{"id":22324,"date":"2026-10-08T09:48:43","date_gmt":"2026-10-08T06:48:43","guid":{"rendered":"https:\/\/revistacultura.ro\/agenda\/?p=22324"},"modified":"2026-10-08T09:49:19","modified_gmt":"2026-10-08T06:49:19","slug":"cndb-6-avanpremire-in-octombrie","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/agenda\/2026\/10\/cndb-6-avanpremire-in-octombrie\/","title":{"rendered":"CNDB: 6 avanpremire \u00een octombrie"},"content":{"rendered":"\n<h3 class=\"wp-block-heading has-text-align-center\"><a><\/a><strong>Mi\u0219c\u0103ri emergente, gramatici noi.<\/strong><\/h3>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\"><a><\/a><strong>\u0218ase avanpremiere la Centrul Na\u021bional al Dansului Bucure\u0219ti<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Centrul Na\u021bional al Dansului Bucure\u0219ti (CNDB) prezint\u0103 \u201eMi\u0219c\u0103ri emergente, gramatici noi\u201d, o serie de \u0219ase avanpremiere ale spectacolelor dezvoltate de tinerii arti\u0219ti \u0219i artiste care au participat la Laboratoarele Academiei de Dans \u0219i Performance, edi\u021bia 2025\u20132026.<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>13.10, ora 19:30: <strong><em>Threshold<\/em><\/strong> de Iulia Andro \u0219i <strong><em>Wow! You\u2019re a dancer?! Can you show me a split?<\/em><\/strong> de Sofia Sitaru-Onofrei<\/li>\n\n\n\n<li>14.10, ora 19:30: <strong><em>Belonging Bodies<\/em><\/strong> de Teodora Tudose \u0219i <strong><em>ICSPRES IORSELF<\/em><\/strong> de Daiana Sargan<\/li>\n\n\n\n<li>17.10, ora 19:30: <strong><em>TESERACT<\/em>,<\/strong> de Iustin Danalache \u0219i <strong><em>Desynchronosis A.K.A. Jet Lag<\/em><\/strong> de Cristina Tudor<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Loca\u021bie: Centrul Na\u021bional al Dansului Bucure\u0219ti, Sala \u201eStere Popescu\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Intrare liber\u0103, pe baz\u0103 de rezervare.<\/strong> Pentru informa\u021bii, vizita\u021bi: <a href=\"http:\/\/www.cndb.ro\" target=\"_blank\" rel=\"noopener\">www.CNDB.ro<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ini\u021biativa continu\u0103 firesc procesul de formare, cercetare \u0219i experiment desf\u0103\u0219urat \u00een cadrul Academiei \u0219i aduce \u00een fa\u021ba publicului lucr\u0103ri aflate la \u00eent\u00e2lnirea dintre cercetarea coregrafic\u0103, experiment \u0219i practica scenic\u0103. Cele \u0219ase spectacole pornesc din preocup\u0103ri \u0219i experien\u021be personale, dar le transform\u0103 \u00een \u00eentreb\u0103ri mai largi despre corp, identitate, memorie, apartenen\u021b\u0103, rela\u021bia cu ceilal\u021bi \u0219i modurile \u00een care ne construim \u0219i ne exprim\u0103m sinele.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Laboratoarele Academiei de Dans \u0219i Performance au oferit participan\u021bilor un cadru intensiv de explorare a corpului, mi\u0219c\u0103rii, compozi\u021biei coregrafice \u0219i practicilor performative. Programul pune accent pe produc\u021bia de cunoa\u0219tere, analiz\u0103 \u0219i reflec\u021bie, precum \u0219i pe dezvoltarea unor perspective artistice proprii. Destinat arti\u0219tilor afla\u021bi la \u00eenceput de drum, programul urm\u0103re\u0219te s\u0103 le ofere instrumentele necesare pentru a-\u0219i genera \u0219i realiza propriile idei \u0219i pentru a-\u0219i construi o voce distinct\u0103 \u00een dansul contemporan.