{"id":18353,"date":"2014-03-27T10:32:47","date_gmt":"2014-03-27T08:32:47","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=18353"},"modified":"2014-03-27T10:32:47","modified_gmt":"2014-03-27T08:32:47","slug":"jurnalul-poetic-american","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/jurnalul-poetic-american\/","title":{"rendered":"Jurnalul poetic american"},"content":{"rendered":"

Andrei D\u00f3sa, American Experience,<\/em> Editura Cartea Rom\u00e2neasc\u0103, Bucure\u015fti, 2013<\/strong><\/p><\/blockquote>\n

C\u00e2nd, \u00een 2006, R\u0103zvan \u0162upa publica celebrul articol Genera\u0163ia 00 a expirat. Urmeaz\u0103 poezia, diagnosticul pe care \u00eel intuia pentru t\u00e2n\u0103ra genera\u0163ie a dus la c\u00e2teva discu\u0163ii dintre cele mai incandescente, cu tonuri deopotriv\u0103 adepte \u015fi polemice. Poate \u015fi pentru c\u0103 intui\u0163ia lui era destul de tran\u015fant\u0103: Genera\u0163iei 2000, devenit\u0103 o mod\u0103, i se epuizase, considera poetul, for\u0163a creatoare \u015fi, de atunci \u00eenainte, urma s\u0103 avem de-a face cu o prelung\u0103 epoc\u0103 a epigonilor. Or, anii care s-au scurs \u00eentre timp aveau s\u0103 ne confirme, \u00een bun\u0103 parte, c\u0103 pariul lui \u0162upa a fost aproape c\u00e2\u015ftigat. Cu pu\u0163ine (dar conving\u0103toare) excep\u0163ii, volumele de poezie din a doua parte a deceniului s-au dovedit imita\u0163ii (prea pu\u0163in reu\u015fite, de multe ori, \u015fi ele) ale poe\u0163ilor consacra\u0163i din primul val al dou\u0103miismului.<\/strong> <\/em>
\nPoezia lui Andrei D\u00f3sa e dintre pu\u0163inele capabile s\u0103 resubstan\u0163ieze, cel pu\u0163in \u00een parte, unele dintre mizele identitare ale dou\u0103miismului. Odat\u0103 cu American Experience, poetul se confirm\u0103, f\u0103r\u0103 \u00eendoial\u0103, drept una dintre vocile cele mai reprezentative \u2013 cel pu\u0163in \u00een materie de poezie \u2013 ale Genera\u0163iei 2000. Nu cred s\u0103 fi ap\u0103rut, \u00een ultimii ani, dec\u00e2t foarte pu\u0163ine volume de pregnan\u0163a \u015fi de \u201eabilitatea\u201c poetic\u0103 a celui publicat sub semn\u0103tura t\u00e2n\u0103rului autor, \u00een 2013, la Cartea Rom\u00e2neasc\u0103. Scriitorul promitea o devenire de excep\u0163ie \u00eenc\u0103 de la debutul din 2011, c\u00e2nd a reu\u015fit s\u0103 atrag\u0103 aten\u0163ia criticii cu deja remarcabilul volum C\u00e2nd va veni ceea ce este des\u0103v\u00e2r\u015fit, editat la Tracus Arte.
\nUn scenariu hiperbolic<\/strong>
\nUnul dintre resorturile originalit\u0103\u0163ii \u00eel constituie, printre altele, structura diaristico-poetic\u0103 a volumului, reconstituind experien\u0163a american\u0103 \u2013 transfigurat\u0103 estetic \u2013 a studentului plecat cu \u201eWork and Travel\u201c. Din PRIMA ZI. am v\u0103zut america (clock-in \u2013 clock-out) p\u00e2n\u0103 la episodul c\u0103l\u0103toriei americane, al c\u0103rei apogeu e restituit \u00een excelenta reprezentare poetic\u0103 a New York-ului, poemele recupereaz\u0103, \u00een cheie cvasi-metaforic\u0103, receptarea subiectiv\u0103 a \u00eentregii existen\u0163e de peste Ocean.
