{"id":22220,"date":"2026-09-12T16:27:52","date_gmt":"2026-09-12T13:27:52","guid":{"rendered":"https:\/\/revistacultura.ro\/agenda\/?p=22220"},"modified":"2026-09-15T22:34:46","modified_gmt":"2026-09-15T19:34:46","slug":"braila-programul-festivalului-international-de-teatru-si-arte-performative","status":"publish","type":"post","link":"https:\/\/revistacultura.ro\/agenda\/2026\/09\/braila-programul-festivalului-international-de-teatru-si-arte-performative\/","title":{"rendered":"Br\u0103ila: programul Festivalului Interna\u021bional de Teatru \u0219i Arte Performative 2026"},"content":{"rendered":"\n<ul class=\"wp-block-list\">\n<li><strong>18\u201327 septembrie 2026<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Br\u0103ila devine, \u00eencep\u00e2nd din 18 septembrie, scena Festivalului Interna\u021bional de Teatru \u0219i Arte Performative, eveniment organizat de Teatrul \u201eMaria Filotti&#8221; Br\u0103ila, cu sprijinul Prim\u0103riei Municipiului Br\u0103ila \u0219i cu sus\u021binerea sponsorilor \u0219i partenerilor. Edi\u021bia din acest an se desf\u0103\u0219oar\u0103 \u00een perioada 18\u201327 septembrie 2026, cu prelungiri sub forma a dou\u0103 \u00eent\u00e2lniri programate ulterior, pe 3 \u0219i 4 octombrie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Potrivit organizatorilor, programul este construit \u00een jurul spectacolelor de teatru, al \u00eent\u00e2lnirilor cu arti\u0219ti \u0219i profesioni\u0219ti ai scenei, dar \u0219i al unor momente muzicale \u0219i de poezie. Al\u0103turi de produc\u021biile proprii ale Teatrului \u201eMaria Filotti&#8221;, pe scena br\u0103ilean\u0103 vor urca \u0219i trupe invitate din Tulcea, Gala\u021bi, Chi\u0219in\u0103u, T\u00e2rgovi\u0219te, Suceava, Bac\u0103u, R\u00e2mnicu V\u00e2lcea, Constan\u021ba, Re\u0219i\u021ba \u0219i Sibiu, precum \u0219i compania independent\u0103 Thin Red Line. Repertoriul propus publicului cuprinde at\u00e2t comedie \u0219i dramaturgie contemporan\u0103, c\u00e2t \u0219i mont\u0103ri dup\u0103 autori consacra\u021bi precum Arthur Miller, William Shakespeare sau August Strindberg.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Festivalul se deschide vineri, 18 septembrie, de la ora 18.00, \u00een Sala Mare, cu spectacolul \u201eO or\u0103 de lini\u0219te&#8221;, de Florian Zeller, \u00een regia lui Ciprian Chiriche\u0219, produc\u021bie a Teatrului \u201eMaria Filotti&#8221;. \u00cen aceea\u0219i zi este vernisat\u0103, \u00een Holul Monumental al teatrului, o expozi\u021bie de pictur\u0103 naiv\u0103 semnat\u0103 de Ioan M\u0103ric, membru al Uniunii Arti\u0219tilor Plastici Ia\u0219i, care poate fi vizitat\u0103, cu intrare liber\u0103, p\u00e2n\u0103 pe 27 septembrie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O component\u0103 distinct\u0103 a edi\u021biei din acest an este seria de \u00eent\u00e2lniri \u201eDialoguri de festival&#8221;, conferin\u021be sus\u021binute de critici \u0219i oameni de teatru precum Tamara Constantinescu, Iulia Popovici sau C\u0103lin Ciobotari, \u00een dialog cu regizori, actori \u0219i al\u021bi invita\u021bi. Aceste discu\u021bii completeaz\u0103 programul artistic \u0219i sunt g\u00e2ndite ca un spa\u021biu de schimb de idei \u00eentre public \u0219i creatorii din spatele scenei, abord\u00e2nd teme precum debutul \u00een regie sau reperele scenei br\u0103ilene.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Programul se \u00eencheie duminic\u0103, 4 octombrie, de la ora 18.00, \u00een Sala Mare, cu recitalul de poezie \u0219i teatru \u201eDomnule \u0219i frate Eminescu&#8221;, sus\u021binut de actorul Constantin Chiriac.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Organizatorii precizeaz\u0103 c\u0103 biletele, \u00een valoare de 35 de lei, pot fi achizi\u021bionate de la Agen\u021bia Teatral\u0103, situat\u0103 pe strada Mihai Eminescu nr. 2 din Br\u0103ila, sau online, pe platforma BLT.ro. Informa\u021bii suplimentare pot fi ob\u021binute \u0219i telefonic, la num\u0103rul 0239 613 969.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prin diversitatea spectacolelor \u0219i prin seria de dialoguri cu arti\u0219ti din genera\u021bii \u0219i spa\u021bii teatrale diferite, Festivalul Interna\u021bional de Teatru \u0219i Arte Performative Br\u0103ila \u00ee\u0219i propune s\u0103 fie nu doar o succesiune de reprezenta\u021bii, ci un spa\u021biu de \u00eent\u00e2lnire \u00eentre arti\u0219ti, institu\u021bii teatrale \u0219i public.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1100\" data-attachment-id=\"22239\" data-permalink=\"https:\/\/revistacultura.ro\/agenda\/2026\/09\/braila-programul-festivalului-international-de-teatru-si-arte-performative\/progam_braila_nou\/\" data-orig-file=\"https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/progam_braila_nou.webp\" data-orig-size=\"800,1100\" data-comments-opened=\"1\" data-image-title=\"progam_braila_nou\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/progam_braila_nou-745x1024.webp\" src=\"https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/progam_braila_nou.webp\" alt=\"\" class=\"wp-image-22239\" srcset=\"https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/progam_braila_nou.webp 800w, https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/progam_braila_nou-218x300.webp 218w, https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/progam_braila_nou-745x1024.webp 745w, https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/progam_braila_nou-768x1056.webp 768w, https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/progam_braila_nou-109x150.webp 109w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Program spectacole (pentru prezentare \u0219i distribu\u021bie, vezi mai jos)<\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1100\" data-attachment-id=\"22225\" data-permalink=\"https:\/\/revistacultura.ro\/agenda\/2026\/09\/braila-programul-festivalului-international-de-teatru-si-arte-performative\/dialoguri\/\" data-orig-file=\"https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/dialoguri.webp\" data-orig-size=\"800,1100\" data-comments-opened=\"1\" data-image-title=\"dialoguri\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/dialoguri-745x1024.webp\" src=\"https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/dialoguri.webp\" alt=\"\" class=\"wp-image-22225\" srcset=\"https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/dialoguri.webp 800w, https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/dialoguri-218x300.webp 218w, https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/dialoguri-768x1056.webp 768w, https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/dialoguri-745x1024.webp 745w, https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/dialoguri-109x150.webp 109w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Program dezbateri \u0219i dialoguri<\/figcaption><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\">Spectacole, expozi\u021bii \u0219i concert (PROGRAM)<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>VINERI&nbsp; 18&nbsp; SEPTEMBRIE&nbsp;<\/strong> <\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>EXPOZI\u021aIE DE PICTUR\u0102 NAIV\u0102, Holul Monulental al Teatrului ,,Maria Filotti\u201d<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Expozi\u021bie de lucr\u0103ri ale pictorului Ioan M\u0103ric<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Expozi\u021bia reune\u0219te lucr\u0103ri prin care Ioan M\u0103ric se \u00eentoarce, prin memorie \u0219i culoare, \u00een lumea \u00een care \u0219i-a tr\u0103it copil\u0103ria. \u00cen picturile sale, oamenii, obiceiurile, s\u0103rb\u0103torile, credin\u021ba, umorul \u0219i \u00eent\u00e2mpl\u0103rile de odinioar\u0103 devin fragmente vii ale unei lumi p\u0103strate \u00een suflet.