{"id":18402,"date":"2014-03-27T11:23:42","date_gmt":"2014-03-27T09:23:42","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=18402"},"modified":"2014-05-19T08:53:33","modified_gmt":"2014-05-19T06:53:33","slug":"romania-la-salonul-cartii-de-la-paris","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/romania-la-salonul-cartii-de-la-paris\/","title":{"rendered":"Rom\u00e2nia la Salonul C\u0103r\u0163ii de la Paris"},"content":{"rendered":"<p>La a 34-a edi\u0163ie a T\u00e2rgului de Carte de la Paris, desf\u0103\u015furat\u0103 \u00eentre 21-24 martie, \u0163ara invitat\u0103 de onoare este Argentina. Propun\u00e2ndu-\u015fi s\u0103 speculeze vizibilitatea acumulat\u0103 anul trecut, c\u00e2nd a fost \u0163ara invitat\u0103 de onoare a evenimentului, Rom\u00e2nia avanseaz\u0103 acum, prin grija Institutului Cultural Rom\u00e2n, un program care sus\u0163ine c\u0103 \u00eencurajeaz\u0103 scriitorii tineri (p\u00e2n\u0103 \u00een 35 de ani) \u015fi c\u0103 acord\u0103 o aten\u0163ie special\u0103 scriitorilor din Republica Moldova. Sub deviza viitorist\u0103 \u201eDes livres a venir, l\u2019avenir des livres\u201c (\u201eC\u0103r\u0163ile viitorului, viitorul c\u0103r\u0163ilor\u201c), programul rom\u00e2nesc e reprezentat mai degrab\u0103 de dezbateri \u015fi mese rotunde \u2013 de la arte vizuale \u015fi integrarea european\u0103 a Republicii Moldova, la rela\u0163ia dintre fic\u0163iune \u015fi sport \u2013, dec\u00e2t de apari\u0163ii editoriale, \u00eentre care se disting totu\u015fi Cristian-Robert Velescu, cu Avant-gardes et modernit\u00e9s, traducerea C\u00e2ntecelor cu gura-nchis\u0103 de Tudor Arghezi, semnat\u0103 de Beno\u00eet Joseph Courvoisier, \u015fi dou\u0103 volume, unul de proz\u0103, altul de poezie, ale Martei Petreu. Prin \u201eprezentare de carte a autorilor tineri\u201c se \u00een\u0163elege \u00eens\u0103 \u2013 la o scrutare mai atent\u0103 a calendarului evenimentului \u2013 lansarea unor autori trecu\u0163i bine de 35 de ani ca Anca Mizumschi, Cassian Maria Spiridon sau Mihai G\u0103l\u0103\u0163anu (!). Tinerilor cu adev\u0103rat tineri li se dedic\u0103 o singur\u0103 discu\u0163ie, la care particip\u0103 Vlad Moldovan, Andrei Mocu\u0163a, Roxana Baudouin \u015fi Augustin Cup\u015fa, restul celor patru zile de t\u00e2rg fiind rezervate consacra\u0163ilor: caricaturistul \u015etefan Popa Popa\u2019s, scriitorii George Arion, Magda C\u00e2rneci, Dinu Fl\u0103m\u00e2nd, \u015eerban Foar\u0163\u0103, Nicolae Manolescu, Marta Petreu, Alex. Leo \u015eerban, Matei Vi\u015fniec.<br \/>\n\u00cen fine, dac\u0103 promovarea tinerilor \u015fi echilibrul consacra\u0163i-aspiran\u0163i r\u0103m\u00e2n la nivelul propagandei m\u00e2nate de bune inten\u0163ii, mai r\u0103m\u00e2ne de elucidat un mic detaliu birocratic: \u201e\u015ei anul acesta, la standul Rom\u00e2niei vor fi expuse volume publicate de peste treizeci de edituri din spa\u0163iul editorial autohton\u201c, anun\u0163\u0103 site-ul ICR \u00een ajunul\u00a0 deschiderii t\u00e2rgului. Consult\u00e2nd site-ul francez al Salon du Livre, se constat\u0103 c\u0103 acolo nu figureaz\u0103 dec\u00e2t dou\u0103 edituri rom\u00e2ne\u015fti: Editura Vinea \u015fi Editura Institutului Cultural Rom\u00e2n, restul fiind probabil invita\u0163i-surpriz\u0103. Excelent\u0103 sincronizare, din care nu lipsesc absurdul, suspansul \u015fi obscuritatea \u2013 ingredientele-vedet\u0103 ale literaturii rom\u00e2ne contemporane \u00een optica francezului modic introdus \u00een chestie, a\u015fa cum ar\u0103tau majoritatea comentariilor la c\u0103r\u0163ile rom\u00e2ne\u015fti de la precedenta edi\u0163ie a Salon du Livre.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La a 34-a edi\u0163ie a T\u00e2rgului de Carte de la Paris, desf\u0103\u015furat\u0103 \u00eentre 21-24 martie, \u0163ara invitat\u0103 de onoare este Argentina. Propun\u00e2ndu-\u015fi s\u0103 speculeze vizibilitatea acumulat\u0103 anul trecut, c\u00e2nd a fost \u0163ara invitat\u0103 de onoare a evenimentului, Rom\u00e2nia avanseaz\u0103 acum, prin grija Institutului Cultural Rom\u00e2n, un program care sus\u0163ine c\u0103 \u00eencurajeaz\u0103 scriitorii tineri (p\u00e2n\u0103 \u00een&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/nou\/romania-la-salonul-cartii-de-la-paris\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Rom\u00e2nia la Salonul C\u0103r\u0163ii de la Paris<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17],"tags":[10758,10757,422,10756,10759],"class_list":["post-18402","post","type-post","status-publish","format-standard","hentry","category-cultura-ideilor","tag-cartile-viitorului","tag-cristian-robert-velescu","tag-icr","tag-targul-de-carte-de-la-paris","tag-viitorul-cartilor"],"views":1287,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/18402","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=18402"}],"version-history":[{"count":0,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/18402\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=18402"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=18402"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=18402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}