\nImaginarul se configureaz\u0103, cu un vizibil efect de autenticitate, la interferen\u0163a dintre o realitate viciat\u0103 \u015fi o fic\u0163iune care nu se dovede\u015fte, nici ea, o solu\u0163ie viabil\u0103 a realit\u0103\u0163ii. \u00cen restaurantul \u00een care t\u00e2n\u0103rul student \u00ee\u015fi exerseaz\u0103 jobul de var\u0103, \u201eintr\u0103 pe r\u00e2nd personajele din\/ romanele americane to\u0163i sunt \u00eentr-o form\u0103 excelent\u0103\/ capabili s\u0103 \u00eendure orice\/ furculi\u0163ele se \u00eenfig la unison \u00een h\u0103lcile de carne\/ trupurile lui huckleberry finn holden\/ humbert humbert victor mancini\/ se dizolv\u0103 \u00een gr\u0103sime\u201c. Fic\u0163ionalizarea define\u015fte, \u00een acela\u015fi timp, \u00eentreaga reconstituire a realit\u0103\u0163ii americane, taxat\u0103 \u00een termenii cli\u015feelor pe care ea \u00eens\u0103\u015fi le promoveaz\u0103 (\u201eau asimilat at\u00e2t de bine ritmul muncii\/ \u00eenc\u00e2t trupurile lor ne\u015ftiutoare\/ \u00ee\u015fi pierd echilibrul uit\u0103 s\u0103 mearg\u0103\/ se destram\u0103 sunt pierdu\u0163i\/ ca \u00eentr-o scen\u0103 dintr-un film sf\/ \u00een care extratere\u015ftrii invadeaz\u0103 planeta\u201c). Alteori, \u00eentr-o relativ\u0103 not\u0103 umoristic\u0103, banalitatea jobului sezonier se dizolv\u0103 \u00eentr-un scenariu hiperbolic, cu o intrig\u0103 cvasi-poli\u0163ist\u0103 (\u201esp\u0103l\u0103m strictul necesar\/ astfel \u00eenc\u00e2t nimeni s\u0103 nu-\u015fi dea seama\/ toat\u0103 lumea s\u0103 cread\u0103 c\u0103 noi am descoperit\/ un dulap secret cu vesel\u0103 curat\u0103 <\u2026> arhiv\u0103m cu grij\u0103 toate abaterile\/ sunt probe\/alibiuri \u00eentr-un proces\/ \u00een care num\u0103rul acuza\u0163iilor tinde spre infinit\u201c). Nu doar micro-spa\u0163iul restaurantului e obiectul unor asemenea reprezent\u0103ri, ci \u00eentreaga societate ajunge s\u0103 fie caracterizat\u0103 de aceea\u015fi \u201esublimitate\u201c artificial\u0103, reflect\u00e2ndu-\u015fi propriile stereotipii (\u201epe m\u0103sur\u0103 ce \u00eenaintez perfec\u0163iunea\/ caselor \u015fi a peluzelor devine ap\u0103s\u0103toare\/ la pr\u00e2nz soarele videaz\u0103 spa\u0163iul <\u2026> oamenii par din reclame\/ dar se mi\u015fc\u0103 f\u0103r\u0103 entuziasm\/ c\u00e2nd vopsesc pere\u0163ii casei\u201c). Avem de-a face, f\u0103r\u0103 \u00eendoial\u0103, cu o tentativ\u0103 poetic\u0103 de a \u201estigmatiza\u201c marile nereguli ale unei societ\u0103\u0163i consumeriste, \u00een care \u201eoamenii vin se a\u015faz\u0103 l\u00e2ng\u0103 mine\/ las\u0103 \u00een urma lor mucuri de \u0163igar\u0103\/ h\u00e2rtii \u00eennegrite de cifre\/ cu zerouri mari \u015fcol\u0103re\u015fti\/ sume \u00een dolari\u201c.
\n\u201eTurist european\u201c<\/strong>
\nF\u0103r\u0103 \u00eendoial\u0103 c\u0103 volumul p\u0103streaz\u0103 o evident\u0103 tent\u0103 \u201emizerabilist\u0103\u201c, \u00een bun\u0103 continuitate a \u201eprimului\u201c dou\u0103miism poetic. Detaliile sordide (\u201evorbesc serios e boala aia \u015fti\u0163i voi\/ salmonella\/\/ \u00eencearc\u0103 s\u0103-\u015fi trag\u0103 mucii\/ din nara st\u00e2ng\u0103 \u00eei iese un balon verzui transparent\u201c) sau exhibarea predilect\u0103 a registrelor negative de afecte \u015fi senza\u0163ii (\u201esub sigla coca-cola cineva d\u00e2rd\u00e2ie de frig\/ din emi\u0163\u0103toare se revars\u0103 valuri ucig\u0103toare\/ de c\u0103ldur\u0103 autobuze \u015fcolare trec pe \u015fosea\/ conduse de psihopa\u0163i arabi\u201c) vin s\u0103 confirme un poet fidel orient\u0103rilor esen\u0163iale ale tinerei genera\u0163ii, f\u0103r\u0103 a-i leza \u00een vreun fel originalitatea. De altminteri, e interesant\u0103, la Andrei D\u00f3sa, explorarea empiric\u0103 (aproape \u00een cod proustian) a lumii pe care o reconfigureaz\u0103 poetic. Experien\u0163a american\u0103 e asimilat\u0103 senzorial, obiectele devin de-a dreptul \u201eperceptibile\u201c (\u201el\u0103zile cu pahare \u015fi farfurii vin pe banda rulant\u0103\/ clinchetul \u0103sta \u00eemi pl\u0103cea c\u00e2ndva \u00eemi trezea sim\u0163urile <\u2026> un strop de zoaie \u00eemi sare pe buze\/ din reflex ating cu limba\u201c). Cel pu\u0163in la fel de interesante se dovedesc \u015fi experimentele de ordin formal (\u00een koniecz filma, o \u201eproz\u0103\u201c cu cratime \u00een locul blancurilor, sau \u00een manahatta, o \u201eproz\u0103\u201c polialfabetic\u0103, printre altele). O alt\u0103 inova\u0163ie o constituie A collage made of my favourite parts of poems about New York, o combina\u0163ie omogenizat\u0103 de fragmente din \u2013 dac\u0103 e s\u0103 amintim c\u00e2teva dintre numele citate \u2013 John Lennon, Carl Sandburg, Federico Garc\u00eda Lorca, Frank O\u2019Hara, Mark Doty sau Derek Walcott.