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Inspirat de Luncani, locul s\u0103u natal, artistul transform\u0103 amintirile \u0219i tradi\u021biile \u00eentr-un univers pictural plin de culoare, expresivitate \u0219i c\u0103ldur\u0103. Fiecare lucrare devine astfel o m\u0103rturie despre r\u0103d\u0103cini, despre oamenii care i-au fost aproape \u0219i despre frumuse\u021bea unei lumi pe care timpul o schimb\u0103, dar pe care arta o poate p\u0103stra vie.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>O \u00eentoarcere la origini, la copil\u0103rie \u0219i la acea lume care continu\u0103 s\u0103 existe \u00een sufletul artistului.<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Sala Mare, ORA 18:00&nbsp;&nbsp;&nbsp; \u201eO OR\u0102 DE LINI\u0218TE\u201d&nbsp; de Florian Zeller, regia Ciprian Chiriche\u0219<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>DISTRIBU\u021aIE<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Michel<\/strong> &#8211; Alin Florea<\/li>\n\n\n\n<li><strong>Nathalie<\/strong> &#8211; Ramona G\u00eeng\u0103<\/li>\n\n\n\n<li><strong>Elsa<\/strong> &#8211; Teodora Antal<\/li>\n\n\n\n<li><strong>Pierre<\/strong> &#8211; Adrian Iacov<\/li>\n\n\n\n<li><strong>Sebastien<\/strong> &#8211; Adrian \u0218tefan<\/li>\n\n\n\n<li><strong>Leo<\/strong> &#8211; Teofil Memelis<\/li>\n\n\n\n<li><strong>Pavel<\/strong> &#8211; Dan Moldoveanu\/Ciprian Chiriche\u0219<\/li>\n\n\n\n<li>Regia: Ciprian Chiriche\u0219<\/li>\n\n\n\n<li>Scenografia: Clara Pop<\/li>\n\n\n\n<li>Asisten\u021b\u0103 de regie: Teodora Antal<\/li>\n\n\n\n<li>Lighting Design: Lucian Moga<\/li>\n\n\n\n<li>Traducerea textului: R\u0103zvan Oprea<\/li>\n\n\n\n<li>Foto: Oana Andrei<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Comedia este pansamentul sufletului. \u201eO or\u0103 de lini\u0219te\u201d este felul suav al autorului Florian Zeller de a ne spune c\u00e2t de mult gre\u0219im \u00een vie\u021bile noastre \u0219i ne permite s\u0103 r\u00e2dem copios cu oglinda \u00een fa\u021b\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Premisa e simpl\u0103: Michel, pasionat de muzic\u0103, dup\u0103 c\u0103ut\u0103ri de o via\u021b\u0103, g\u0103se\u0219te un album extrem de rar pe care vrea s\u0103 \u00eel asculte, \u00een lini\u0219te, dar via\u021ba are alte planuri pentru el. Orice am\u00e2nare din trecut \u00eel cost\u0103 dublu acum \u0219i cu c\u00e2t \u00ee\u0219i dore\u0219te mai tare lini\u0219te, cu at\u00e2t via\u021ba \u00eei umple paharul cu haos. R\u00e2dem cu poft\u0103 de situa\u021bia \u00een care se afl\u0103 Michel, dar \u00een paralel ne g\u00e2ndim \u0219i la noi \u0219i la pre\u021bul ridicol pe care suntem \u00een stare s\u0103 \u00eel pl\u0103tim pentru micile pl\u0103ceri de moment.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sunt multe de spus, dar spectacolul le spune mai bine. Cert este c\u0103 dup\u0103 o comedie bun\u0103, te \u00eentrebi pu\u021bin din ce col\u021b al sufletului curg lacrimile de bucurie (Ciprian Chiriche\u0219, regizor)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Limit\u0103 de v\u00e2rst\u0103- 15+<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Durata spectacolului: 1h 45 min<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>S\u00c2MB\u0102T\u0102&nbsp; 19&nbsp; SEPTEMBRIE&nbsp;&nbsp; <\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Sala Mare, ORA 18:00&nbsp;&nbsp;&nbsp;&nbsp; \u201eRECVIEMUL UNUI TIPOGRAF\u201d&nbsp; de Sever B\u00e2rzan,&nbsp; regia&nbsp; Sever B\u00e2rzan,&nbsp; <em>Teatrul \u201eJean Bart\u201d Tulcea<\/em><\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Teatrul \u201eJean Bart\u201d Tulcea<\/strong><strong><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Comedie funebr\u0103, sinistr\u0103 \u0219i morbid\u0103 de Sever B\u00e2rzan<\/li>\n\n\n\n<li>Regia: Sever B\u00e2rzan<\/li>\n\n\n\n<li>Scenografia: Adrian Suruceanu<\/li>\n\n\n\n<li>Muzica original\u0103: Sever B\u00e2rzan<\/li>\n\n\n\n<li>Coregrafia: Oana-Lavinia Pisaroglu<\/li>\n\n\n\n<li>Lighting design: Lucian Moga<\/li>\n\n\n\n<li>Asistent regie: Andra Colidiuc<\/li>\n\n\n\n<li>Afi\u0219: Blanca Doba<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Distribu\u021bia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Victor T\u0103nase \u2013 Ionel Durbal\u0103<\/li>\n\n\n\n<li>Dida T\u0103nase \u2013 Nicoleta Lungu<\/li>\n\n\n\n<li>Felicia Mateescu \u2013 Irina Naum<\/li>\n\n\n\n<li>Vali T\u0103nase \u2013 Mihai G\u0103l\u0103\u021ban<\/li>\n\n\n\n<li>Preotul Haralambie \u2013 Costel Zamfir<\/li>\n\n\n\n<li>Ali \u2013 Cristi Naum<\/li>\n\n\n\n<li>Poetul Petru Vochin\u0103 \u2013 Nelu Serghei<\/li>\n\n\n\n<li>Tipograful Bebe Mateescu \u2013 \u0218tefan Huluba<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen urma unei erori de comunicare, familia T\u0103nase este for\u021bat\u0103 de \u00eemprejur\u0103ri s\u0103 vin\u0103 laolalt\u0103 \u0219i s\u0103 se preg\u0103teasc\u0103 s\u0103 petreac\u0103 pe ultimul drum pe tipograful Bebe Mateescu. Vechi dispute revin la suprafa\u021b\u0103, foste pove\u0219ti de dragoste se \u00eenfirip\u0103, iar planuri de business e\u0219ueaz\u0103 \u00een fa\u021ba iubirii. Dup\u0103 o \u00eentreag\u0103 tevatur\u0103 plin\u0103 de obiceiuri, tradi\u021bii \u0219i religie, \u021binut\u0103 captiv\u0103 de matroana familiei, Dida T\u0103nase, va putea familia s\u0103 ajung\u0103, \u00eentr-un final, la o \u00een\u021belegere?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Durata spectacolului: 1h 30 min<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Sala Studio, ORA 20:00&nbsp;&nbsp;&nbsp;&nbsp; \u201e EVAD\u0102RI(3.1)\u2019\u2019&nbsp; Adaptare dup\u0103 \u201eTrei surori\u201d de A. P Cehov,&nbsp; regia&nbsp; Zal\u00e1n Zakari\u00e1s<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Distribu\u021bia:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Olga: Ramona G\u00eeng\u0103<\/strong><\/li>\n\n\n\n<li><strong>Ma\u0219a: Corina Bor\u0219<\/strong><\/li>\n\n\n\n<li><strong>Irina: Teodora Antal<\/strong><\/li>\n\n\n\n<li><strong>Nata\u0219a: C\u0103t\u0103lina Nedelea<\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Scenografia: Daniel Divrician<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Regia, adaptarea, coloana sonor\u0103: Zal\u00e1n Zakari\u00e1s<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>La Moscova\u2026 La Moscova\u2026 La Moscova\u2026<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cehov nu ideologizeaz\u0103 niciodat\u0103, nu \u00eencearc\u0103 s\u0103 ne spun\u0103 ce s\u0103 g\u00e2ndim despre personajele sale, despre pove\u0219tile sau \u00eent\u00e2mpl\u0103rile sale. Cehov arat\u0103, iar noi sim\u021bim esen\u021ba care pulseaz\u0103 dincolo de firele nara\u021biunii, c\u0103ut\u00e2nd adev\u0103rul lor \u00een propriul nostru adev\u0103r. Trei surori este una dintre ultimele sale drame \u0219i nu \u00eent\u00e2mpl\u0103tor \u00een ea se intensific\u0103, p\u00e2n\u0103 la disperare, lumea urm\u0103ririi obsesive a iluziilor. Tensiuni ascunse ne conduc, pe noi, spectatorii, \u00een via\u021ba tainic\u0103 a personajelor, unde descoperim \u00eentreb\u0103rile lor intime, dorin\u021bele, minciunile spuse sie\u0219i \u0219i celorlal\u021bi, \u00eentr-un cuv\u00e2nt iluzia c\u0103 r\u0103spunsurile la fr\u0103m\u00e2nt\u0103rile lor se afl\u0103 altundeva. Undeva la Moscova.