{"id":19011,"date":"2014-05-20T21:17:25","date_gmt":"2014-05-20T19:17:25","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=19011"},"modified":"2014-05-20T21:17:25","modified_gmt":"2014-05-20T19:17:25","slug":"excelenta-academica-brasoveana","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/excelenta-academica-brasoveana\/","title":{"rendered":"Excelen\u0163a academic\u0103 bra\u015fovean\u0103"},"content":{"rendered":"<p>Ini\u0163iat \u00een 2006, de c\u0103tre Andrei Bodiu, proiectul \u201eExcelen\u0163\u0103 academic\u0103 bra\u015fovean\u0103\u201c, finan\u0163at de Consiliul Municipal Bra\u015fov, cuprinde, printre altele, organizarea Colocviului Na\u0163ional Universitar de Literatur\u0103 Rom\u00e2n\u0103 Contemporan\u0103, ajuns, \u00een acest an, la edi\u0163ia a XI-a. Numerotarea cuprinde \u015fi alte \u00eent\u00e2lniri, din 2007 \u015fi din 2012, consacrate lui Gheorghe Cr\u0103ciun. Protocolul acestei manifest\u0103ri \u2013 poate cea mai prestigioas\u0103 \u00een domeniu \u2013 prevede ca dezbaterile s\u0103 fie dedicate unor personalit\u0103\u0163i invitate s\u0103 asiste \u015fi s\u0103 comenteze reac\u0163iile critice. A fost r\u00e2ndul ca, \u00eentre 8 \u015fi 9 mai a.c., discu\u0163iile s\u0103 aib\u0103 \u00een vedere opera lui Paul Cornea (istoric literar), respectiv a lui Mircea Martin (critic \u015fi teoretician al literaturii). La Facultatea de Litere a Universit\u0103\u0163ii \u201eTransilvania\u201c din Bra\u015fov au participat profesori, cercet\u0103tori \u015fi studen\u0163i din \u00eenc\u0103 10 centre universitare: Bucure\u015fti, Bac\u0103u, Baia Mare, Cluj, Constan\u0163a, Craiova, Ia\u015fi, Sibiu, Suceava, Timi\u015foara.<br \/>\nPrima zi s-a deschis cu scurte evoc\u0103ri despre Alexandru Mu\u015fina (m. 2013) \u015fi Andrei Bodiu (m. 2014), poe\u0163i importan\u0163i \u015fi, totodat\u0103, profesori emeri\u0163i ai Literelor bra\u015fovene, disp\u0103ru\u0163i prematur. Pe durata \u00eentregii sesiuni am resim\u0163it absen\u0163a lor, rememor\u00e2ndu-le gesturile obi\u015fnuite. Mu\u015fina ap\u0103rea dup\u0103 ora pr\u00e2nzului, cu p\u0103l\u0103ria cu boruri late, \u015fi ne lua \u00een t\u0103rbac\u0103 pentru c\u0103 nu ne-am face datoria fa\u0163\u0103 de literatura vie. Mereu sarcastic, lua parte la celebrarea universitarismului, amintindu-ne c\u0103 ne strofoc\u0103m inutil pe marginea canonului, c\u00e2t\u0103 vreme nu-i acord\u0103m prioritate \u00een programele de studiu. \u00cemi r\u0103m\u00e2ne fix\u0103 imaginea lui, din Aula \u201eSergiu T. Chiriacescu\u201c, st\u00e2nd la tribun\u0103 \u015fi m\u0103tr\u0103\u015find orice opinie.<br \/>\nBodiu era carismatic \u015fi eficient. Dispari\u0163ia lui \u00eenseamn\u0103 \u015fi pierderea unor criterii de performan\u0163e. Mereu amabil, se interesa cum am c\u0103l\u0103torit, dac\u0103 ne-am sim\u0163it confortabil pe durata \u015federii. \u00ce\u015fi cronometra activit\u0103\u0163ile la sutimea de secund\u0103. Intra \u00een s\u0103li \u015fi \u00eentrerupea orice abatere de la program. Pe Andrei Bodiu l-au rememorat, dup\u0103-amiz\u00e3, Mircea Martin (\u00een ipostaza de \u201epublic servant\u201c), Caius Dobrescu, Mircea A. Diaconu, Angelo Mitchievici, Vasile Spiridon (care l-a caracterizat ca \u201efiind mereu pe duc\u0103\u201c), Rodica Ilie, Ruxandra Iv\u0103ncescu, Cristian Pralea \u015fi subsemnatul. R\u0103m\u00e2n cu recuno\u015ftin\u0163a c\u0103 s-a num\u0103rat printre referen\u0163ii tezei mele de doctorat. De asemenea, m-a uimit bun\u0103voin\u0163a lui, \u00een 2008, c\u00e2nd am ajuns \u00eent\u00e2i la Colocviu. M-a \u00eentrebat ce fac de parc\u0103 ne \u015ftiam de mult\u0103 vreme. Dac\u0103 Mu\u015fina r\u00e2dea f\u0103r\u0103 condescenden\u0163\u0103, Bodiu z\u00e2mbea. Avea umor.