\nPoate c\u0103 ar fi important de urm\u0103rit, \u00een alt\u0103 ordine de idei, \u00een ce m\u0103sur\u0103 poemele lui D\u00f3sa surprind destinul unui imigrant. Absen\u0163a prietenilor, justificat\u0103 prin evocarea unui episod ludic (\u201e\u00eemi lipsesc prietenii\/ momentul \u0103la unic\/ c\u00e2nd ne luam la tr\u00e2nt\u0103\/ \u015fi ne tremurau bra\u0163ele\/ din cauza efortului\/ scurtul moment c\u00e2nd\/ \u00eempingeam cu aceea\u015fi for\u0163\u0103\/ c\u00e2nd pufneam \u00een r\u00e2s\/ uite m\u0103 la \u0103sta!\u201c), \u015fi statutul de \u201eturist european\u201c, c\u0103ruia frizerul \u00eei ureaz\u0103, \u00een erik\u2019s barber shop, \u201e\u015federea <discutabil> frumoas\u0103 \u00een statele unite\u201c, ascund datele unui \u201eexil\u201c temporar, care vertebreaz\u0103, \u00een fond, \u00eentreaga viziune din American Experience.
\n\u00cen sec\u0163iunea final\u0103, poetul propune \u201erememorarea\u201c experien\u0163ei newyorkeze, \u00eentr-un filigran literar \u2013 excelent conturat \u2013 al ora\u015fului american. Locurile comune ale celebrelor Central Park, Brooklyn Bridge sau Manhattan nu \u00ee\u015fi mai g\u0103sesc locul \u00een restituirea pasagerului care \u00eenregistreaz\u0103 \u00eentregul scenariu cu o luciditate poetic\u0103 absolut\u0103 (\u201emii de cabluri sub\u0163iri de o\u0163el \u2013\/ ca un instrument muzical complicat, un fel de pian.\/ traduce trepida\u0163iile traficului \u00eentr-un sunet\/ care nu r\u0103zbate, e \u00eenghi\u0163it de acela\u015fi trafic\u201c).
\nAndrei D\u00f3sa e, \u00eenainte de toate, un poet adev\u0103rat. Replicile \u00eencurajatoare pe care le-a primit, pe bun\u0103 dreptate, din partea criticii p\u00e2n\u0103 \u00een momentul de fa\u0163\u0103 o confirm\u0103, de altfel, din plin. American Experience intr\u0103 \u00een prim-plan ca o dovad\u0103 c\u0103, iat\u0103, \u00eenc\u0103 s-ar mai putea face multe \u00een poezia de ast\u0103zi \u015fi c\u0103 perspectivele unui \u201enou\u201c dou\u0103miism poetic r\u0103m\u00e2n, f\u0103r\u0103 \u00eendoial\u0103, deschise.<\/p>\n","protected":false},"excerpt":{"rendered":"

Andrei D\u00f3sa, American Experience, Editura Cartea Rom\u00e2neasc\u0103, Bucure\u015fti, 2013 C\u00e2nd, \u00een 2006, R\u0103zvan \u0162upa publica celebrul articol Genera\u0163ia 00 a expirat. Urmeaz\u0103 poezia, diagnosticul pe care \u00eel intuia pentru t\u00e2n\u0103ra genera\u0163ie a dus la c\u00e2teva discu\u0163ii dintre cele mai incandescente, cu tonuri deopotriv\u0103 adepte \u015fi polemice. Poate \u015fi pentru c\u0103 intui\u0163ia lui era destul de… Cite\u0219te mai mult »Jurnalul poetic american<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[9310,6938,10718],"class_list":["post-18353","post","type-post","status-publish","format-standard","hentry","category-cultura-literara","tag-american-experience","tag-andrei-dosa","tag-un-scenariu-hiperbolic"],"views":1425,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/18353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=18353"}],"version-history":[{"count":0,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/18353\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=18353"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=18353"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=18353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}