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u00e2t de caracteristic este acest lucru lumii noastre? Ne l\u0103s\u0103m m\u0103cina\u021bi clip\u0103 de clip\u0103 de sl\u0103biciunile omene\u0219ti, de gelozie, de vinov\u0103\u021bia pasiunilor, pentru c\u0103 refuz\u0103m prezentul, lupt\u0103m pentru ceea ce nu exist\u0103, vis\u0103m c\u0103 undeva, \u00een alt\u0103 parte, ne va fi mai bine. Fiecare \u00ee\u0219i poart\u0103 propriul Moscova \u00een sine. Cine este? De ce se afl\u0103 pe aceast\u0103 lume? Care este scopul vie\u021bii sale?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cehov nu ofer\u0103 r\u0103spunsuri, dar pune \u00eentreb\u0103ri magistrale.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>DUMINIC\u0102&nbsp; 20&nbsp; SEPTEMBRIE&nbsp;&nbsp; <\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Sala Mare, ORA 18:00&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201eOMUL CARE ADUCE PLOAIA\u201d&nbsp; de Richard Nash,&nbsp; regia Andrei Hu\u021buleac<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Distribu\u021bia:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Lizzie Curry &#8211; Ileana Ursu<\/li>\n\n\n\n<li>Bill Starbuck &#8211; Teofil Memelis<\/li>\n\n\n\n<li>Harry Curry &#8211; Valentin Terente<\/li>\n\n\n\n<li>Noah Curry &#8211; Ciprian Chiriche\u0219<\/li>\n\n\n\n<li>Jim Curry &#8211; Blanca Doba&nbsp;&nbsp;<\/li>\n\n\n\n<li>File &#8211; Sever B\u00e2rzan<\/li>\n\n\n\n<li>\u0218eriful Thomas &#8211; Marcel Turcoianu<\/li>\n\n\n\n<li>Regia : Andrei Hu\u021buleac<\/li>\n\n\n\n<li>Asistenta de regie: Dora B\u00e2rzan<\/li>\n\n\n\n<li>Scenografia: Maria Nicola<\/li>\n\n\n\n<li>Lighting Design: Lucian Moga<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Traducerea: Vlad Cristache&nbsp;&nbsp;&nbsp;<br \/>Adaptarea textului :&nbsp; Corina Moise &amp; Andrei Hu\u021buleac<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1957. E secet\u0103 \u00een nici\u0103ieriul American din vestul Statelor Unite. Dar e secet\u0103 \u0219i \u00een inimile membrilor familiei Curry. Harry, tat\u0103l familiei, cei doi b\u0103ie\u021bi (Noah \u0219i Jim) \u0219i singura fat\u0103, Lizzie, \u00eencearc\u0103 s\u0103 fac\u0103 fa\u021b\u0103 deopotriv\u0103 usc\u0103ciunii de afar\u0103\u2026 dar \u0219i celei din\u0103untru.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cea mai mare problem\u0103 a acestei familii e c\u0103 Lizzie e nem\u0103ritat\u0103 \u0219i f\u0103r\u0103 prea mari perspective. A\u0219a c\u0103, atunci c\u00e2nd Bill Starbuck, un individ misterios care promite s\u0103 aduc\u0103 ploaia, le p\u0103\u0219e\u0219te pragul, Harry Curry \u00eel prime\u0219te cu bra\u021bele deschise. Nu doar pentru c\u0103 sper\u0103 s\u0103 aduc\u0103 ploaia, ci mai ales un pic de lumin\u0103 \u00een sufletul lui Lizzie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O poveste din epoca de aur a Hollywood-ului despre fragilitatea speran\u021bei, dar mai ales despre importan\u021ba de a o p\u0103stra vie \u00een vremuri grele.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Durata 2h 10 min<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>LUNI&nbsp; 21&nbsp; SEPTEMBRIE&nbsp;&nbsp; <\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Sala Mare, ORA 18:00&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201eMOARTEA UNUI COMIS VOIAJOR\u2019\u2019 de Arthur Miller, regia&nbsp; M\u0103d\u0103lin H\u00eencu<\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Distribu\u021bia:<\/strong><\/li>\n\n\n\n<li>VALENTIN TERENTE &#8211; Willy Loman<\/li>\n\n\n\n<li>MONICA IVA\u0218CU &#8211; Linda Loman<\/li>\n\n\n\n<li>SEVER B\u00c2RZAN &#8211; Biff Loman<\/li>\n\n\n\n<li>TEOFIL MEMELIS &#8211; Happy Loman<\/li>\n\n\n\n<li>MARCEL TURCOIANU &#8211; Unchiul Ben<\/li>\n\n\n\n<li>LIVIU PINTILEASA \u2013 Charley<\/li>\n\n\n\n<li>ADELIN ILIE &#8211; Bernard<\/li>\n\n\n\n<li>ADRIAN \u015eTEFAN &#8211; Howard Wagner<\/li>\n\n\n\n<li>C\u0102T\u0102LINA NEDELEA &#8211; Femeia \/ Letta<\/li>\n\n\n\n<li>TEODORA ANTAL &#8211; O voce \/ Miss Forsythe<\/li>\n\n\n\n<li>REGIA: M\u0102D\u0102LIN H\u00ceNCU<\/li>\n\n\n\n<li>ASISTENT DE REGIE: TEODORA ANTAL<\/li>\n\n\n\n<li>SCENOGRAFIE: CLARA POP<\/li>\n\n\n\n<li>TRADUCERE: IOANA IERONIM<\/li>\n\n\n\n<li>VERSIUNE SCENIC\u0102: M\u0102D\u0102LIN H\u00ceNCU<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eMoartea unui comis voiajor\u201d, de Arthur Miller, este una dintre piesele fundamentale ale dramaturgiei americane postbelice \u0219i una dintre cele mai puternice interoga\u021bii dramatice asupra Visului American. \u00centrebarea care str\u0103bate \u00eentreaga oper\u0103 este simpl\u0103 \u0219i nelini\u0219titoare: este acest vis o promisiune real\u0103 sau doar o iluzie colectiv\u0103?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pornind de la aceast\u0103 premis\u0103, Miller urm\u0103re\u0219te destinul unei familii din clasa mijlocie a Brooklynului anilor \u201950. \u00cen centrul pove\u0219tii se afl\u0103 Willy Loman, un comis voiajor ajuns la v\u00e2rsta senectu\u021bii, care \u00eencearc\u0103 s\u0103 men\u021bin\u0103 aparen\u021ba succesului \u00een timp ce ascunde de familie \u0219i de cei apropia\u021bi degradarea treptat\u0103 a s\u0103n\u0103t\u0103\u021bii sale mintale. Figura lui Willy devine astfel expresia fragilit\u0103\u021bii unui ideal social care promite ascensiunea, dar poate genera, \u00een acela\u0219i timp, deziluzie \u0219i e\u0219ec.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Structura piesei combin\u0103 prezentul cu incursiuni frecvente \u00een memorie, construind un univers dramatic \u00een care amintirile, regretele \u0219i speran\u021bele ne\u00eemplinite se \u00eentrep\u0103trund. Prin aceste reveniri \u00een trecut, este dezv\u0103luit\u0103 treptat istoria familiei Loman \u0219i sursa tensiunilor care o macin\u0103.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00cen acest context, fiul cel mare, Biff, \u00eencearc\u0103 s\u0103-\u0219i g\u0103seasc\u0103 propriul drum \u0219i s\u0103 se elibereze de presiunea idealurilor impuse de tat\u0103l s\u0103u. \u00cens\u0103 aceast\u0103 \u00eencercare \u00eel conduce inevitabil spre o confruntare dureroas\u0103 cu propriul trecut \u0219i cu imaginea tat\u0103lui pe care o purta p\u00e2n\u0103 atunci.