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen cadrul edi\u021biei 2025\u20132026, cercet\u0103rile dezvoltate \u00een laboratoare au constituit punctul de plecare pentru lucr\u0103ri coregrafice originale. Pentru a ajunge la forma scenic\u0103 prezentat\u0103 publicului, arti\u0219tii au continuat s\u0103 lucreze asupra materialelor dezvoltate \u00een timpul Academiei, beneficiind de sesiuni de mentorat individual \u0219i de \u00eendrumarea unor coregrafi \u0219i profesioni\u0219ti cu experien\u021b\u0103. Procesul nu se \u00eencheie, astfel, odat\u0103 cu laboratorul, ci continu\u0103 prin testare, revizuire, aprofundare \u0219i articulare scenic\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u201eMi\u0219c\u0103ri emergente, gramatici noi\u201d vorbe\u0219te tocmai despre aceast\u0103 etap\u0103 de trecere: de la cercetarea individual\u0103 la \u00eent\u00e2lnirea cu publicul.<\/strong> Cele \u0219ase avanpremiere marcheaz\u0103 un moment important dintr-un proces artistic aflat \u00eenc\u0103 \u00een devenire. \u00cent\u00e2lnirea cu publicul devine, la r\u00e2ndul ei, parte din cercetare \u2014 un prilej pentru arti\u0219ti de a observa, testa \u0219i dezvolta mai departe propriile propuneri coregrafice.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a><\/a><strong>\u0218ase perspective asupra corpului, identit\u0103\u021bii \u0219i apartenen\u021bei<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Diversitatea lucr\u0103rilor reflect\u0103 diversitatea direc\u021biilor de cercetare ale noii genera\u021bii de arti\u0219ti. Unele dintre spectacole pornesc de la arhive personale \u0219i experien\u021be autobiografice, altele investigheaz\u0103 rela\u021bia dintre corp \u0219i spa\u021biu sau dintre individ \u0219i mediul care \u00eel \u00eenconjoar\u0103. Memoria, apartenen\u021ba, suprastimularea, presiunea performan\u021bei \u0219i construc\u021bia sinelui devin, pe r\u00e2nd, materii pentru cercetare \u0219i compozi\u021bie scenic\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen <strong>TESERACT<\/strong>, performance-ul autofic\u021bional semnat de <strong>Iustin Danalache<\/strong>, rela\u021bia cu figura patern\u0103 devine punctul de plecare pentru o explorare a urmelor afective \u0219i psihice care continu\u0103 s\u0103 modeleze identitatea.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pornind de la o arhiv\u0103 personal\u0103 de amintiri, experien\u021be \u0219i fragmente biografice, lucrarea construie\u0219te cinci ipostaze ale aceluia\u0219i \u201efiu\u201d, fiecare \u00eentruchip\u00e2nd o form\u0103 distinct\u0103 de raportare la confuzie emo\u021bional\u0103, stres, epuizare psihic\u0103, revolt\u0103 \u0219i fragilitate. Corpul \u0219i memoria devin astfel instrumente prin care experien\u021ba personal\u0103 este desf\u0103cut\u0103 \u0219i recompus\u0103 scenic.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Desynchronosis A.K.A. Jet Lag<\/strong>, de <strong>Cristina Tudor<\/strong>, porne\u0219te de la o alt\u0103 form\u0103 de decalaj: cea dintre timpul fizic \u0219i timpul emo\u021biei. A\u0219a cum, dup\u0103 traversarea rapid\u0103 a mai multor fusuri orare, corpul r\u0103m\u00e2ne temporar \u00een urm\u0103, \u0219i experien\u021bele personale pot produce propriile forme de desincronizare.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eAtunci c\u00e2nd te na\u0219ti, pove\u0219tile alor t\u0103i r\u0103m\u00e2n \u00een urm\u0103. Atunci c\u00e2nd cineva nou p\u0103\u0219e\u0219te \u00een via\u021ba ta, prive\u0219ti aproape compulsiv \u00een urm\u0103\u201d, propune artista ca punct de plecare pentru o cercetare asupra modului \u00een care ne putem recupera \u0219i aduce tr\u0103irile \u0219i corpul \u00een prezent. Printr-un amestec de scrisori, storytelling \u0219i dans, lucrarea exploreaz\u0103 nevoia de sincronie cu propriile experien\u021be \u0219i idei.