse la meciul dintre Critica Estetic\u0103 (veche) \u015fi Noua Critic\u0103… Cite\u0219te mai mult »Critica estetic\u0103 \u2013 un exerci\u0163iu<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[1711,11252,11253,11250,11251,11254],"class_list":["post-19028","post","type-post","status-publish","format-standard","hentry","category-cultura-literara","tag-critica-literara","tag-degradare-cognitiva-si-estetica","tag-genuri-literare","tag-presa-literara","tag-stanislaw-lem","tag-subgenuri-literare"],"views":1590,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19028","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=19028"}],"version-history":[{"count":0,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19028\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=19028"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=19028"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=19028"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}