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Din aceast\u0103 confruntare se na\u0219te o tensiune emo\u021bional\u0103 intens\u0103, care transform\u0103 piesa lui Miller \u00eentr-un portret profund al rela\u021biilor familiale \u0219i al contradic\u021biilor destinului omenesc. \u201eMoartea unui comis voiajor\u201d r\u0103m\u00e2ne astfel o explorare dramatic\u0103 remarcabil\u0103 a distan\u021bei dintre aspira\u021biile oamenilor \u0219i realitatea \u00een care sunt nevoi\u021bi s\u0103 tr\u0103iasc\u0103.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>MAR\u021aI&nbsp; 22&nbsp; SEPTEMBRIE&nbsp;&nbsp; <\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Sala Mare, ORA 18:00&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201eA DOU\u0102SPREZECEA NOAPTE\u201d&nbsp;&nbsp; de William Shakespeare, regia&nbsp; Andrei Hu\u021buleac,&nbsp; <em>Teatrul Dramatic \u201eFani Tardini\u201d Gala\u021bi<\/em><\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Teatrul Dramatic \u201eFani Tardini\u201d Gala\u021bi<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Aten\u021bionare:<\/strong> Primele dou\u0103 r\u00e2nduri fac parte din spa\u021biul viu al spectacolului. Ac\u021biunea ajunge p\u00e2n\u0103 la voi, inclusiv cu ap\u0103. Ve\u021bi g\u0103si la locuri mici \u201einstrumente de protec\u021bie\u201d pe care v\u0103 rug\u0103m s\u0103 le folosi\u021bi. V\u0103 recomand\u0103m s\u0103 lua\u021bi acest aspect \u00een considerare la alegerea locurilor. V\u0103 mul\u021bumim pentru \u00een\u021belegere!<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Regia artistic\u0103: Andrei Hu\u021buleac<\/li>\n\n\n\n<li>Text: William Shakespeare<\/li>\n\n\n\n<li>Traducerea: Mihnea Gheorghiu<\/li>\n\n\n\n<li>Versiunea de scen\u0103: Adrian Nicolae<\/li>\n\n\n\n<li>Asistent regie: Mihai P\u0103un<\/li>\n\n\n\n<li>Scenografia: Maria Nicola<\/li>\n\n\n\n<li>Light design: Lucian Moga<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Distribu\u021bia&nbsp;<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Denisa Dutcovschi \u2013 Viola<\/li>\n\n\n\n<li>Visarion Udatu \u2013 Sebastian<\/li>\n\n\n\n<li>\u015etefan Forir \u2013 Orsino<\/li>\n\n\n\n<li>Petronela Buda \u2013 Olivia<\/li>\n\n\n\n<li>Vlad Ajder \u2013 Malvolio<\/li>\n\n\n\n<li>Costin St\u0103ncioi \u2013 Feste<\/li>\n\n\n\n<li>Ciprian Bra\u015foveanu \u2013 Sir Toby Belch<\/li>\n\n\n\n<li>Radu Horghidan \u2013 Sir Andrew Aguecheek<\/li>\n\n\n\n<li>Oana Mogo\u015f \u2013 Maria<\/li>\n\n\n\n<li>Mihai P\u0103un \u2013 Fabian\/Un c\u0103pitan de nav\u0103<\/li>\n\n\n\n<li>R\u0103zvan Clopo\u0163el \u2013 Antonio<\/li>\n\n\n\n<li>Aurelian Gheorghe\/Theodor Cre\u021bu\/Claudiu Hotnogu \u2013 Valentin, Curio&nbsp;&nbsp;<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">A dou\u0103sprezecea noapte este una dintre cele mai \u00eendr\u0103gite comedii ale lui William Shakespeare. Scris\u0103 \u00een perioada 1601-1602, piesa este o poveste despre iubire, identitate \u0219i confuzie, construit\u0103 pe jocuri de aparen\u021be \u0219i personaje memorabile (Olivia, Viola, Malvolio). Regizorul g\u0103l\u0103\u021bean Andrei Hu\u021buleac \u00ee\u0219i face astfel debutul, cu aceast\u0103 produc\u021bie, pe scena teatrului din ora\u0219ul s\u0103u natal. Pe scena Teatrului Dramatic Gala\u021bi, A DOU\u0102SPREZECEA NOAPTE a mai fost montat de dou\u0103 ori \u2013 prima dat\u0103 \u00een 1977 (regia: George Rada; scenografia: Victor Cre\u021bulescu), cea de-a doua variant\u0103, \u00een 2004 (regia: Dan Tudor; scenografia: Doru Zanfir).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201ePentru a da un ecou timpurilor pe care le tr\u0103im, am plasat ac\u021biunea spectacolului \u00een perioada Weimar-ului german, cu amestecul lui paradoxal de decaden\u021b\u0103 (vezi kabarett-ul \u0219i c\u00e2ntecele lui de eliberare sexual\u0103) \u0219i rigiditate excesiv\u0103 (vezi ochii suspicio\u0219i cu care majoritatea societ\u0103\u021bii germane privea aceste debu\u0219ee \u201eunderground\u201d).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ca \u0219i atunci, \u0219i acum, mi se pare c\u0103 acest melanj de exces \u0219i conservatorism se manifest\u0103 \u00eentr-un paradox r\u0103u-prevestitor. A\u0219a cum bine zice Feste: \u201eVin vremuri grele pentru bufoni\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Personajele din pies\u0103 sunt exact ca oamenii realit\u0103\u021bii contemporane. Pe r\u00e2nd: excesivi \u0219i sentimentali, cruzi \u0219i patetici, cu momente de gra\u021bie alternate celor de \u00eencr\u00e2ncenare.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">De altfel, spectacolul A dou\u0103sprezecea noapte (de\u0219i rezist\u0103 foarte bine ca spectacol comic, energic, care bucur\u0103 \u0219i emo\u021bioneaz\u0103 publicul) este, mai presus de toate acestea, o scrisoare deschis\u0103 adresat\u0103 tuturor celor care tr\u0103im aceste timpuri: o medita\u021bie simpl\u0103 asupra ideii c\u0103, exact precum personajele din pies\u0103, absorbi\u021bi de micile noastre vie\u021bi, de trec\u0103toarele noastre emo\u021bii, risc\u0103m s\u0103 nu vedem cum, la umbra ignoran\u021bei noastre, cresc mari \u0219i neiert\u0103toare istorii.\u201d Andrei Hu\u021buleac, regizorul spectacolului<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Durata spectacolului: 2h 15 min<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V\u00e2rst\u0103 recomandat\u0103: 14+<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>MIERCURI&nbsp; 23&nbsp; SEPTEMBRIE<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Sala Mare, ORA 18:00&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201eLEGAT\u0102 CU FUNIA DE P\u0102M\u00c2NT\u201d&nbsp; de Lorina B\u0103lteanu, regia Slava Sambri\u0219,<em>&nbsp; Teatrul Republican \u201eLuceaf\u0103rul\u201d&nbsp; Chi\u0219in\u0103u<\/em><\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Teatrul Republican \u201eLuceaf\u0103rul\u201d&nbsp; Chi\u0219in\u0103u, Republica Moldova<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Regia: Slava Sambri\u0219<\/li>\n\n\n\n<li>Text: Lorina B\u0103lteanu<\/li>\n\n\n\n<li>Scenografia: Adrian Suruceanu<\/li>\n\n\n\n<li>Sound design: Dumitru Seretinean, Via Dac\u0103<\/li>\n\n\n\n<li>Lighting design: Andrei Chirtoca<\/li>\n\n\n\n<li>Video design: Roman Edihanov<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Distribu\u021bia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Vitalia Grigoriu \u2013 &nbsp;Mama, elev\u0103<\/li>\n\n\n\n<li>Viorica C\u00ee\u0219laru \u2013 Eroin\u0103<\/li>\n\n\n\n<li>Irina Vacarciuc \u2013 &nbsp;Elev\u0103, Naratoare, Amara, Valentina<\/li>\n\n\n\n<li>Ion Jitari \u2013 &nbsp;Bunel, elev<\/li>\n\n\n\n<li>Maria Anton \u2013 &nbsp;Sor\u0103, figura\u021bie, elev\u0103<\/li>\n\n\n\n<li>Victor Triboi \u2013 &nbsp;Tata, figura\u021bie, str\u0103bunel, elev<\/li>\n\n\n\n<li>Dorina T\u0103taru \u2013 &nbsp;Baba Mereu, figura,<\/li>\n\n\n\n<li>ro\u021bie Mereu \u2013 &nbsp;figura\u021bie elev\u0103<\/li>\n\n\n\n<li>Ion Liulica \u2013 &nbsp;Fratele, poli\u021bistul Ivan Gheorghevici, elev<\/li>\n\n\n\n<li>Radu Can\u021b\u00eer \u2013 &nbsp;figura\u021bie, unchiul, \u0218tefan, elev, \u00eenv\u0103\u021b\u0103tor<\/li>\n\n\n\n<li>Marius-C\u0103t\u0103lin Tulum \u2013 &nbsp;Ghea Chimu, Nea Profir, elev<\/li>\n\n\n\n<li>Liuba Roman: Firea, figura\u021bie, Bunica Ileana, Zina, elev\u0103<\/li>\n\n\n\n<li>Eugeniu Nicov \u2013 &nbsp;Valeric\u0103, figura\u021bie, Chiric\u0103, elev<\/li>\n\n\n\n<li>Ion Prisacara \u2013 &nbsp;Frate, figura\u021bie, elev<\/li>\n\n\n\n<li>Victoria C\u00eerlan \u2013 &nbsp;Muza, figura\u021bie, elev\u0103, Tania, Liza<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Zeci de personaje, istorii \u0219i \u00eent\u00e2mpl\u0103ri s-au adunat pe o scen\u0103. Toate sunt culese din amintirile unei copil\u0103rii at\u00e2t de familiare. At\u00e2t de familiare prin desprinse din albumul de fotografii pe care \u00eel p\u0103streaz\u0103, cu grija, mama, \u00een sertarul de la bufet. \u00cen acest univers scenic, pove\u0219tile se \u00eempletesc ca firele unei funii invizibile, leg\u00e2nd trecutul de prezent, dorin\u021bele de viitor \u0219i visurile de realitate. E lumea unei feti\u021be care viseaz\u0103 s\u0103 plece departe &#8211; departe, dar care simte c\u0103 locul unde sa n\u0103scut o \u021bine str\u00e2ns, precum luna e legat\u0103 cu o funie de p\u0103m\u00e2nt.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u00e2nd luminile se sting, vei r\u0103m\u00e2ne pe loc \u2013 prins \u00eentre dorin\u021ba de a zbur\u0103 \u0219i nevoia de a r\u0103m\u00e2ne. \u00ce\u021bi vei sim\u021bi inima plin\u0103, nu de triste\u021be, ci de speran\u021b\u0103, pentru c\u0103 funia care te \u021bine legat pe p\u0103m\u00e2nt nu e un lan\u021b, ci o punte \u2013 \u00eentre cine e\u0219ti \u0219i cine po\u021bi deveni.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Durata: 3h15min \/ Pauz\u0103: Da<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Limit\u0103 de v\u00e2rst\u0103: 14+<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>VINERI&nbsp; 23&nbsp; SEPTEMBRIE<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Sala Studio, ORA 22:00&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201eDOMNI\u0218OARA IULIA\u201d&nbsp; de&nbsp; August Strindberg,&nbsp; regia&nbsp; Dumitru Acri\u0219,&nbsp; <em>Teatrul \u201eTony Bulandra\u201d T\u00e2rgovi\u0219te<\/em><\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Teatrul \u201eTony Bulandra\u201d T\u00e2rgovi\u0219te<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Text: August Strindberg<\/li>\n\n\n\n<li>Regia: Dumitru Acri\u0219<\/li>\n\n\n\n<li>Scenografia: Mc Ranin<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Distribu\u021bia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Lavinia Pele \u2013 Domni\u0219oara Iulia<\/li>\n\n\n\n<li>Antonia Ionescu \u2013 Domni\u0219oara Iulia<\/li>\n\n\n\n<li>Andrei Seu\u0219an \u2013 Jean<\/li>\n\n\n\n<li>Constantin Tache Florescu \u2013 Jean<\/li>\n\n\n\n<li>Andreea Stanciu \u2013 Kristin<\/li>\n\n\n\n<li>Cristina Dumitra \u2013 Kristin<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Spectacolul ne poart\u0103 \u00een noaptea de S\u00e2nziene, un timp al misterului, \u00een care ordinea obi\u0219nuit\u0103 se destram\u0103, iar conven\u021biile las\u0103 loc dorin\u021belor ascunse. Destinele Domni\u0219oarei Iulia, ale valetului Jean \u0219i ale buc\u0103t\u0103resei Kristin se \u00eempletesc \u00eentr-un joc periculos de pasiune, ascensiune \u0219i pr\u0103bu\u0219ire, acolo unde atrac\u021bia se \u00eent\u00e2lne\u0219te cu fatalismul.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Regizorul Dumitru Acri\u0219 a ales s\u0103 aduc\u0103 personajele \u00een dou\u0103 planuri temporale, confrunt\u00e2ndu-le cu propriile versiuni tinere \u0219i b\u0103tr\u00e2ne. Astfel, spectacolul exploreaz\u0103 impactul acelei nop\u021bi asupra \u00eentregii lor vie\u021bi.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eIulia, Jean \u0219i Kristin, ajun\u015fi la b\u0103tr\u00e2ne\u021be, se privesc \u00een oglinda propriilor versiuni tinere \u015fi retr\u0103iesc clocotul acelei nop\u021bi c\u00e2nd dorin\u021ba \u015fi fatalitatea s-au unit pentru a le marca iremediabil existen\u021ba\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recomandare de v\u00e2rst\u0103: 14+<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Durata spectacolului: 1h 30 min<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>JOI&nbsp; 24&nbsp; SEPTEMBRIE<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Sala Mare, ORA 18:00&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201eCIOBURI\u201d&nbsp; Adaptare dup\u0103 \u201eAniversarea\u201d de Jeroen van den Berg, regia&nbsp; Alexandra Bandac Marian,&nbsp; <em>Teatrul Municipal \u201eMatei Vi\u0219niec\u201d Suceava<\/em><\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Teatrul Municipal \u201eMatei Vi\u0219niec\u201d Suceava<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Text: dup\u0103 Jeroen van den Berg<\/li>\n\n\n\n<li>Regia: Alexandra Bandac Marian<\/li>\n\n\n\n<li>Scenografia: Sebastian Ra\u021biu<\/li>\n\n\n\n<li>Coregrafia: Juan Cruz Luque<\/li>\n\n\n\n<li>Video design: Mihai Nistor<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Distribu\u021bia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>C\u0103t\u0103lin \u0218tefan M\u00eendru \u2013 Leo Beumer<\/li>\n\n\n\n<li>Cristina Florea \u2013 Els Beumer&nbsp;<\/li>\n\n\n\n<li>Delu Lucaci \u2013 Esther Beumer&nbsp;<\/li>\n\n\n\n<li>Alexandru Marin \u2013 Jurgen Beumer<\/li>\n\n\n\n<li>Diana Laz\u0103r &#8211; Thea<\/li>\n\n\n\n<li>Bogdan Amur\u0103ri\u021bei &#8211; Eric<\/li>\n\n\n\n<li>Copiii: Amalia Calinciuc, Adela Ioana Boca, Victor Apetrei \u0219i Petru Petrariu<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Spectacolul CIOBURI este o adaptare dup\u0103 \u201eAniversarea\u201d de Jeroen van den Berg \u0219i este montat pe scena teatrului de la Suceava de regizoarea Alexandra Bandac Marian.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eCIOBURI\u201d este un text de actualitate despre conflictele care se nasc \u00een cadrul unei familii moderne, o familie care se simte captiv\u0103 \u00een neputin\u0163a de a se salva de la destr\u0103mare. Punctul de plecare este unul pozitiv \u0219i anume aniversarea zilei de na\u015ftere a mamei, \u00eens\u0103 ne d\u0103m seama pe parcurs c\u0103 asist\u0103m, pas cu pas, la dec\u0103derea familia Beumer. Evolu\u0163ia dec\u0103derii devine oarecum comic\u0103 \u0219i st\u00e2rne\u015fte r\u00e2sul, \u00eens\u0103 este un comic amar care \u00eencearc\u0103 s\u0103 ascund\u0103 drama din spatele zilei de aniversare.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Alexandra Bandac Marian este asistent de regie la Opera Na\u021bional\u0103 Rom\u00e2n\u0103 din Ia\u0219i \u0219i asistent universitar la Universitatea Na\u021bional\u0103 de Arte \u201eGeorge Enescu\u201d din Ia\u0219i. \u00cen 2012 a absolvit sec\u021bia de Actorie de la UNAGE Ia\u0219i, iar \u00een 2024 a finalizat studiile \u00een Regie la aceea\u0219i universitate.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Alexandra a jucat la Teatrul Na\u021bional \u201eVasile Alecsandri\u201d din Ia\u0219i, la Ateneul Na\u021bional din Ia\u0219i \u0219i a colaborat cu teatre independente precum Teatru Fix \u0219i Teatrul Urban. \u00cen 2019 a c\u00e2\u0219tigat Premiul pentru cea mai bun\u0103 pies\u0103 la Concursul de dramaturgie contemporan\u0103 \u201eCorneliu-Dan Borcia\u201d, edi\u021bia a II-a, Piatra-Neam\u021b, cu textul Ghid de supravie\u021buire pentru tocilari, pies\u0103 care este montat\u0103 \u00een acela\u0219i an la Teatrul Tineretului din Piatra Neam\u021b, \u00een regia lui Cristi Avram.