<br \/>\nDiminea\u0163a a continuat cu dou\u0103 laudatio pentru Paul Cornea \u015fi Mircea Martin, rostite de Adrian L\u0103c\u0103tu\u015f, decanul Facult\u0103\u0163ii de Litere din Bra\u015fov, respectiv de Virgil Podoab\u0103. Paul Cornea a men\u0163ionat c\u0103, \u00een perioada 1990\u20131993, c\u00e2t a de\u0163inut func\u0163ia de secretar de stat \u00een cadrul Ministerul \u00cenv\u0103\u0163\u0103m\u00e2ntului, a contribuit la \u00eenfiin\u0163area institu\u0163iei-gazd\u0103. Mircea Martin a citit un text despre necesitatea nuan\u0163elor \u00een discursul critic. Dup\u0103 aceea au avut cuv\u00e2ntul filologii \u00een formare, vizibil emo\u0163iona\u0163i sau chiar timora\u0163i, de posibilitatea confrunt\u0103rii ideatice. De fiecare dat\u0103, invita\u0163ii au semnalat inadverten\u0163ele \u015fi caracterul necesar al contextualiz\u0103rilor. La final, premiile I au fost acordate studen\u0163ilor: Alexandru Agache (Bra\u015fov, Conceptul de influen\u0163\u0103 la Paul Cornea, lucrare laureat\u0103 \u015fi cu Marele Premiu), \u015etefan Baghiu (Cluj, \u00cempotriva unilateralit\u0103\u0163ii: Paul Cornea \u015fi g\u00e2ndirea teoretic\u0103 occidental\u0103), Cristina Gelep(Craiova, Jean Starobinski \u00een lectura lui Mircea Martin) \u015fi Andreea Coroian (Mircea Martin. Intui\u0163ia mi\u015fc\u0103rii genera\u0163ioniste).<br \/>\nZiua urm\u0103toare le-a apar\u0163inut seniorilor, iar analizele vehiculate s-au bucurat de asentimentul celor doi intelectuali de marc\u0103. Interven\u0163iile consistente s-au succedat timp de aproximativ 5 ore, pigmentate cu anecdote \u015fi referiri la situa\u0163ia cultural\u0103 actual\u0103. Seara s-a \u00eencheiat cu dialoguri purtate cu invita\u0163ii. Paul Cornea a relatat c\u00e2teva experien\u0163e ale tinere\u0163ii, printre care propunerea directorului-adjunct al Liceului \u201eMihai Viteazul\u201c din Capital\u0103 de a-l \u00eenfia sau activit\u0103\u0163i subversive din ilegalitatea comunist\u0103. Mircea Martin a povestit cum a pierdut, \u00een editur\u0103, dactilograma volumului secund din G. C\u0103linescu \u015fi \u201ecomplexele\u201c literaturii rom\u00e2ne. De asemenea, \u00eentrebat despre \u015fansa de a pleca \u015fi de a se stabili \u00een str\u0103in\u0103tate, a povestit dou\u0103 reac\u0163ii. Pe de o parte, sosind pentru prima dat\u0103 \u00een Fran\u0163a, l-a \u00eent\u00e2lnit pe Jos\u00e9 Corti, de la care a dorit s\u0103 afle unde locuie\u015fte Marcel Raymond. Interlocutorul i-a r\u0103spuns sec, oracular: \u201eMarcel Raymond n\u2019a pas d\u2019adresse\u201c. Pe de alt\u0103 parte, \u00eentr-o scrisoare primit\u0103 la Geneva, Matei C\u0103linescu l-a \u00eendemnat s\u0103 \u201eintre pe partea carosabil\u0103\u201c.<br \/>\nBilan\u0163ul edi\u0163iei a XI-a a Colocviului Na\u0163ional Universitar de Literatur\u0103 Rom\u00e2n\u0103 Contemporan\u0103 a fost marcat de st\u0103ri contradictorii: bucurie, relaxare, rigurozitate \u015fi triste\u0163e. Sintagma \u201evia\u0163a merge \u00eenainte\u201c mi se pare nedreapt\u0103, dar noua echip\u0103 organizatoric\u0103 a demonstrat c\u0103 poart\u0103 tradi\u0163ia cu mare dib\u0103cie.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ini\u0163iat \u00een 2006, de c\u0103tre Andrei Bodiu, proiectul \u201eExcelen\u0163\u0103 academic\u0103 bra\u015fovean\u0103\u201c, finan\u0163at de Consiliul Municipal Bra\u015fov, cuprinde, printre altele, organizarea Colocviului Na\u0163ional Universitar de Literatur\u0103 Rom\u00e2n\u0103 Contemporan\u0103, ajuns, \u00een acest an, la edi\u0163ia a XI-a. Numerotarea cuprinde \u015fi alte \u00eent\u00e2lniri, din 2007 \u015fi din 2012, consacrate lui Gheorghe Cr\u0103ciun. Protocolul acestei manifest\u0103ri \u2013 poate cea&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/excelenta-academica-brasoveana\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Excelen\u0163a academic\u0103 bra\u015fovean\u0103<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[9645,11233,3462,11232,5148,469,1788,11234],"class_list":["post-19011","post","type-post","status-publish","format-standard","hentry","category-cultura-literara","tag-andrei-bodiu","tag-angelo-mitchievici","tag-caius-dobrescu","tag-colocviului-national-universitar-de-literatura-romana-contemporana","tag-mircea-a-diaconu","tag-mircea-martin","tag-universitatea-transilvania","tag-vasile-spiridon"],"views":1663,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19011","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=19011"}],"version-history":[{"count":0,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/19011\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=19011"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=19011"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=19011"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}