{"id":18044,"date":"2014-03-13T12:03:22","date_gmt":"2014-03-13T10:03:22","guid":{"rendered":"http:\/\/revistacultura.ro\/nou\/?p=18044"},"modified":"2014-05-19T09:00:21","modified_gmt":"2014-05-19T07:00:21","slug":"heidegger-si-antisemitismul","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/nou\/heidegger-si-antisemitismul\/","title":{"rendered":"Heidegger \u015fi antisemitismul"},"content":{"rendered":"

Paragraf<\/strong><\/p>\n

Un eveniment editorial foarte a\u015fteptat este iminenta apari\u0163ie pe pia\u0163a german\u0103, \u00een martie anul acesta, a \u201eCaietelor negre\u201d ale lui Martin Heidegger, \u00eensemn\u0103ri intime f\u0103cute \u00eentre anii 1931-1946 \u015fi presupuse a fi revelatoare pentru rela\u0163ia, \u00eenc\u0103 neclasat\u0103, a filosofului german cu nazismul. Se caut\u0103 aici r\u0103spunsul la dileme cronice: Este filosofia lui Heidegger o filozofie care legitimeaz\u0103 nazismul? De c\u00e2nd \u015fi p\u00e2n\u0103 c\u00e2nd \u2013 \u00een biografia \u015fi \u00een opera sa \u2013 se poate spune c\u0103 a fost Heidegger compatibil cu modul de g\u00e2ndire nazist \u015fi \u00een spe\u0163\u0103 cu antisemitismul? C\u00e2t de pertinent pot fi sudate fa\u0163a privat\u0103 \u015fi fa\u0163a public\u0103 a filosofului? S-a c\u0103it Heidegger p\u00e2n\u0103 la urm\u0103 sau a r\u0103mas un filo-na\u0163ionalist german \u00een sfera g\u00e2ndirii sale intime? \u015ei, \u00een fond, a avut cu adev\u0103rat motive de c\u0103in\u0163\u0103? Etc. Editorul german al \u201eCaietelor negre\u201d, Peter Trawny, sus\u0163ine c\u0103 materialul con\u0163ine proba indeniabil\u0103 a antisemitismului heideggerian, de\u015fi acesta nu s-ar confunda cu antisemitismul ideologiei naziste. \u201eAfacerea Heidegger\u201d a inflamat \u015fi de aceast\u0103 dat\u0103 intelectualitatea francez\u0103. Miza este enorm\u0103. \u00cen Fran\u0163a, odat\u0103 cu Heidegger, ar c\u0103dea o \u00eentreag\u0103 tradi\u0163ie filosofic\u0103 autohton\u0103. Pe de alt\u0103 parte, prinde contur ideea salvatoare c\u0103 numai marilor g\u00e2nditori le sunt \u201edate\u201d marile r\u0103t\u0103ciri; filosofii de duzin\u0103 n-ar avea o asemenea \u015fans\u0103. \u2013 Un mod de a vedea lucrurile care devine, f\u0103r\u0103 s\u0103 vrea, o pledoarie indirect\u0103 pentru \u201emicii\u201d g\u00e2nditori, pentru mediocritatea intelectual\u0103 benign\u0103 c\u0103reia ar trebui s\u0103-i fim recunosc\u0103tori c\u0103 nu duce lumea pe c\u0103i at\u00e2t de colosal gre\u015fite; sau, dimpotriv\u0103, un semn al dublei m\u0103suri ce favorizeaz\u0103 \u00eentotdeauna marile personalit\u0103\u0163i, \u201ebanalitatea\u201d \u015fi \u201eexcelen\u0163a\u201d r\u0103ului beneficiind de standarde diferite, \u00een urma c\u0103rora, chiar culpabili, eroii r\u0103m\u00e2n eroi. Probabil chiar conceptul de antisemitism va suporta unele modific\u0103ri ad hoc pentru a dep\u0103\u015fi impasul unor astfel de op\u0163iuni, dificile \u00een orice sens.
\n\u00cen fine, a\u015ftept\u0103m ecoul \u201eCaietelor negre\u201d \u015fi \u00een lumea rom\u00e2neasc\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"

Paragraf Un eveniment editorial foarte a\u015fteptat este iminenta apari\u0163ie pe pia\u0163a german\u0103, \u00een martie anul acesta, a \u201eCaietelor negre\u201d ale lui Martin Heidegger, \u00eensemn\u0103ri intime f\u0103cute \u00eentre anii 1931-1946 \u015fi presupuse a fi revelatoare pentru rela\u0163ia, \u00eenc\u0103 neclasat\u0103, a filosofului german cu nazismul. Se caut\u0103 aici r\u0103spunsul la dileme cronice: Este filosofia lui Heidegger o… Cite\u0219te mai mult »Heidegger \u015fi antisemitismul<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17],"tags":[10549,1670,10550],"class_list":["post-18044","post","type-post","status-publish","format-standard","hentry","category-cultura-ideilor","tag-caietele-negre","tag-martin-heidegger","tag-piata-germana-de-carte"],"views":1433,"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/18044","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/comments?post=18044"}],"version-history":[{"count":0,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/posts\/18044\/revisions"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/media?parent=18044"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/categories?post=18044"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/nou\/wp-json\/wp\/v2\/tags?post=18044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}