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recomandare de v\u00e2rst\u0103: 12+<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Durata spectacolului: 1h 30 min<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Sala Studio, ORA 20:00&nbsp; \u201ePRIMA FACIE\u201d&nbsp; de Suzie Miller<\/strong>, <strong>regia Andrei Hu\u021buleac, <em>Compania Thin Red Line<\/em><\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Distribu\u021bie: <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Corina Moise (one-woman show)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Regia: Andrei Hu\u021buleac<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Scenografia: Maria Nicola<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sound design: Adrian Piciorea<\/li>\n\n\n\n<li>Lighting design: Lucian Moga<\/li>\n\n\n\n<li>Fotografie afi\u0219: Sorin Miron<\/li>\n\n\n\n<li>Afi\u0219: Blanca Doba<\/li>\n\n\n\n<li>Traducerea: Corina Moise<\/li>\n\n\n\n<li>Adaptarea: Corina Moise \u0219i Andrei Hu\u021buleac<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Durata: 1h 30 min (f\u0103r\u0103 pauz\u0103)<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>VINERI&nbsp; 25&nbsp; SEPTEMBRIE<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Sala Mare, ORA 18:00&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201eCRIM\u0102 LA HOTELUL HOWARD JOHNSON\u2019S\u201d de Ron Clark \u0219i Sam Bobrick, regia&nbsp; M\u0103d\u0103lin H\u00eencu, <em>Teatrul Municipal Bacovia<\/em><\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Teatrul Municipal Bacovia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Text: Ron Clark \u0219i Sam Bobrick<\/li>\n\n\n\n<li>Traducere \u0219i adaptare \u2013 M\u0103d\u0103lin H\u00eencu<\/li>\n\n\n\n<li>Regie \u2013 M\u0103d\u0103lin H\u00eencu<\/li>\n\n\n\n<li>Scenografie \u2013 R\u0103zvan Bordo\u0219<\/li>\n\n\n\n<li>Lighting design \u2013 Costi Baciu<\/li>\n\n\n\n<li>Grafic\u0103 afi\u0219 \u2013 Ronin<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Distribu\u021bia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Kiki Simion \u2013 Arlene Miller<\/li>\n\n\n\n<li>Adrian Ionescu \u2013 Mitchell Lovell<\/li>\n\n\n\n<li>\u0218tefan Huluba \u2013 Paul Miller<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Este permis totul \u00een dragoste? Chiar \u0219i crima?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aceasta este \u00eentrebarea pe care o lanseaz\u0103 comedia \u201eCrim\u0103 la hotelul Howard Johnson`s\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Construit\u0103 \u00een jurul unui triunghi amoros cu miz\u0103\u2026 mortal\u0103, piesa urm\u0103re\u0219te, pe parcursul a trei scene efervescente, jocul schimb\u0103tor dintre o so\u021bie, amantul ei \u0219i so\u021bul \u00een\u0219elat \u2014 un trio formidabil, prins \u00eentr-un carusel de planuri, tr\u0103d\u0103ri \u0219i e\u0219ecuri spectaculoase.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Arlene, o femeie romantic\u0103 \u0219i capricioas\u0103, se afl\u0103 prins\u0103 \u00eentre so\u021bul ei, Paul \u2013 un agent de v\u00e2nz\u0103ri respectabil, dar plictisitor \u2013 \u0219i amantul Mitchell, un dentist fermec\u0103tor, dar superficial. \u00cempreun\u0103, cei trei anti-eroi \u00eencurc\u0103 iubirea cu r\u0103zbunarea \u0219i pun la cale, pe r\u00e2nd, tot felul de \u201ecrime perfecte\u201d, fiecare \u00eencerc\u00e2nd s\u0103-l elimine pe cel\u0103lalt \u2013 \u00eens\u0103 eforturile lor se dovedesc a avea rezultate extrem de imprevizibile.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O comedie alert\u0103, construit\u0103 pe dialoguri savuroase \u0219i situa\u021bii pline de verv\u0103, exploreaz\u0103 cu tandre\u021be \u0219i ironie fragilitatea rela\u021biilor interumane \u0219i nevoia profund\u0103 de a fi iubi\u021bi. O fars\u0103 despre sl\u0103biciuni, vanitate \u0219i dorin\u021ba de iubire, spus\u0103 cu farmecul specific comediei americane de pe Broadway.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recomandare de v\u00e2rst\u0103: 16+<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Durata spectacolului: 1h 30 min<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">*Spectacol nerecomandat persoanelor cu sensibilitate la imagini stroboscopice<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Sala Studio, ORA 21:00&nbsp;&nbsp;&nbsp;<\/strong> <strong>\u201eDECALOGUL DUP\u0102 HESS\u201d<\/strong> de Alina Nelega, <strong>regia Gabi Cadariu<\/strong> <strong><em>TEATRUL \u201eANTON PANN\u201d R\u00c2MNICU V\u00c2LCEA<\/em><\/strong><\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Distribu\u021bie: Nicu Mihoc<\/li>\n\n\n\n<li>Regia: Gabi Cadariu<\/li>\n\n\n\n<li>Scenografia: Nicu Mihoc<\/li>\n\n\n\n<li>Regia tehnic\u0103: Vasile Marinoiu<\/li>\n\n\n\n<li>Sunet: Roiban Robert Marius<\/li>\n\n\n\n<li>Lumini: Ologu Gheorghe Constantin<\/li>\n\n\n\n<li>Recuzit\u0103-costume: Loredana Marinoiu<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Durata:1h 20minute<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V\u00e2rst\u0103 recomandat\u0103 16+<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Spectacolul \u201eDecalogul dup\u0103 Hess\u201d este inspirat din biografia controversatului Rudolf Hess \u2013 apropiat al lui Hitler, judecat pentru crime de r\u0103zboi, niciodat\u0103 recunoscute, \u0219i \u00eenchis la Spandau timp de 47 de ani. Actorul Nicu Mihoc ofer\u0103 o interpretare tulbur\u0103toare, identific\u00e2ndu-se cu personajul \u00eentr-o liturghie neagr\u0103 a con\u0219tiin\u021bei. Cu o for\u021b\u0103 scenic\u0103 remarcabil\u0103, el sondeaz\u0103 convingerile \u0219i obsesiile lui Hess, dezv\u0103luind fa\u021ba \u00eentunecat\u0103 a idealurilor ce justific\u0103 r\u0103ul.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>S\u00c2MB\u0102T\u0102&nbsp; 26&nbsp; SEPTEMBRIE<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Sala Mare, ORA 18:00&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u201eMARIA&nbsp; T\u0102NASE. O POVESTE\u201d&nbsp; de Carmen-Lidia Vidu, regia&nbsp; Carmen-Lidia Vidu, <em>Teatrul de Stat Constan\u021ba<\/em><\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Teatrul de Stat Constan\u021ba<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Text: Carmen-Lidia Vidu<\/li>\n\n\n\n<li>Regia: Carmen-Lidia Vidu<\/li>\n\n\n\n<li>Scenografia: L\u0103cr\u0103mioara Dumitra\u0219cu<\/li>\n\n\n\n<li>Multimedia: Cristina Baciu<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Distribu\u021bia<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>MARIA T\u0102NASE \u2013 Mirela Pan\u0103<\/li>\n\n\n\n<li>PIANIST\u0102\u2013&nbsp; Elena Gatcin<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eMARIA T\u0102NASE. O POVESTE\u201d este un one woman show care \u00eenf\u0103\u0163i\u015feaz\u0103 o versiune despre via\u0163a celebrei c\u00e2nt\u0103re\u0163e, cu aspecte ale personalit\u0103\u0163ii ei care sunt mai pu\u0163in cunoscute. Documente autentice, scrisori de arhiv\u0103, fr\u00e2nturi din interviurile, g\u00e2ndurile \u015fi amintirile ei, analogii cu Edith Piaf sau cu Frida Kahlo, toate alc\u0103tuiesc o imagine coerent\u0103 a unei femei superbe \u015fi puternice. \u00centr-o montare inedit\u0103, cu o imagistic\u0103 luxuriant\u0103, actri\u0163a \u015fi c\u00e2nt\u0103rea\u0163a Mirela Pan\u0103 interpreteaz\u0103 \u015fi \u015fase dintre c\u00e2ntecele superbe ale Mariei T\u0103nase, acompaniat\u0103 de pianista Elena Gatcin.