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen <strong>Threshold<\/strong>, <strong>Iulia Andro<\/strong> chestioneaz\u0103 felul \u00een care rela\u021bion\u0103m cu noi \u00een\u0219ine \u0219i cu ceilal\u021bi \u00eentr-o lume dominat\u0103 de stimuli care ne capteaz\u0103 constant aten\u021bia. Lucrarea cerceteaz\u0103 posibilitatea de a ne observa chiar \u00een mijlocul suprastimul\u0103rii, lu\u00e2nd distan\u021b\u0103 fa\u021b\u0103 de reac\u021biile \u0219i pove\u0219tile care apar \u00een noi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Trei interpre\u021bi construiesc, prin compozi\u021bie instantanee \u0219i inser\u021bii coregrafice prestabilite, un spa\u021biu \u00een care deciziile se nasc \u00een timp real, \u00een rela\u021bie cu celelalte corpuri, cu publicul \u0219i cu transform\u0103rile din spa\u021biu. Lumina, temperatura, contactul \u0219i universul sonor devin stimuli care influen\u021beaz\u0103 permanent direc\u021bia mi\u0219c\u0103rii. Oscil\u00e2nd \u00eentre oprire \u0219i acumulare, <em>Threshold<\/em> urm\u0103re\u0219te capacitatea corpului de a integra ceea ce prime\u0219te \u0219i, \u00een acela\u0219i timp, impulsul de a continua dincolo de propriile limite. \u00centrebarea care r\u0103m\u00e2ne este dac\u0103 un corp traversat de stimuli poate r\u0103m\u00e2ne lucid, disponibil \u0219i prezent.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cu <strong>Wow! You\u2019re a dancer?! Can you show me a split?<\/strong>, <strong>Sofia Sitaru-Onofrei<\/strong> porne\u0219te de la propriul parcurs \u00een dans pentru a explora corpul ca arhiv\u0103 vie. Experien\u021bele, emo\u021biile \u0219i transform\u0103rile acumulate de-a lungul anilor se \u00eenscriu \u00eentr-o hart\u0103 personal\u0103 a devenirii unui dansator.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cembin\u00e2nd m\u0103rturisirea direct\u0103 cu mi\u0219carea, solo-ul aduce \u00een prim-plan realit\u0103\u021bi adesea invizibile din via\u021ba dansatorilor: accident\u0103rile, presiunea audi\u021biilor, adaptarea continu\u0103 la a\u0219tept\u0103rile industriei, tranzi\u021bia de la baletul clasic la dansul contemporan \u0219i nevoia de odihn\u0103 \u0219i recuperare. Toate acestea sunt abordate cu autoironie \u0219i umor. \u00cen loc s\u0103 dramatizeze parcursul dansatorului, spectacolul caut\u0103 umorul \u00een situa\u021biile absurde, presiunile \u0219i contradic\u021biile acestei profesii. Umorul devine astfel o modalitate de a privi vulnerabilitatea unui corp supus constant cerin\u021belor de performan\u021b\u0103. Arhiva corpului r\u0103m\u00e2ne \u00eens\u0103 incomplet\u0103, iar traseul dansatoarei nu poate fi \u00eenc\u0103 \u00eenchis. Finalul deschis las\u0103 loc experien\u021belor care urmeaz\u0103 s\u0103 apar\u0103, transform\u00e2nd necunoscutul \u00eentr-o posibilitate: corpul continu\u0103 s\u0103 acumuleze, s\u0103 se transforme \u0219i s\u0103 descopere noi forme de a dansa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen <strong>Belonging Bodies<\/strong>, <strong>Teodora Tudose<\/strong> exploreaz\u0103, prin text \u0219i mi\u0219care, sentimentul de apartenen\u021b\u0103 la un spa\u021biu necunoscut \u0219i felul \u00een care corpul poate recunoa\u0219te un loc \u00eenainte ca mintea s\u0103 \u00eel \u00een\u021beleag\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pornind de la experien\u021ba unei familiarit\u0103\u021bi inexplicabile fa\u021b\u0103 de un loc vizitat pentru prima dat\u0103, lucrarea urm\u0103re\u0219te \u00eentreb\u0103ri precum: cum poate un spa\u021biu necunoscut s\u0103 se simt\u0103 mai mult ca acas\u0103 dec\u00e2t propria cas\u0103? \u0218i cum se manifest\u0103 senza\u021bia de \u201eacas\u0103\u201d \u00een corp? Piesa construie\u0219te un dialog \u00eentre memorie, percep\u021bie \u0219i prezen\u021b\u0103 \u0219i investigheaz\u0103 grani\u021ba dintre familiar \u0219i necunoscut, precum \u0219i rela\u021bia dintre apartenen\u021ba la un spa\u021biu \u0219i apartenen\u021ba la propriul corp.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen acela\u0219i timp, <em>Belonging Bodies<\/em> extinde aceast\u0103 cercetare c\u0103tre statutul artistei \u00eens\u0103\u0219i \u0219i c\u0103tre apartenen\u021ba sa la domeniul artistic, lans\u00e2nd \u00eentreb\u0103ri despre criteriile prin care un artist este considerat \u201ecu adev\u0103rat\u201d artist \u0219i despre rolul care \u00eei este atribuit.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"760\" height=\"950\" data-attachment-id=\"22325\" data-permalink=\"https:\/\/revistacultura.ro\/agenda\/2026\/10\/cndb-6-avanpremire-in-octombrie\/miscari-emergente_1\/\" data-orig-file=\"https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/10\/Miscari-emergente_1.webp\" data-orig-size=\"800,1000\" data-comments-opened=\"1\" data-image-title=\"Miscari emergente_1\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/10\/Miscari-emergente_1-760x950.webp\" src=\"https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/10\/Miscari-emergente_1-760x950.webp\" alt=\"\" class=\"wp-image-22325\" srcset=\"https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/10\/Miscari-emergente_1-760x950.webp 760w, https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/10\/Miscari-emergente_1-240x300.webp 240w, https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/10\/Miscari-emergente_1-768x960.webp 768w, https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/10\/Miscari-emergente_1-120x150.webp 120w, https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/10\/Miscari-emergente_1.webp 800w\" sizes=\"auto, (max-width: 760px) 100vw, 760px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Icspres Iorself<\/strong>, de <strong>Daiana Sargan<\/strong>, porne\u0219te de la o \u00eentrebare despre posibilitatea expresiei de sine \u00eentr-o cultur\u0103 \u00een care sinele a devenit, la r\u00e2ndul s\u0103u, obiect de consum \u0219i de expunere.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cum mai poate fi exprimat un sine unic \u00een era comodific\u0103rii absolute? Ce mai \u00eenseamn\u0103 s\u0103 dezv\u0103lui \u201eadev\u0103rul gol-golu\u021b\u201d \u00eentr-o epoc\u0103 a expunerii permanente? \u0218i ce mai r\u0103m\u00e2ne de ascuns sau de dezv\u0103luit atunci c\u00e2nd, \u00een spatele diversit\u0103\u021bii mediilor, se afl\u0103 aceea\u0219i masc\u0103 \u2014 selfie-ul, reel-ul, imaginea de sine livrat\u0103 preferabil \u00een englez\u0103?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Icspress Iorself<\/em> urm\u0103re\u0219te aceste contradic\u021bii \u00eentr-un discurs rizomatic \u0219i nonliniar, \u00een care experien\u021bele personale, banii, anii, poezia \u0219i \u00eembr\u0103c\u0103mintea devin avataruri ale expresiei de sine. Rezultatul este un \u201eantispectacol\u201d care traverseaz\u0103 cu spontaneitate \u0219i umor referin\u021be culturale \u0219i teoretice disparate, de la Valentino la Ozu, Marx \u0219i Rilke.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cel de-al \u0219aselea spectacol completeaz\u0103 aceast\u0103 serie de cercet\u0103ri \u0219i contribuie, al\u0103turi de celelalte lucr\u0103ri, la imaginea unei genera\u021bii care \u00ee\u0219i caut\u0103 propriile instrumente \u0219i propriile forme de expresie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pentru CNDB, sus\u021binerea acestor procese \u00eenseamn\u0103 crearea unui context profesionist \u00een care arti\u0219tii emergen\u021bi s\u0103 poat\u0103 experimenta, s\u0103 poat\u0103 reveni asupra propriilor idei \u0219i s\u0103 aib\u0103 timpul \u0219i resursele necesare pentru a dezvolta lucr\u0103ri originale. \u00centr-un context \u00een care dansul contemporan rom\u00e2nesc se afl\u0103 \u00eentr-un proces de consolidare, iar resursele dedicate cercet\u0103rii \u0219i produc\u021biei artistice r\u0103m\u00e2n limitate, astfel de contexte de lucru creeaz\u0103 condi\u021biile necesare pentru apari\u021bia unor noi practici, idei \u0219i voci artistice.