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Durata spectacolului: 1h, f\u0103r\u0103 pauz\u0103<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Sala Studio, ORA 20:00&nbsp;<\/strong> <strong>\u201eCE VIA\u021a\u0102 MINUNAT\u0102 AM AVUT&#8230;\u201d<\/strong> dup\u0103 Boris Akunin, <strong>regia Dumitru Acri\u0219, <em>TEATRUL DE VEST RE\u0218I\u021aA<\/em><\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Distribu\u0163ia:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Camelia Ghinea \u2013 Arkadina<\/li>\n\n\n\n<li>Ana Maria Cizler \u2013 Polina Andreevna<\/li>\n\n\n\n<li>Bianca Temneanu \u2013 Nina<\/li>\n\n\n\n<li>Andrada Samoil\u0103 \u2013 Ma\u0219a<\/li>\n\n\n\n<li>Andrei Ple\u0219a \u2013 Treplev<\/li>\n\n\n\n<li>Alexandru Moldovan \u2013 Trigorin<\/li>\n\n\n\n<li>Sorin Fruntelat\u0103 \u2013 Samraev<\/li>\n\n\n\n<li>Marius Tudor \u2013 Dorn<\/li>\n\n\n\n<li>\u0218tefan Creang\u0103\/Sevi Stan \u2013 Medvedenko<\/li>\n\n\n\n<li>Otniel Floru\u021b\/Florin Ruicu \u2013 Sorin<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Durata: 1h 50min<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Publicul \u021bint\u0103: +14 ani<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sinopsis: ,,Ce via\u021b\u0103 minunat\u0103 am avut\u2026\u201d transpune scenic piesa lui Boris Akunin, construit\u0103 ca o continuare imaginat\u0103 a Pesc\u0103ru\u0219ului de A.P. Cehov. Spectacolul reinterpreteaz\u0103 finalul piesei originale ca pe un \u201eal cincilea act\u201d \u00een cheie detectivistic\u0103: sinuciderea lui Konstantin Treplev devine ipoteza unei crime, iar doctorul Dorn preia rolul investigatorului. Fiecare personaj este, pe r\u00e2nd, un posibil suspect, av\u00e2nd un motiv plauzibil, astfel \u00eenc\u00e2t sunt propuse mai multe variante ale deznod\u0103m\u00e2ntului, \u00een stilul unui roman poli\u021bist.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>DUMINIC\u0102&nbsp; 27&nbsp; SEPTEMBRIE&nbsp;&nbsp; <\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Sala Mare, ORA 18:00&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/strong> <strong>CONCERT&nbsp; al Trupei byron duo<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Descoper\u0103&nbsp;muzica&nbsp;byron&nbsp;\u00eentr-un format&nbsp;unic&nbsp;\u0219i&nbsp;intim! Dan Byron (voce&nbsp;\u0219i&nbsp;chitar\u0103)&nbsp;\u0219i&nbsp;Sergiu &#8222;6&#8221; Mitrofan (clape)&nbsp;\u00ee\u021bi&nbsp;propun&nbsp;o&nbsp;formul\u0103&nbsp;inedit\u0103&nbsp;de&nbsp;spectacol, live duo,&nbsp;unde&nbsp;vei&nbsp;putea&nbsp;asculta&nbsp;variante&nbsp;diferite, re-interpretate ale&nbsp;pieselor&nbsp;consacrate. Pe&nbsp;l\u00e2ng\u0103&nbsp;aerul&nbsp;personal al&nbsp;interpret\u0103rii,&nbsp;cei&nbsp;doi&nbsp;vor&nbsp;\u00eemp\u0103rt\u0103\u0219i&nbsp;cu tine&nbsp;pove\u0219ti&nbsp;din&nbsp;culisele&nbsp;trupei&nbsp;\u0219i&nbsp;momente&nbsp;speciale&nbsp;din&nbsp;carierele&nbsp;lor.&nbsp;Fiecare&nbsp;concert&nbsp;byron&nbsp;&#8211; live duo&nbsp;este&nbsp;o&nbsp;c\u0103l\u0103torie&nbsp;muzical\u0103&nbsp;emo\u021bionant\u0103&nbsp;\u0219i&nbsp;plin\u0103&nbsp;de&nbsp;surprize.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Durata concertului \u2013 1 h<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Sala Mare, ORA 18:00&nbsp;<\/strong> <strong>RECITAL DE POEZIE \u0218I TEATRU \u2013 SIBIU, DOMNULE \u015eI FRATE EMINESCU<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Constantin Chiriac \u00een recital extraordinar<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Actor de teatru \u0219i film \u0219i lider \u00een domeniul cultural, Constantin Chiriac este pre\u0219edinte al Festivalului Interna\u021bional de Teatru de la Sibiu, director general al Teatrului Na\u021bional \u201eRadu Stanca\u201c Sibiu, director al Bursei de Spectacole de la Sibiu, \u0219i fondator al Aleii Celebrit\u0103\u021bilor din Sibiu, al \u0218colii de teatru \u0219i management cultural din cadrul Universit\u0103\u021bii Lucian Blaga Sibiu, al Platformei Interna\u021bionale de Cercetare Doctoral\u0103 \u00een Artele Spectacolului \u0219i Management Cultural din cadrul aceleia\u0219i universit\u0103\u021bi, al Asocia\u021biei Sibiu Capital\u0103 Cultural\u0103 European\u0103 2007. Este profesor universitar la Universitatea \u201eLucian Blaga\u201c din Sibiu \u0219i a primit titlul de Doctor Honoris Causa de la importante universit\u0103\u021bi din Rom\u00e2nia \u0219i din lume, sus\u021bin\u00e2nd cursuri \u0219i conferin\u021be la universit\u0103\u021bi din lumea \u00eentreag\u0103. \u00cen 2019 Ministrul Culturii din Fran\u021ba, dl. Franck Riester l-a decorat \u00een grad de Cavaler al Ordinului Artelor \u0219i Literelor. \u00cen 2020 a fost decorat \u00een grad de Cavaler al Ordinului Na\u021bional al Legiunii de Onoare Fran\u021ba, de c\u0103tre Ministerul pentru Europa \u0219i Afaceri Externe din Fran\u021ba \u0219i a primit Distinc\u021bia Cultural\u0103 a Academiei Rom\u00e2ne. La \u00eenceputul anului 2024 Constantin Chiriac prime\u0219te premiul The Angel Award din partea International Society for the Performing Arts (ISPA), Prim\u0103ria Sibiu \u00eei ofer\u0103 titlul de Cet\u0103\u021bean de Onoare al Municipiului Sibiu, iar Universitatatea \u201dLucian Blaga\u201d din Sibiu \u00eei confer\u0103 titlul onorific de Profesor Emerit \u0219i medalia. Constantin Chiriac a jucat \u00een peste 40 de spectacole, colabor\u00e2nd cu regizori importan\u021bi \u0219i a sus\u021binut one-man show-uri \u0219i recitaluri de poezie \u00een peste 50 de \u021b\u0103ri. Festivalul Interna\u021bional de Teatru de la Sibiu s-a desf\u0103\u0219urat, de-a lungul a peste 30 de edi\u021bii, sub \u00cenaltul Patronaj al Pre\u0219edin\u021bilor Rom\u00e2niei \u0219i a primit \u00cenaltul Patronaj al Regelui Charles al III-lea \u0219i al Pre\u0219edintelui Germaniei. Festivalul a primit importante recunoa\u0219teri din partea Regelui Belgiei, a Pre\u0219edintelui Israelului, \u00cemp\u0103ratului Japoniei \u0219i a Regelui Spaniei. \u00cen cadrul Galei UNITER 2024, prime\u0219te Premiul pre\u015fedintelui UNITER, pentru 30 de ani de FITS. \u00cen 2025 prime\u0219te The Outstanding Contribution Award de la The Network of Silk Road Arts Festivals.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recitalul \u201eDomnule \u015fi frate Eminescu\u201c este construit ca un dialog \u00eentre Mihai Eminescu \u015fi Ion Creang\u0103 \u015fi porne\u015fte de la dimensiunea poeziei populare ca matrice, explor\u00e2nd leg\u0103tura creatoare \u0219i prietenia unic\u0103 dintre cei doi scriitori rom\u00e2ni.