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cele \u0219ase avanpremiere marcheaz\u0103, a\u0219adar, nu un punct final, ci o etap\u0103 important\u0103 dintr-un proces mai amplu.<\/strong> Ele fac vizibile rezultatele unei perioade de cercetare \u0219i reflec\u021bie, deschiz\u00e2nd lucr\u0103rile c\u0103tre \u00eent\u00e2lnirea cu publicul \u0219i oferindu-le, \u00een acela\u0219i timp, arti\u0219tilor posibilitatea de a observa, testa \u0219i dezvolta mai departe propriile propuneri coregrafice.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prin aceast\u0103 prim\u0103 serie de prezent\u0103ri, <strong>\u201eMi\u0219c\u0103ri emergente, gramatici noi\u201d<\/strong> propune un spa\u021biu pentru ceea ce este \u00eenc\u0103 \u00een devenire: <strong>corpuri care caut\u0103 noi moduri de a se mi\u0219ca, idei care \u00ee\u0219i construiesc propriile forme \u0219i arti\u0219ti afla\u021bi \u00een procesul de a-\u0219i defini limbajul.<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a><\/a><strong>Despre Laboratoarele Academiei de Dans \u0219i Performance CNDB<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Laboratoarele Academiei de Dans \u0219i Performance sunt dedicate arti\u0219tilor afla\u021bi la \u00eenceput de drum \u0219i urm\u0103resc s\u0103 le ofere instrumentele necesare pentru a-\u0219i genera, dezvolta \u0219i realiza propriile idei. Programul combin\u0103 practica artistic\u0103, cercetarea, analiza \u0219i reflec\u021bia \u0219i creeaz\u0103 un cadru de lucru \u00een care participan\u021bii \u00ee\u0219i pot dezvolta o voce proprie \u00een dansul contemporan. \u00cen edi\u021bia 2025\u20132026, cercet\u0103rile dezvoltate \u00een cadrul laboratoarelor au continuat prin sesiuni de mentorat \u0219i lucru individual, conduc\u00e2nd la dezvoltarea celor \u0219ase lucr\u0103ri prezentate \u00een cadrul <strong>\u201eMi\u0219c\u0103ri emergente, gramatici noi\u201d<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Proiect cultural co-finan\u021bat de Administra\u021bia Fondului Cultural Na\u021bional. Proiectul nu reprezint\u0103 \u00een mod necesar pozi\u021bia Administra\u021biei Fondului Cultural Na\u021bional. AFCN nu este responsabil\u0103 de con\u021binutul proiectului sau de modul \u00een care rezultatele programului pot fi folosite. Acestea sunt \u00een \u00eentregime responsabilitatea beneficiarului finan\u021b\u0103rii.<\/em><em><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mi\u0219c\u0103ri emergente, gramatici noi. \u0218ase avanpremiere la Centrul Na\u021bional al Dansului Bucure\u0219ti Centrul Na\u021bional al Dansului Bucure\u0219ti (CNDB) prezint\u0103 \u201eMi\u0219c\u0103ri emergente, gramatici noi\u201d, o serie de \u0219ase avanpremiere ale spectacolelor dezvoltate de tinerii arti\u0219ti \u0219i artiste care au participat la Laboratoarele Academiei de Dans \u0219i Performance, edi\u021bia 2025\u20132026. Loca\u021bie: Centrul Na\u021bional al Dansului Bucure\u0219ti, Sala&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/agenda\/2026\/10\/cndb-6-avanpremire-in-octombrie\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">CNDB: 6 avanpremire \u00een octombrie<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":22325,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"[\"title\",\"meta\",\"content\",\"tags\",\"comments\",\"post-navigation\"]","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[152],"tags":[],"class_list":["post-22324","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-agenda-cultura"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":19418,"url":"https:\/\/revistacultura.ro\/agenda\/2014\/10\/o-minte-creativa-si-un-corp-sanatos\/","url_meta":{"origin":22324,"position":0},"title":"O minte creativ\u0103 \u015fi un corp s\u0103n\u0103tos","author":"Revista","date":"4 octombrie 2014","format":false,"excerpt":"Centrul Na\u0163ional al Dansului Bucure\u015fti demareaz\u0103 o serie nou\u0103 de cursuri pentru copii, adolescen\u0163i \u015fi neprofesioni\u015fti (18+). Coregrafa Silvia C\u0103lin le promite celor mici c\u0103 vor inventa un limbaj al propriului corp cu care mai apoi vor spune pove\u015fti. Celor mari, Arcadie Rusu le propune cursul de dans contemporan Mi\u015fc\u0103-\u0163i\u2026","rel":"","context":"\u00cen \u201eAgenda culturala\u201d","block_context":{"text":"Agenda culturala","link":"https:\/\/revistacultura.ro\/agenda\/category\/agenda-cultura\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":18040,"url":"https:\/\/revistacultura.ro\/agenda\/2014\/03\/realia-un-performance-de-farid-fairuzcndb\/","url_meta":{"origin":22324,"position":1},"title":"Realia, un performance de Farid Fairuz@CNDB","author":"Revista","date":"13 martie 2014","format":false,"excerpt":"Centrul Na\u0163ional al Dansului, Bucure\u015fti P\u00e2n\u0103 s\u0103 se reinventeze \u00een Farid Fairuz \u015fi s\u0103-\u015fi asume o biografie fic\u0163ional\u0103 pentru a interac\u0163iona din alt\u0103 perspectiv\u0103 cu spa\u0163iul public, artistul Mihai Mihalcea a avut un rol esen\u0163ial \u00een recunoa\u015fterea interna\u0163ional\u0103 a dansului contemporan rom\u00e2nesc. Acum a revenit pe scen\u0103 cu \u201eRealia (Bucure\u015fti-Beirut)\u201d,\u2026","rel":"","context":"\u00cen \u201eAgenda culturala\u201d","block_context":{"text":"Agenda culturala","link":"https:\/\/revistacultura.ro\/agenda\/category\/agenda-cultura\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":20080,"url":"https:\/\/revistacultura.ro\/agenda\/2019\/05\/eveniment-unic-la-teatrul-odeon-%cb%97-ali-moini-man-anam-ke-rostam-bovad-pahlavan\/","url_meta":{"origin":22324,"position":2},"title":"Eveniment unic la Teatrul Odeon \u02d7 Ali Moini &#8211; Man anam ke rostam bovad pahlavan","author":"Revista Cultura","date":"22 mai 2019","format":false,"excerpt":"Centrul Na\u021bional al Dansului Bucure\u0219ti (CNDB) cu sprijinul Teatrului Odeon \u0219i al Institutului Francez Bucure\u0219ti \u00a0prezint\u0103 \u00een premier\u0103, \u00een Rom\u00e2nia spectacolul Man anam ke rostam bovad pahlavan de Ali Moini. Evenimentul se va desf\u0103sura vineri, 7 iunie, ora 20:30, la Teatrul Odeon, spectacolul fiind urmat de o sesiune de Q&A\u2026","rel":"","context":"\u00cen \u201eAgenda culturala\u201d","block_context":{"text":"Agenda culturala","link":"https:\/\/revistacultura.ro\/agenda\/category\/agenda-cultura\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2019\/05\/20-man_03.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2019\/05\/20-man_03.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2019\/05\/20-man_03.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":18674,"url":"https:\/\/revistacultura.ro\/agenda\/2014\/04\/visul-performance-solo\/","url_meta":{"origin":22324,"position":3},"title":"Visul. Performance solo","author":"Revista","date":"10 aprilie 2014","format":false,"excerpt":"Trei arti\u015fti speciali au adus la Bucure\u015fti S\u0103rb\u0103toarea viselor (lui) Nijinsky. O coregrafie incitant\u0103, o nou\u0103 punere \u00een scen\u0103 a S\u0103rb\u0103torii Prim\u0103verii a lui Igor Stravinski. Acest performance solo, inspirat de polonezul precursor \u015fi legend\u0103 a dansului contemporan,pleac\u0103 de la crea\u0163iile lui Waclaw Nizynski \u015fi de la m\u0103rturiile din Jurnalul\u2026","rel":"","context":"\u00cen \u201eAgenda culturala\u201d","block_context":{"text":"Agenda culturala","link":"https:\/\/revistacultura.ro\/agenda\/category\/agenda-cultura\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":21478,"url":"https:\/\/revistacultura.ro\/agenda\/2025\/10\/evenimentele-conexe-ale-festivalului-national-de-teatru-2025\/","url_meta":{"origin":22324,"position":4},"title":"Evenimentele conexe ale Festivalului Na\u021bional de Teatru 2025","author":"Cultura","date":"13 octombrie 2025","format":false,"excerpt":"Cea de-a 35-a edi\u021bie a Festivalului Na\u021bional de Teatru (FNT) se desf\u0103\u0219oar\u0103 \u00eentre 17 \u0219i 26 octombrie 2025, la Bucure\u0219ti, sub tema \u201eFNT 2025. Te prive\u0219te!