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Durata- 1 h<\/strong><\/p>\n\n\n<figure class=\"wp-block-post-featured-image\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1662\" src=\"https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/afis-festival-braila-2026.webp\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" style=\"object-fit:cover;\" srcset=\"https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/afis-festival-braila-2026.webp 800w, https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/afis-festival-braila-2026-144x300.webp 144w, https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/afis-festival-braila-2026-493x1024.webp 493w, https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/afis-festival-braila-2026-768x1596.webp 768w, https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/afis-festival-braila-2026-72x150.webp 72w, https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/afis-festival-braila-2026-739x1536.webp 739w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" data-attachment-id=\"22224\" data-permalink=\"https:\/\/revistacultura.ro\/agenda\/2026\/09\/braila-programul-festivalului-international-de-teatru-si-arte-performative\/afis-festival-braila-2026\/\" data-orig-file=\"https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/afis-festival-braila-2026.webp\" data-orig-size=\"800,1662\" data-comments-opened=\"1\" data-image-title=\"afis-festival-braila-2026\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/afis-festival-braila-2026-493x1024.webp\" \/><\/figure>","protected":false},"excerpt":{"rendered":"<p>Br\u0103ila devine, \u00eencep\u00e2nd din 18 septembrie, scena Festivalului Interna\u021bional de Teatru \u0219i Arte Performative, eveniment organizat de Teatrul \u201eMaria Filotti&#8221; Br\u0103ila, cu sprijinul Prim\u0103riei Municipiului Br\u0103ila \u0219i cu sus\u021binerea sponsorilor \u0219i partenerilor. Edi\u021bia din acest an se desf\u0103\u0219oar\u0103 \u00een perioada 18\u201327 septembrie 2026, cu prelungiri sub forma a dou\u0103 \u00eent\u00e2lniri programate ulterior, pe 3 \u0219i&hellip;&nbsp;<a href=\"https:\/\/revistacultura.ro\/agenda\/2026\/09\/braila-programul-festivalului-international-de-teatru-si-arte-performative\/\" rel=\"bookmark\">Cite\u0219te mai mult &raquo;<span class=\"screen-reader-text\">Br\u0103ila: programul Festivalului Interna\u021bional de Teatru \u0219i Arte Performative 2026<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":22224,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"[\"title\",\"meta\",\"content\",\"tags\",\"comments\",\"post-navigation\"]","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[22],"tags":[],"class_list":["post-22220","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-recomandarile-cultura"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":21410,"url":"https:\/\/revistacultura.ro\/agenda\/2025\/09\/lectura-performativa-de-si-cu-gianina-carbunariu\/","url_meta":{"origin":22220,"position":0},"title":"Lectur\u0103 performativ\u0103 de \u0219i cu Gianina C\u0103rbunariu","author":"Cultura","date":"19 septembrie 2025","format":false,"excerpt":"Programul multianual Arhiva feminist\u0103 de teatru FEM100 deschide seria de evenimente din aceast\u0103 toamn\u0103 cu o lectur\u0103 performativ\u0103 de \u0219i cu Gianina C\u0103rbunariu. Programul multianual Arhiva feminist\u0103 de teatru FEM100 deschide seria de evenimente din aceast\u0103 toamn\u0103 cu o lectur\u0103 performativ\u0103 de \u0219i cu Gianina C\u0103rbunariu. Cunoscut\u0103 dramaturg\u0103-regizoare a cercetat\u2026","rel":"","context":"\u00cen \u201eAgenda culturala\u201d","block_context":{"text":"Agenda culturala","link":"https:\/\/revistacultura.ro\/agenda\/category\/agenda-cultura\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2025\/09\/gianina_carbunariu_arpas.webp?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2025\/09\/gianina_carbunariu_arpas.webp?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2025\/09\/gianina_carbunariu_arpas.webp?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2025\/09\/gianina_carbunariu_arpas.webp?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":21382,"url":"https:\/\/revistacultura.ro\/agenda\/2025\/09\/piata-festivalului-george-enescu-cu-acces-gratuit-are-loc-intre-17-si-21-septembrie\/","url_meta":{"origin":22220,"position":1},"title":"Pia\u021ba Festivalului George Enescu, cu acces gratuit, are loc \u00eentre 17 \u0219i 21 septembrie","author":"Cultura","date":"7 septembrie 2025","format":false,"excerpt":"Programul edi\u021biei 2025 \u2013 cinci seri de muzic\u0103 \u00een aer liber Miercuri, 17 septembrie |Seara se deschide, la ora 18:00, cu un Recital al Bursierilor Funda\u021biei Regale Margareta a Rom\u00e2niei, care aduc pe scen\u0103 energia \u0219i sensibilitatea noii genera\u021bii de muzicieni. De la ora 19:00, flautistul Matei Ioachimescu, al\u0103turi de\u2026","rel":"","context":"\u00cen \u201ecomunicate\u201d","block_context":{"text":"comunicate","link":"https:\/\/revistacultura.ro\/agenda\/category\/comunicate\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2025\/09\/piata-festivalului-enescu.webp?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2025\/09\/piata-festivalului-enescu.webp?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2025\/09\/piata-festivalului-enescu.webp?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2025\/09\/piata-festivalului-enescu.webp?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":20710,"url":"https:\/\/revistacultura.ro\/agenda\/2020\/09\/teatru-la-timisoara-ce-urmeaza-in-festivalul-fest-fdr-sos-2020\/","url_meta":{"origin":22220,"position":2},"title":"Teatru la Timi\u0219oara. 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El Rinc\u00f3n de los Muertos (\u201eThe Corner of the Dead\u201d) \u2013 14 \u0219i 15 noiembrie, ora 19:00 I Peru | Regia: Sebasti\u00e1n Rubio \u0219i Yanira D\u00e1vila Programul Stagiunii Interna\u021bionale de Teatru\u2026","rel":"","context":"\u00cen \u201ecomunicate\u201d","block_context":{"text":"comunicate","link":"https:\/\/revistacultura.ro\/agenda\/category\/comunicate\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/Poster-Stagiunea-Internationala-de-Teatru_toamna2026.webp?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/Poster-Stagiunea-Internationala-de-Teatru_toamna2026.webp?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/Poster-Stagiunea-Internationala-de-Teatru_toamna2026.webp?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/revistacultura.ro\/agenda\/wp-content\/uploads\/2026\/09\/Poster-Stagiunea-Internationala-de-Teatru_toamna2026.webp?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":22174,"url":"https:\/\/revistacultura.ro\/agenda\/2026\/08\/noutatile-concursului-enescu-2026\/","url_meta":{"origin":22220,"position":4},"title":"Nout\u0103\u021bile Concursului Enescu 2026","author":"Cultura","date":"25 august 2026","format":false,"excerpt":"23 august-19 septembrie Concursul Interna\u021bional George Enescu a \u00eenceput duminic\u0103, la Bucure\u0219ti, \u0219i aduce, la a XX-a edi\u021bie, una dintre cele mai ample transform\u0103ri din istoria sa recent\u0103. 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