\u201d. Organizator este Asocia\u021bia UNITER \u2013 Uniunea Teatral\u0103 din Rom\u00e2nia, cu sprijinul Ministerului Culturii, Prim\u0103riei Capitalei \u0219i ARCUB. De\u0219i biletele pentru spectacole sunt aproape epuizate,\u2026","rel":"","context":"\u00cen \u201eAgenda culturala\u201d","block_context":{"text":"Agenda culturala","link":"https:\/\/revistacultura.ro\/agenda\/category\/agenda-cultura\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2025\/10\/afis-fnt-35-2025.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2025\/10\/afis-fnt-35-2025.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2025\/10\/afis-fnt-35-2025.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2025\/10\/afis-fnt-35-2025.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":21481,"url":"https:\/\/revistacultura.ro\/agenda\/2025\/10\/eveniment-la-bucuresti-francofonia-mituri-si-realitati\/","url_meta":{"origin":22324,"position":5},"title":"Eveniment la Bucure\u0219ti: \u201eFrancofonia \u2013 mituri \u0219i realit\u0103\u021bi\u201d","author":"Cultura","date":"14 octombrie 2025","format":false,"excerpt":"cu reprezentantul OIF pentru Europa Central\u0103 \u0219i de Est Joi, 16 octombrie 2025, de la ora 17:00, la Salonul Carol I al Bibliotecii Centrale Universitare \u201eCarol I\u201d (str. 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Dobrescu 1, sector 1), Biroul Na\u021bional al AUF \u00een Rom\u00e2nia v\u0103 invit\u0103 la cea de-a doua \u00eent\u00e2lnire din seria \u201eLes\u2026","rel":"","context":"\u00cen \u201eInvita\u021bii\u201d","block_context":{"text":"Invita\u021bii","link":"https:\/\/revistacultura.ro\/agenda\/category\/invitatii\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2025\/10\/visuel-2.webp?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2025\/10\/visuel-2.webp?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2025\/10\/visuel-2.webp?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2025\/10\/visuel-2.webp?resize=700%2C400&ssl=1 2x"},"classes":[]}],"jetpack_featured_media_url":"https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/10\/Miscari-emergente_1.webp","_links":{"self":[{"href":"https:\/\/revistacultura.ro\/agenda\/wp-json\/wp\/v2\/posts\/22324","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistacultura.ro\/agenda\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistacultura.ro\/agenda\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/agenda\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/agenda\/wp-json\/wp\/v2\/comments?post=22324"}],"version-history":[{"count":2,"href":"https:\/\/revistacultura.ro\/agenda\/wp-json\/wp\/v2\/posts\/22324\/revisions"}],"predecessor-version":[{"id":22328,"href":"https:\/\/revistacultura.ro\/agenda\/wp-json\/wp\/v2\/posts\/22324\/revisions\/22328"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistacultura.ro\/agenda\/wp-json\/wp\/v2\/media\/22325"}],"wp:attachment":[{"href":"https:\/\/revistacultura.ro\/agenda\/wp-json\/wp\/v2\/media?parent=22324"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistacultura.ro\/agenda\/wp-json\/wp\/v2\/categories?post=22324"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistacultura.ro\/agenda\/wp-json\/wp\/v2\/tags?post=22324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}